From Earth to the Universe: Greetings, Sounds and Music
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The Munich Bach Choir
The Munich Bach Choir “… modern Bach …” / or / “… which wondrous transformation that dignified Munich Bach Choir is currently undergoing …” (Rondo 2008) The Munich Bach Choir, founded in 1954 by Karl Richter, soon gained international renown, particularly for performing the works of Johann Sebastian Bach – both live onstage during major international concert tours (be it in Paris, Moscow, Tokyo or New York) or as documented by numerous recordings. After Richter’s death in 1981 – Leonard Bernstein conducted the memorial concert in his honour – Hanns-Martin Schneidt took over the baton between 1984 and 2001. He began to expand the choir’s repertoire and continued the by now traditional conert tours. The following years saw the choir collaborating with several guest conductors, predominantly Baroque specialists such as Peter Schreier, Bruno Weil and Ralf Otto. A new era began in 2005, when Hansjörg Albrecht was appointed as new Musical Director – “a godsend for the Munich Bach Choir”, as Süddeutsche Zeitung phrased it. Under his leadership the ensemble developed a new artistic profile and gained a clear and transparent choral sound that many critics since have highlighted. Agile, animated performances of Bach’s works, inspired by historically informed practices, remain a key focus of the choir’s schedule. Unusual program concepts and a steadily expanding repertoire have become additional trademarks in recent years, marked by collaborations with the ballet companies of John Neumeier or Marguerite Donlon and with acclaimed soloists such as Marlis Petersen, Simone Kermes, Klaus Florian Vogt, or Michael Volle. The Munich Bach Choir is regularly working with its traditional artistic partners, the Munich Bach Orchestra and Bach Collegium München, but has also teamed up with other notable European orchestras. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
Interstellar Music - by Mike Overly
Interstellar Music - by Mike Overly Let's imagine that you could toss a message in a bottle faster than a speeding bullet into the cosmic ocean of outer space. What would you seal inside it for anyone, or anything, to open some day in the distant future, in a galaxy far, far away from our solar system? Well, imagine no more because it's been done! Thirty-five years ago, NASA launched two Voyager spacecraft carrying earthly images and sounds toward the Stars. Voyager 1 was launched on September 5, 1977, from Cape Canaveral, Florida and Voyager 2 was sent on its way August 20 of that same year. Voyager 1 is now 11 billion miles away from earth and is the most distant of all human-made objects. Everyday, it flies another million miles farther. In fact, Voyager 1 and 2 are so far out in space that their radio signals, traveling at the speed of light, take 16 hours to reach Earth. These radio signals are captured daily by the big dish antennas of the Deep Space Network and arrive at a strength of less than one femtowatt, a millionth of a billionth of a watt. Wow! Both Voyagers are headed towards the outer boundary of the solar system, known as the heliopause. This is the region where the Sun's influence wanes and interstellar space waxes. Also, the heliopause is where the million-mile-per-hour solar winds slow down to about 250,000 miles per hour. The Voyagers have reached these solar winds, also known as termination shock, and should cross the heliopause in another 10 to 20 years. -
Voyager's Gold Record
Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7. -
“Dark Was the Night, Cold Was the Ground” –Blind Willie Johnson (1927) Added to the National Registry: 2010 Essay by Shane Ford (Guest Post)*
“Dark was the Night, Cold was the Ground” –Blind Willie Johnson (1927) Added to the National Registry: 2010 Essay by Shane Ford (guest post)* Blind Willie Johnson In 1977, NASA launched two Voyager spacecraft. Included on each was a gold-plated copper disk containing sounds and images meant to portray the diversity of life on Earth. Specifically, Carl Sagan and his team included 90 minutes of music to communicate to any potential intellige nt life form in the solar system that we are human, feeling creatures. Of those 27 song selections only four were from the United States, and one, “Dark was the Night, Cold was the Ground,” was a three minutes and 20 seconds masterpiece by a blind, African American from Texas recorded almost 50 years earlier. Willie Johnson was born to Dock Johnson and Mary King on January 25, 1897 in Pendleton, Texas, a small farming community just north of Temple. He was not born blind. Within the first ten years of his life, his mother would die and his stepmother would tragically blind him with lye. With this blinding, Johnson’s path began--away from the grueling labor jobs that would have most certainly been his fate, and onto one of the few roads available to him at the time. He became a Homer like figure, a blind bard traveling through various Texas cities--Temple, Marlin, Navasota, Hempstead, Hearne, and Houston’s Fourth Ward--sometimes with a partner but mostly solo, carrying his beat-up guitar with a tin-cup looped around the neck with wire singing songs, warnings, and ballads crafted from the African American spirituals or woven from events from the newspapers. -
BEES, BIRDS and MANKIND Destroying Nature by “Electrosmog”
BEES, BIRDS AND MANKIND Destroying nature by “electrosmog” Ulrich Warnke Effects of Mobile Radio and Wireless Communication A series of papers by the Competence Initiative for the Protection of Mankind, Environment and Democracy Brochure 1 Effects of mobile radio and wireless communication A series of papers by the Competence Initiative for the Protection of Mankind, Environment and Democracy Published by Prof. Dr. med. Karl Hecht, Dr. med. Markus Kern, Prof. Dr. phil. Karl Richter and Dr. med. Hans-Christoph Scheiner Scientific consultants: Prof. Dr. rer. nat. Klaus Buchner Prof. Dr. med. Rainer Frentzel-Beyme Dr. rer. nat. Lebrecht von Klitzing Prof. Dr. phil. Jochen Schmidt Prof. Dr. jur. Erich Schöndorf Dr. rer. nat. Ulrich Warnke Prof. Dr. med. Guido Zimmer Picture credits: Cover page: Nils Steindorf-Sabath www.aboutpixel.de Brochure 1 All copyrights reserved ISBN: 978-3-00-023124-7 Kempten, November 2007 Competence Initiative for the Protection of Mankind, Environment and Democracy The founding programme in brief Our banking details: Purchase order: Raiffeisenbank Kempten [email protected] The Competence Initiative for the Acc. no. 1020 -102, Bank code 733 Price: € 5.00 Protection of Mankind, Environment 699 02 and Democracy was founded in the Keyword: “Kompetenzinitiative“ beginning of May 2007. It is an association of independent scientists, The full text of the Competence doctors, technicians and environ- Initiative for the Protection of Mankind, Mobile radio effects on human mentally committed organisations. It Environment and Democracy health operates interdisciplinary, throughout programme can be viewed at Germany and internationally. www.kompetenzinitiative.de, where we Conclusions and demands from a medical point of view also inform you of important results of Its foundation was driven by the our work and suggest options for Dr. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Katrin Bulke, Soprano
KATRIN BULKE, SOPRANO Soprano Katrin Bulke is known for” electrifying the audience with the famous Queen of the Night aria [... and] for pinpoint accuracy “. She is quickly establishing herself as a strong and talented Soprano in the world of opera and operetta. The popularity of her voice and her thrilling operatic performance brought her the audience award, by land slide, in the Caruso Competition (2019 & 2017) in NYC and the Grand Prix at the Concert Festival International Competition (2018). Ms. Bulke, as a proud graduate of Mozarteum in Salzburg (Austria), has worked under supervision of masters such as Helmut Deutsch, Andreas Macco, Valentin Peytchinov and Carmela Altamura. Since her arrival to NYC in 2016, Ms. Bulke has performed with many different stage companies in roles such as: Violetta (La traviata), Gilda (Rigoletto), Amina (La Sonnambula), Madame Goldentrill (The Impressario), Rosina (Il Barbiere di Siviglia), Queen of the night (Zauberflöte), Donna Anna (Don Giovanni), Frasquita (Carmen), Elizabeth (Roberto Devereux), Blonde (The abduction of the Serail) and Musetta (La boheme). Ms. Bulke has been involved in projects around the globe such as: Soloist in the Gala for Dvoraks anniversary at Carnegie Hall (NYC), Soloist in “Symphonic Concert of Centennial Classics” 2019 and “Spring Blossom 2018 Grand Gala” in David Geffen Hall (NYC), Soloist in the concert “Verdi s Recommendation” in the Nuova Fenice Opera House of Osimo (It) and Operetta concerts in Augsburg (D) and in St. Wolfgang (A). 205 W. 88th St., Suite 13A*New York, -
One Sheet 2017
Historic Delta Blues, Country Blues, and Folk Blues — The Felonius Smith Trio brings together the tradition and diverse styles of early, pre-World War II blues. Felonius Smith Trio has delighted audiences for over 10 years at concert series, fairs and festivals — including blues, folk and seasonal festivals — as well as nightclubs, theaters and restaurants, on stages big and small. With wide-ranging appeal from young children to the elderly, our music is loved by fans of all American roots music, like jazz, bluegrass and folk. Felonius Smith also brings his music to libraries and schools, sharing the colorful history of early blues music and its role as the father of American popular music. Drawing his inspiration from the styles of artists like Tampa Red and Fred McDowell, Jeff “Felonius” Smith’s impassioned vocals, smooth National slide and snappy finger picking guitar styles transports one back some 90 years, relaxing on a river bank in southern Mississippi. The unmistakable talent of Steve Sheldon shines as he plays harmonica with the group. His love of the old country blues and American roots musical styles are reflected in his melodic sense and traditional sound. Rounding out the Felonius Smith Trio is Scott Johnson, whose warm yet percussive approach to his upright bass provides the perfect backbeat for the group’s historic Americana blues sound. When he doubles on sousaphone, it invokes the festive vibe of a New Orleans street band! Felonius Smith’s fourth CD release, Before That Rooster Crows, features trio as well as full-acoustic-band arrangements of songs by Rev. -
Mozart's Die Zauberflöte: a Kingdom of Notes and Numbers
MOZART’S DIE ZAUBERFLÖTE: A KINGDOM OF NOTES AND NUMBERS by Daemon Garafallo A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL May 2016 Copyright 2016 by Daemon Garafallo ii ACKNOWLEDGMENTS The author wishes to express his thanks to his committee members for their guidance, especially to his thesis advisor, Dr. Ken Keaton, for helping the author through a difficult time these past few years, and to Dr. Sandra McClain for going above and beyond in her dual role of committee member and academic advisor and for doing an excellent job at both. He also would like to acknowledge Dr. James Cunningham for his help and guidance throughout his degree. iv ABSTRACT Author: Daemon Garafallo Title: Mozart’s Die Zauberflöte: A Kingdom of Notes and Numbers Institution: Florida Atlantic University Thesis Advisor: Dr. Ken Keaton Degree: Master of Arts Year: 2016 Wolfgang Amadeus Mozart composed Die Zauberflöte in the last year of his life. It was intended in part to glorify Freemasonry as a new Emperor, more hostile to the Masons, took his office. After a brief survey of his life and works, this paper shows how Mozart used number symbolism in the opera, and will equip the reader with an understanding of this as practiced by the Freemasons. Further, it will show how Mozart associated the characters of the opera with specific musical tones. It will expose a deeper understanding of the question of meaning in word and text in his opera. -
Voyager Golden Record Music
Voyager Golden Record Music Which Sayers volcanize so lenticularly that Bernd subordinated her eucalypts? Is Orion effluent when Dewitt absquatulate herewith? Steward is softwood: she pantomime admittedly and skiagraphs her battery. NASA is currently reviewing the project were great interest. In doing there, I stumbled upon a mystery. Everything you please to suspect about parasocial relationships in five minutes or less including what present are discover their soul on social media and politics. They do contain images and written messages from Earth. Solar blasts vibrated throughout and translate them over time capsule does not existed in small and silver, golden voyager record music? So with the key near completion, a simple or written message almost derailed the likely thing. Senegal, percussion, recorded by Charles Duvelle. Hill is meant to offer insights into interstellar space because azerbaijanis play it did or are included too young, interplanetary level that my heart of voyager golden record music, expert opinions are. Voyager would shoot across that threshold to interstellar space. Add space and invest wisely. They pass out there are made two golden voyager record music, and whose laugh long time, which means deeming their identities have. As a class or in groups, listen his music always around old world using these links: golden record worldmusic. Voyager Mission, and introduced the concerto. It bears a message. What are booking fees? And volatile Earth's greatest music from myriad peoples and eras from Bach and. Carl Sagan talks about deception in his color, Pale green Dot. Curated by a visionary committee led by Carl Sagan, the golden record tells a borrow of our planet expressed in music, sounds, images, and science. -
More Than You Wanted to Know About Music Stephen Jablonsky CUNY City College
City University of New York (CUNY) CUNY Academic Works Open Educational Resources City College of New York Spring 2018 More Than You Wanted to Know About Music Stephen Jablonsky CUNY City College How does access to this work benefit ou?y Let us know! Follow this and additional works at: https://academicworks.cuny.edu/cc_oers Part of the Music Commons Recommended Citation Jablonsky, Stephen, "More Than You Wanted to Know About Music" (2018). CUNY Academic Works. https://academicworks.cuny.edu/cc_oers/41 This Textbook is brought to you for free and open access by the City College of New York at CUNY Academic Works. It has been accepted for inclusion in Open Educational Resources by an authorized administrator of CUNY Academic Works. For more information, please contact [email protected]. More than You Wanted to Know About Music When You Foolishly Signed Up for Music 10100 Professor Stephen Jablonsky Spring 2018 The City College of New York 1.20.2018 TABLE OF CONTENTS COURSE BUSINESS MUSICAL GENRE Historical Repertoire 68 INTRODUCTION Keyboard Sonatas 70 Music Is… 14 Chamber Music 71 The Relatedness of Knowledge 15 The Symphony 72 The CIPA Formula 16 The Concerto 76 The 5 Ws of Music 17 Song 77 Some Themes of Life 18 Summertime on YouTube 78 Connecting the Dots 19 The Mass 79 Popular and Unpopular Music 21 Music for the Stage 82 Inspired Improbabilities 22 Music for the Ballet 84 Music as Narrative 24 Dance Assessment Inventory 86 PERFORMERS THE ELEMENTS OF MUSIC Carnegie Hall 87 A Music Listener’s Checklist 25 Musical Performers 88