WAGNER and BEETHOVEN
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Lectures and Community Engagement 2017–18 About the Metropolitan Opera Guild
Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM). -
Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
2020-21-Brochure.Pdf
SUBSCRIPTIONS 20 21 music dance Ca l theater Performances University of California, Berkeley Letter from the Director Universities. They exist to foster a commitment to knowledge in its myriad facets. To pursue that knowledge and extend its boundaries. To organize, teach, and disseminate it throughout the wider community. At Cal Performances, we’re proud of our place at the heart of one of the world’s finest public universities. Each season, we strive to honor the same spirit of curiosity that fuels the work of this remarkable center of learning—of its teachers, researchers, and students. That’s why I’m happy to present the details of our 2020/21 Season, an endlessly diverse collection of performances rivaling any program, on any stage, on the planet. Here you’ll find legendary artists and companies like cellist Yo-Yo Ma, the Vienna Philharmonic Orchestra with conductor Gustavo Dudamel, the Mark Morris Dance Group, pianist Mitsuko Uchida, and singer/songwriter Angélique Kidjo. And you’ll discover a wide range of performers you might not yet know you can’t live without—extraordinary, less-familiar talent just now emerging on the international scene. This season, we are especially proud to introduce our new Illuminations series, which aims to harness the power of the arts to address the pressing issues of our time and amplify them by shining a light on developments taking place elsewhere on the Berkeley campus. Through the themes of Music and the Mind and Fact or Fiction (please see the following pages for details), we’ll examine current groundbreaking work in the university’s classrooms and laboratories. -
Maximise Your Enjoyment and Understanding of Wagner’S Music
Wagner Society in NSW Inc. Maximise your enjoyment and understanding of Wagner’s music Newsletter No. 123, December 2011 - January 2012 IT'S ALMOST MEMBERSHIP RENEWAL TIME Yes, it’s surprising how quickly the year slips by, and membership renewal is due by 31 January! Why renew your membership for 2012? The best reason to renew is the expanded range of activities and events that will stimulate, educate and entertain! Our calendar will expand the number of Wagner Society events from eight to ten with more variety and interest than ever before. There will be recitals, lectures, debates, fund-raisers and social occasions, focussed on the buildup to the bicentenary of Wagner's birth and Opera Australia's forthcoming Ring production in Melbourne in 2013. SO, MAXIMISE YOUR ENJOYMENT BY RENEWING YOUR MEMBERSHIP! You can renew your membership now using the renewal form at the back of this newsletter. Hamburg State Opera in two concert performances of Das Rheingold, the opening opera in Richard Wagner’s greatest President’s Report work, The Ring Cycle. In 2000 in Vienna, Ms Young made Welcome to the final newsletter for 2011. musical history when she became the first woman ever to Your Committee has been working energetically (some conduct the complete Ring Cycle. members, it seems, have been writing emails almost around Ms Young will also conduct the performance of Mahler’s the clock) in organising an exciting series of events for next mighty Symphony No. 2, known as the Resurrection year. Indeed, we have such an abundance of riches that, in Symphony that will feature soloists from the Hamburg addition to our regular functions, we will be participating State Opera. -
The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating. -
2007 2008 2007 Note $000 $000 Note $000 $000
PERFORMING FOR TODAY BUILDING FOR FUTURE GENERATIONS SYDNEY OPERA HOUSE TRUST ANNUAL REPORT 2007/08 PERFORMING FOR TODAY Symphonie Fantastique Le Grand Cirque Sydney Opera House is one of the busiest and most successful performing arts centres in the world. FOR TODAY Operating 363 days, 1,269,996 people attended 1,661 performances over the year. Performance Partnerships 53,726 children attended our Kids at the Through our own programming division, Resident companies – The Australian House and House:Ed programs designed Sydney Opera House Presents, our resident Ballet, Opera Australia, Sydney Symphony for young audiences. companies and major hirers we generated and Sydney Theatre Company – were 2,709 people attended the Balnaves Open a wealth of diverse performances including responsible for 54% of our total audiences House Program that extends access to the international artists and ensembles, local and and 34% of all performances. broader community by offering $5 tickets. newly commissioned works, emerging artists Our Major Partners NAB and HP, our and programs for families and schools. Approximately 120,000 unique visitors five Media Partners and our 20 Corporate visit our website every month. Sydney Opera House Presents aims to complement Sponsors help us to achieve our business the programming of our resident companies objectives. 605 people are employed at Sydney Opera and extend the cultural experiences available House and help us to achieve success every day. Our 417 private donors generously contributed to the people of Sydney and NSW. Our They are joined by many, many other people $545,305, an increase of 15% year on programming under this banner represented on site who work with our resident companies, year, to allow us to invest in the world’s best 44% of all performances across our venues. -
Spring 2015 CUES Internet at the Speed of Whoa
OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message. -
Houston Grand Opera's 2017–18 Season Features Long-Awaited Return of Strauss's Elektra
Season Update: Houston Grand Opera’s 2017–18 Season Features Long-Awaited Return of Strauss’s Elektra and Bellini’s Norma, World Premiere of Ricky Ian Gordon/Royce Vavrek’s The House without a Christmas Tree, First Major American Opera House Presentation of Bernstein’sWest Side Story Company’s six-year multidisciplinary Seeking the Human Spirit initiative begins with opening production of La traviata Updated July 2017. Please discard previous 2017–18 season information. Houston, July 28, 2017— Houston Grand Opera expands its commitment to broadening the audience for opera with a 2017–18 season that includes the first presentations of Leonard Bernstein’s classic musical West Side Story by a major American opera house and the world premiere of composer Ricky Ian Gordon and librettist Royce Vavrek’s holiday opera The House without a Christmas Tree. HGO will present its first performances in a quarter century of two iconic works: Richard Strauss’s revenge-filled Elektra with virtuoso soprano Christine Goerke in the tempestuous title role and 2016 Richard Tucker Award–winner and HGO Studio alumna Tamara Wilson in her role debut as Chrysothemis, under the baton of HGO Artistic and Music Director Patrick Summers; and Bellini’s grand-scale tragedy Norma showcasing the role debut of stellar dramatic soprano Liudmyla Monastyrska in the notoriously difficult title role, with 2015 Tucker winner and HGO Studio alumna Jamie Barton as Adalgisa. The company will revive its production of Handel’s Julius Caesar set in 1930s Hollywood, featuring the role debuts of star countertenor Anthony Roth Costanzo (HGO’s 2017–18 Lynn Wyatt Great Artist) and Houston favorite and HGO Studio alumna soprano Heidi Stober as Caesar and Cleopatra, respectively, also conducted by Maestro Summers; and Rossini’s ever-popular comedy, The Barber of Seville, with a cast that includes the eagerly anticipated return of HGO Studio alumnus Eric Owens, Musical America’s 2017 Vocalist of the Year, as Don Basilio. -
PR 1516 Season Highlights.Indd
125TH ANNIVERSARY 2015–2016 SEASON Season Highlights Orchestras • The New York Philharmonic opens Carnegie Hall’s 125th anniversary season with Music Director Alan Gilbert conducting the world premiere of a new work by Magnus Atlanta Symphony Orchestra and Chorus Lindberg, co-commissioned by Carnegie Hall, in addition to Ravel’s Daphnis et Chloé Baltimore Symphony Orchestra Suite No. 2 and Tchaikovsky’s Piano Concerto No. 1 with soloist Evgeny Kissin, who Bavarian Radio Symphony Orchestra kicks off his season-long Perspectives series with this performance. (Oct. 7, SA/PS) Berliner Philharmoniker • The Philadelphia Orchestra returns to Carnegie Hall for four concerts led by Music Boston Symphony Orchestra Director Yannick Nézet-Séguin that include Gil Shaham playing Bartók’s Violin Concerto No. 2; Jan Lisiecki performing Beethoven’s Piano Concerto No. 4; Haydn’s Budapest Festival Orchestra Symphony No. 103, “Drumroll,” and Bruckner’s Symphony No. 4, “Romantic”; and a The Cleveland Orchestra final program of Rachmaninoff’s Piano Concerto No. 1 with Lang Lang and Mahler’s The MET Orchestra Symphony No. 10 in Deryck Cooke’s performing edition. (Oct. 13, Jan. 14, Jan. 26, May 11, SA/PS) Minnesota Orchestra New York Philharmonic • Music Director Andris Nelsons leads the Boston Symphony Orchestra in three nights of concerts that include the New York premiere of Sebastian Currier’s Divisions; New York String Orchestra Beethoven’s Piano Concerto No. 3 with Paul Lewis; a concert performance of Richard Orchestra of St. Luke’s Strauss’s Elektra with soprano Christine Goerke in the title role; and Prokofiev’s Orchestre National de France Alexander Nevsky with mezzo-soprano Nadezhda Serdyuk and the Tanglewood Festival Chorus. -
Program Notes
Monday Evening, July 25, 2016, at 8:00 pm m Opening-Night Program a r The Illuminated Heart (World premiere) g Selections from Mozart’s Operas o r P Mostly Mozart Festival Orchestra Louis Langrée , Conductor e Netia Jones , Director, Designer, and Illuminations M|M h Kiera Duffy , Soprano M|M T Christine Goerke , Soprano Ana María Martínez , Soprano M|M Nadine Sierra , Soprano M|M Marianne Crebassa , Mezzo-soprano M|M Daniela Mack , Mezzo-soprano (New York debut) Matthew Polenzani , Tenor Christopher Maltman , Baritone M|M Peter Mattei , Baritone M|M Peter Carwell , Program Consultant Andrew Hill , Director of Lighting This program is approximately 90 minutes long and will be performed without intermission. The Illuminated Heart was commissioned by Lincoln Center for the Performing Arts. M|M Mostly Mozart debut (Program continued) Please make certain all your electronic devices are switched off. The Mostly Mozart Festival is made possible by Renée and Robert Belfer, Sarah Billinghurst Solomon and Howard Solomon, and Rita E. and Gustave M. Hauser. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Fortepiano by R.J. Regier, Freeport, Maine David Geffen Hall Mostly Mozart Festival Additional support is made possible by Chris and Bruce Crawford, Laurie M. Tisch Illumination Fund, Anne and Joel Ehrenkranz, The Howard Gilman Foundation, The Fan Fox and Leslie R. Samuels Foundation, Inc., Charles E. Culpeper Foundation, S.H. and Helen R. Scheuer Family Foundation, and Friends of Mostly Mozart. Public support -
Sydney Opera House Annual Report 2008-2009
The Hon. Nathan Rees, MP Premier and Minister for the Arts Sir, we have the pleasure of presenting the Annual Report of the Sydney Opera House for the year ended Sydney Opera House 30 June 2009, for presentation to Parliament. This report has been prepared in accordance with the provisions 2008/09 Annual Report of the Annual Reports (Statutory Bodies) Act 1984 and the Public Finance and Audit Act 1983. Kim Williams AM Richard Evans Chairman Chief Executive Sydney Opera House 2008/09 Annual Report Letter to Minister above Financials 36 Chairman’s Message 4 Financial Statements 38 CEO’s Message 6 Government Reporting 54 Vision & Goals 8 Performance List 66 Key Dates 8 ‘59 Who We Are 9 Our Focus 9 Key Outcomes 2008/09 & Objectives 2009/10 11 Performing Arts 12 Annual Giving 70 Music 14 Contact Information 73 Theatre 16 Opera 18 Index 74 Dance 20 Sponsors inside back cover Danish architect Jørn Utzon Work begins. Young Audiences 22 is announced as the winner of the international design competition by the Hon. JJ (Joe) Cahill. ‘57 Broadening the Experience 24 Building & Environment 26 Corporate Governance 28 The Trust 30 The Executive Team 32 People & Culture 34 sydneyoperahouse.com Where imagination takes you. Cover photography by David Min & Mel Koutchavlis The Hon. Nathan Rees, MP Premier and Minister for the Arts Sir, we have the pleasure of presenting the Annual Report of the Sydney Opera House for the year ended Sydney Opera House 30 June 2009, for presentation to Parliament. This report has been prepared in accordance with the provisions 2008/09 Annual Report of the Annual Reports (Statutory Bodies) Act 1984 and the Public Finance and Audit Act 1983.