09/27/21 Experimental Cinemas (FLM020N240S) | University of Roehampton

Experimental Cinemas (FLM020N240S) View Online

Afterimages 1: Malcolm Le Grice Volume 1 - Shop / DVDs. (n.d.).

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Afterimages 3: Lis Rhodes Volume 1 - Shop / DVDs - LUX. (n.d.).

Akerman, Chantal. (1999). News from home: Vol. The Chantel Akerman collection. World Artists.

Akira Mizuta Lippit. (2012). Ex-cinema: from a theory of and video. University of California Press.

A London Trilogy: The Films of Saint Etienne 2003-2007 [DVD]. (n.d.). http://www.amazon.co.uk/London-Trilogy-Films-Etienne-2003-2007/dp/B00C5II3RW/ref=sr_ 1_1?s=dvd&ie=UTF8&qid=1374131445&sr=1-1&keywords=london+trilogy

Andy Warhol: The Complete Picture [DVD]. (n.d.).

Apichatpong Weerasethakul. (2008). Syndromes and a Century: Sang Sattawat. BFI.

As I was moving ahead occasionally I saw brief glimpses of beauty. (n.d.).

Avant-Garde Experimental Cinema of the 1920s and 1930s (compilation). (n.d.). https://www.youtube.com/watch?v=7lZ1cFZyd-A

Barbara Hammer. (2010). Hammer. Feminist Press.

Barber, George. (2009). Beyond language: selected video works: 1983-2008. Lux.

Barber, S. (2004). Kurt Kren. In The art of destruction: the films of the Vienna Action Group: Vol. Persistence of vision (pp. 62–68). Creation.

Barber, Stephen. (2004). The art of destruction: Vol. Persistence of vision (annotated edition). Creation.

Belson, Jordan. (2007). 5 essential films. Center for Visual Music.

Brakhage, Stan, & McPherson, Bruce R. (2001). Essential Brakhage: selected writings on filmmaking: Vol. Documentext. McPherson & Co.

Brenez, N. (2004). ‘For it is the critical faculty that invents fresh forms’ (Oscar Wilde). In

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The French cinema book (pp. 230–247). BFI. https://contentstore.cla.co.uk/secure/link?id=9c260ce9-392f-e711-80c9-005056af4099

Brenez, N. (2014). ‘We support everything since the dawn of time that has struggled and still struggles’: introduction to Lettrist cinema. Sternberg Press.

Bun ̃ uel, Luis, & Dali, Salvador. (n.d.). : L’age d'or. BFI.

Caban ̃ as, K. M. (2015). Off-screen cinema: Isidore Isou and the Lettrist avant-garde. The University of Chicago Press.

Central Bazaar [DVD] [1975]. (n.d.). http://www.amazon.co.uk/Central-Bazaar-DVD-Stephen-Dwoskin/dp/B001TQROBM/ref=sr_1 _1?s=dvd&ie=UTF8&qid=1428595669&sr=1-1&keywords=central+b azaar

Christian Lebrat - Vibrations. (n.d.). http://re-voir.com/shop/en/christian-lebrat/463-christian-lebrat-vibrations-3493551100107. html?search_query=Lebrat+&results=6

Coffret Jonas Mekas. (n.d.).

Connolly, Maeve, & ebrary, Inc. (2009). The place of artists’ cinema: space, site and screen . Intellect.

Consolation Service (Eija-Liisa Ahtila, 199, Fin). (n.d.).

Cowan, M. J. (2014). Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity. Amsterdam University Press.

Criterion Collection: A Hollis Frampton Odyssey [DVD]. (n.d.).

Curtis, David. (2007). A History of Artists’ Film and Video in Britain. British Film Institute.

Devaux, F. (2008). Isodore Isou’s Traité de bave et d’éternité. In Traité de bave et d’éternité (pp. 27–48). Re:Voir EDA. https://contentstore.cla.co.uk/secure/link?id=e4c5332b-dd33-e711-80c9-005056af4099

Different Cinema 3 [DVD] [Region 1] [US Import] [NTSC]. (n.d.). http://www.amazon.co.uk/Different-Cinema-DVD-Region-NTSC/dp/B002IXBUDS/ref=sr_1_1? s=dvd&ie=UTF8&qid=1360779463&sr=1-1

DISRUPTIVE FILM: EVERYDAY RESISTANCE TO POWER, VOL.1. (n.d.). http://www.facetsdvd.com/product-p/dv102386.htm

Dixon, Wheeler W. (1997). The exploding eye: a re-visionary history of 1960s American experimental cinema: Vol. The SUNY series, cultural studies in cinema/video. State University of New York Press.

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Dixon, Wheeler W., & Foster, Gwendolyn Audrey. (2002). Experimental cinema, the film reader: Vol. In focus : Routledge film readers. Routledge.

Dominic Johnson. (n.d.). Glorious Catastrophe: Jack Smith, Performance and Visual Culture (Rethinking Art’s Histories) [Illustrated] [Hardcover]. Manchester University Press (1 Jun 2012).

Donald, James, Friedberg, Anne, & Marcus, Laura. (1998). Close Up, 1927-1933: Cinema and Modernism. Cassell.

DVD CINEMA. (n.d.).

DVD JONAS MEKAS, WILLARD MAAS, MARIE MENKEN - Visions of Warhol. (n.d.).

Dwoskin, S. (n.d.). Stephen Dwoskin 2006-2010.

Edition Filmmuseum Shop - Materialfilme 1968-76 Edition Filmmuseum 54. (n.d.). http://www.edition-filmmuseum.com/product_info.php/language/en/info/p116_Materialfilme -1968-76.html

Elwes, C. (2015). Installation and the Moving Image. Columbia University Press.

Epstein, Jean. (2001). The Fall of the House of Usher. All Day Entertainment.

Flux Film Anthology - DVD. (n.d.).

Frampton, Hollis, Jenkins, Bruce, & ebrary, Inc. (2009). On the camera arts and consecutive matters: the writings of Hollis Frampton: Vol. The MIT Press writing art series. MIT Press.

Free Radicals: A History of Experimental Cinema [DVD] [2012] [Region 1] [US Import] [NTSC]. (n.d.). http://www.amazon.co.uk/Free-Radicals-History-Experimental-Cinema/dp/B00AOCDDI0

Gaal-Holmes, P. (2015). History of 1970s experimental film: Britain’s decade of diversity. Palgrave Macmillan.

Genet, Jean. (2003). Un chant d’amour: Vol. The classic collection. British Film Institute.

Giles, J., & British Film Institute. (1991). The cinema of Jean Gene ̂ t: Un chant d’amour. BFI Publishing.

Gondry, Michel. (2004). Eternal Sunshine of the Spotless Mind. Focus Features.

Hamlyn, Nicky, & British Film Institute. (2003). Film art phenomena. British Film Institute. Hammond, Paul. (2000). The Shadow and its shadow: surrealist writings on the cinema (3rd ed., rev. and expanded). City Lights Books.

Harry Smith - EARLY ABSTRACTIONS & MIRROR . (n.d.).

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Hatfield, Jackie. (2006). Experimental film and video: an anthology. John Libbey & Co Ltd. Ian Breakwell - British Artists’ Films [DVD]. (n.d.). http://www.amazon.co.uk/Ian-Breakwell-British-Artists-Films/dp/B000PE0JLG/ref=sr_1_5?ie =UTF8&qid=1428595520&sr=8-5&keywords=ian+breakwell

In the Mirror of [DVD] [Region 1] [US Import] [NTSC]. (n.d.).

Investigating Sex: Surrealist Discussions [Paperback]. (n.d.). Verso; 2 edition (4 July 2011).

Isolde Standish. (n.d.). Politics, Porn and Protest. Continuum. 2011. [Paperback]. Continuum (2011).

Jacobs, Ken. (2006). New York ghetto fishmarket 1903. Tzadik.

Jacobs, Ken, & Zorn, John. (2005). Celestial subway lines: salvaging noise. Tzadik. https://www.youtube.com/watch?v=tK9MnO-x6R8

JACQUES RIVETTE COLLECTION (15) DUAL FORMAT 16 DISCS BLU-RAY AND DVD. (n.d.). http://www.worldonlinecinema.com/?ct=t(New_Spanish_Latin_American_films_on_dvd_1_1 2_2015)&mc_cid=3009b8ae28&mc_eid=b6007d533b

James, D. E. (1992). Film Diary/Diary Film: Practice and Product in Walden. In To free the cinema: Jonas Mekas & the New York underground (pp. 145–179). Princeton University Press. https://contentstore.cla.co.uk/secure/link?id=ead03bf7-874a-e611-80bd-0cc47a6bddeb

Jarman, Derek. (1994). The last of England: Vol. A night with Derek season. Channel 4.

Jayne Parker - British Artists Films Vol.4 [DVD]. (n.d.). http://www.amazon.co.uk/Jayne-Parker-British-Artists-Films/dp/B001110H32/ref=sr_1_1?ie =UTF8&qid=1428595475&sr=8-1&keywords=jayne+parker

Jeanne TripplehornStellan SkarsgårdMike Figgis. (n.d.). Timecode [DVD] [2000]. http://www.amazon.co.uk/Timecode-DVD-Jeanne-Tripplehorn/dp/B0000AQVIA/ref=sr_1_1?s =dvd&ie=UTF8&qid=1422382860&sr=1-1&keywords=timecode

John David Rhodes. (n.d.). (BFI Film Classics) [Paperback]. Palgrave Macmillan (12 Sep 2011).

John Latham: Films 1960 - 1971 - Shop / DVDs - LUX. (n.d.).

Jürgen Reble - Passion. (n.d.). http://re-voir.com/shop/en/jurgen-reble/464-jurgen-reble-passion-3493551101154.html?se arch_query=Reble&results=4

Kane, Daniel. (2009). We saw the light: conversations between the new American cinema and poetry. University of Iowa Press.

Kren, K. (n.d.-a). Action Films (Kurt Kren) - DVD.

Kren, K. (n.d.-b). Structural Films (Kurt Kren) - DVD.

4/9 09/27/21 Experimental Cinemas (FLM020N240S) | University of Roehampton

Kudláček, Martina, & Menken, Marie. (2006). Notes on Marie Menken. Icarus Films.

Kuenzli, Rudolf E. (1996). Dada and surrealist film. MIT Press.

L’AUTHENTIQUE PROCÈS DE CARL-EMMANUEL JUNG. (n.d.). http://re-voir.com/shop/en/marcel-hanoun/462-lauthentique-proces-de-carl-emmanuel-jung -3493551101130.html?search_query=Hanoun&results=9

Le Grice, M. (1977). The first abstract films. In Abstract film and beyond (pp. 17–31). Studio Vista.

Le Grice, Malcolm. (2001). Experimental cinema in the digital age. British Film Institute.

Lehman, Boris. (2010). Leçon de vie: Life lesson. Re:voir.

Len Lye - Rhythms (DVD). (n.d.).

Losier, M. (n.d.). Tony Conrad: DreaMinimalist.

Lost lost lost. (n.d.).

Lowder, R. (n.d.). Bouquet d’images.

MacDonald, Scott. (1988). A critical cinema: interviews with independent filmmakers. University of California Press.

MacDonald, Scott. (1993). Avant-garde film: motion studies: Vol. Cambridge film classics. Cambridge University Press.

MacDonald, Scott. (2002). Cinema 16: documents toward a history of the film society: Vol. Wide angle books. Eurospan [distributor].

Margaret Tait. (1974). Colour Poems.

Masterworks of American Avant-garde Experimental Film 1920-1970 [Blu-ray]. (n.d.). http://www.amazon.com/Masterworks-American-Avant-garde-Experimental-1920-1970/dp/ B00XZCIF66/ref=sr_1_1?ie=UTF8&qid=1432653719&sr=8-1&keywords=Masterworks+of+ American+Avant-garde+Experimental+Film

Maya Deren. (1944). At Land.

Mazie ̀ re, Michael, & Danino, Nina. (2003). The Undercut Reader: Critical Writings on Artists’ Film and Video. Wallflower Press.

Meigh-Andrews, C. (2014). In the Beginning: The Origins of Video Art. In History of video art (2nd edition, pp. 6–19). Bloomsbury Academic. https://contentstore.cla.co.uk/secure/link?id=a7c0e2c6-79db-e811-80cd-005056af4099

Mekas, J. (n.d.). WALDEN Diaries, Notes and Sketches (Jonas Mekas) - DVD.

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Mellencamp, Patricia. (1990). Indiscretions: avant-garde film, video & feminism: Vol. Theories of contemporary culture. Indiana University Press.

Nam June Paik: Lessons from the Video Master (2006). (n.d.).

Nichols, Bill, & Deren, Maya. (2001). Maya Deren and the American avant-garde (pp. 3–20). University of California Press. https://contentstore.cla.co.uk/secure/link?id=d1a83087-d2fa-e711-80cd-005056af4099

O’Pray, M. (2003). The Avant-Garde Film: Definitions. In Avant-garde film: forms, themes and passions: Vol. Short cuts (pp. 1–7). Wallflower.

O’Pray, Michael, & Arts Council of England. (1996). The British avant-garde film, 1926 to 1995: an anthology of writings. University of Luton Press.

Optical Poetry: The Life and Work of Oskar Fischinger: Amazon.co.uk: William Moritz: Books . (n.d.).

Oskar Fischinger 1900 1967 [Paperback]. (n.d.). Thames & Hudson (April 1, 2013). http://www.amazon.com/Oskar-Fischinger-1900-Cindy-Keefer/dp/9071338002

Pavle Levi. (2012). Cinema by other means. Oxford University Press.

PETER GIDAL PERFORMANCE OF SORTS WITH BRECHT (2009)/ VOLCANO (2005) / DENIALS (1985). (n.d.).

Peterson, James. (1994). Dreams of chaos, visions of order: understanding the American avant-garde cinema: Vol. Contemporary film and television series. Wayne State University Press.

Peter Tscherkassky - Attractions, Instructions and Other Romances - DVD. (n.d.). http://www.index-dvd.at/en/program/040/index.html

Petrolle, Jean, & Wexman, Virginia Wright. (2005). Women and experimental filmmaking. University of Illinois Press.

Philippe Garrel - Les Hautes Solitudes. (n.d.). http://re-voir.com/shop/en/philippe-garrel/460-philippe-garrel-les-hautes-solitudes-3493551 101123.html

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Rees, A. L. (1999). Extract - Introduction: Siting the Avant-Garde. In A history of experimental film and video: from the canonical avant-garde to contemporary British practice (pp. 1–14). BFI Publishing.

René Clair. (1924). Entracte.

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Rohauer, Raymond. (2007). Avant-garde: films from the Raymond Rohauer collection, 2: Experimental cinema 1928-1954. Kino International. https://www.youtube.com/watch?v=2_DpnZkW5gE&list=PLG_l3ZBQew82ocsQqb9_6w 6iMGSo_nxe4

Rohauer, Raymond, & George Eastman House. (2009). Avant-garde: films from the Raymond Rohauer collection and the George Eastman House, 3: Experimental cinema 1922-1954. Kino International. https://www.youtube.com/watch?v=v-SvLZZpQgw&list=PL8mfy54psRwX-nmbpsNAAF zQPjOqCyxv3

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Short, Robert. (2003). The age of gold: surrealist cinema: Vol. Persistence of vision (pp. 167–180). Creation. https://contentstore.cla.co.uk/secure/link?id=eef6cb4f-8420-e811-80cd-005056af4099

SINK OR SWIM Su Friedrich (1990). (n.d.).

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Stephen Barber. (n.d.). The Art of Destruction. Creation Books.

Stephen Dwoksin ‘Age Is...’ (n.d.). http://re-voir.com/shop/en/film-revoir/455-stephen-dwoskin-age-is-3493551101086.html?s earch_query=Dwoskin&results=7

Sturken, M. (1991). Paradox in the Evolution of an Art Form: Great Expectations and the Making of a History. In Illuminating video: an essential guide to video art (pp. 101–121). Aperture in association with Bay Area Video Coalition. https://contentstore.cla.co.uk/secure/link?id=447804fd-f42f-e711-80c9-005056af4099

Sua ́ rez, Juan Antonio. (1996). Bike boys, drag queens & superstars: avant-garde, mass culture, and gay identities in the 1960s underground cinema. Indiana University Press.

Tait, Margaret. (2005). Margaret Tait: selected films 1952-1976. LUX.

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Tatsuya NakadaiHiroshi Teshigahara. (n.d.). The Face of Another - Masters of Cinema series [DVD]. http://www.amazon.co.uk/Face-Another-Masters-Cinema-DVD/dp/B0006ZLD5K/ref=sr_1_sc _2?s=dvd&ie=UTF8&qid=1422383019&sr=1-2-spell&keywords=teshi gahahra

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Thompson, Kristin, & Bordwell, David. (2003). Film history: an introduction (2nd ed, pp. 191–201). McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=40b61a5d-d3fa-e711-80cd-005056af4099

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Treasures IV: American Avant-Garde Film, 1947-1986 (2008). (n.d.).

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Unseen Cinema Early American Avant-Garde Film 1894-1941 (compilation). (n.d.).

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Viola, Bill. (2006). The Passing. Editions à voir.

Virmaux, Alain, & Virmaux, Odette. (2009). La coquille et le clergyman: The seashell and the clergyman. Lightcone.

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Warhol in ten takes. (2013). BFI Publishing.

Wees, William C. (1992). Light moving in time: studies in the visual aesthetics of avant-garde film. University of California Press.

Which Way to CA? (Kurt Kren) - DVD. (n.d.).

Winkler, Paul. (2009). Australian icons. Redavocado.

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