Core Security Requirements of DRM Systems
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Antitrust, Intellectual Property, and the Itunes Ecosystem
533 ANTITRUST, INTELLECTU AL PROPERTY, AND THE ITUNES ECOSYSTEM: A STUDY OF THE ANTITRUST IMPLICATIONS OF APPLE’S FAIRPLAY TECHNOLOGY WITH A NOD TO THE PECULIARITIES OF • INTELLECTUAL PROPERTY WILLOW NOONAN* I. INTRODUCTION In December 2008, Apple’s iTunes online music store surpassed Wal- Mart as the largest music retailer in the world.1 In the closely related portable music player market, Apple’s iPod enjoys similar success.2 Undoubtedly, Ap- ple’s insight and innovation won much of this eminence. However, a close look at Apple’s business practices reveals some conduct that draws a suspicious eye from antitrust and intellectual property laws. The first part of this article traces the development of online music and the subsequent proliferation of copyright infringement. The next part outlines the technical details, benefits, and drawbacks of Apple’s iTunes ecosystem, a notable combination of Apple products and services. The third part undertakes a traditional antitrust analysis of Apple’s conduct and suggests the need for dee- per inquiry. The next part investigates how Apple’s conduct implicates intellec- tual property law. The fifth part reviews the doctrine of intellectual property misuse and how it might apply to Apple. The final part revisits the antitrust • 2009 IDEA Student Intellectual Property Writing Competition Winner. * Candidate for Juris Doctor, 2010, The George Washington University Law School. 1 Press Release, Apple, Inc., iTunes Store Top Music Retailer in the US (Apr. 3, 2008), http://www.apple.com/pr/library/2008/04/03itunes.html [hereinafter iTunes Store]. 2 Jessica Hodgson, Leap Year Trips Zune in Black Eye for Microsoft, WALL ST. -
The Digital Rights Movement: the Role of Technology in Subverting Digital Copyright , Hector Postigo the Digital Rights Movement
The Digital Rights Movement The Information Society Series Laura DeNardis and Michael Zimmer, Series Editors Interfaces on Trial 2.0 , Jonathan Band and Masanobu Katoh Opening Standards: The Global Politics of Interoperability , Laura DeNardis, editor The Reputation Society: How Online Opinions Are Reshaping the Offline World , Hassan Masum and Mark Tovey, editors The Digital Rights Movement: The Role of Technology in Subverting Digital Copyright , Hector Postigo The Digital Rights Movement The Role of Technology in Subverting Digital Copyright Hector Postigo The MIT Press Cambridge, Massachusetts London, England © 2012 Massachusetts Institute of Technology This work is licensed under a Creative Commons license, CC-BY. To view a copy of this license, visit creativecommons.org. Other than as provided by this license, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected] or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Stone Sans and Stone Serif by Toppan Best-set Premedia Limited. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Postigo, Hector The digital rights movement: the role of technology in subverting digital copyright / Hector Postigo. p. cm. — (The information society series) Includes bibliographical references and index. ISBN 978-0-262-01795-4 (hardcover: alk. paper) 1. Copyright and electronic data processing. -
INDICARE Monitor About Consumer and User Issues of Digital Rights Management Solutions ISSN 1614-287X
INDICARE Monitor About Consumer and User Issues of Digital Rights Management Solutions www.indicare.org ISSN 1614-287X INDICARE Monitor Vol. 1, No 3, 28 August 2004 Content Editorial: Knock out by copyright expiration. The JibJab Media Inc. v Ludlow Music Inc. copyright affair watched from a distance......................2 Knud Böhle, ITAS, Karlsruhe, Germany Open DRM standards for interoperable mobile services. The Open Mobile Alliance releases OMA DRM 2.0 .......................................6 Willms Buhse, CoreMedia, Hamburg, Germany Contest of Formats. The race of audio formats is advanced, while the race for interoperability of protected formats is just about to start....................10 Gergely Tóth, SEARCH Laboratory, Budapest, Hungary The tension between interoperability and information security. Compulsory licensing of information security technology .........................13 Ot Van Daalen, De Brauw Blackstone Westbroek, The Hague The right to resell. Will eBay finally allow secondary markets for digital media?......................16 Lutz Niehüser, European Business School, Oestrich-Winkel, Germany Musicians' voice to be heard! What musicians think of file sharing, DRM, and copy protection.................19 Ulrich Riehm, ITAS, Karlsruhe, Germany Code is NOT law. A short report on the "Code as Code" workshop in Amsterdam, 1-2 July.....23 Rik Lambers, IViR, Amsterdam, The Netherlands Masthead ...........................................................................................25 The INformed DIalogue about Consumer Acceptability of DRM Solutions in Europe Editorial: Knock out by copyright expiration. The JibJab Media Inc. v Ludlow Music Inc. copyright affair watched from a distance By: Knud Böhle, ITAS, Karlsruhe, Germany Abstract: This Editorial is about two intertwined success stories, and a third derivative one about copyright. It is about the success of Woody Guthrie's song "This Land is Your Land", and the success of JibJab Media's web animation "This Land. -
Analysis and Enhancement of Apple's Fairplay
ANALYSIS AND ENHANCEMENT OF APPLE’S FAIRPLAY DIGITAL RIGHTS MANAGEMENT A Project Report Presented to The Faculty of the Department of Computer Science San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Science, Computer Science by Ramya Venkataramu May 2007 © 2007 Ramya Venkataramu ALL RIGHTS RESERVED APPROVED FOR THE DEPARTMENT OF COMPUTER SCIENCE ___________________________________________________ Dr. Mark Stamp, Department of Computer Science, SJSU ____________________________________________________________ Dr. Teng Moh, Department of Computer Science, SJSU ____________________________________________________________ Dr. Robert Chun, Department of Computer Science, SJSU APPROVED FOR THE UNIVERSITY _____________________________________________________________ ABSTRACT ANALYSIS AND ENHANCEMENT OF APPLE’S FAIRPLAY DIGITAL RIGHTS MANAGEMENT by Ramya Venkataramu Digital Rights Management (DRM) technology is used to control users’ access to copyrighted digital content. Apple Inc.’s DRM system, called Fairplay, is used by the iTunes music store to place restrictions on the use of digital content purchased from the online store. Users communicate with the centralized iTunes server to purchase, play, preview digital content, etc. The existing iTunes music store has the disadvantage of a bandwidth bottleneck at the centralized server. Furthermore, this bandwidth bottleneck problem will escalate with increasing popularity of online music and other digital media (such as movies and TV shows) downloads. -
Openlp Reference Manual Release 3.0
OpenLP Reference Manual Release 3.0 OpenLP Developers Mar 03, 2021 CONTENTS 1 Download This Manual 3 2 Getting Started With OpenLP5 2.1 Introduction...............................................5 2.2 Minimum System Requirements.....................................6 2.3 Installing OpenLP on Microsoft Windows................................6 2.4 Installing OpenLP on macOS...................................... 11 2.5 Installing OpenLP on Linux....................................... 18 2.6 Installing OpenLP on BSD........................................ 48 3 Reference Manual 53 3.1 First Time Wizard............................................ 53 3.2 Menu Items................................................ 65 3.3 Configuring OpenLP........................................... 68 3.4 Configuring the Main Window...................................... 84 3.5 Backing up OpenLP........................................... 87 3.6 Dual Monitor Setup........................................... 93 3.7 Library.................................................. 114 3.8 Service.................................................. 138 3.9 Print Service............................................... 155 3.10 Projector Manager............................................ 164 3.11 Plugin List................................................ 175 3.12 Formatting Tags............................................. 178 3.13 Customize Shortcuts........................................... 184 3.14 Themes.................................................. 187 3.15 Songs.................................................. -
Itunes: How Copyright, Contract, and Technology Shape the Business of Digital Media
iTunes: How Copyright, Contract, and Technology Shape the Business of Digital Media The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Fisher, William W. 2004. iTunes: How Copyright, Contract, and Technology Shape the Business of Digital Media. Berkman Klein Center for Internet & Society Research Publication. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:32866386 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA iTunes How Copyright, Contract, and Technology Shape the Business of Digital Media – A Case Study This paper provides an analysis of Apple’s iTunes Online Music Store. The exploratory case study presented in this document is research in progress. Comments and questions are encouraged. The paper analyzes relevant law to achieve deeper understanding of current shifts in the digital media landscape, but does not provide legal advice. Research Team This paper is a case study developed by the Digital Media Project team at the Berkman Center for Internet and Society at Harvard Law School. Gartner|G2 served as our research partner in this venture. Particular thanks to Mike McGuire of Gartner|G2. Digital Media Project Principal Investigator William W. Fisher, III Hale and Dorr Professor of Intellectual Property Law, Harvard Law School Researchers & Authors Urs Gasser, John Palfrey, Derek Slater, Derek Bambauer, Andrew Bragin, Jacqueline Harlow, Charles Hoffmann, Renny Hwang, Joseph Jackson, Georg Krog, Edward Locke, Stephen Mohr, Ivan Reidel, and C.