DOCSLIB.ORG

Douglas G. Adams Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Douglas G. Adams Collection http://oac.cdlib.org/findaid/ark:/13030/kt9870414x Online items available Inventory of the Douglas G. Adams Collection David Stiver Graduate Theological Union Archives Graduate Theological Union 2400 Ridge Road Berkeley, California, 94709 Phone: (510) 649-2523/2501 Email: [email protected] URL: http://www.gtu.edu/library/special-collections © 2011 Graduate Theological Union. All rights reserved. Inventory of the Douglas G. GTU 2008-1-01 1 Adams Collection Inventory of the Douglas G. Adams Collection Collection number: GTU 2008-1-01 Graduate Theological Union Archives Graduate Theological Union Berkeley, California Processed by: David Stiver Date Completed: June 29, 2010 Encoded by: David Stiver © 2011 Graduate Theological Union. All rights reserved. Descriptive Summary Title: Douglas G. Adams collection Dates: 1816-2007 Bulk Dates: 1945-2007 Collection number: GTU 2008-1-01 Creator: Adams, Douglas G. (1945-2007) Collection Size: 25 linear feet (36 boxes, two folios); 31 images, 5 documents and 2 audio-visual files Repository: The Graduate Theological Union. Library. Berkeley, CA 94709 Abstract: Douglas Glenn Adams (1945 April 12 - 2007 July 24) was professor of Christianity and the Arts at Pacific School of Religion for 31 years and member of the core Graduate Theological Union faculty. He was an international scholar in religion and the arts, worship, dance and humor. He authored hundreds of articles and a dozen books, inspired and mentored thousands of students, and lectured and conducted workshops throughout the US. Physical location: 8/B/1-8/C/5 Languages: Languages represented in the collection: English http://www.gtuarchives.org/dadams-introduction.html Access Collection is open for research. A few personal and confidential materials in Box 16 are restricted for 10 years (June 29, 2020). Publication Rights Copyright has not been assigned to The Graduate Theological Union. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Archivist. Permission for publication is given on behalf of The Graduate Theological Union as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the reader. Preferred Citation Douglas G. Adams collection, GTU 2008-1-01. Graduate Theological Union Archives, Berkeley, CA. Acquisition Information Materials were largely collected from his office at Pacific School of Religion. Some materials were donated from his home. Biography / Administrative History Douglas Glenn Adams was a much loved professor at Pacific School of Religion (PSR) and Graduate Theological Union who passed away in 2007 at the age of 62. He educated and inspired students, professors, and professionals in worship and the arts for over 30 years. "We found Doug to be a man with much to say," writes Bruce Walter Barton on October 16, 1978. Over his career, Adams lectured and conducted workshops at over 800 churches and church conferences, both nationally and internationally. Humor and enthusiasm fill his work. His dissertation on Congregational Dancing is dated on April 1. He remarked on several Inventory of the Douglas G. GTU 2008-1-01 2 Adams Collection occasions, "Christians should die laughing. Keep your best humor for your deathbed." (from "Early pulpit levity recalled; humor tears down man's idols," Phoenix Republic, June 29-30, 1974). He was born in DeKalb, Illinois, in 1945. He received a BA from Duke University in 1967, a Bachelor in Divinity and MA from Pacific School of Religion in 1970, and a Doctorate in Theology from Graduate Theological Union in 1974. He was a Smithsonian Fellow in Art History during 1974-1975. Prior to his teaching career, he served as pastor to two congregations: College Heights Church, United Church of Christ, San Mateo, 1970-1972; and Richmond Beach United Church of Christ, Seattle, Washington, summer pastor 1974. Following the Smithsonian fellowship, he taught religious studies and American art at the University of Montana. In 1976 he became professor in worship and arts at Pacific School of Religion. His focus for the next 31 years was teaching students art and religion, sacred dance and to make worship lively. Former PSR President William McKinney notes that Adams' best received books were Transcendence with the Human Body in Art: George Segal, Stephen De Staebler, Jasper Johns, and Christo (1991) and The Prostitute in the Family Tree: Discovering Humor and Irony in the Bible (1997). One of his final projects, a collection of essays on Stephen De Staebler's Winged Angel, entitled Space for Faiths, was published January 2011 as the 22:1 issue of arts: Arts in Religious and Theological Studies. Adams wrote hundreds of articles and was featured in major newspapers on his favorite topics. According to McKinney, Adams' proudest achievement was founding the Center for the Arts, Religion and Education (CARE) in 1987, an affiliated center of the Graduate Theological Union, raising over $6 million. Adams died of esophageal cancer on July 24, 2007. His wife Margo died in 2005. For additional biographical information see Doug Adams: His Life and Work . Scope and Content of Collection Materials include his writings, edited works, lectures, audio-visual materials, glass slides and research. Some periods are more complete than others, with much of the material from the seventies. Arrangement The materials did not arrive in a coherent order and contained multiple copies of most everything. The processor arranged the collection as follows: Series 1, Biographical; Series 2, Correspondence; Series 3, Writings, Sermons and Lectures; Series 4, Sharing Company Publications; Series 5, Academic Work, Sub-Series A, Courses and workshops, Sub-Series B, Faculty, Pacific School of Religion and Graduate Theological Union; Series 6, Art and Religion; Series 7, Dance and Religion; Series 8, Worship; Series 9, Subjects; Series 10, Audio Recordings; Series 11, Video and Film; Series 12, Glass Slides. Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Subjects Wit and humor in the Bible. Wit and humor--Religious aspects--Christianity. Storytelling--Religious aspects--Christianity. Christian art and symbolism--Study and teaching. Jewish art and symbolism--Study and teaching. Art and religion--Study and teaching. Art, Modern--20th century--United States. Figurative art--United States. Preaching. Religious dance, Modern. Dance--Religious aspects--Christianity. Worship. Women and religion. Dance--Folklore. Christian art and symbolism. Pacific School of Religion (Berkeley, Calif.) -- Faculty Graduate Theological Union (Berkeley, Calif.) -- Faculty United Church of Christ -- Clergy Inventory of the Douglas G. GTU 2008-1-01 3 Adams Collection DeSola, Carla De Staebler, Stephen 1933 - Dillenberger, Jane 1914 - Dillenberger, John 1918 - 2008 Hogue, Harland E. 1908 - 1999 Polanyi, Michael, 1891-1976 Rock, Judith Segal, George 1924 - 2000 Taylor, Margaret Palmer 1908 - 2004 Center for Arts, Religion and Education (Berkeley, Calif.) Pacific School of Religion (Berkeley, Calif.) Graduate Theological Union (Berkeley, Calif.) Sacred Dance Guild Separated Material Multiple copies of journals and articles were discarded along with tapes of commercial music. Duplicate copies of books were added to sale books. The following were discarded: Dr. A. Caliandro, How to Stop Judging Yourself. 27 min UC-30 Color Video cassette, 5/15/78. Davon Michael Kari, A bibliography of sources in Christianity and the arts. [typed version]. GTU has BR115.A8 K36 1995. Norman Vincent Peale, "How Faith can Work Wonders" 28 min UC-30 Color Video cassette, 4/7/78. Norman Vincent Peale, "How to Keep a New Start Going" 27 min, UC-30 Color Video cassette, 4/7/78. The following were added to the GTU library materials or as or to separate archives. Church Teacher and Church Educators were added to GTU's periodicals. Extra copies were discarded. Oneonta Rhythm Choir scrapbook, separate archival collection. A set of audio tapes by Harland Hogue were added to Harlan E. Hogue Oral History Collection, GTU 97-12-02: The Great Awakening, 1976 October 10 The Second Awakening, 1976 October 17 The Puritans 1976 October 2 Slavery and the Church, 1976 October 24 The Imprisoned Splendor, 1988 June 19 Sermons: Declaration of Interdependence, Integrity in Worship, 1988 June 3, 1989 January 29 Hosea, the Hebrew Prophets, 1988 March 6 Overcoming the Barriers, 1988 May 1 The Re-Digging of Old Wells, 1988 May 29 Sermons: The Vital Center, Two Sides of Christian Faith, 1988 October 23, 1988 July 24 A Celebration of Thanksgiving, Kathryn Kit Hogue 1917-1995, 1995 September 16 box 1:1 - 2:22, Series 1. Biographical 1816-2007 16:1 - 16-2, 23 Physical Description: 65 folders, 2 folios and folios 1 and 2 box-folder 1: 1 Memorial Celebration 2007 October 14 box-folder 1: 2 Remembering Doug Adams 2007 box-folder 1: 3 Resumes 1975-2000 box-folder 1: 4 Baptism Certificate 1945 April 12 box-folder 1: 5 Photos, family and young adult undated box-folder 1: 6 Photos, family and young adult undated box-folder 1: 7 Photos, adult undated box-folder 1: 8 Correspondence, family 1960s Inventory of the Douglas G. GTU 2008-1-01 4 Adams Collection Series 1.Biographical 1816-2007 box-folder 1: 9 High School Records and Papers 1961-1963 box-folder 1: 10 High School 1962-1963 box-folder 1: 11 Genealogy, John J. Foote 1816-1905 box-folder 1: 12 Genealogy, Engstrom and others 1898-1964 box-folder 1: 13 Duke Paper and Notes 1964-1965 box-folder 1: 14 William Poteat Class 1966 box-folder 1: 15 Duke Diploma, BA 1967 box-folder 1: 16 My Spiritual Summer 1967 box-folder 1: 17 Recipient of Dr. Elmer E. and Agnes E. Walker Scholarship Award 1967 September 24 box-folder 1: 18 Margo 1968-1976 box-folder 1: 19 Personal Knowledge and Progress 1968 box-folder 1: 20 Pacific School of Religion, papers 1968 box-folder 1: 21 Pacific School of Religion, papers 1968-1970 box-folder 1: 22 Pacific School of Religion, Diploma, MA and D.
Load more

Recommended publications
  • University of California, Los Angeles. Department of Dance Master's Theses UARC.0666
    http://oac.cdlib.org/findaid/ark:/13030/c8833tht No online items Finding Aid for the University of California, Los Angeles. Department of Dance Master's theses UARC.0666 Finding aid prepared by University Archives staff, 1998 June; revised by Katharine A. Lawrie; 2013 October. UCLA Library Special Collections Online finding aid last updated 2021 August 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections UARC.0666 1 Contributing Institution: UCLA Library Special Collections Title: University of California, Los Angeles. Department of Dance Master's theses Creator: University of California, Los Angeles. Department of Dance Identifier/Call Number: UARC.0666 Physical Description: 30 Linear Feet(30 cartons) Date (inclusive): 1958-1994 Abstract: Record Series 666 contains Master's theses generated within the UCLA Dance Department between 1958 and 1988. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Preferred Citation [Identification of item], University of California, Los Angeles. Department of Dance Master's theses (University Archives Record Series 666). UCLA Library Special Collections, University Archives, University of California, Los Angeles.
    [Show full text]
  • Interiors and Interiority in Vermeer: Empiricism, Subjectivity, Modernism
    ARTICLE Received 20 Feb 2017 | Accepted 11 May 2017 | Published 12 Jul 2017 DOI: 10.1057/palcomms.2017.68 OPEN Interiors and interiority in Vermeer: empiricism, subjectivity, modernism Benjamin Binstock1 ABSTRACT Johannes Vermeer may well be the foremost painter of interiors and interiority in the history of art, yet we have not necessarily understood his achievement in either domain, or their relation within his complex development. This essay explains how Vermeer based his interiors on rooms in his house and used his family members as models, combining empiricism and subjectivity. Vermeer was exceptionally self-conscious and sophisticated about his artistic task, which we are still laboring to understand and articulate. He eschewed anecdotal narratives and presented his models as models in “studio” settings, in paintings about paintings, or art about art, a form of modernism. In contrast to the prevailing con- ception in scholarship of Dutch Golden Age paintings as providing didactic or moralizing messages for their pre-modern audiences, we glimpse in Vermeer’s paintings an anticipation of our own modern understanding of art. This article is published as part of a collection on interiorities. 1 School of History and Social Sciences, Cooper Union, New York, NY, USA Correspondence: (e-mail: [email protected]) PALGRAVE COMMUNICATIONS | 3:17068 | DOI: 10.1057/palcomms.2017.68 | www.palgrave-journals.com/palcomms 1 ARTICLE PALGRAVE COMMUNICATIONS | DOI: 10.1057/palcomms.2017.68 ‘All the beautifully furnished rooms, carefully designed within his complex development. This essay explains how interiors, everything so controlled; There wasn’t any room Vermeer based his interiors on rooms in his house and his for any real feelings between any of us’.
    [Show full text]
  • The Role of Dance in Haitian Vodou Dancing, Along with Singing And
    The Role of Dance in Haitian Vodou Camille Chambers, University of Florida Dancing, along with singing and drumming, is a fundamental part of Haitian Vodou ritual ceremonies. Just as how the songs and the drums have a spiritual function and reflect a creolized heritage, dance holds a similar value in Vodou. As a religion that is kinesthetic in nature, dance is part of the physical manifestation of serving the lwa. Dance is not only an important part of Haitian Vodou but also of Haitian culture, in which there are two types of dance: secular and sacred (Dunham 1947: 15). For the purpose of this paper, the sacred dance will be addressed. Many anthropologists have studied ritual dances in the African diaspora of the Caribbean. Through the studies of dance in Haitian Vodou, the connection to spirituality and memory provided to the community through dance and music in Vodou ceremonies is evident. The community is a key element in Vodou ceremonies. Hebblethwaite argues that Vodou songs are important because they are the “living memory of a Vodou community” (2012: 2). Dance holds the same importance in preserving this “living memory.” Vodou songs educate about the lwa and the philosophy of Vodou and they signal the transitions between phases of the ceremony. Dance in Vodou also educates about the lwa and philosophy and through careful study of the different dances, one may also understand how dances change in the different phases of the ceremony. Before getting into the study of dances, the importance of drums must be addressed. Wilcken (2005) describes the drums as providing the fuel and guidance to the dance participants.
    [Show full text]
  • Katherine Mansfield Gurdjieff's Sacred Dance
    Katherine Mansfield and Gurdjieff’s Sacred Dance James Moore First published in Katherine Mansfield: In From the Margin edited by Roger Robinson Louisiana State University Press, 1994 The facts are singular enough: Katherine Mansfield, a young woman who could scarcely walk or breathe, absorbed in sacred dances that lie on the very cusp of human possibility. Some ideal of inner conciliation—neighbourly to the dancers’ purpose there— seems to have visited Katherine almost precociously. At twenty, she had written, “To weave the intricate tapestry of one’s own life, it is well to take a thread from many harmonious skeins—and to realise that there must be harmony.” i The tapestry she had achieved in the ensuing years had been a brave one: on a warp of suffering she had imposed a woof of literary success. Slowly, implacably, her body but not her spirit of search had failed her, and in her final extremity she arrived at a resolution: “Risk! Risk anything!” 2 So determined, she entered the gates of the Château du Preiuré, at Fontainbleau-Avon, on Tuesday, October 17, 1922, and there, at George Ivanovitch Gurdjieff’s Institute for the Harmonious Development of Man, she lived out her last, intense three months. There, on January 9, 1923, she died. Katherine Mansfield and Gurdjieff’s Sacred Dance. Copyright © James Moore 1994, 2006. 1 www.Gurdjieff-Biblography.com No one imagines that Mansfield’s fundamental significance lies outside her oeuvre, her individuality, and her life’s full spectrum of personal relationships; no one would claim some mystical apotheosis at Fontainebleau that overrode all that.
    [Show full text]
  • Ribera's Drunken Silenusand Saint Jerome
    99 NAPLES IN FLESH AND BONES: RIBERA’S DRUNKEN SILENUS AND SAINT JEROME Edward Payne Abstract Jusepe de Ribera did not begin to sign his paintings consistently until 1626, the year in which he executed two monumental works: the Drunken Silenus and Saint Jerome and the Angel of Judgement (Museo di Capodimonte, Naples). Both paintings include elaborate Latin inscriptions stating that they were executed in Naples, the city in which the artist had resided for the past decade and where he ultimately remained for the rest of his life. Taking each in turn, this essay explores the nature and implications of these inscriptions, and offers new interpretations of the paintings. I argue that these complex representations of mythological and religious subjects – that were destined, respectively, for a private collection and a Neapolitan church – may be read as incarnations of the city of Naples. Naming the paintings’ place of production and the artist’s city of residence in the signature formulae was thus not coincidental or marginal, but rather indicative of Ribera inscribing himself textually, pictorially and corporeally in the fabric of the city. Keywords: allegory, inscription, Naples, realism, Jusepe de Ribera, Saint Jerome, satire, senses, Silenus Full text: http://openartsjournal.org/issue-6/article-5 DOI: http://dx.doi.org/10.5456/issn.2050-3679/2018w05 Biographical note Edward Payne is Head Curator of Spanish Art at The Auckland Project and an Honorary Fellow at Durham University. He previously served as the inaugural Meadows/Mellon/Prado Curatorial Fellow at the Meadows Museum (2014–16) and as the Moore Curatorial Fellow in Drawings and Prints at the Morgan Library & Museum (2012–14).
    [Show full text]
  • Nordic Roots Dance Kari Tauring - 2014 "Dance Is a Feature of Every Significant Occasion and Event Crucial to Tribal Existence As Part of Ritual
    Nordic Roots Dance Kari Tauring - 2014 "Dance is a feature of every significant occasion and event crucial to tribal existence as part of ritual. The first thing to emphasize is that early dance exists as a ritual element. It does not stand alone as a separate activity or profession." Joan Cass, Dancing Through History, 1993 In 1989, I began to study runes, the ancient Germanic/Nordic alphabet system. I noticed that many rune symbols in the 24 Elder Futhark (100 ACE) letters can be made with one body alone or one body and a staff and some require two persons to create. I played with the combination of these things within the context of Martial Arts. In the Younger futhark (later Iron Age), these runes were either eliminated or changed to allow one body to create 16 as a full alphabet. In 2008 I was introduced to Hafskjold Stav (Norwegian Family Tradition), a Martial Arts based on these 16 Younger Futhark shapes, sounds and meanings. In 2006 I began to study Scandinavian dance whose concepts of stav, svikt, tyngde and kraft underpinned my work with rune in Martial Arts. In 2011/2012 I undertook a study with the aid of a Legacy and Heritage grant to find out how runes are created with the body/bodies in Norwegian folk dances along with Telemark tradition bearer, Carol Sersland. Through this collaboration I realized that some runes require a "birds eye view" of a group of dances to see how they express themselves. In my personal quest to find the most ancient dances within my Norwegian heritage, I made a visit to the RFF Center (Rådet for folkemusikk og folkedans) at the University in Trondheim (2011) meeting with head of the dance department Egil Bakka and Siri Mæland, and professional dancer and choreographer, Mads Bøhle.
    [Show full text]
  • Vietnamese Christians Sharing God's Beauty
    VIETNAMESE CHRISTIANS SHARING GOD’S BEAUTY IN SACRED DANCE AND DRAMA By Sister Martha Ann Kirk, CCVI, and Brother Rufino Zaragoza, OFM Deep Roots of Bodily Movement in Christianity and in Asian Ritual “The Word became flesh and dwelt among us,” proclaims John’s gospel. Christianity is not just a religion of the invisible mystery of the Holy One, but a religion in which divine love took a body in Jesus Christ. Through the ages Christian worship has involved embodiment. The culture of Vietnam has been shaped by a strong sense of veneration for ancestors, Taoism, Buddhism, and Confucianism before the first Christian missionary arrived in 1533. In all of these bodily movement has been a part of ritual practice. A deep bow, a kowtow, was a part of Confucian ritual expression. In Buddhism, dance was associated with prayer. For example, the Lotus dance, Mua Hoa Dang was performed at the Imperial Palace when the emperor was asking Buddha’s blessing for peace and prosperity for the country. Many variations of the traditional Lotus dance are shared today. http://www.youtube.com/watch?v=Hq432db1nyU In 1583 Spanish Franciscans from Manila went to Vietnam and a few years later Spanish Dominicans went there also. During the next century the style of Christianity which was spread in Vietnam had characteristics of the Iberian Catholicism of that period. In the book In Our Own Tongues: Perspectives from Asia on Mission and Inculturation, Peter C. Phan writes of the missionaries to Vietnam: “These Portuguese missionaries, just as the Spanish ones, brought
    [Show full text]
  • California State University, Northridge the Middle
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE MIDDLE ENGLISH PEARL: A TRANSLATION AND COMMENTARY A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in English by Anne Elaine Kellenberger August, 1982 The Thesis of Anne Elaine Kellenberger is approved: David M. Andersen III, Chairman California State University, Northridge .ii FOR THE DANDIEST OF ALL iii CONTENTS Dedication . iii Abstract . v Historical and Critical Background 1 A Note on Pearl's Form .. 10 A Personal Interpretation: Kynde in Pearl 16 A Note on the Translation. 24 Text of Pearl. 29 Commentary 80 Notes . 113 Bibliography • 118 iv ABSTRACT THE MIDDLE ENGLISH PEARL: A TRANSLATION AND COMMENTARY by Anne Elaine Kellenberger Master of Arts in English Pearl, a twelve hundred line poem, is recognized as one of the most important products of the Alliterative Revival which took place in England during the fourteenth century. Yet, its obscure dialect and the changes that have occurred in the English language over the intervening six hundred years make the poem unavailable to an un­ trained modern reader. This paper is a translation into Modern English of the Middle English Pearl, with a critical introduction and commentary. The opening essay and the commentary serve as an introduction to the critical and linguistic issues that make up the large body of scholarship on the poem. Questions concerning the nature of Pearl, the significance of its imagery, its relationship to other poems, and the identity and orthodoxy of its author have been raised and debated since Pearl was first published in 1864. The commentary in particular addresses textual matters such as v the derivation of a debatable word or the effect a particu­ lar passage has on the interpretation of the poem as a whole.
    [Show full text]
  • An Inventory to the Papers and Record S in the Japanese Canadian Research Collectio N
    AN INVENTORY TO THE PAPERS AND RECORD S IN THE JAPANESE CANADIAN RESEARCH COLLECTIO N SPECIAL COLLECTIONS AND UNIVERSITY ARCHIVES DIVISIO N UNIVERSITY OF BRITISH COLUMBIA LIBRARY PREPARED BY TERRY NABATA (1975) ADDITIONAL WORK BY : SUSAN PHILIP S FRANK HANANO GEORGE BRANDAK REVISED 1996 NORMAN AMOR WITH A NEW INTRODUCTION BY: TSUNEHARU GONNAMI TABLE OF CONTENTS Page I. Introduction 1 I-i Background of the Collection 1 I-2 Size and Nature of the Collection 3 I-3 Inventory List 3 II. Contents of the Collection 4 11-1 Business and Commerce 4 II-2 Farming 5 II-2-1 Yasutaro Yamaga Collection 5 II-2-2 Yasutaro Yamaga Papers 6 11-2-3 Pitt Meadows Japanese Farmers' Association Collection 7 II-2-4 Mrs. Lily Kamachi Collection 8 II-2-5 Summerland Japanese Farmers' Association Collection 8 II-2-6 Chugi Kawase Collection 8 11-3 Fishing . 8 11-3-1 Rintaro Hayashi Collection 9 11-3-2 Japanese Fisherman's Benevolent Association Collection 10 11-3-3 Skeena Fisherman's Association Collection 10 11-3-4 Kishizo Kimura Collection 1 1 I1-4 Forestry 12 II-4-1 Kadota Collection 13 II-4-2 Kantaro Kadota Collection 13 I1-5 Mining 14 II-5-1 National Japanese Canadian Citizens Association Collection 14 11-5-2 Rev. Yoshio Ono Collection 15 II-6 Religious Activities 16 II-6-1 Rev. Y. Akagawa Collection 16 II-6-2 Rev. Yoshio Ono Collection 17 11-6-3 Rev. Y. Yoshioka Collection 17 II-6-4 United Church of Canada Collection 17 II-6-5 Steveston United Church Collection 17 ii II-7 Reminiscences and Biographies 17 II-7-1 National Japanese Canadian Citizens Association Collection 18 II-7-2 Mrs.
    [Show full text]
  • Copy of Anime Licensing Information
    Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep.
    [Show full text]
  • Ribera's Drunken Silenusand Saint
    Durham Research Online Deposited in DRO: 19 July 2019 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Payne, Edward (2017) 'Naples in esh and bones : Ribera's drunken silenus and Saint Jerome.', Open Arts journal. (6). pp. 99-113. Further information on publisher's website: http://dx.doi.org/10.5456/issn.2050-3679/2018w05 Publisher's copyright statement: This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk 99 NAPLES IN FLESH AND BONES: RIBERA’S DRUNKEN SILENUS AND SAINT JEROME Edward Payne Abstract Jusepe de Ribera did not begin to sign his paintings consistently until 1626, the year in which he executed two monumental works: the Drunken Silenus and Saint Jerome and the Angel of Judgement (Museo di Capodimonte, Naples).
    [Show full text]
  • 1000 Mythological Characters
    This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project to make the world’s books discoverable online. It has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books are our gateways to the past, representing a wealth of history, culture and knowledge that’s often difficult to discover. Marks, notations and other marginalia present in the original volume will appear in this file - a reminder of this book’s long journey from the publisher to a library and finally to you. Usage guidelines Google is proud to partner with libraries to digitize public domain materials and make them widely accessible. Public domain books belong to the public and we are merely their custodians. Nevertheless, this work is expensive, so in order to keep providing this resource, we have taken steps to prevent abuse by commercial parties, including placing technical restrictions on automated querying. We also ask that you: + Make non-commercial use of the files We designed Google Book Search for use by individuals, and we request that you use these files for personal, non-commercial purposes. + Refrain from automated querying Do not send automated queries of any sort to Google’s system: If you are conducting research on machine translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us.
    [Show full text]