Linden Observer VOL
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INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Los Angeles Department of City Planning RECOMMENDATION REPORT
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC -2008 -1180 -HCM HEARING DATE: May 6, 2008 Location: 7128 Woodrow Wilson Drive TIME: 10:00 AM Council District: 4 PLACE : City Hall, Room 1010 Community Plan Area: Sherman Oaks-Studio City- 200 N. Spring Street Toluca Lake-Cahuenga Pass Los Angeles, CA Area Planning Commission: South Valley 90012 Neighborhood Council: Hollywood Hills West Legal Description: Lot 653 or TR 1450 PROJECT: Historic-Cultural Monument Application for the CLARENCE C. BADGER RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument OWNER/ Gabriel Eshaghian and David Eshaghian APPLICANT: 7128 Woodrow Wilson Drive Los Angeles, CA 90029 OWNER’S Charles J. Fisher REPRESENTATIVE: 140 South Avenue 57 Los Angeles, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7 2. Adopt the report findings. S. GAIL GOLDBERG, AICP Director of Planning [SIGNED ORIGINAL IN FILE] Lambert M. Giessinger, Preservation Architect Office of Historic Resources Prepared by: [SIGNED ORIGINAL IN FILE] ________________________ Edgar Garcia, Preservation Planner Office of Historic Resources Attachments: March 9, 2008 Historic-Cultural Monument Application 7128 Woodrow Wilson Drive CHC-2008-1180-HCM Page 2 of 3 FINDINGS 1. The building “embodies the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction” as an example of Spanish Colonial Revival residential architecture. 2. The property is identified with a historic personage, Clarence C. Badger (1880-1964), a recognized early Hollywood film director who directed over eighty films between 1915 and 1941. -
Building Permit History 7128 Woodrow Wilson Drive Studio City
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC -2008 -1180 -HCM HEARING DATE: April 3, 2008 Location: 7128 Woodrow Wilson Drive TIME: 10:00 AM Council District: 4 PLACE : City Hall, Room 1010 Community Plan Area: Sherman Oaks-Studio City- 200 N. Spring Street Toluca Lake-Cahuenga Pass Los Angeles, CA Area Planning Commission: South Valley 90012 Neighborhood Council: Hollywood Hills West Legal Description: Lot 653 or TR 1450 PROJECT: Historic-Cultural Monument Application for the CLARENCE G. BADGER RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument OWNER/ Gabriel Eshaghian and David Eshaghian APPLICANT: 7128 Woodrow Wilson Drive Los Angeles, CA 90029 OWNER’S Charles J. Fisher REPRESENTATIVE: 140 South Avenue 57 Los Angeles, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation suggest the submittal may warrant further investigation. 2. Adopt the report findings. S. GAIL GOLDBERG, AICP Director of Planning [SIGNED ORIGINAL IN FILE] Ken Bernstein, Manager Office of Historic Resources Prepared by: [SIGNED ORIGINAL IN FILE] ________________________ Edgar Garcia, Preservation Planner Office of Historic Resources Attachments: March 9, 2008 Historic-Cultural Monument Application ZIMAS Report 7128 Woodrow Wilson Drive CHC-2008-1180-HCM Page 2 of 2 SUMMARY Built in 1916, this two and a half-story single family residence exhibits character-defining features of Spanish Colonial Revival residential architecture. The irregular-shaped plan includes a multi- gabled roof exhibiting clay roof tiles. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
12528 I Mil II 3 4067 02135 311 4
12528 I mil II 3 4067 02135 311 4 i t !••- • • .1 : • : <; .ft a\v:- ' of A Temporary Moment Of Feminization: Theatre Work/ers in 1920s' Brisbane Candidate: Leah Gwenyth Mercer, BA (Hons 1) - The University of Queensland, Brisbane, Australia. Department of English, University of Queensland. Dissertation Submitted for the Degree of Master of Arts. Date of Submission: July 1997. '. \j-\''-ii.VZj'\'.'jjA, 'UrUi^^^(" I, Leah Gwenyth Mercer, declare that the work presented in this thesis is, to the best of my knowledge and belief, original and my own work, except as acknowledged in the text. This thesis has not been submitted, either in whole or in part, for a degree at this or any other university. Leah Gwenyth Mercer Abstract This thesis argues that the period from 1920 to 1930 represents a 'feminized' moment in Brisbane's theatre history. Using a feminist methodology, the rise of cinematic technologies and the decline of theatre as a 'popular' medium are placed in context against the rise of the female producer/actor, the rising recognition of the female audience as a market and the corresponding growth of a 'Woman's' theatrical repertoire/genre. Four female theatre workers who were based in or passed through Brisbane during this decade are examined in detail. Although the range of performance models covered is not meant to be exhaustive, these four women were chosen to represent a broad spectrum of female theatre work. This thesis is divided into three chapters. Chapter One revisits the works of seven feminist theorists as a means of identifying and establishing a number of stages that are common to their work.