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Ladyslipper Tenth Anniversary
Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al the scope and availability of musical and liter bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno North America and is currently an endangered tated catalog has given thousands of people in species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers. -
LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. LGBTQ 16BUSINESS AND COMMERCE David K. Johnson As the field of gay and lesbian studies first began to take shape in the 1980s, writer and activist Dennis Altman called attention to the central role that commercial enterprises played in the development of LGBTQ communities. “One of the ironies -
The Montana Women's Resource, Circa 1975
University of Montana ScholarWorks at University of Montana The Montana Women’s Resource, 1975-1986 University of Montana Publications 1-2-1975 The Montana Women's Resource, circa 1975 University of Montana (Missoula, Mont. : 1965-1994). Women's Resource Center Follow this and additional works at: https://scholarworks.umt.edu/womensresourcecenter Let us know how access to this document benefits ou.y Recommended Citation University of Montana (Missoula, Mont. : 1965-1994). Women's Resource Center, "The Montana Women's Resource, circa 1975" (1975). The Montana Women’s Resource, 1975-1986. 36. https://scholarworks.umt.edu/womensresourcecenter/36 This Newsletter is brought to you for free and open access by the University of Montana Publications at ScholarWorks at University of Montana. It has been accepted for inclusion in The Montana Women’s Resource, 1975-1986 by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. The Montana Women’s Resource The Montana New Rural Feminist It is important to define tally, emotionally, and physical the above terms and explain why ly I so carefully chose them for a As strange as it may seem, title. I believe that what I am the physical aspect is the reason about to discuss is very unique many of us have moved to rural to the state of Montana because settings. We get pleasures in Montana is a very unique state. various ways which may sound There are few places left in this pecular to our city sisters. country which allow for such pri Some of us really enjoy carrying vacy. -
“That Women Could Matter”: Building Lesbian Feminism in California, 1955-1982
“That Women Could Matter”: Building Lesbian Feminism in California, 1955-1982 By Chelsea Nicole Del Rio A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2016 Doctoral Committee: Emeritus Professor Regina Morantz-Sanchez, Chair Associate Professor Rebecca M. Kluchin, California State University, Sacramento Associate Professor Matthew D. Lassiter Associate Professor Rachel Neis Associate Professor Gayle S. Rubin Dedicated to Millie and Ernie Taylor, and to Gaby, who continue to be my home though they are now gone, and to the many women, past and present, who inspired this work. ii Acknowledgements “‘That Women Could Matter’” feels to me deeply personal and at the same time so much bigger than me. In spite of work done mostly in solitude, save for my cats demanding their supper, this project would not have been possible without the help, support, and encouragement offered by so many during my Ph.D. path. First, my thanks to my dissertation committee. I have been fortunate to learn from and be guided by smart, supportive faculty: Regina Morantz-Sanchez, Matthew Lassiter, Rachel Neis, Gayle Rubin, and Rebecca Kluchin. Gina quickly jumped into the role of advisor when I unexpectedly found myself in need of one right in the middle of prelims and has continued to ensure I have a champion in my corner. From our first encounters Gina has pushed me to consider the broader implications of lesbian feminism and how it has changed modern society. Thank you for endlessly repeating the promise you see in the work I do. -
Queer Music History 101
| .. PDF created with the PDFmyURL web to PDF API! PDF created with the PDFmyURL web to PDF API! Back to QMH101 Start Website Version: Lesson, Part 1, 1926 - 1977, below Lesson, Part 2, 1973 - 1985 Recommended Books, and Notes Lesson, Part 1: 1926 - 1977 PDF created with the PDFmyURL web to PDF API! Audio Version Song List: Part 1 (59:16) Merrit Brunies & His Friar's Inn Orchestra - Troy Walker - Happiness Is a Thing Called Joe (1964) Masculine Women, Feminine Men (1926) Jackie Shane - Any Other Way (1963) Ma Rainey - Prove It On Me Blues (1926) Billy Strayhorn - Lush Life (1964) Bessie Jackson (Lucille Bogan) - Frances Faye - Night And Day (1959) B.D. Woman's Blues (1935) Minette - LBJ, Don't Take My Man Away (1968) Frankie "Half-Pint" Jaxon - My Daddy Rocks Zebedy Colt - The Man I Love (1970) Me With One Steady Roll (1929) Love Is A Drag - My Man (1962) Bing Crosby - Ain't No Sweet Man Worth Mad About the Boy - Mad About the Boy (mid-60s) the Salt of My Tears (1928) Maxine Feldman - Angry Atthis (1972) Douglas Byng & Lance Lister - Cabaret Boys (1928) Madeline Davis - Stonewall Nation (1972) Jean Malin - I'd Rather Be Spanish Lavender Country - Back in the Closet Again (1973) PDF created with the PDFmyURL web to PDF API! Jean Malin - I'd Rather Be Spanish Lavender Country - Back in the Closet Again (1973) Than Manish (1931) Doug Stevens & the Outband - Out in the Bruz Fletcher - She's My Most Intimate Friend (1937) Country (1993) Noel Coward - Green Carnation (1933) The Faggot - Women With Women, Rae Bourbon - Let Me Tell You About -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title A Woman's Place: Lesbian Feminist Conflicts in Contemporary Popular Culture Permalink https://escholarship.org/uc/item/3qt0t1jv Author Pruett, Jessica Lynn Publication Date 2021 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE A Woman’s Place: Lesbian Feminist Conflicts in Contemporary Popular Culture DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Culture and Theory by Jessica Pruett Dissertation Committee: Professor Jonathan Alexander, Chair Professor Victoria E. Johnson Professor Jennifer Terry Professor Christine Bacareza Balance Professor Sora Y. Han 2021 © 2021 Jessica Pruett TABLE OF CONTENTS Page VITA vii ABSTRACT OF THE DISSERTATION viii INTRODUCTION 1 CHAPTER 1 Sounding Out: Olivia Records and the Soundtrack of the Women’s Music 15 Movement CHAPTER 2 Making Herstory: Lesbian Anti-Capitalism Meets the Digital Age 55 CHAPTER 3 “A Gathering of Mothers and Daughters”: Race, Gender, and the Politics of 92 Inclusion at Michigan Womyn’s Music Festival CHAPTER 4 Beyond One Direction: Lesbian Feminist Fandom Remakes the Boy Band 131 CONCLUSION 173 ii ACKNOWLEDGEMENTS I would like to express my gratitude to my committee chair, Professor Jonathan Alexander, for his intellectual generosity, faith in my abilities, and extensive feedback on previous drafts of this work. His enthusiasm for teaching, writing, and learning is infectious, and I have been lucky to witness it for the last six years. I would also like to thank my committee members, Professors Jennifer Terry, Victoria E. Johnson, and Christine Bacareza Balance. -
WRPM Recordings
Full list of recordings held in the WRPM (Women's Revolutions Per Minute) Collection Special Collections & Archives, Goldsmiths, University of London Accession no. Artist Title Label Format Year Notes Keyword Tejano Roots : The Women Arhoolie Tape 1991 Comp. By Oneworld C9999000175618 We Have a Dream Tape Peacesongs C9999000175619 Sisterfire Tape C9999000175620 Girlfriend Tape C9999000175632 Vol. 2: Women of Mali Tape 1994 Wassoulou Sound This is Street Music C9999000175631 1982-92 Tape C9999000175630 Redwood Collection Tape Vol. 3 : Waulking Songs Greentrax C9999000175629 from Barra Recordings Tape 1994 Scottish Tradition C9999000175628 Vol.2: Women of Mali Tape 1994 Wassoulou Sound Independent C9999000175627 Vol. 4: Sweet Petunias Rosetta Records Tape 1986 Women’s Blues Women’s Railroad Blues : Sorry But I Can’t Take Women’s Heritage C9999000175626 You Rosetta Records Tape 1980 Series Jailhouse Blues 1936 & C9999000175625 1939 Rosetta Records Tape 1987 Women’s Heritage Series Independent C9999000175624 Vol. 3 : Super Sisters Rosetta Records Tape 1985 Women’s Blues Redwood Records & Aural Tradition C9999000175623 Live from El Salvador Records Tape Women’s Heritage Series Independent C9999000175622 Vol. 2 : Big Mamas Rosetta Records Tape 1985 Women’s Blues Accession no. Artist Title Label Format Year Notes Keyword C9999900040006 Live from El Salvador Redwood Records CD 1991 One Night Stands at Blow the Fuse C9999900040007 Blow the Fuse Records CD 1994 Le Mystère Des Voix C9999900040033 Bulgares Vol. 2 4AD CD 1988 One Night Stands at Blow the Fuse C9999000175770 Blow the Fuse Records TAPE 1994 An Ovatones C9999000175756 Into the Red TAPE 1993 Recording C9999000175862 Flying High Long Time TAPE 1989 Wallen, Errollyn: It all Depends on You Cooper, Linsay: The Road is Wider than Long Maconchy, Elizabeth: My Dark Heart Lontano: Copies of LeFanu, Nicola: The Old DAT Masters British C9999000175966 Woman of Beare TAPE Women Composers Schynige Platte English Choir of Berne Swiss Festival, Bern C9999000175953 TAPE 1992 Vol. -
1984 Ladyslipper Cat and Resource Guide Ecords & Tapes by Women a Few Words About Ladyslipper
1984 Ladyslipper Cat and Resource Guide ecords & Tapes by Women A Few Words About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- Culver, Alive!), Even Keel (Kay Gardner), Old Lady awards. Any conductor of a symphony or chamber exempt organization which has been involved in Blue Jeans (Linda Shear), Philo (Ferron), Biscuit orchestra interested in performing this piece many facets of women's music since 1976. Our City (Rosy's Bar & Grill), Origami (Betsy Rose & should contact Ladyslipper. basic purpose has consistently been to heighten Cathy Winter), Sweater (Jasmine), Mary Records Our name comes from an exquisite flower public awareness of the achievements of women (Mary Lou Williams), Whyscrack (Kate Clinton), which is one of the few wild orchids native to North artists and musicians and to expand the scope and Freedom's Music (Debbie Fier), Wild Patience America and is currently an endangered species. availability of musical and literary recordings by (Judy Reagan), Rebecca (anthology), Coyote Donations are tax-deductible, and we do need women. (Connie Kaldor), Mother of Pearl (Heather Bishop), the help of friends to continue to grow. We also are The most unique aspect of our work has been One Sky (Judy Gorman-Jacobs) and others. In seeking loans of at least $ 1000 for at least a year; if the annual publication of the world's most com most of these cases, all of the records at each you have some extra money and would like to prehensive Resource Guide and Catalog of Re pressing are shipped from the pressing plant to be invest it in a worthy endeavor, please write for more cords and Tapes by Women—the one you now warehoused at and shipped from Ladyslipper, and information. -
Ode to a Gym Teacher: the Music of the Women’S Music Movement
Ode to a Gym Teacher: The Music of the Women’s Music Movement In the wake of the social and political movements that defined the 1960s, the women’s music movement emerged as a means to cultivate a community of young, lesbian musicians who saw themselves as equal to their straight, male counterparts, but were unwilling to compromise their musical integrity in order to perform on major labels. The movement was created in parallel to second-wave feminism, the gay liberation and women’s liberation movements, and of course, the civil rights movement. Each of these movements sought justice and equality for all, but often elevated specific demographics in the process. As a result, lesbians found themselves seeking another outlet. The women’s music movement gave lesbians the opportunity to celebrate their stories. Lesbians benefited from the community that was created by concerts, music festivals, and workshops with women’s music artists. Within this cultural movement were musicians Margie Adam, Meg Christian, Alix Dobkin, Kay Gardner, Holly Near, Linda Tillery, Mary Watkins, and Cris Williamson. Together they created a soundtrack for lesbians throughout the 1970s. The music of the movement was complex and intimate, but spoke to a universal audience. There were no limitations because there were no expectations. Women’s music artists were free to explore various styles and genres. Some women were folk singer-songwriters, while others were classically trained musicians and composers. Their experiences were eclectic, and often encompassed other social and political causes of the decade. While the majority of these songs dealt with the topic of sexual identity, some were anti-war anthems, while others explored non-western cultures and the medicinal power of music. -
Lesbian Tide Table of Contents TIDE PUBLICATIONS PERSPECTIVES 8855 Cattaraugus Ave
III Z••• A FEMINIST LESBIAN PUBLICATiON, WRITTEN BY /\ND FOR THE RISING TIDE OF WOMEN TODAY -, ' September I October 1971 79¢ in L.A. $1.00 Elsewhere " • , It? "'CONCERT CO(l: ~~ $4I Veleran·s memoriall\ud. 4117 DUlnland. Culver City TICKETS: SISTERHOOD BOOKSTORE f - PAGE ONE FEMINIST HORIZONS . ACLU , ..................................... ............................... ClI t & Mail With Check • Please scnd mc tickets to the Rita Mae RrowIl/Meg Call 463-7446 for childcarc reservations, Christian concert. • provided by men of Gay Rights Chapter, ACLU Enclosed isS . (Make checks payable to: ACLU-GRC.) ~ Name . Address '- sponsored LESBIAN RIGHTS COMMITTEE, by City & Zip ---------------- GAY RIGHTS CHAPTER, AMERICAN CIVIL LIBERTIES UNION I . Mail to: ACLU. P.O. Box 36601. Los Angeles. CA 90036. -. ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• , Lesbian Tide Table of Contents TIDE PUBLICATIONS PERSPECTIVES 8855 Cattaraugus Ave. Los Angeles, CA 90034 Coalition Politics, A Nessary Alliance 4 Profile: Liz Stevens ....................•........... 6 . (213) 839-7254 Noble Declines Re-election 7 Vol. 7, No.2 Lesbian Visibility at Houston IWY 8 _~~;=t"""' _ NEWS CURRENTS EDITORIAL POLICY Polls Show Fear of Gays and Children 12 In the interest of fostering- open communication and .Gay Teachers Face Initiative : .13 progressive theoretical development, The Lesbian Tide Gay Victory in Frisco 14 prints a wide variety \?f views from the lesbian, femi- Guerillas Punch Out Tropicana 15 nist, and gay communities" Our editorial perspec- Bryant Re-hired : . .. .. .. 15 tive also includes coverage of other social change SHORT CURRENTS .. : 18 movements as they relate to women. The views expressed in this publication are not those of Tide Massachusetts Referendum Coming Publications or the Editorial and Political Collective New Abortion Laws, Olivia Records Moving, 3rd Novel unless specifically by-lined as such. -
'I Identify with Fighters': the South and Southern
‘I IDENTIFY WITH FIGHTERS’: THE SOUTH AND SOUTHERN IDENTITY IN LESBIAN FEMINIST ACTIVISM IN THE 1970S A Dissertation by HILLARY RAE ANDERSON Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Albert Broussard Committee Members, Angela P. Hudson Julia Erin Wood Cynthia Bouton Joseph Jewell Head of Department, David Vaught May 2018 Major Subject: History Copyright 2018 Hillary Rae Anderson ABSTRACT This dissertation is a historical examination of the development of 1970s Southern lesbian feminism in the United States. It uses archival research, lesbian feminist periodicals and publications, and Southern lesbian feminist artistic production from the late 1960s to the early 1980s. The theory of intersectionality, Critical Race Theory, and elements of social movement theory informed the analysis. The timing of the 1970s brought together a particular political climate that nurtured Southern lesbian feminism. The 1970s were after major legislative victories in the civil rights movement, during a period of growth for American feminism when feminist and lesbian feminist print culture were at their height, and the decade was after the gay rights movement became militant, but before the AIDS crisis of the 1980s. This dissertation argues that Southern lesbian feminism’s development in the 1970s made the American South a new site for political agitation among self-identified lesbians; it proved the importance of Southernness – Southern identity – in lesbian feminist praxis. Southern culture shaped and tied together social constructions of race, gender, and sexuality, which caused Southern lesbian feminists to adopt a revolutionary political philosophy that uniquely combined elements of Black Power, radical feminism, and gay liberation, seeking to end multiple oppressions by transforming society. -
Lesbian Feminist Conflicts in Contemporary Popular Culture
UNIVERSITY OF CALIFORNIA, IRVINE A Woman’s Place: Lesbian Feminist Conflicts in Contemporary Popular Culture DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Culture and Theory by Jessica Pruett Dissertation Committee: Professor Jonathan Alexander, Chair Professor Victoria E. Johnson Professor Jennifer Terry Professor Christine Bacareza Balance Professor Sora Y. Han 2021 © 2021 Jessica Pruett TABLE OF CONTENTS Page VITA vii ABSTRACT OF THE DISSERTATION viii INTRODUCTION 1 CHAPTER 1 Sounding Out: Olivia Records and the Soundtrack of the Women’s Music 15 Movement CHAPTER 2 Making Herstory: Lesbian Anti-Capitalism Meets the Digital Age 55 CHAPTER 3 “A Gathering of Mothers and Daughters”: Race, Gender, and the Politics of 92 Inclusion at Michigan Womyn’s Music Festival CHAPTER 4 Beyond One Direction: Lesbian Feminist Fandom Remakes the Boy Band 131 CONCLUSION 173 ii ACKNOWLEDGEMENTS I would like to express my gratitude to my committee chair, Professor Jonathan Alexander, for his intellectual generosity, faith in my abilities, and extensive feedback on previous drafts of this work. His enthusiasm for teaching, writing, and learning is infectious, and I have been lucky to witness it for the last six years. I would also like to thank my committee members, Professors Jennifer Terry, Victoria E. Johnson, and Christine Bacareza Balance. Professor Terry’s mentorship has made me a better teacher and sharper thinker, and she has worked tirelessly to provide me with opportunities to develop my work and grow as an academic. Professor Johnson’s feedback on previous drafts of this work has been invaluable, and her research expertise has deepened my own writing and thinking on media and popular culture.