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Trials Chapter 2 by Aria Moonsinger Lion-O
Trials Chapter 2 By Aria Moonsinger Lion-O looked at her and his heart swelled with pride; then he pulled her towards him and held her in his embrace. “I thought I couldn't love you more than I do right now; I seem to fall in love with you more and more, you truly understand how I feel about my people and what I want for them.” then he kissed her on the lips. Jolene wrapped her arms around his neck; after the kiss, she said “I just wish there was someway I could stop doubting myself.” “There is; but you may not like it.” Lion-O said. “What way won't I like?” Jolene asked. “You could go through your own set of annointment trials to become a thundercat. Before you get too excited; you'll be facing each thundercat that you've been training with, including me.” explained Lion-O. Jolene's face grew a little pale as she said, “I would have to go up against Panthro, Cheetara and Pumyra, Lynx-O, Tygra and you? Sparing is one thing; but this would be for keeps. If I fail just one trial; there wouldn't be any point in continuing. This is the best that you could come up with?” Jolene then stood up and started to pace the floor. 'How can I go up against them? I'd have to fight my friends; people I respect and admire, plus the man I love.' Jolene stopped and looked at Lion-O; she saw love and respect in his eyes and knew that was for her, plus she knew he would go with any decision she made. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Came the Dawn : Memories of a Film Pioneer
ICIL M. HEPWORTH a film pioneer The Dawn comes to Flicker Alley Still a familiar figure in Wardour Street, Mr. Cecil Hepworth is a pioneer of British Cinema. In his autobiography he has a fascinating story to tell. They were simpler, sunnier days. Hepworth began in the 'showmanship' period in the late 'nineties, carrying his forty-second films to lecture-halls all over the country, where frenzied audiences demanded their repetition many times at a sitting. From the 'fairground' period he helped nurse the cinema to the time of the great Hepworth Company at its Walton-on- Thames studios. To those studios came famous stage actors, men of mark in many fields, anxious to try the new medium. In those studios many 'stars' of yesterday made world-wide reputations: Alma Taylor, Chrissie White, Gerald Ames, Ronald Colman, Violet Hopson, Stewart Rome, names remembered with deep affection four decades later. From Walton-on-Thames films were dispatched in quantity to the world, even to the United States before the Hollywood era. Conditions, if not primitive, were rudi- mentary in the earlier days; the grandiose notions of the industry today were un- dreamt of; and, most marvellous of all, leading actors and actresses played for as little as half a guinea a day (including fares), and were not averse to doing sorting, filing and running errands in their spare time. [ please turn to back flap MANY 16s ILLUSTRATIONS NET bih'iij II. .niij 37417 NilesBlvd §£g A 510-494-1411 Fremont CA 94536 www.nilesfilmnniseum.org Scanned from the collections of Niles Essanay Silent Film Museum Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from Jeff Joseph GAME THE DAWN CECIL M. -
Curse of Sekh by Clare Chapter 3 Cheetara and Tygra Wasted No Time in Getting Back to Cats' Lair After Hearing the Unicorn Keep
Curse of Sekh By Clare Chapter 3 Cheetara and Tygra wasted no time in getting back to Cats' Lair after hearing the Unicorn Keepers' story. The moment the two Thundercats were safely inside their fortress, Tygra switched on the telescreens so they would have more chance of spotting an enemy before it could attack. Not that this was a foolproof security system - Mumm-Ra had been known to trick his way in by using his ability to disguise himself - but it had often provided the Thundercats with early warnings of attack. Next, with the screen showing no signs of movement on the plains outside (although how long that would last with what Mumm-Ra and the Mutants were planning was anybody's guess) he switched on the transmittor and prepared to contact the other Thundercats. "Have you managed to warn everyone?" he asked, even though he did not doubt his fellows for a moment. Even so, it was a relief to him when Panthro's voice came through via the communicator installed on the Thundertank, assuring him that he and Wilykat had and were already on their way back to Cats' Lair. "Message acknowledged, Panthro," Tygra replied. "Lion-O has your group fulfilled its part of the mission?" "Affirmitive, Tygra," Lion-O's voice replied. "The Tuskas and the Snowmen say they'll be watching out for any signs of trouble. I only hope it'll be enough to deal with whatever Mumm- Ra's planning," he added as an afterthought. Tygra paused when he heard the young Lord's words; what Lion-O had said was exactly what he, Tygra, was thinking. -
The Finance and Production of Independent Film and Television in the UK: a Critical Introduction
The Finance and Production of Independent Film and Television in the UK: A Critical Introduction Vital Statistics General Population: 64.1m Size: 241.9 km sq GDP: £1.9tr (€2.1tr) Film1 Market share of UK independent films in 2015: 10.5% Number of feature films produced: 201 Average visits to cinema per person per year: 2.7 Production spend per year: £1.4m (€1.6) TV2 Audience share of the main publicly-funded PSB (BBC): 72% Production spend by PSBs: £2.5bn (€3.2bn) Production spend by commercial channels (excluding sport): £350m (€387m) Time spent watching television per day: 193 minutes (3hrs 13 minutes) Introduction This chapter provides an overview of independent film and television production in the UK. Despite the unprecedented levels of convergence that characterise the digital era, the UK film and television industries remain distinct for several reasons. The film industry is small and fragmented, divided across the two opposing sources of support on which it depends: large but uncontrollable levels of ‘inward-investment’ – money invested in the UK from overseas – mainly from the US, and low levels of public subsidy. By comparison, the television industry is large and diverse, its relative stability underpinned by a long-standing infrastructure of 1 Sources: BFI 2016: 10; ‘The Box Office 2015’ [market share of UK indie films] ; BFI 2016: 6; ‘Exhibition’ [cinema visits per per person]; BFI 2016: 6; ‘Exhibition’ [average visits per person]; BFI 2016: 3; ‘Screen Sector Production’ [production spend per year]. 2 Sources: Oliver & Ohlbaum 2016: 68 [PSB audience share]; Ofcom 2015a: 3 [PSB production spend]; Ofcom 2015a: 8. -
The Poetry Lounge 3: the Power of Performance Study Guide & Lesson
THE POETRY LOUNGE 3: THE POWER OF PERFORMANCE STUDY GUIDE & LESSON PLAN To order this and other programs call: (888) 570-5400; (310) 839-1500 www.epfmedia.com © 2018 EPF Media All Rights Reserved THE POETRY LOUNGE 3: THE POWER OF PERFORMANCE Spoken Word poetry is a contemporary form of performance that has revitalized young people’s appreciation of the poetic form. Spoken Word can be distinguished from more traditional poetry the way a play can be distinguished from a novel, in that it is written specifically to be performed. Where a traditional poem is often purposefully obscure and is intended for multiple re-readings, spoken word poets have only one chance to communicate their meanings to the audience. Like plays, spoken word poetry is designed to elicit an immediate and visceral audience reaction. Because of this a lot of power must be packed into the poem. The following guide is designed to be used interactively with the Poetry Lounge DVDs. For each poet, we have included material that can help you point out salient features of the poet’s craft to student along with teaching ideas that can be used as prompts to help students in their writing and performance of spoken word poetry. In some cases the power of the poetry comes from the artist’s performance. Just like the skill of an actor can make a play powerful, how the poet performs his/her poetry often has a great deal of impact on how the audience responds. “The Power of Performance” is designed to help students explore how they can use aspects of performance to enhance their poetry. -
Thundercats Bio-Booster Armor Guyver One Last War to Fight
ThunderCats Bio-Booster Armor Guyver One Last War to Fight Episode Thirteen: King’s Fall By Knight Writer ---------------------------------------------------------- "We seem to be missing a few," Tygra said as he and Panthro enjoyed their post-breakfast coffee. At that moment, Sho entered the dining area of the Tower of Omens and made a bee-line to the plate that Snarf had left for him. "Well, there's one," Panthro chuckled as he took a sip. "Pretty much on time, too. Not bad for a human. Looks like he's getting used to it." They turned away as the young man devoured his small breakfast in record time and attacked the cup of coffee. "I'll be outside," Sho said after he finished. "Thank you for breakfast." "Don't worry about it," Snarf said as he collected Sho's dish. "I just wish Lion-O would get out of bed, already. His food's getting cold, Shnarrf." "And I wonder why *he's* sleeping so late," Tygra said knowingly as he finished his coffee. "You noticed, too?" "Who didn't" Tygra replied with a wink. "Took long enough, didn't it?" "Yeah," Panthro replied. "And I'm glad for it. He's grown up a lot these past weeks." "True, but I wish it were under different circumstances." "Same here." Panthro said as he drained his cup. "But, who knows how long this would have taken otherwise?" "Cheetara sure seemed eager," Tygra began, "and Lion-O looked ready to learn. I'd be surprised it they woke up by noon." Bengali and Pumyra entered then, hands joined and identical smiles on their faces. -
MOLLY HUGHES Production Designer
(3/26/21) MOLLY HUGHES Production Designer www.molly-hughes.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCER “THIRTEEN LIVES” Ron Howard MGM Brian Grazer Imagine Entertainment Karen Lunder Magnolia Mae Films Gabrielle Tana “HILLBILLY ELEGY” Ron Howard Netflix Brian Grazer Imagine Entertainment Ron Howard Erica Huggins “I’M THINKING OF ENDING Charlie Kaufman Netflix Stefanie Azpiazu THINGS” Likely Story Anthony Bregman Nomination: Art Directors Guild (ADG) Award Nomination: British Film Designers Guild Production Design Award Nomination: Chicago Film Critics Association Award for Best Production Design Nomination: Georgia Film Critics Association Award for Best Production Design Nomination: North Dakota Film Society Award for Best Production Design Nomination: San Diego Film Critics Society Award for Best Production Design “AVA” Tate Taylor Freckle Films Kelly Carmichael Voltage Pictures Nicolas Chartier “THE ONE AND ONLY IVAN” Thea Sharrock Walt Disney Pictures Angelina Jolie Brigham Taylor “X-MEN: THE NEW MUTANTS” Josh Boone 20th Century Fox Simon Kinberg Marvel Entertainment Karen Rosenfelt “LOUDER THAN BOMBS” Joachim Trier Bona Fide Productions Albert Berger Ron Yerxa “FANTASTIC FOUR” Josh Trank 20th Century Fox Simon Kinberg (Additional Photography) Marvel Entertainment Hutch Parker Genre Films Matthew Vaughn “THE FAULT IN OUR STARS” Josh Boone Fox 2000 Marty Bowen Temple Hill Entertainment Wyck Godfrey “HOW AND WHY” Charlie Kaufman FX Productions Charlie Kaufman (TV Pilot) Anthony Bregman “EVERY SECRET THING” Amy Berg Hyde Park Entertainment Anthony Bregman Likely Story Frances McDormand “TWO NIGHT STAND” Max Nichols Flynn Picture Company Beau Flynn Ruben Fleischer (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (3/26/21) MOLLY HUGHES Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES PRODUCER “THE BOURNE LEGACY” Tony Gilroy Universal Pictures Frank Marshall (Supervising Art Director) Jeffrey M. -
TEEN TITANS GO! © Warner Bros. Entertainment Inc
TEEN TITANS GO! © Warner Bros. Entertainment Inc. The strange Superheroes channel A clever blend of creativity and humor, offering exclusive programs from Cartoon Network Studios for the whole family. Segments family cult humor serie entertainment Image credit: WE BARE BEARS™ © Cartoon Network s CARTOON NETWORK, 3RD MOST POPULAR CHANNEL ON BOYS AGED 4-14* 2.2M STRONG viewers each month AFFINITY with 37% boys aged 4-14 (ind.783) 16% Girls 11% 89% 84% Boys 4-10 yrs 11-14 yrs MFHB w/ children Source: Médiamat'Thématik V40 / Global audience / Coverage base 4+ Profile by age base 4+, by category base 15+ / Affinity and gender base 15+ *youth pay-TV channels segment FLAGSHIP PROGRAMS DC Super Hero Thundercats Roar Apple & Onion Girls . The series follows the meeting and Led by their courageous leader, Starlion Meet Apple and Onion, the new Cartoon adventures of six girls at Metropolis High and the other Cosmocats, Tygra, Panthro, Network series with the voices of BigFlo School: Barbara Gordon, Diana Prince, Zee Cheetara, Wilykat and Wilykit narrowly and Oli, Vianney, Kyan Khojandi, Sofyan, Zatara, Jessica Cruz, Karen Beecher and escape the sudden destruction of their Seb la frite and Wawad. Kara Danvers. So what makes them planet, Thundera. They then land on a Apple and Onion are two friends who live special? They all have a secret identity and mysterious and exotic planet, the 3rd in a big city full of all kinds of food. For this have to deal with it to become Earth, and try to make it their new home, inseparable duo, everything is a source of superheroines: Batgirl, Wonder Woman, in spite of the numerous enemies they excitement! Every day, they take a bite out Zatanna, Green Lantern, Bumble Bee and encounter along the way.. -
Shaun the Sheep's Creator
PRODUCTION NOTES STUDIOCANAL RELEASE DATES: UK – OCTOBER 18th 2019 SOCIAL MEDIA: Facebook - https://www.facebook.com/shaunthesheep Twitter - https://twitter.com/shaunthesheep Instagram - https://www.instagram.com/shaunthesheep/ YouTube - https://www.youtube.com/user/aardmanshaunthesheep For further information please contact STUDIOCANAL: UK ENQUIRIES [email protected] [email protected] 1 Synopsis Strange lights over the quiet town of Mossingham herald the arrival of a mystery visitor from far across the galaxy… For Shaun the Sheep’s second feature-length movie, the follow-up to 2015’s smash hit SHAUN THE SHEEP MOVIE, A SHAUN THE SHEEP MOVIE: FARMAGEDDON takes the world’s favourite woolly hero and plunges him into an hilarious intergalactic adventure he will need to use all of his cheekiness and heart to work his way out of. When a visitor from beyond the stars – an impish and adorable alien called LU-LA – crash-lands near Mossy Bottom Farm, Shaun soon sees an opportunity for alien-powered fun and adventure, and sets off on a mission to shepherd LU-LA back to her home. Her magical alien powers, irrepressible mischief and galactic sized burps soon have the flock enchanted and Shaun takes his new extra-terrestrial friend on a road-trip to Mossingham Forest to find her lost spaceship. Little do the pair know, though, that they are being pursued at every turn by a mysterious alien- hunting government agency, spearheaded by the formidable Agent Red and her bunch of hapless, hazmat-suited goons. With Agent Red driven by a deep-seated drive to prove the existence of aliens and Bitzer unwittingly dragged into the haphazard chase, can Shaun and the flock avert Farmageddon on Mossy Bottom Farm before it’s too late? 2 Star Power The creative team behind the world’s favourite woolly wonder explain how, in Farmageddon, they’ve boldly gone where no sheep has gone before.. -
Thundercats: TAS Chapter 2 by Knight Writer
ThunderCats: TAS Chapter 2 By Knight Writer [Scene is the wreckage of the flagship. Lion-O is walking about.] Lion-O: Think I'll take a look around. Tygra: Is that a good idea? I mean, this IS an alien environment. Lion-O: So? Tygra: Filled with God only knows what kind of wildlife. Lion-O: So? Tygra: And you're still willing to go off into the jungle? Lion-O: Yep. Tygra: Then take the Sword of Macguffins with you. Lion-O: Good idea. Tygra: And Snarf. Snarf: Wait, WHAT?! Lion-O: Outta here. [Camera shifts to Panthro atop the gangplank.] Panthro: Sure that was a good idea? Cheetara: Red fur, red shirt. Is there really a difference? Panthro: Remember, this IS a kid's show. Cheetara: So, Snarf might survive? Panthro: Count on it. Cheetara: God damnit.... [Camera cuts to Tygra.] Tygra: Wait. Lion-O grew in body, but not in mind. Panthro: Your point? Tygra: So, he's gonna lead us. Panthro: Yep. Tygra: I weep for our future. ========================================================= [Scene is the Mutants on the bridge of their ship.] Jackalman: Okay, so where the hell are we gonna find a Starbucks here? [Scene goes to footage of ruined civilizations, then back to the Mutants.] Slyhe: Jusssst keep looking for a place to build Castle Plun-Darr! Monkian: Okay, what the hell? We can just turn around, carpet bomb the ThunderCats into their component molecules, take the sword, then get the hell off this rock. Slythe: SSSSShut up! We need a kick-ass castle, and some sssslavessss to build it! Monkian: So.