ews YoLUX WELLESLEY COLLEGE NEWS, WELLESLEY, MASS., NOVEMBER 11, 1965 No. 9 Controversial Book wellesley Considers Instituting ''Treason or Reason" Rages . by Terry Pristin '61 information. and was sharply remind· Chinese Language ed of the regulation. Curriculum Although slightly more than a year "Careful" Documenting ago it was conspicuous in bookstores None Dare Call It Treason ipro· by Rosy Metrailer '66 fleeted in the introduction of an associate professor of history, to and pri\'ate home~. extolled or de· pounds the typical anti-communist More and more today the attention Asian studies :program in the college Wellesley as a full-time Asian expert. rided by columnists and speakers, line. It leaves no institution un· of the world, of governments, of curriculum, and in increasing num· Girls Should Start Early and argued over as a test case in a smeared, including mental health, armies, and of social scientists, is bers of applicants for graduate The new Asian studies program mailing controversy, John Stormer's which is called the "ultimate weap turned toward the Far East, and school programs in Asian area stu· under Mr. Cohen is increasing in 1 adically rightist None Dare Call It on" of the "collectivists." Its racy particularly, toward China. At many dies. terest in China and in the possibility Treason seemed to have quietly re· tone is designed to scare readers educational institutions, similarly at Graduate work in this area re of graduate work among students, tired into obscurity - but now it Continued on page eleven \\·ellesley, this new interest is re· quires knowledge of the Chinese lan Mr. Gulick said. "And this is a won may very well be returning to the guage, which must be acquired either derful field of research, because it spotlight. before beginning advanced work or is so empty." The Americanism Education West German Consul Visits concurrent with those studies, to the However, he pointed out that girls League, one of the lesser-known exclusion or at least postponement of entering graduate studies in this field right-wing groups, is sponsoring an some. Recognizing this new area of with no language background are essay contest for "hundreds of thou· Classes, Club, Coffee House interest and the challenge which it often at a distinct disadvantage. "It sands" of college students based on presents for educational institutions, is much more important for a good this book. According to the contest During the war he served in the ~ews interviewed a number of facul· looking girl than for a boy to get rules the 1500-2500 word essay may army as a major until he was cap ty members concerning the possibil· going as early as ~ssible. Otherwise either "support or refute statements tured by the Russian army in Hun ity of the introduction of a Chinese she may spend the first few years in made in the book." The top three gary in 1945. From 1945 to 1950 he language program at Wellesley. The pure language study, then get mar prizes range from $500-$2,000, and was a prisoner in the Soviet Union. results of these interviews indicate ried and help the boy finish." He said 40 additional ·awards will be given substantial support for such a move, he also thought that Wellesley may of $25 each. Foreign Service and NATO In the years 1951-1952, Dr. von and students are asked to contribute even now lose some potential appli No Questions their views by filling out the ques cants among girls who have taken One of the tactics used here is the Schmidt-Pauli attended the Law School at the University of Virginia tionnaire below. Chinese in high school and wish to free delivery of a copy of the book Mr. Edward Gulick, professor of continue their study in college. along with the entry brochure. In Dr. Edgar \'OD Schmlttt-Paull, Ger· as a trainee under the Exchange of man Consul. history and chairman of the depart· Problems Not Insoluble order to defray the cost of the con Persons Program of the State Depart ment. The next year he entered the ment here, has long hoped to see There are a number of practical test, letters were sent to known con Dr. Edgar von Schmidt-Pauli, Con German Foreign Service, working in Chinese instruction made available problems with instituting a Chinese servatives and to residents of con sul of the Federal Republic of Ger to Wellesley students in some way. language program, to be sure. Ques· servative areas. the United States, Bonn and Norway. many to Boston, will be at Wellesley From 1960-1961 Dr. Schmidt-Pauli "It is partly a matter of respectabil tions as to how many years could or It is impossible to determine Tuesday, Nov. 16. The visit is being served as Deputy Director of the ity for a 'big name' college to offer should be offered, what kind of er; whether the League's solicitation has sponsored by Forum and the German al least one 'big name' language. I nese should be taught, what and how proven successful. One of the contest Club. NATO-Desk in the Foreign Office at Bonn. He was appointed German favor Chinese here because there are much literature should be given, and rules states in bold print that, "ques Dr. von Schmidt-Pauli is a native Consul in Boston in Se!Ptember 1964 more girls of Chinese origin on cam so on, would certainly have to be tions concerning the contest will not of Berlin and received his education pus and more offerings in other de answered. Other language depart· be discussed by mail or otherwise." in schools in Berlin, Switzerland, At "Room F" partments in this field. Furthermore, ments, already small, would prob· Ellen Jaffe, editor-in-chief of News, England and Munich. He specialized The Consul will take an active part it is an increasingly important area ably be further pinched in enrollment. wrote Herbert Philbrick, spokesman iu law, receiving his doctorate from in Wellesley life during his brief to Americans." Mr. Gulick emphasized here, how· for the League, in search of further the University of Munich in 1937 visit on campus. At b30 p.m. he Mr. Gulick believes that ..It will ever, that of the large number of will lecture to Mr. John Schott's d€.pend a great deal on the attitude girls of Oriental origin at Wellesley, European government class. of the new college president. The many do not speak Chine~ or have Dorm Hea
by An11 Armstrong '67 no debate in Washington on these the critics who say that the increas Reveals Career, Study, Family Trends Last Thursday, Jonathan Wallach vi.tal issues. "We want. to disturb the I ing strength of the protest movement The importance of attending grad ed graduate schools for these two and Jens 0. Jens from the Cam ;><>wers in the government." Further- is forcing the U.S. government to uate school as opposed to getting groups were Columbia, Harvard, New tridge Committee to End the War ir more, the Committee recognizes the Ifollow a harsher military policy to married, taking a job, or going home York University, and Yale. Viet Nam spoke to a group of Welle~ need to keep the movement open and ward North Viet Nam. He feels the tc fool around after graduation has Figures recently compiled on the ley students as part of the year's lon-exclusive. ''We are not paci- movement is attacking a basic prob been often exaggerated, denigrated, class of 1965 indicate similar trends. program of the Asian study group. ists . . . And we are not being used lem in the U.S. - lack of adequate and generally fussed over in recent Of 372 registered with the placement Their discussion covered two main by certain private 4>0litical interests." and reliable information. One of the years. The following facts are hereby office, 171 have jobs, 23 want jobs, areas: why the U.S. should get out As the name of the National Com- main purposes of the movement is to submitted in an effort to clarify the and 144 are studying or taking further of Viet Nam; and what are the ob mittee implies, it is a coordinating educate the American people to the i&sue: training. Of these, 34 who have jobs jectives of the End the War in Viet agency of all groups who wish to realities of the war An alumnae questionnaire recently are married, 5 who want jobs are Nam movement. protest the war in Viet Nam. "We are appealing to people's revealed that, out of 16,662 who re married, and 24 who are studying are War Immoral and Dangerous Movement Gaining Strength sense of moral outrage." Both Mr. plied from classes of 1885 to 1962, married. Mr. Jens, in discussing the why's Mr. Wallach pointed out the grow- .Jens and Mr. Wallach feel that the 59.3% went on to graduate school Of the '65 alumnae who have gone ot ending the war, cited two basir ing strength of the "End the War" End the War in Viet Nam Movement Of these 19.3'1 attended graduate straight on to further training, 75 are reasons: the war is immoral and movement. Last April, 20,000 people will continue to grow in numbers school in the arts and sciences, and in academic graduate schools, 30 are dangerous. The U.S. is supporting a orotested the Viet Nam policy in and importance until the government 25 ~( attended institutions for profes ii· graduate schools of education, and military dictatorship, a puppet gov Washington; last month, 100,000 stu- is forced to comply with its demands. sional training. Approximately half 11 in law school, with the remaining ernment, against the will of the ma <:ents throughout the country gathered For. if tt>ece demands are not met, of these two groups remained to re 28 scattered over 12 areas. jority of the population of South Viet in protest. the world risks total annihilation. ceive degrees. The most often-select· Nam. The U.S. presence in Viet Nam Nov. '1:1, there will be a third major ------Readers Write ... is a tacit rejection of the Geneva rirotest in Washington against the Library Competition Offers Award Continued from page two ·var in Viet Nam. Some of the Accords, to which the U.S. had regard to 2. b., the "commitments" .. which wm be used are: agreed in 1954. 1o~ans for Juniors With Finest Collection t~ South Vietnam which are at issue Furthermore, the continued pres "Abide By the Geneva Accord, Es might be specified. The wording of en<'e of U.S. troops in Viet Nam in tablish Free Elections," and "Viet Writer Kenneth Grahame once backs or texts - have a chance to 2 c. seems to imply that Communist creases the possibilities of a large T1m for the Vietnamese; Bring the said that you can excuse extravagant express their views on collecting. expansion can be stopped only by scale land war with China. In fact, G.1.'s Home." The three major de book-buying by considering the pur The annual Junior Library Prize mililary means and is a problem mands which will be presented to the Mr. Jens remarked, such a war may chases as good investments: "you competition, for the junior with the only in Viet Nam. It is perhaps pos be just what some members of the government then are the withdrawal are not squandering income but sink best personal library, has been an sible to be committed to a contain military want now. of the U.S. troops, self-determinations ing capital." He added, "But you nounced for this year by Miss Han ment policy and yet at the same time for the South Vietnamese, and a 'mow all the time you are lying." Changing Thought Into Action nah French, Research Librarian, oppose the methods now being used 0 Mr. Wallace described the move recognition by the U.S. of the Geneva Annual Competition Special Collections. Agreements. in Viet Nam or to consider the prior ment to End the War in Viet Nam Students who agree - or who don't ities of other areas. The thorough Attacking Basic Problem as two-pronged: protest is registered even feel the need to justify collect March 1 Deadline going pacifist can answer question 2. through teach-ins and through direct Mr. Wallach does not agree with ing books beyond the required paper- Interested juniors must submit a d., but the individual who is not a action. Demonstrations, a form of bibliography and an essay on their pacifist yet opposes the Viet Nam war direct action, are used more often collection by March 1, 1966. Collec on moral grounds is left without a because they are a better means of Wellesley's Cari]lonneurs t ions of any number of books on any means of expressing that position. mobilizing opinion and making it -n1biect are eligible, though most of And finally. the last section of ques heard. The Committee to End the Ring Enjoyable Morning Bell the books must be at Wellesley in tion 2. and question 3. do not provide War in Viet Nam is a "movement" case the judges want to look at them for those who oppose complete with it• a very real sense; it is concerned In a recent issue of News, a letter hour less of study or sleep or a half drawal yet disagree with the present with moving 1changing> private dis to the editor protested Wellesley's hour more out in the snow or rain. Established in 1935 by an anony Administration's mode of defense. approval into public protest. mous donor, the $50 Junior Library For instance, some might advocate a Mr. Wallach feels that such a "built-in" alarm clocks and pro- Most of the songs are duets, with claimed, "Let the morning bell be one girl on treble and one on bass Prize has been awarded almost every more active United Nations role com movement is especially necessary vear since then. Among the several bined with a cease fire on our part, now. There is no one in the govern abolished." Interestingly enough 'j The carillon itself resembles a piano there is another "morning"
Talk on Cognition "Experiments with Sentences" is the title of a lecture to be given by George Miller, on Mon day, Nov. 15, at 7:30 p.m. in Pendleton. Mr. Miller received his B.A. de gree from the University of Ala bama and his PhD. from Har vard, where he is now a professor of psychology. His lecture is part of his present research in the field of cognition. He has also been working on aspects of information theory, studies of language, and problems of communication.
View of Renaissance Creighton Gilbert, professor of art at Brandeis, will speak Nov. 17, at 8 p.m. in Jewett Auditorium on "Pierro della Francesca,'' an early Italian Renaissance painter Hopefully, Professor Gilbert's talk will include comments on the fres coes at. Arezzo which are among the maJor works of Pierro. A frequent contributor to Arts Magazine, Professor Gilbert is an aut~ority on Renaissance painting. Go ahead . Be rebellious. Demand more "big" Polara's different, all right. looks, drives, He 1S also the editor of Drawings in your big car. And get it at a price that performs like the elegant piece of machinery Enlist now in th of the Italian Renaissance from won't take a big bite out of your budget. it is. Covered by a 5-year/50,000-mile war e Dodge Rebellion. the Scholz Collection. By Dodge, you've got it. Polara ! More ranty.• Complete with all these items that "big." More "hot." More of everything others used to cost extra : Outside mirror. Padded The Senate Meeting Wednesday, have not. dash. Variable-speed electric windshield November 17 will be a closed I Ever see the likes of it? Neither has your wipers and washers. Backup lights. Turn meeting. The next open meeting next door neighbor or the doorman at the signals. Seat belts, two front and two rear. will be Tuesday, November 30. club or the parking attendant who can easily Insist on Polara at your Dodge Dealer's. A pick Polara from a lot full of "me, too" cars. beautiful new way to break old buying habits. RECRUITERS November 16: Columbia Grad DODGE DIVISKIN C ~J;!~:!~JR.~,~ 'BB Dodge Palara uate School of Business, New York, New York. A representa •HERE'S HOW DODGE'S 5-YEAR, 50,000-lllLE ENGINE AND DRIVE TRAIN WARRANTY PROTECTS YOU: Chrysler tive will be in the Placement Of Corporahon conlldenlly warrants all of the follow1n& vital parts of its 1966 cars for 5 years or 50,000 miles, whichever comes fice interview for their grad first, durina which time any such parts that prove defective In material end workmanship will be replaced or repaired at a to Chrysler Motors Corporation Authonzed Dealer's place of business without charae for such parts or labor: eneme block. uate programs. University of Chi head ind internal parts, intak1 manifold. water pump, transm1SSion case and internal parts (exceptina manual clutch), torque converter, drive shaft, universal Joints, rear ul1 and d1tterential, and 1111 whHI bearinas. cago, Graduate School of Educa REQUIRED MAINTENANCE: Thi followina maintenance services are requited under the warranty-chanae engine oil tion, Chicago, Illinois. A repre every 3 months or 4,000 miles. whichever comes first; replace oil filter every second oil chanae; clean carburetor air filter sentative will interview in the every 6 months ind replace it every 2 years; end every 6 months furnish evldenc1 of this required service to 1 Chrysler Motors Corporation Authorized Dealer and request him to certify receipt of such evidence and your c1r·s miluae. Simple morning only for their graduate enouah for such important protection. programs. November 17: Oberlin College, Oberlin, Ohio. A representative will be in the Placement Office to Join the Dodge Rebellion at your Dodge Dealer's. interview for the Master of Arts in Teaching Programs. Please sign up for appointments ------WATCH •'THE BOB HOPE CHRYSLcR THtATRE" WEONESDAY NIGHTS ON NBC-TV. CHECK YOUR LOCAL LISTINGS.------with Mrs. Bauer the day prior to the date the recruiter is scheduled to visit Wellesley. WELLESLEY COLLEGE NEWS, WELLESLEY, MASS., NOVEMBER 11, 1965 Page Five THEATER SUPPLEMENT An Editorial ••• Conference on America Drama Act One: Curriculum Change Perhaps it can be said that adversity breeds devotion. Roman persecution of the Christians produced a fervor and dedication in Sees Merits Dwarfing Problems those Christians that their successors to the faith have not equalled since. Simiarly actors in England who were not so fortunate as to In words and in mime, the 14th their own theatre, which will, at ize that their actions affected the fnjoy the patronage of a noble were referred to as "ruffians and annual convention of the New Eng least, give them professional experi- actors, and therefore certain behavior fvil-disI?Ose~ persons," "masterless men,". and were frequently sub- land Theatre Conference concluded ence. Mr. Kepros also advised that was inappropriate, was hard; it was, 1ect to llllpnsonment as vagrants. Yet this harassment climaxed in that theatre in America, although actors temporarily out of work con· however, gratifying to see the audi tinue theatre work in an ancillary ence turn from unwilling captives the age of ~~b~than drama and in its guiding light, Shakespeare. far from perfect, offers more pro mise than problems. capacity, rather than take an office to interested viewers. ~h~ ~ea~ ID its history have earned the theater a secure and unique Mr. Paul R. Barstow, assistant job. No "Aspre" position ID the contemporary art world. Reflecting this burgeoning profesor of speech and director of He also spoke about the satisfac- Mr. Carnovsky, famed for his ~terest in and respect for the theater, three to four hundred Welles ~he Wellesley Theatre, attended the tions and the unexpected problems IStratford, Conn. performances of ley students participate annually in some form of extracurricular conference with three students, of presenting live theatre to young- Shylock, Lear, and Prospero and ~heatrics. Wellesley •:tudents have become notorious for their sup Martha Craig '68, Carma Morrill '67, sters who had only seen television or ' presently part of the resident theatre IP°rt of the Boston theater: until this year and the uncertain pres and Ellen Jaffe '66. Mr. Barstow was movies. Getting the children to real- ! Continued 011 page ten fures of the new schedule, the percentage of Wellesley students president of NETC 1958-61 and is now purchasing tickets to the Charles Playhouse surpassed that of any Chairman of the Advisory Council. ther college in the Boston area. Varied Activities Are.a Directors Discuss Ideas on Theater Held October 2'l·23 in the impres Bl;lt .the W~lles~ey curriculum .has not ~xpanded to accommo sive, modern Carl Stephens Ell Stu at.e this 1~creasmg mterest. There 1s no specific theater major here. Repertory Acting Free Expression dent Center of Northeast University, ~t is P'?ss1ble ~o ass·!mble ~ program emphasizing the theater by the major events of the conference Offers Beginning Good Team Spirit combmmg vanous courses m the Speech Department with others were a panel discussion of "The lfrom the language departments. However, there are hindrances to Actor in America: The Problem and by Dorothy Clancy '67 by DonNI Dickenson '67 fven this grudging compromise: only twelve hours of theater courses thP Promise," a speech by Morris "If the director knows everything ay be taken, theater courses may not count toward the fulfillment Carnovsky, this year's winner of beforehand, it shuts up the free, im f the distribution requirements, and theater courses cannot be con NETC's Creative Achievement award. aginative function you see around dered rel~ted ~or~ to any other major. The girl who is carrying a and a performance by the mime you. As I see it, a director's func rregular ma1<;>r ~1th. its a~ten~ant related work and who is also labor- Tony Montanaro. Other meetings fo. tion is to keep that going." ~ cussed on high school and commun The sense of give-and-take ex ing under d1stnbut1on reqmrements .must reconcile herself to giving ity theatre. p thoughts of any electives other than her theater courses. Participating in the panel were pressed in this quotation from an ex· clusive interview with David Wheeler, r Can it be that Wellesley College is trying to provide aspirants Frederick O'Neil, president of Act to the theater the obstacles conducive to greatness? We at News ors' Equity Association; Paul Bene dJrector of the Theatre Company of doubt it. Rather, this slighting of the theater as a course of study dict, resident actor of the Theatre Boston, may explain TCB's dark· Company of Boston; Richard Knee horse success in a city where reper· seems ~o st~m from a failllre to recognize its place in a liberal arts tory groups are often ignored by all educa!ton. If y~~ .wanted to study the theater, why didn't you go land, resident member of Provi dence's new Trinity Square Play but transient college audiences. to aotmg .school? 1s t?e stock return to a student's complaints. But •·Some of the actors who come to us the. fact is that th~ history of the theater can be pursued just as house; Nicholas Kepros, now a~ar ing in the Herald-Traveler's Reper . from off-Broadway shows become validly as can the h1~to~ of art, of music, o! religion, or of anything tory of Shakespeare plays for high really passionate about the company. e~se. No one would ms1~t that a .student d.es1rous of studying biblical school students; and Derek Till of I suppose it's because we have more history go t<;> a th.eolo~cal s~mmary. Drama in a language depart the Concord 1Ma""· l Players. team spirit; we're a lasting company, ment 1s studied pnmanly as l1terature, as the embodiment of certain Elliot Norton, drama critic for the Michael Murray, Artistic Director and our work is a collaborative ef ~deas. It is the performance aspects that are emphasized in the exist Boston Record-American and Sunday and Co-Producer of Boston's Charles fcrt." mg theater courses, the theatrical condtiions and conventions in dif Advertiser, was moderator. Playhouse. Director, not Dictator Overshadowing Wheeler's sense of ferent periods. For ~xample, both the English and the Speech De Repertory Flourishes "Resident Professional Theater in responsibility toward the actor is µartments offer Shalcespcare courses. English 215 studies represen The panel members agreed that Boston" was the subject of a lecture professional repertory theatre in his sense of indebtedness toward the tative plays "with emphasis on their dramatic and poetic aspects." given by Michael Murray, Artistic writer. In selecting the season's pro Spee.ch 205 attends to "Elizabethan stagecraft, contemporary pro cities from Boston to San Francisco Director of the Charles Playhouse on was a flourishing movement, a ductions, he often prefers "marvel duction styles, acting and directing." The literary and the theatrical October 'Zl in Jewett Auditorium. lous American plays written out of healthy alternative to the pressures Speaking from his own experience ~pproaches are complementary but are clearly unique and equally and competition of finding work in the grain of their time' '-such works rmporta~t fields for study. A major in the theater would no more as a founder and present director of as e.e. Cummings' hhn, ignored by New York. Mr. Kneeland empha the Charles Playhouse, Mr. Murray necessarily produce actr~s~es ~han a. major in the hi.story of art pro sized the fact that these theatres producers of the forties but presented discussed the nature and problems duces artists. (Though 1f 1t did, actmg 1s one field m which there is allow the actor to develop by pre with sideshow-barker vigor by the ot a repertory theater such as the senting plays that are artistically val· Theatre Company last winter. unquestionable equality for women.) Charles Playhouse. He feels that such uable, whether or not they are com If Wheeler devotes himself to the . News would like to see Wellesley College grant theater studies a community theater, maintaining mercially successful. rediscovery of classic works, he the independence they have achieved elsewhere. The ideal would be high professional standards, but also spends even more time in the dis 1 Money, however, remains the rep· a major in the history of the theater. At very least, restrictions on cffering an opportunity for young ertory company's biggest worry. covery of new ones. Besides keeping the number of hours of theater courses and refusal to allow these Satisfaction and Worries actors to get started, is an important in touch with young a>laywrights courses to count in distribution and as related work should be done Mr. Benedict urged young actors cultural resource. Vthom he met when assistant to Ed· away with. to start by getting together to form Problems ward Albee at the "Circle in the However, a resident professional Square" workshop, Wheeler main theater is costly and the ever·present tains contact with Boston authors problem is securing funds. Mr. Mur through TCB's monthly stage read· Shakespearan Magic Lives On ray feels that subscriptions and pri· ings, where writers can hear their vate grants csuch as the Ford and scripts brought to life by profes· by Marji Siegel '66 one time plays were given outdoors Rockefeller Foundation Grants) are sionaI actors. by Longfellow Pond, in the amphi the best monetary resources, al· Ideas Come Alive When with a ..full fathom five" theatre, or near Society Road. though government funds, such as In commenting on modem Ameri Ariel scampers freely away from the those provided by t_he new ~ Bill can drama, Wheeler noted author's According to alumnae, the advan· elements, the revels of Shakespeare may prove more unportant m the growing fascination with the one-act tages of being in the midst of nature Society scarcely be ended. The future. ' Contiruud on page eight will were often extraordinary. A produc Society's production of The Tempest tion of MacBeth in the amphitPeatre November 19 and 20 is part of a tra was. greatly enhanced by interru!>' ('Winterfest' Comes To Boston: dition which began in 1876 and has tions of thunder and lightening, while become as integral to Wellesley as a striking sunset saved the perform hoop Tree Day, and Sunday rolling, ance of As You Like It. morning orange juice. ('Culture Festival' Commences Sunset Made SubsUtute H anything, Shakespeare Society The latter play was being given on Winterfest, a "festival of culture," opportunities to more of our citizens." bas become even more firmly en· the lawn before the President's house will commence at Boston's new War Mayor John F. Collins lauded the trenched through the years. Whereas and involved use of a torch for the Memorial Auditorium on February group ilS a "significant step for· in earlier days professional directors new wedding procession. When the torch 1:1 and run for ten days. ward to heighten Boston's artistic charge of the plays and only took bearers were about to enter, they Including programs of music and one full play was presented each expression and appreciation." discovered that the alcohol for the dance, theatre productions, exhibi· year, today the Society members torch was completely diminished, but tions of arts and crafts, and lectures Grants Give SupPort direct all aspects of their productions a blare of red from the setting sun on a wide range of topics, Winterfest Already .grants totalling $35,ooo and still manage to produce two full from Boston's Permanent Charity plays a year. proved a more than adequate sub will be the first project presented stitute. by the newly formed Cultural Foun· Fund are backing the Fot•ndation's Once Unique In Area Yet nary a Shakespeare member dation of Boston, Inc. · activities. President Johnson's new While Shakespeare himself has not would complain about the society's To Promote Culture and Art bill creating the National Foundation lost. general appeal, the Wellesley present confinement. The charmingly The creation of the Cultural Foun on the Arts and Humanities also makes funds available for such organ Society has somewhat Jost its unique authentic Elizabethan structure pro dation was announced here on Octo izations. ness in the Boston area. At the tum vides a perfect atmosphere for living ber 18. It is Boston's first central :Jf the century the Society provided Shakespeare. organization to support and promote In ad~tion to Winterfest, the I culture and activities. Eli Gold the only Shakespeare given in the Margie Williams Elaine Smith and Intimacy Adds. To E:s.perlence art Foundation is sponsoring studies in ston, chairman of Boston Gas Com !ll't!a and Bostonian theatre go- Nina Kaufman, '66, tempesU:ously Eileen Kohl '66, director of the So conjunction with the Joint Center for t?~s ai1 pany and president of the new foun· ers cn?cs wo!11d annually come rehearse Shakespeare's "Tempest." ciety plays, remarks, "You feel Eliz. lirban Studies of M.IJI'. and Har· ~d dation, described it as a "response ~ m their camages for opening (photo by Karin Rosenthal '67) abethan just being in the house," and vard of the problems of making cul mght. Today the same e.iqpert treat- adds that the intimacy of the theatre to the repeated suggestions in this tural programs available to more ment is concentrated on the smaller, Some of the excitements of the enables greater communication with community and, in fact, a national. people, and studies to determine the yet still always overflowing, audi- earlier productions have been elim· the audience and increases the ·sense demand, for a central 9rganization value of a central clearing house of ences of. Wellesley students and their inated due to the players' present of stepping into another world. to help the arts, particularly the per· information and the development ~ guest,, , confinement to the Society House. At Continued on page ten forming arts, and to bring cultural an arts calendar for Greater ~. Head: From Rehearsal Ro<
--~ by Margie Holley '66 readings, a selection of When the audience gathered in Jew called back to read with e.. ett Auditorium on Friday and Satur so that reactions and devf' -- day evenings for this fall's Experi may be studied and corr mental Theatre production, the per made. The cast is then c formance which they saw was a the director, approved by result of eight weeks of planning and Director of Theatre, and work. nounced. Experimental Theatre, an organ Recruiting Crews ization within Wellesley College The During the casting period atre, differs from Barn in that its chiefs are gathered from tb productions are entirely student di of experienced Barn and ET ~ rected, designed, and executed. Its Each head completes her function is to offer to the college through sign-ups and volunte< audience and the public plays which Through production meetin• A~ Ptapeilles w1 l&ap flllllltare II .._ M Gie wfll .... are "experimental" insofar as their heads coordinate their ro in JeweH'9 shop area. modes of presentation are not yet 1Plans for the particular play. dictated by tradition or period con tive budget is drawn up to ventions or are exceptionally differ sented to the Board. ent from our usual present-day Visual Elements dramatic preconceptions. Settings are designed by t Casting of the construction and paint The choice of play is made by the in conference with the direct director and approved by the Barn liminary renderings and pi Board two to three months prior to drawn up, building begins ' performance dates. Then the director ately, and set pieces are inci draws up a schedule of try-<>ut read in rehearsals as soon as ings, and casting notices are dis ready. Construction work if> tributed. the shop area of Jewett R After two days of preliminary Room, and may continue dl
Hanging instruments and cabling on first lighting pipe on .Jewett wagon stage.
Prellmlnary readings on stage. Actors are both c..llege students and young businessmen from the Boston area.
Production meetings of the show. to Footlights ••• A Play is Born
is hearsals and programs in the audi the factor of color. Frequent confer :r torium. ences are held to achieve mutual it Costuming is designed by the head enhancement without interference. tS seamstress, also in conference with In Rehearsal •Y the director, with an eye to period. The four weeks of rehearsal begin " 1s color, and appropriateness for char with blocking and body movemeht. n- acters. Actors' measurements are re As lines are mastered and scripts corded, and elaborate pieces may be left behind, gesture, business, focus, obtained by rental or borrowing. Pat flow of action and rhythm of pacing • t!W terns are laid, materials secured, are worked in. This ~ysical frame '3 and sewing of the rest of the cos work is both guided by and the ve . s. tumes begins. Fittings continue hicle for communication of develop -ew throughout the weeks of rehearsal, ing interpretation. and costumes are usually assembled Along with rehearsals, the "front for use during the final production of house" work progresses: program · week. copy and cover design are prepared IDgbllghts and printed, as are tickets. Publicity The lighting design is drawn up in works through patron notices, news Rouse malling and pubUdty wort. conjunction with settings, through the papers,· photography, and posters to combined efforts of the master elec inform and attract both on and off (. d trician, set designer, and director. campus audiences. J w Coinciding with the progress of the Production week brings a shift into < e- sets comes the hanging of instru high gear with make-up sessions, f !"e ments, gels, cabling and patching, synchronization of crews' and actors' e lj. focusing and preparation of cues and cues, the final polishing of the stage r -
Photos by Margit Hollty '66
S• e t< f v e h ilT ic·, (
PreUmlnary make-up· conference to decide on colors and materials.
Costume fittings are held in the dressing roonis on the second floor of the Jewett rehearsal room.
The big lecos In the celling of Jewett Auditorium are reached by a catwalk high above the audJence. Page Eight WELLESLEY COLLEGE NEWS, WELLESLEY, MASS., NOVEMBER 11, 1965 Bombastic Comic Prose Southern Repertory Group Keeps ET Audience Bright Gets Fame, Not Fortune "1 Robin Rel.rig '66 junior show; and Wayne Scott and Mussel is a poet remarkable for Chris Brooks, pugnacious, profane exciting our laughter and our tears priests in identical costumes and hair by Thea Devine '69 linois, who came to Mississippi in the ru-st time, in Georgia. almost simultaneously. Experimen cuts. In December 1963 two young men summer of 1963 as a civil rights New York Performuces initiated a drama workshop at Touga worker for the Student Non-Violent In January and February of this tal Theatre's production of his tragi Richard Glover was a blistering loo College in Jackson, Mississippi. Coordinating Committee. year, the Free Southern '11leater came comedy Camile and Perdican by Lisa Reed '66 diate rejection of Mabel shatters her which he wears Boy Scout bermudas In Adams House Play Andorra The destruction of illusions is a assumption that love is necessarily and straddles a hobby-horse> and by Estelle Stevens '68 episode, especially in the beginning, popular, not to say hackneyed, theme a lifetime of bliss. maternalism, in which he vacuums are choppy and sporadic. The scenes in drama. The Trlgon, currently off musions Are Like Men the sofa and cares for Basil. Andorra by Max Frisch is a play seem like lagging pieces rather than Broadway in New York, is a power- The message of the play is essen- As Basil, who talks blood and guts of the obvious, so obvious that it harmonious IP8J'ts of a whole. But ful revival of this theme by English- tially enigmatic because what mo- very graphically, is Geoffrey Webb. virtually slaps you across the face Andorra's action follows a snowball man James Broom Lynne. tivates Charles to wreak his destruc- It becomes evident gradually that, with its message - the evil of anti ing movement. Slow at the beginning, Designer Richard Bianchi's set is tion of the triangle is unclear. At the underneath his blustering and savage Semitism. In the Adams House it begins to roll, picking up speed a tired, tasteless room in a London end, he is not gratified to have been outbursts, he is pitifully i~tent. Drama Society's production, the mod· until no one can stop it. walk-up, inhabited by Arthur and the bearer of truth. On the contrary, Veronica Castang plays Mabel, gentle ern parable kicks at propriety. It is Basil. The third member of the tri- the play closes with him king of the and kind to Basil and Arthur, awk ugly, it is blatant, but only to ac SoWoquy Is Peak angle suggested by the title is Mabel, cold-water flat but with an expres- ward and shy with Charles. The in centuate the ugliness and blatancy of The production reaches its peak a girl who is the frequent companion sion of horror and anguish. The sug- truder Charles, played by Michael prejudice. near the end, in the soliloquy of the o! the two young men. gestion is that he is Experience, the Lipton, is at the same time charming The play opens with an obvious young Jew, Andri, played by Carl Masochism and Sadism illusion-destroyer. If this is so, what in his worldliness and loathsome in symbolic action: the town of Andorra Philip Nagin. Nagin is excellent in The three really have a very satis- the play has to say could be some- his cruel imposition of it on the is being whitewashed. As the play the role. He plays Andri's transition factory arrangement. Basil, obsessed thing to the effect that illusions are others. continues, it is quite evident that the from a pathetic scapegoat to a hate with violence and destruction, ful- like men in that you may be miser Comic Touches imaginary Andorra has a lot of dirt Cilled rebel in an emphatic, but en fills the need of Arthur, who enjoys able with them, but that it's even There are wonderful comic touches to be covered. For this complacent tirely convincing way. Nagin's move the martyrdom involved in Basil's worse without them. throughout - the association of Ar Christian community is capable of ments on the stage, his expression, persecution of him. Mabel, longing Any sense of nihilistic despair thur with ''The Dance of the Sugar lt:thal hate. his tone change from that of the for sex but terrified of it, enjoys male passes quickly, though, because the plum Fairy," Basil's game of Pin Snowball Movement trembling hated to the defiant bater. companionship without the threat of audience remains uninvolved. The tl1e-Arrow-on-Saint-sebastian. There The basic plot is far from subtle. In Andri's speech, he spits out the involvement. characters and their particular prob- are also some particularly forceful It simply deals with the ignorant words as the young Jew decries the Enter Charles, supercharged with lems, and therefore the import of the dramatic scenes - one in which expression of the Andorrans' hate for Andorrans who have forced him into symbolic import. As the charming, play, do not easily lend themselves Charles tries to lure Basil into smash a youth whom they believe to be a what he has become. seemingly 'regular' new roommate, to universal transference. And pos ing one of Arthur's model planes and Jew, but who is ironically an illegiti From this point until the end, the he is intent upon imbuing the three- sibly it is because an earth-shaking one in which Basil and Arthur inter mate native son, branded a Jew by production uses a type of dramatic some with "perspective" concerning interpretation is not forced upon you rupt Charles' seduction of Mabel. his own father. shock-treatment, hitting the audience themselves. He functions as a con- that The Trlgon provides such an With The Trigon Broadway pro Although the plot and theme are hard with violent, short scenes. fessor for each and then strips them intel'esting evening. ducer Arthur Cantor has made an not difficult to ·follow, the action Over-Ambition bare of their delusions with one ac- Outstanding Acting admirable debut as a director. is. The transitions from episode to In Andorra, Nagin is outstanding, tion - the seduction of Mabel. Basil What is really outstanding, though, and others are good. Smooth, con is forced to realize that his previous is the acting. Jeremy Geidt plays the vincing performances are given by talk of having Mabel was merely pasty, effeminate Arthur with gentle Rolling Stones Grossly Julie Tolliver as Barblin, Andri's talk, that he is not the man of action humor. He alternates between dis· lover and half-sister, and by Leland he considers himself. Charles' imme- plays of arrested development tin Moss, as the mercenary Innkeeper. Gather Crushing Crowds But many of the members of the cast lack spontaneity. They seem Memory: TCB To Show Skins,. Play; by Chris Franz '69 Watts, on drums, established the fun- uncomfortable and mechanical in The Rolling Stones concert of Fri- damental beat, which was picked up their roles. Drama Connects America and France day, November 5, was an obscene and magnified on the electric guitars What Andorra has to say is worth· for great revoking: And the multi- of Brian Jones, Keith Richards, and while, but the way it says it is at "Yes Is For A Very Young Man", "Yes Is For A Very Young Man," tudes did gather, shouting forth their Bill Wyman; however, it was Mick times overly ambitious. The play a play by Gertrude Stein will open one of Miss Stein's early works, at praise, and grate singing did fill the Jagger, with his hair-razing antics, lacks subtlety, which is a basic fault today at the Hotel Touraine for a tempts to recapture in the setting of ear. unkempt mop, and sullenly defiant cf the playwrite, not the producer occupied France the spirit of the First on the menu were a bunch manner, who made the group. As Victoria Traube, or the director Rob· three and a half week engagement. of second bananas served up in Brian blinked enchantingly through This production will be the second Civil War as she remembered it from ert Ginn. Playwrite Frisch over childhood stories. In a program note bleached denim and brown felt boots. his blond bangs, Mick strutted about states his images, paralleliM them in a series of seven plays that have !These five creatures, labeled the the stage, eyeing the audience with been scheduled for the 1965-66 season Miss Stein wrote: "I loved those incessantly with the symbols of stories and then, when I was in " Rockin' Ramrods," were long on a look of amused contempt. Narcis Christianity. at Theatre Company of Boston's hair, but short on talent - relying sistic perhaps, but effective. newly designed 230 seat theatre in France during the occupation, know ing intimately all the people around chiefly on the resemblance of their Feverish Conclusion the Hotel Touraine. lead singer to P<::ul McCartney. They At one point in the show, Mick If you are planning to take re me, I was struck by the resemblance served books home with you for Gertrude Stein, novelist, poet, biog to the stories my mother used to tell clattered through a Kingsmen-Dylan- removed his jacket, folded it deliber rapher, playwright and critic, was me, the divided families, the bitter Beatles repertoire, desecrating the ately, and made as if to toss it out to Thanksgiving recess an advanced one of the most colorful personalities ness, the quarrels and sometimes the hallowed " Yesterday" in the coarse the masses. The crowd rose to a reservation must be made in the of the post-World War I literary Main Library at the Reserve Desk, denunciations . . . " of events. fever p1' tch , and nearly went mad scene. Miss Stein influenced numer Featured in the TCB production Crowd _Begs for . Mersey . when he dropped the coat instead on or at the Art Library Desk in ous writers including Ernest Heming are Lisa Richards as Denise, Bronia As the strarns of voice. and guitar the stage by his feet Alth gh th Jewett. If you are staying on way and Thornton Wilder and has Stephan as Constance, Paul Benedict receded, four magenta figures, with · ou . e campus, books may be charged been quoted by thousands of people the impressive title of "Pattie and program~e was marked by occas1on- from Wednesday afternoon to Fri as Henri, Burris DeBenning as Ferdi The Bluebells," leapt onto the stage. al . hystencal outbursts and sever~ who have never read her works. nand and Mark Epstein as Georges. day morning and again over the Educated at Radcliffe and later at This group was chiefly distinguished futile. attempts _to rush the sta~e , 1t weekend in the Reserve Room, or David Wheeler is the director. Cur by the consistent abilit f "P tti ., remained relatively calm until the John Hopkins for medicine, she left tain on opening night is at 7:30 p.m. . Y o a e end from Wednesday to Monday morn the United States to settle in Paris, on Tuesday through Friday, at 8:30 to hit notes that were surely above ·. ing in Jewett. where she soon gathered about her r .m., on Saturday at ~ p.m. and 9:30 the human range, They would have ix:1;k ·~~~l~d~ th~ shobw ttothevery Advanced reservation forms made a dog wince and as it th Y s a 1s ac ion, - u en, as a circle of friends including Pablo and on Sunday at 5 p.m. and 8:30 may be filled out between 8:15 Picasso, Henri Matisse, Andre Gide, poor semi-human' audience ;: re~ Ithe Stones dashed _off the st~ge, he and 11: 30 a.m. Monday, Novem p.m Ticket reservations can be made duced to a cringing mass, begging and fl_ung his tambounne out and Ezra Pound. by calling the box office. ~urned ber 15, through Friday, November for Mersey mto the audience. The crowd went 19, and again on Monday morn The Blu~bells were followed on absolutely wild, converging on the ing, November 22. The Art Li their Courege-booted heels, by the poor _wretch who had caught the ~ brary will take reservations only Our Theatre in the Round: Vibrations, an acrobatic quintet con- bo~rme. Fort~ately, the police through Friday, the 19th. Books sisting of five olive tuxedos. Finally, qwckly. stepped m to preve~t a full reserved may be picked up after having disposed of this extraneous r scale not, and the dazed Victor was the last classes. rescued and escorted out with his Proposed ET Workshops matter, the management presented As usual, Main Library and Art p rize. the Rolling Stones. will keep any single copies here, Experimental Theater is consider used on campus since 1963, but they On this final note, the mob broke ing a director's workshop. The Rolling Stones took over the so they may not be reserved. No were once a prerequisite for directing show with an indisputable authority, up; and yet, some hung about, un more than two books per student "The director could come across willing to accept the fact that it was any ET production. vested primarily in their peerless will be allowed. with his own interpretation of a all over, bitterly watching the trium Nina is also considering the idea of leader, Mike Jagger. Mike estab- All books will be due at 8:40 play," said Nina Kaufman '66, of an acting workshop, possibly dealing phant departure of the Chosen One, the advantages of this workshop. As lished an intense, depraved ra:i>port a.m. on Monday, November 29. with improvisations; actresses would with the audience. "'I need you! .- a Stone's throw away. of the present time, however, little work for spontaneous character de- you! - ,you!," he shouted, pointing student interest in this plan has been velopment in an established situation. expressed. at different sections of the crowd "While presenting particular scenes which broke into screams of despera: The purpose of workshops is to is good for directors and hopefully tion more than of ecstasy. train and encourage those students for actors as well, improvisation In every way, Mike Jagger was with a desire to direct. "It would v:ould be ideal," said Nina. the master showman. In terms of the give them experience in the elements "Rolling Stones Sound," Charlie oC directing, such as confronting and blocking a scene," said Nina, co-head WBS announces Free Advertis- of Experimental Theater. ing for any campus business - Pauport Plllocoe plaa Pbocol Par Presentation large or small - Society to Present Treason or Reason ••• Sun. Performance C011dlewll /rollt ~ OM President of the League, is a trustee into making a "spiritual commit of the Christian Anti-communist Cru Of Chamber Music ment" to "block communist domina sade. Interestingly, .the League offers Music of the romantic period will tion of the world." Yet Stonner's its three top winners a free trip to be emphasi7.ed as the Wellesley Col book is extremism with a difference: southern California, which includes lege Chamber Music Society presents ostensibly it is fastidiously docu & tour of Knott's Berry Farm. its annual fall concert Sunday eve mented. Herbert Philbrick, a close asso ning at 8 p.m. in Jewett Auditor Shortly after the book appeared ciate of Dr. Schwarz, is an ex-com ium. l)r. Julian Foster, a California pro munist and fonner counterspy Three duets by Johannes Brahms fessor, wrote None Dare Call It against Communt.sm for the F.B.I. will be performed by Edith Jones '67, Reason, a thorough, critical analysis His experiences are recorded in his contralto, Lisa Merritt '66, soprano, of its predecessor. Foster showed book, I Led Three Uves. and Lynn Tolkoff '66, pianist. Anne that nearly all the quotations were Well-Known WrJten Conley '67, flutist, and Susan Follett taken out of context or otherwise Skousen, Ward, and Lloyd Wright '67, pianist, will present the Sonata ingeniously distorted. Cone of the League's trustees> are for Flute and Piano by Francis Poul Moral Standards leaders of the American Security enc (1899-1963). The piece is one of The League does recommend a Council, an organization which the composer's last works and draws perusal of this critique so that stu started out as a private extremist heavily from the idioms of the eight dents can "study all sides and draw loyalty board for American industry, eenth and nineteenth centuries. their own conclusions" because "The but which has now branched out into Seventeenth Century stakes are the highest ever - TRUE the field of foreign policy and stra English music of the seventeenth LIBERTY - which includes your tegy. Skousen is the author of one of century will also be presented. A Wellesley SaJlors, Bambi Adams '66, Sue Henke '69, Aue Potter '19. own personal freedom"). • the most sanctified of extremist trio sonata by Henry Purcell will be Co111inued from page ei1d1t panies also offer apprenticeships to to Gov't Teacher ceptionally strong theater depart- f>tudents. These positions are usually CAMPUS THEATER ments. Yale and Boston University unpaid but do provide an opportun Friday, November 12 - Jean Tho- I Charles Playhouse - presents Poor both have good programs in this area. ity to work behind the stage. mas '69, Carol Krumhansl '69, Mary Bltos by Jean Anouilh, now through Carnegie Institute of Technology in The Placement Office has in its Wesselman '67, and Martha Hushes December 12. Pittsburg and several of the large files a number of articles which may '68 will play the Purcell Trio Sonata Loeb Drama Center - presents mid-western universities also have be of help to those aspiring to the in the Chapel. The Tempest directed by Timothy S. especially good departments theater. Opportunities in Acting by Sunday, November 14 - Concert Mayer, November 12-18. . . . . Dick Moore attempts to give some by Chamber Music Society of Welles- Shubert - presents La Grosse Val· Add1li?nal practical exper1e!1ce can hint as to what the people, the he ley College, featuring music by Schu- ise, a new French review. be obtained through apprentice pro- ginning jobs, and the competition are bert, Purcell, Brahms, and Poulenc. The Theater Company of Boston - grams "Yhich are offered b~ many like. Another helpful booklet pub Jewett Auditorium, 8 p.m. presents Yes Is For a Very Young commuruty playhouses, particularly lished by the American National The those in Cleveland, Minneapolis, and ater and Academy outlines its career Monday, November 15 - Lecture Man by Gertrude Stein, November 11- I Pasadena. Most summer stock com- services for young actors. by Dr. George Miller, Professor of December 5. Psychology at Harvard University Rindge Tech Auditorium - The entitled "Ex.periments with Sen· Radcliffe grant-in-aid production of tences" Pendleton, 7:30 p.m. Guys and Dolls November 11-m, 8:30 Wellesley Girl Gives a Twirl Tuesday, November 16 - Lecture p.m. Tickets on sale at the Coop. Mn. Barbara Green, chosen "OI • b> R.B.Y. Scott, chairman of de- MUSIC standing" teacher. partment of Religion, Princeton Uni- Saturday, November 13 - M.A. But Yale Will Admit No Baton versity, entitled "The Word and the Greenhill presents Jackie Washing Mrs. Barbara B. Green, Assis Prophet." Pendleton, 7:45 p.m. ton in the Folklore Concert Series. by Robin Bledsoe '61 Jane is quick to point out that ad tant professor of political science, Informal discussion with the Ger- Jordan Hall, 8: 30 p.m. Tickets $3.50, vanced twirling demands a lot of has been chosen by an ad hoc man Consul in Boston, Edgar von $3.00, $2.50, $2.00. coordination. The girl must do diffi student committee as the recipient Schmidt Pauli. Room F, 3:30 p.m. The Gardner Museum presents cult tricks precisely and quickly, of an award for outstanding abil German Club play. Zeta Alpha So- Phyllis Carlton, piano. 3 p.m. Free. move gracefully in a complicated, ity to excite the minds of students. ciety House, 7:45 p.m. Sunday, November 14 - The Gard- Idance-step routine - and smile. Acts The award was made possible Wednesday, November ·17 - Lee- ner Museum presents Deborah Mor can be varied by using flags, hoops, by Mr. Morris L. Ernst of New ture by Creighton Gilbert, Professor iarty, piano. 3 p.m. Free. fire batons, or swords. York City who stipulated that a of Art, Brandeis University, on The Humanities Series at M.I.T. small group of "thoughtful stu Wellesley Over Twirling "Piero della Francesco's frascoes at presents the Fine Arts Quartet in dents" select one member of the Arezzo" Jewett Auditorium, 8 p.m. residence at Wisconsin University. faculty w!i,o deserved special com She also adds, "I can't take twirl mendation for his skill in stimulat Senate Meeting. Billings, 7:30 p.m. Kresge Auditorium, 3 p.m. Tickets $3. ing too seriously. I coasted along, LECTURES Monday, November 15 - John Col- ing the intellectual pursuits of his enjoyed twirling for what it was students. Sunday, November 14 - Ford Hall lrane arriving for a week's stay at \1·orth, and had lots of fun. I liked The committee which selected Forum presents Dr. Adnan M. Pach- the Jazz Workshop. $3.50 minimum, the fame and the traveling, and I'd Mrs. Green was composed of achi, U.N. Ambassador from Iraq, $1.50 cover. \1-ant my daughter to twirl. But it senior Durant and Wellesley Col speaking on "Is War Inevitable in the ART got to be my label, and I'd like to be lege scholars who had been in Middle East?" Jordan Hall, 8 p.m Boston Museum of Fine Arts - known for something else." MOVIES · the recent gifts of Mrs. Peggy Gug- vited to participat by Miss Vir ginia Onderdonk, Dean of the Col Brattle - Two versions of Maxim genheim will be on display through Jane Hopengarten '69, shows skill in Tn coming to Wellesley, Jane baton-twirling. urned down many twirling scholar lege. Each of the girls majors in Gorky's The Lower Depths, one by November 14. a different department. Japan's Akira Kurosawa and the ~ogg ~u~um :-- ~aul Sachs Mem Cphoto by Katesy Pelgrif '68 1 ships. She is interested in political other by Jean Renoir. Presented on orial ~xh1b1t begmnmg November 15. lX:ience and foreign languages, and alternate nights through November Institute of Contemporary Art _ Next time you're at a party ai;d would like to work for the State 13. p1esents a lecture by Allan Kaprow see a girl expertly twirl a cocktail Department. Women's Sailing .. Community Playhouse _ Julie entitled "DeKooning and Cubism· glass or two through her fingers, it's · · Pollock and Surrealism." November' not time for you to go home. You're Goal Thwatred Continued from paf(e ele1·e11 Ch r1stie and Dirk Bogarde in Darling b bl "My lifelong goal was to twirl for Bambi. Margy Myers, head of Inter Playing through November 16. . 15. 8 p.m. New England Life Hall. pro a Y looking at Jane Hopen- =-----_..:.$1.50. garten, a Cazenove freshman, and the Harvard-Yale game," she admits. collegiate Sailing, hopes to hold sev W II I c· c1iampion baton-twirler. But this fall she discovered that girls eral tactics review sessions before e es ey onsiders Instituting . "I can twirl anything," Jane mod- are not allowed in the Yale bowl. the spring regattas, so that the girls Her offer to perform at the Harvard Continued from page eleven • • estly and truthfully claims. The list are better acquainted with racing intention of continuing as far as runs from tennis rackets to frisbees, Princeton game last weekend was rules and techniques. Also scheduled - If Chinese were offered, r would Wellesley courses permitted. with flagel sticks thrown in for good turned down for the same reason tC' take place in March is a dry-dock take it, knowing that it might be - I would be willing to take a measure. But Jane's specialty is two Anyone for a Wellesley football session to help beginners learn basic considerably more demanding three-year sequence, one year of silver batons, with which she has te:am? terminology. than other foreign language which would be an intensive won over 300 trophies and medals courses. summer program at Wellesley and many championships. - I would take Chinese with the or at other institutions around National Finalist the country and perhaps not for At seven and a half, three weeks credit. after starting baton lessons, Jane en- Put yoursell Jr. Show Critic ... -- r already have some knowledge tered ~er first contest. She walked of Chinese, and would like to I off w~th f:be Rhode Island state Continued from pul(e ten continue it at Wellesley if inter- cham~1onship fo~ her age group and on speaking ter1ns His two-column review was criti mediate and advanced courses keHpt r1gb~t ontgoth1 ~ll· f . cized for not mentioning enough of in language and literature were . er igges n was per ormmg the cast. "There is no acting in ama offered. My knowledg . f m the Orange Bowl. She has also teur variety shows, only showing off e is 0 held the New England and North- ~Ith the ~orld But some people deserve to be shown ---- dialect and I would eastern championships, and the Miss off," Rosen wrote. be prepared to enter courses in Majorette of Massachusetts title. Be- Read The New York Times "Obviously a Harvard student has sides competing in six national twirl tc attack a Wellesley junior show Clang., lit., both l at ing finals in Minnesota, she has ap because he's not in it; in other words, ----level. peared on TV and at the New York he's out of it," Marian had com World's Fair, and has a standing mented, parodying Rosen's critique - I would be willing to take Chi- offer to perform at the London Pal of in-jokes, out-jokes, in-in-jokes, out nese even if transported to an l1:1dium. in-pokes. But Rosen was "in it" other institution by the college Skill Required to do so. enough to take the show on its own Jane is a celebrity in her home terms. "It was not a landmark in - I am taking or have taken the town, Waban, where she has been a musical history, not a breakthrough," Wellesley High School Chinese familiar sight at benefits, talent he pointed out. "To take it seriously course. shows, and high school football would be to pan it." - Chinese language instruction was games. She has a roomful of trophies His review's last word had the offered at my high school. at home. Sitting on her dresser in last word: "You had to be a Welles - I am interested in taking Chi Caz is "one of the few useful ones I ley girl to understand it all. Some ~ese because I contemplate go got a lamp." thing like the Junior Show demands ing on to graduate school in to be taken on its own terms. On its this area of study. own terms it was pretty good. The Pudding Show should be so good. But Class: 19 . Major: ...... Chrlstmas In California of course, one must be fair. The Pud- 1Students who are particularly inter ••spend your vacation In Califor- ding people aren't Wellesley girls." ~sted and would like to participate nia this year r===::;:;;:;;;;;;;;;;;;;;;-iiiiiiiiiiiiiiiiio----il m follow-up of this effort are invited ••Board a Non-Stop Jet to include their name and phone ..2 bags free plus carry on C1mmunifJ Plarll••• number on this questionnaire. 1 ••Return any time Wellesley Hills CEdar 5..0047 ••save $89.00 over regular airfare ($230.89 tax inc.) Evenings at 7:45 GET Dl'.Sa>UNT CARD CALL Mat. Nov. 11 at 2 oa Patcat Medicina • Vitamin.a • PARKER TRAVEL AGENCY lunday Centlnueu1 ••1l•ln1 (opp. B.U.) 566-4087 at 4:41 Co.metica - Toiletriea • Etc. at CARlOLL'S (S.1-Mec, 1..c.) Now-Reservations are limited so - NOW! 7 Days - j72 Wubiqton Street reserve your seat now Ending Tues., Nov. 1G opposite ViUaae Churci. • min. stay 10 days Julie Christie. Laurence Harvey Call CE 1·2.f89 for Free Delinry and Dirk Bogarde in Houn Moa.-Sat. I a.m.-5 p.m. Have The Times delivered every morning "DARLING" at low college rates. "Everything you hope for but rarely find in a film"-N.Y. Her For service, get in touch with: ald-Tribune. Wed. to Sat. Nov. li to 20 Melina J\Ierrouri in KAREN ESTEELL "NEVER ON SUND..\ Y" and "TOPKAPI co-starring Peter Ustinov SHAFER HALL