'Every Day Was Special' Student Government Changes Hands
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30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
For Immediate Release March 17, 2014 the HUB
For Immediate Release March 17, 2014 THE HUB NETWORK ANNOUNCES BRAND NEW TRANSFORMERS SERIES IN PRODUCTION NOW FOR 2015 Will Friedle, Darren Criss and Constance Zimmer to Star in New Animated Series by Hasbro Studios LOS ANGELES — The Hub Network, champions of family fun and the only network dedicated to providing kids and their families entertainment they can watch together, announced today that a new animated series is currently in production for the globally renowned TRANSFORMERS brand. Set to debut in early 2015, the new action-packed series is being produced by Hasbro Studios, the production and distribution division of Hasbro, Inc., and is executive produced by Jeff Kline (“Transformers Prime,” “G.I. Joe Renegades”). Taking place years after the battle between Autobots and Decepticons in “Transformers Prime,” this all new series centers around our hero Bumblebee stepping up to lead a brand new team of Autobots. The show features an all-star cast with Will Friedle (“Boy Meets World”) returning as Bumblebee, along with Darren Criss (“Glee”), Constance Zimmer (“House of Cards”) and Ted McGinley (“Married with Children”). Blending 3D characters with hand-painted environments, the series mixes action-packed adventure with lots of comedy, making it a rip-roaring experience for kids and families to enjoy together. This is a big year as the TRANSFORMERS brand celebrates its 30th anniversary. The Hub Network will also be celebrating the success of the franchise with special events to be announced later this year. TRANSFORMERS and all related characters are trademarks of Hasbro and are used with permission. © 2014. Hasbro. All Rights Reserved. -
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00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Jesse Host I’m Jesse Thorn. It’s Bullseye. Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:22 Jesse Host My guest, Steve Buscemi, doesn’t need that much of an introduction. He is one of the most memorable actors ever. He’s had hundreds of parts—leading parts in stuff like Reservoir Dogs, Ghost World, Boardwalk Empire. Iconic supporting parts in Fargo, The Sopranos, and—of course—30 Rock. So, we’ll skip the long intro and talk about his newest work. [Music fades out.] It’s a TV show called Miracle Workers, a comedy created by the hilarious Simon Rich—the same person behind Man Seeking Woman and a bunch of brilliantly written works you might have seen in The New Yorker, or on one of his many books, or heard on this show. Each season, Miracle Workers tells a different story with the same cast. Season one was set in Heaven, which is run kind of like a soulless megacorporation with an absentee CEO. Steve played God. Literally God. 00:01:14 Sound Transition Music swells and fades. Effect 00:01:15 Clip Clip Music: Peaceful, serene music. -
Copyrighted Material
PART ON E WHAT WOULD OPRAH DO?: ETHICS AND THE GOOD LIFE AT 30 ROCK COPYRIGHTED MATERIAL cc01.indd01.indd 5 66/5/10/5/10 110:08:270:08:27 AAMM cc01.indd01.indd 6 66/5/10/5/10 110:08:280:08:28 AAMM BEING KENNETH: SOME MORAL LESSONS P. Sue Dohnimm 1 Kenneth makes my heart skip. It isn’ t his dashing good looks or his wonderful sense of style. It isn ’ t just the endearing fact that his middle name is Ellen. Honestly, it ’ s the simplicity of his moral vision. He just sees the world in a way that I can’ t even imagine. It ’ s an enchanted world, where right and wrong are as plain as the pee and laughter combination we call lizzing. I have the same question Jack Donaghy has. Jack: Kenneth, I wonder what it ’ s like seeing the world through your eyes? Kenneth: I don ’ t know, Mr. Donaghy. Well, I think I see the world pretty much the same as everyone else. Jack: Really? [music starts, Jack continues, singing ] ’ Cause I think you ’ re very special, Kenneth [ Jack is now seen through Kenneth ’ s eyes, as a puppet. ], to be able to get so much joy from simple things, simple things. 7 cc01.indd01.indd 7 66/5/10/5/10 110:08:280:08:28 AAMM 8 P. SUE DOHNIMM Jack [talking again, and human ]: But most of us grow up and lose our sense of wonder. [ “ Apollo, Apollo ” ] Kenneth sees things uniquely. He is literal - minded. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Representations of Female Nerds in U.S.-American Sitcoms“ verfasst von / submitted by Beate Reichl, BA BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2018 / Vienna 2018 Studienkennzahl lt. Studienblatt / A 066 844 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Anglophone Literatures and Cultures degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Alexandra Ganser-Blumenau Acknowledgements First, I would like to thank my supervisor, Prof. Alexandra Ganser-Blumenau. Then, I would like to offer my special thanks to my aunt, Susanne Reichl, for being my continuous role model and adviser. Finally yet importantly, I wish to acknowledge the never-ending support provided by my husband, Manuel Engel, my parents and close friends. Table of Contents List of Figures .............................................................................................. i 1 Introduction ................................................................................................ 1 2 Representations of the Nerd ...................................................................... 2 Representation .................................................................................... 2 Stereotypes ......................................................................................... 3 The Nerd -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of April 25 - May 1, 2021 Alien (1979) Freeform Mon. 5:10 p.m. Aliens (1986) Freeform Mon. 7:50 p.m. Forrest Gump (1994) VH1 Fri. 9 p.m. VH1 Sat. 5 p.m. The Godfather, Part II (1974) TMC Sun. 2 p.m. Showtime Tues. 2:50 p.m. The Godfather (1972) TMC Sun. 11 a.m. Halloween (1978) AMC Fri. 7 p.m. AMC Sat. 4 p.m. The Little Mermaid (1989) Freeform Tues. 8 p.m. Mary Poppins (1964) Freeform Sun. 7 a.m. Freeform Sun. 5 p.m. Mrs. Miniver (1942) TCM Sun. 3:45 a.m. Platoon (1986) AXS Mon. 6 p.m. AXS Mon. 8:45 p.m. AXS Tues. 6 a.m. EPIX Tues. 6 p.m. Pulp Fiction (1994) IFC Sun. 5:30 p.m. IFC Sun. 9 p.m. AMC Thur. 9 a.m. The Shawshank Redemption (1994) FX Sun. 5 p.m. The Shining (1980) AMC Sat. 8:30 a.m. The Silence of the Lambs (1991) Showtime Sat. 2 p.m. Singin' in the Rain (1952) TCM Sun. 3 p.m. Sounder (1972) TCM Sun. 9 p.m. The Spirit of St. Louis (1957) TCM Mon. 2:30 a.m. Stagecoach (1939) TCM Mon. 11:15 a.m. A Star Is Born (1937) TCM Mon. 3 p.m. A Star Is Born (1954) TCM Mon. 5 p.m. Strangers on a Train (1951) TCM Tues. -
30 Rock This Season, Particularly the Character of Liz Lemon, Played by Tina Fey
INTRODUCTIONS Get me interested! GETTING STARTED • The purpose of the introduction is to get your reader interested and give them what they need to know to understand and follow your argument • Keep this in mind when writing it, reviewing it, editing it, revising it. • Think about the first five minutes of a television pilot – you’re either going to continue watching, or change the channel. • Make your reader give you the benefit of the doubt WAYS TO BEGIN: • It’s called an attention getter, but it • Explain the larger context of your doesn’t have to be awe-inspiring topic awesome • Offer background information • Define key terms or concepts • Think about building up into your • Connect your subject to reader topic, into your argument interests or values • Start with a quotation or statement • The key with all of these is you have to provoke interest to use them, not just write one • Start with an anecdote sentence and be done • Ask a question (be careful) • Jump right into the topic BACKGROUND INFORMATION • You just have to ground your reader – what are you writing about? Authors? Pieces? Anything else the reader needs to know? • You are not summarizing the entire article, the author’s life, etc. (Know your audience – have I read these essays?) • You are using this information to connect your attention getter to your argument • EVERYTHING IS CONNECTED TO EVERYTHING! THESIS • Get to your argument • What is your interpretation of the pieces? • This should not come out of nowhere – your attention getter and background information have been -
30 Rock and Philosophy: We Want to Go to There (The Blackwell
ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere . -
Buckskin Boosters Build “Sound Mind, Sound Body, Sound Future” Capital Campaign by Brandon Lê ’14
December 2012 1 THEValley Voice CONESTOGA VALLEY HIGH SCHOOL Lancaster, PA December 2012 Volume 14, Issue 3 Buckskin Boosters Build “Sound Mind, Sound Body, Sound Future” Capital Campaign By Brandon Lê ’14 he Buckskin Boosters, the opening of the high school a consortium of CVSD itself. Over the years, it has Tadministrators and undergone minor renovations coaches cooperating to fund and repairs, but the sports various extracurricular activities, complex as a whole had never has launched a capital campaign been renovated until now. The known as the “Sound Mind, complex once was able to host Sound Body, Sound Future” an ever-increasing number of campaign. This campaign aims athletic events, but now that it is to renovate the high school’s decaying in its present state, the sports complex, which now number of events held there requires a complete renovation. has to be limited in order to It will include replacing the preserve the turf, bleachers, and entire sports complex – the equipment from breaking down. stadium, track, bleachers, The “Sound Mind, Sound press box, and entrances. Body, Sound Future” campaign Conestoga Valley High focuses on upgrading its sports School’s sports complex was Please see COMPLEX, page 5 first built in 1958 alongside A sketch of the planned renovations to the high school’s sports Photo Credit: Kendyl Landis ’13 complex. In this Issue . Hard Facts by 3rd Annual Hondares: The Coaches vs. Cancer Fiscal Cliff 2 On Friday, December 14th, CVHS held the annual Coaches vs. Cancer doubleheader fundraiser. “Coaches vs. Cancer Chewbacca Meets is a great cause, the sports teams Mickey Mouse 3 really came together and raised money through a number of ways, especially by selling head and wristbands,” said Nancy Book Review: Lopez, one of the coordinators. -
30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06
106 “Tracy Does Conan” by Tina Fey Directed by Adam Bernstein Executive Producers: Lorne Michaels Tina Fey JoAnn Alfano Marci Klein David Miner Broadway Video Television SHOOTING DRAFT – 9/29/06 254 West 54th St, 11th Floor New York, NY 10019 ! 2006 BY!NBC STUDIOS, INC. ! ALL RIGHTS RESERVED.! NOT TO BE DUPLICATED WITHOUT PERMISSION. ! This material is property of!NBC Studios, Inc.!and is intended solely for use by its personnel.! The sale, copying, reproduction or exploitation of this material in any form is prohibited.! Distribution or disclosure of this material to unauthorized persons is prohibited. 30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06 CAST LIST LIZ .............…………………………….....……………………………...…….............TINA FEY JACK………………………………………………………………...…………ALEC BALDWIN TRACY......…………….………..……..……………………………….....…..TRACY MORGAN JENNA………………………………………………………………........... JANE KRAKOWSKI KENNETH………………………………………………………….......…....JACK MCBRAYER PETE……………………………………………………………….........................SCOTT ADSIT FRANK………………………………………………………………....JUDAH FRIEDLANDER LITTLE BLUE MAN………………...………………………………………RACHEL DRATCH TOOFER………………………………………………………………...............KEITH POWELL CONAN O’BRIEN.…….…………………………………………............…...CONAN O’BRIEN DENNIS...…………………………………………………………………..…. DEAN WINTERS DR. SPACEMAN…………………………………………………………..….CHRIS PARNELL GRIZZ......…………………………………………………………………..…..............…..…TBD NURSE......……………………………..…………………………………..…..............…..…TBD FRUIT SALESMAN..…………………...………………………………………..….......RN RAO CONAN STAGE MANAGER.…….…………………………………………..............…..…TBD -
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture Jack HARBORD School of Arts and Media University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, June 2015 Table of Contents List of Figures iii Acknowledgements vii Abstract viii Introduction 1 1. Literature Review of Minstrelsy Studies 7 2. Terminology and Key Concepts 20 3. Source Materials 27 4. Methodology 39 5. Showing Blackface 5.1. Introduction 58 5. 2. Change the Joke: Blackface in Satire, Parody, and Irony 59 5. 3. Killing Blackface: Violence, Death, and Injury 95 5. 4. Showing Process: Burnt Cork Ritual, Application, and Removal 106 5. 5. Framing Blackface: Mise-en-Abyme and Critical Distance 134 5. 6. When Private goes Public: Blackface in Social Contexts 144 6. Talking Blackface 6. 1. Introduction 158 6. 2. The Discourse of Blackface Equivalency 161 6. 3. A Case Study in Blackface Equivalency: Iggy Azalea 187 6. 4. Blackface Equivalency in Non-African American Cultural Contexts 194 6. 5. Minstrel Show Rap: Three Case Studies 207 i Conclusions: Findings in Contemporary Context 230 References 242 ii List of Figures Figure 1 – Downey Jr. playing Lazarus playing Osiris 30 Figure 2 – Blackface characters in Mantan: The New Millennium Minstrel Show 64 Figure 3 – Mantan: Cotton plantation/watermelon patch 64 Figure 4 – Mantan: chicken coup 64 Figure 5 – Pierre Delacroix surrounded by African American caricature memorabilia 65 Figure 6 – Silverman and Eugene on return to café in ‘Face -
30 ROCK-Will You Go to Lunch!
30 R O C K "Will You Go To Lunch!" Written by Curtis Lofgren WGAw # 1582126 2621 Columbia Ave. Richmond CA 94804 (510)526-3452 FADE IN INT. JACK DONAGHY’S OFFICE-DAY Jack is in his office with Doctor Leo Spaceman. He is getting an EKG. Jack’s shirt is off and the doctor is placing the electrodes on Jack’s chest. The table is way too small for Jack’s body. JACK Careful, Leo! Other than my erect penis, the chest pecs are the manliest area of my body! LEO Should I be placing these on your Johnson, Mister Johnson? Jack gives Leo a spacey stare. JACK Leo, what is wrong with you? It’s Jack Donaghy. Your boss, remember? LEO Right. Sorry, I’m not my self since I got back from rehab. JACK You went to rehab? When? LEO Technically speaking, I’m still there. Is it acceptable medical etiquette to leave after you’ve administered an enema to a patient in withdrawal? JACK Unless it’s Harry Reid, of course it isn’t! Leo, get a hold of yourself! Liz walks into the office. The two men are holding an enema hose. LIZ Excuse me, boys, but I thought I was in the office of Jack Donaghy, not my writer’s room. JACK Lemon, I.... 2. Liz licks her fingertip, slaps her bottom, and utters a remarkably glib line. LIZ Ah, still got it, never lost it, I don’t care if it’s our last season! I’m going for most flashbacks in a single show! Jack hops off the table.