Buster Keaton Revisited: Rare Photographs of a Comic Genius

Total Page:16

File Type:pdf, Size:1020Kb

Buster Keaton Revisited: Rare Photographs of a Comic Genius FROM THE PRESIDENT Through Odober 14 - A(Odemy Fourth Roor Gallery - uFritz Lang: Vienna-Berlin-Paris-HoIIywood." An ON STEPPING UP exhibition of the life and work of the visionary film director, including an audio·visual disploy of never·before·seen footage TO THE PRESIDENCY and interviews with long colleagues. Through October 14 - Academy Grand lobby Gallery T he Academy represents all that is the best in Hollywood, - "Shooting Stars: Photographs by Leo Fuchs." and its leadership is the highest honor the industry can Eighty photographs of celebritiestaken during the 1950s bestow. I feel deeply grateful to this Board of Governors for and '60s by Fuchs as a "special photographer" shooting trusting me with it, and I look to the future to continue the work photo essays from numerousf ilm sets. of my predecessor, Bob Rehme. He leaves the Academy in extraordinarily good shape. Friday, September 21 - 8 p.m., Samuel Goldwyn In his years of presidency .. Theater. Academy Standards Screening, restored "All That Jan," with cast and crew appearances. • a new ABC contract insured the financial stability of the Academy through 2008, Friday, September 28 - 8 p.m., Samuel Goldwyn Theater. A with live piece • a new Documentary Branch was created, Fritz Lang silent film, 15 orchestra. • a new Oscar category was created for Best Animated Feature Film, Wednesdays, October 3 through October 24 - 7 p.m., Academy Unle Theate r: "Theatrical • a new home was purchased for the Academy Film Documentaries in the Digital Age," Archive and the Academy Players Directory, a seminar series featuring documentary filmmakers. • the Academy Film Scholars Program was created to seek out and honor the nation 's best cinema scholars, Friday, October 28 . 8 p.m., Samuel Goldwyn Theater. Academy Standards Screening, "Federico F'"s 8 1/2." • the Film Festival Fund was created to provide Academy support to innovative film festivals, Thursday, October 2S . 8 p.m., Samuel Goldwyn Theater. U An Evening with AI Hirschfeld" featuring a • the Academy Forum program was created to conversation between the famed ca ricaturist and host provide an opportunity for intra-branch dialogue, Robert Osborne. • the Academy took over the production of the Academy Awards telecast, moved the show to October 26 - January 2002 - Grand lobby and Fourth Sunday and created an arrivals pre-show, Floor galleries · "Hirschfeld's Hollywood: The Film Art of AI Hirschfeld." • an Academy office was opened in New York City to better serve our members in that area, RCROfmv RfPOnT • the new Kodak Theatre was created to move the Published by the Academy Awards to Hollywood into a venue designed Academy of Motion Picture Arts and Sciences 8949 Wilshire Boulevard, Beverly Hills, California 90211-1972 and built to our special needs. (310) 247-3000· www.oscars.org President • Frank R. Pierson Bob leaves a strong foundation on which to build for the First VIce Pr.sldent • Roger L Mayer future, to meet the challenges of the technical and scientific VIce President • Donald C. Rogers changes that are revolutionizing our industry. I only hope, with VIce Presklttlt • Kathy Bat.s the help of this strong and active Board of Governors, to Treaswer • Alan aer,.. Secretary • SaIl Zaen!z follow his example. Executive DIrector • Bruu Davis - Frank Pierson Photos: unless otherwise identified, by Long Photography Design: Usa CortSSOl!, Eoler Corts_ Ink Osaw'", OK ... s', Acadetny Awards', Acadetny Aw ... d", On the (over: Photographer Leo Fuchs took this photo of Jock Lemmon in 1963 during A.M.P AS.", and asc... Ifoght', ... e tt.e tr"'*-lls, and tt.e asc... statuene is the registered design oak and copyrighted property .f tt.e shooting of "Irma La Douce." It is pori of a current exhibition in the Academy's Grand Lobby Acadetny .f Motion Pictlre Arts and Sciences. Gall ery. See story on page 9. 2 ACAOfmy nfPonT FRANK PIERSON ELEOED ACADEMY PRESIDENT '6··".. ' \ . :C;t;t._- ' I Academy Award winner Frank R. Pierson, a governor .II,, .•v ..•.. "' ....'; " . representing the writers branch, is the new president of the Academy. ~/ Pierson, who begins his eighth year as a governor, served as a vice president of the Academy last year. He succeeds Robert Rehme, who had served the maximum four consecutive one­ year terms in the office. A past president of the Writers Guild, Pierson has been nominated three times for an Academy Award: for "Cat Ballou" (with Walter Newman) and "Cool Hand Luke" (with Donn Pearce) in the adapted screenplay category, and for his original screenplay of "Dog Day Afternoon," for which he took home the Oscar. Pierson has also directed a number of high-profile pictures, including the 1976 "A Star Is Born" and such well-regarded cable-tv projects as "Citizen Cohn," "Truman" and this year's "Conspiracy." Roger L. Mayer, an executives branch governor, was elected first vice president, sound branch governor Donald C. Rogers and actors branch governor Kathy Bates were elected vice presidents, music branch governor Alan Bergman was elected treasurer and producers branch governor Saul Zaentz was elected secretary. Rehme will automatically serve this year as Immediate Past President, an officer slot. Mayer and Zaentz have not previously served as officers of the Academy. Rogers has previously served two terms as vice president, one term as treasurer and eight terms as secretary. Bates has served one term each as secretary and vice president. Bergman has served four terms as the Academy's first vice president, three terms as vice president and once as the organization's secretary. "I accept the presidency with great humility," Pierson told the board. "Bob Rehme has left a great gift to us all with his four years of service, and I look forward to carrying on in his tradition. One thing I know for sure; he's left a very clean desk." ACADEMY ElEGS 15 GOVERNORS; FOUR HAVE NEVER SERVED BEFORE MOCK IS FIRST GOVERNOR OF NEW DOCUMENTARY BRANCH F our new members have been elected by their branches to absence, Carl Bell, short films and feature ani mation. the Academy's Board of Governors, nine incumbent members Incumbent governors returning to the board in addition to have been returned and two govern ors who had previously Bates are M arvin M arch , art directors; Co nrad Hall, served on the Academy's board have been brought back for cinematographers; Robert Rehme, executives; Tom Rolf, film additional service. Terms began August 1. editors; Arthur Hamilton, music; Donald C. Rogers, sound; Fre ida Lee Mock was elected the first governor of the Jonathan Erland , visual effects; and Hal Kanter, writers. newly-created documentary branch . Governors whose positions were not up for re-election and Two governors were elected in the actors branch because who contin ue on the board are : actors branch, Ed Begley, Jr.; of the res ignation of Gregory Peck, who chose not to fi ll out the art di rectors, Jeannine Oppewa ll and Albert Wolsky; remaining yea r of his three-year term. That position, filled by cinematographers, John Bailey and John Toll; directors, John Tom Hanks, will be up for re-election next year. Incumbent Frankenheimer and Michael Mann; executives, Roger L. Mayer Kathy Bates was re turned to t he board for a second and Lew Wasserman; film editors, Dede Allen and Carol three-yea r term. Li ttleton; music, Alan Bergman and Charles Bernstein; In addition to Hanks and Mock, the other two newcomers producers, Samuel Gol dwyn Jr. and Saul Zaentz; public to the board are Curtis Hanson, directors branch ; and Mark relations, Cheryl Boone Isaacs and Marvin Levy; short films and Johnson, producers branch. feature animation, Jon Bloom and June Foray; sound, Douglas Returning to the boa rd after twelve years is past president Greenfield and Don Hall; writers, Fay Kanin and Frank Pierson; Richard Kah n, public relations bra nch; and, after a one-year and visual effects, Richa rd Edlund and Bill Taylor. 3 The new home of the A(ademy Film Ar(hive and the A(ademy Players Directory. The Academy has purchased the former Don Lee-Mutual Broadcasting television studios at Vine Street and Fountain Avenue to be the future home of the Academy Film Archive. The 118,000-square-foot building at 1313 North Vine Street in Hollywood also will house the Academy Players Directory and a 300-seat screening room. "The Academy is very pleased that this historic building, which is so ideally suited to the needs of our Academy Film Archive, is located in Hollywood and that we can further contribute to the community's revitalization," then Academy President Robert Rehme sa id at the announcement ceremony. The Academy announced three years ago that it will move its annual Awards presentations to the Kodak Theatre at Hollywood & Highland. The Academy expects to move in the Film Archive and Players Directory offices - and a portion of the archive's holdings - by year's end, with the balance of the work to be completed later in 2002. The building presently contains about 40,000 square feet of studio and soundstage space. "With their high ceilings, these spaces will provide the equivalent of nearly 85,000 square feet of conventional-height vault space using fixed shelving, and even more with compact shelving," said Academy Executive Director Bruce Davis. With their thick concrete walls, the studio spaces will be relatively easy to convert to air­ conditioned storage vaults, Davis said, which are generally kept below 50° Fahrenheit. 4 nCnOfmy nfPOnT MOVE TO HOLLYWOOD . In addition to the studio/vault spaces, the building has almost 30,000 square feet of space which will be used for film archive staff offices and conference rooms, preservation and conservation work space, public access and research rooms, and the Academy Players Directory.
Recommended publications
  • Seven Footprints to Satan Saturday 24 March 2018 Performing Live: Jane Gardner and Roddy Long
    Seven Footprints to Satan Saturday 24 March 2018 Performing live: Jane Gardner and Roddy Long This is a real rarity: the middle of three spooky house films made by Danish director Benjamin Christensen, who's best known for the satanic documentary Haxan, AKA Witchcraft Through the Ages. The other films are lost, though the music and sound effects discs that once accompanied The Haunted House can be heard on YouTube: lots of whistling wind and hooting owls. You might want to imagine those sounds as you experience Seven Footprints, whose original score and FX are lost: but we'll endeavour to make up for that with our own live accompaniment. Christensen came over at the same time as Garbo, and for a while looked to be making a go of it in Hollywood, directing successful films at MGM and Warner Bros. His very weird sensibility seems surreal now, but apparently fitted into the commercial cinema of the day. Seven Footprints is based on a perfectly serious mystery novel, but the director rewrote it from scratch and turned it into a bizarre and hilarious parody, a parade of sensational events with scarcely any narrative connection. We're just trapped in a spooky house with a nice couple being terrorized by a criminal cult, led by... Satan himself! The relentless succession of thugs, dwarfs, fiendish orientals, sinister cripples, phony gorillas, ludicrous grotesques and exotic women, all entering and exiting through secret panels, usually carrying pistols (except the gorilla) and uttering baffling warnings, plays like a Fu Manchu movie viewed through an opium haze.
    [Show full text]
  • 2006 Thelma Todd Celebration
    Slapstick Magazine Presents 2006 Thelma Todd Celebration July 27 - July 30 Manchester, New Hampshire Join us as we celebrate the centenary of Thelma Todd, the Merrimack Valley’s queen of comedy Film Program As we draw nearer to the event, additional titles are likely to become available. Accordingly, the roster below may see some minor changes. There is ample free parking at UNH. THURSDAY, July 27th Fay Tincher - Ethel’s Roof Party UNH Hall, Commercial Street, Manchester Mabel Normand - A Muddy Romance (All titles in 16mm except where noted) Alice Howell - One Wet Night Wanda Wiley - Flying Wheels AM Edna Marian - Uncle Tom’s Gal 9:00 Morning Cartoon Hour 1 Gale Henry - Soup to Nuts Rare silent/sound cartoons Mary Ann Jackson - Smith’s Candy Shop 10:00 Charley Chase Silents (fragment) What Women Did for Me Anita Garvin/Marion Byron - A Pair of Tights Hello Baby ZaSu Pitts/Thelma Todd - One Track Minds Mama Behave (also features Spanky McFarland) A Ten Minute Egg 11:00 Larry Semon Shorts 9:30 Shaskeen Irish Pub, 909 Elm Street (directly across Titles TBA till from City Hall) 12:00 LUNCH (1 hour) close Silent and sound shorts featuring: Laurel and Hardy PM W.C. Fields 1:00 ZaSu Pitts - Thelma Todd Shorts Buster Keaton The Pajama Party The Three Stooges Seal Skins Asleep in the Feet 2:00 Snub Pollard and Jimmy Parrott FRIDAY, July 28th Sold at Auction (Pollard) UNH Hall, Commercial Street, Manchester Fully Insured (Pollard) (All titles in 16mm except where noted) Pardon Me (Pollard) AM Between Meals (Parrott) 9:00 Morning Cartoon Hour 2
    [Show full text]
  • Child-Theft Across Visual Media
    The Child-theft Motif in the Silent Film Era and Afterwards 7 The Child-theft Motif in the Silent Film Era and Afterwards — ※ — During the silent film era (1894–1927), the story of children who are stolen by ‘gypsies’ and then rescued/restored to their families resurfaces as one of the popular stock plots. I refrain here from analysing individ- ual films and offer, instead, two points for further consideration: firstly, a listing of works that stage the motif under discussion, and secondly, an expanded annotated filmography. The Films 1. Rescued by Rover (1905, UK) 2. Two Little Waifs (1905, UK) 3. Ein Jugendabenteuer (1905, UK) 4. Rescued by Carlo (1906, USA) 5. The Horse That Ate the Baby (1906, UK) 6. The Gypsies; or, The Abduction (1907, France/UK) 7. The Adventures of Dollie (1908, USA) 8. Le Médaillon (1908, France) 9. A Gallant Scout (1909, UK) 10. Ein treuer Beschützer (1909, France) 11. Scouts to the Rescue (1909, UK) 12. Il trovatore (1910, Italy/France) 13. Billy’s Bulldog (1910, UK) 14. The Little Blue Cap (1910, UK) 15. The Squire’s Romance (1910, UK) 16. L’Enfant volé (1910, France) 129 The Child-theft Motif in the Silent Film Era and Afterwards 17. L’Evasion d’un truand (1910, France) 18. L’Enfant des matelots (1910, France) 19. Le Serment d’un Prince (1910, France) 20. L’Oiseau s’envole (1911, France) 21. Children of the Forest (1912, UK) 22. Ildfluen(1913, Denmark) 23. La gitanilla (1914, Spain) 24. La Rançon de Rigadin (1914, France) 25. Zigeuneren Raphael (1914, Denmark) 26.
    [Show full text]
  • Who in Single Picks of the Week the World
    record Dedicated To Serving The Needs Of The Musk & Recoi 9P006 Industry 4 r 1r3 aQOAAA110H world 0A19 13SNQS Ox l L dtiO3 S31VS ONROS 91!!O O9 a0-zi September 5, 1910 15c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD ., Glen Campbell updates If you liked "Maybe" you'll Tommy Roe's latest mes- Blues Image follows up Conway Twitty's old smash, dig the Three Degrees sing- sage song is "We Can their smash "Ride Captain "It's Only Make Believe" ing their next smash, "I Do Make Music" (Little Fugi- Ride" with "Gas Lamps and (Marielle, BMI). He should Take You." (Planetary/ tive, BMI). Who said bub- Clay" (Portofino/ATM, AS - score big with his great Make Music, BMI). The girls ble gum is dead? Tommy CAP). The new one is in the version (Capitol 2905(. Flip: are on their way to becom- does his best to keep it same vein which means a "Pave Your Way into To- ing consistent sellers (Rou- alive and well with the repeat performance, no morrow" (Glen Campbell, lette 7088(. kids and on the charts doubt (Atco 6777). BMI). (ABC 11273(. SLEEPER PICKS OF THE WEEK PH! 1f?p.S P.M JAMES IAYEtR FIRE AND RAIN James Taylor's "Fire and Blue Mink sings about "Our "Rubies" (Green Apple, "5.10.15-20 (25-30 Years Rain" (Blackwood/Country World" (Three Bridges, AS - BMI) is a fantastic rhythm of Love)" (Van McCoy/In- Road, BMI) was bound to CAP).
    [Show full text]
  • Christenings Signal New SIU Jobs Crowley Adds ATB; Navy Welcomes High-Speed Vessel
    Volume 74, Number 11 November 2012 Christenings Signal New SIU Jobs Crowley Adds ATB; Navy Welcomes High-Speed Vessel The SIU-crewed fleet recently expanded as Crowley christened an articulated tug- barge (the ATB Legend, photo at top) while the Navy launched the civilian-crewed high-speed vessel USNS Choctaw County (bottom right). SIU members and officials along with company representatives joined the Crowley ceremony in Tampa, Fla., (group photo below) as Joan Grune christened the tugboat (photo above). Meanwhile, more than 700 people turned out for the Choctaw County ceremony in Mobile, Ala., where Theresa Gilliam Pitts (photo at immediate right) broke a champagne bottle across the bow. These fleet additions mean new jobs for SIU members. Page 3. (USNS Choctaw County photos courtesy Austal USA) CIVMARS Honored SIU Election News Scholarship Information Page 2 Page 4 Pages 11, 14 11769_November.indd 1 10/25/2012 7:25:17 PM President’s Report After Election Day No matter who’s in the White House, our industry must – and will – continue working to preserve the laws and programs that keep the American flag flying on the high seas. This is a particularly important and challenging assignment as our nation edges closer to the infamous “fiscal cliff” that’s also known as sequestration. Sequestration refers to an automatic cut of portions of federal agencies’ Committee members meet in Piney Point, Md. budgets, spurred by the Budget Control Act of 2011. No one knows if a compromise or some other solution will be reached before the end of the year, when the cuts are scheduled to kick in.
    [Show full text]
  • Current Affairs Questions and Answers for February 2010: 1. Which Bollywood Film Is Set to Become the First Indian Film to Hit T
    ho”. With this latest honour the Mozart of Madras joins Current Affairs Questions and Answers for other Indian music greats like Pandit Ravi Shankar, February 2010: Zakir Hussain, Vikku Vinayak and Vishwa Mohan Bhatt who have won a Grammy in the past. 1. Which bollywood film is set to become the first A. R. Rahman also won Two Academy Awards, four Indian film to hit the Egyptian theaters after a gap of National Film Awards, thirteen Filmfare Awards, a 15 years? BAFTA Award, and Golden Globe. Answer: “My Name is Khan”. 9. Which bank became the first Indian bank to break 2. Who becomes the 3rd South African after Andrew into the world’s Top 50 list, according to the Brand Hudson and Jacques Rudoph to score a century on Finance Global Banking 500, an annual international Test debut? ranking by UK-based Brand Finance Plc, this year? Answer: Alviro Petersen Answer: The State Bank of India (SBI). 3. Which Northeastern state of India now has four HSBC retain its top slot for the third year and there are ‘Chief Ministers’, apparently to douse a simmering 20 Indian banks in the Brand Finance® Global Banking discontent within the main party in the coalition? 500. Answer: Meghalaya 10. Which country won the African Cup of Nations Veteran Congress leader D D Lapang had assumed soccer tournament for the third consecutive time office as chief minister on May 13, 2009. He is the chief with a 1-0 victory over Ghana in the final in Luanda, minister with statutory authority vested in him.
    [Show full text]
  • Blonde Journalism 1 Introduction When Two Blonde Bombshells from Hollywood Found Themselves in Trouble, They Also Found Themselv
    Blonde Journalism 1 Introduction When two blonde bombshells from Hollywood found themselves in trouble, they also found themselves in the newspaper. In the 1920s and ‘30s, comedienne Thelma Todd captured America’s attention not only with her numerous Hollywood films, but also with her bitter divorce and highly publicized death threats from a male stalker.1 Decades later, Playboy model Anna Nicole Smith stole headlines with her scandalous marriage to a billionaire 63 years her senior and the contentious paternity battle over her newborn daughter.2 By the time both reached age 30, their triumphs and tragedies were as much on-stage as they were, spread all over the media for the world to see. Because their lives were fodder for everyday news, their mysterious, tragic deaths created media frenzy. Newspapers relished coverage of Ms. Todd’s death, December 16, 1935. Three well-respected newspapers – The New York Times, Los Angeles Times, and The Atlanta Journal-Constitution – covered the actress’s death throughout their papers during the week following. The opportunity for using the sensationalistic style of yellow journalism was intoxicating, and editors for the three newspapers in 1935 lapped it up – some more than others – knowing the juicy celebrity mystery would not fail to attract readers. Nearly 72 years later, a similar media frenzy occurred when Anna Nicole Smith died on February 7, 2007. As their newspaper counterparts did seven decades earlier, television news shows, from NBC’s “Dateline” to Fox News to CNN, jumped on the gossipy story with around-the-clock, dramatic, graphics-filled coverage – in short, employing the yellow-journalism techniques of Ms.
    [Show full text]
  • The Hollywood Cinema Industry's Coming of Digital Age: The
    The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication.
    [Show full text]
  • Leroy Shield's Music for the Wurlitzer
    Carousel Organ, Issue No. 46—January, 2011 Leroy Shield’s Music for the Wurlitzer 165 “Crossovers”—Sharing our Hobby Tracy M. Tolzmann t is obvious to any collector of automatic music— Just such an occasion arose recently with the release especially street, band and fair organs—that much of of Wurlitzer 165 roll number 6846. This newly commis- Ithe enjoyment we get out of our hobby is the sharing sioned roll is made up of 14 selections written by the lit- of our collections with the non-collector public. It is also tle-known composer Leroy Shield. I say little known, for true that only a fraction of our organization’s membership like most composers of motion picture scores, Shield’s is able to attend our numerous rallies, no matter how wide name is not remembered, but his music is unforgettable! spread their locations may be. This is one reason why Leroy Shield’s compositions are as well known as those independent events where we may perform and opening of the music from “Gone with the Wind” and “The Wizard our collections to visitors are such important parts of our of Oz,” and like their scores composers, his name is vir- hobby. tually unknown (Figure 1). When an event from another organization that is near Leroy Shield wrote most of the endearing melodies and dear to one’s heart comes along, it is especially grati- which make up the musical background on the early fying to share our COAA interests as circumstances allow. 1930s comedies of Laurel and Hardy and the Our It is fun for everyone involved, and it may even lead to Gang/Little Rascals, along with other wonderful short new COAA memberships.
    [Show full text]
  • The Special Visual Effects of Willow (From the Willow Movie Magazine) 6/15/17, 1157 AM
    The Special Visual Effects of Willow (from the Willow Movie Magazine) 6/15/17, 1157 AM The Special Visual Effects of Willow by David Hutchinson It's a bright, sunny day up at George Lucas' San Rafael effects facility, Industrial Light & Magic, but ILM matte artist Chris Evans invites me indoors. �"Come inside," he says, "and watch us make it rain." �One of ILM's large stages has been draped in black Duvetyne and vast sheets of black plastic cover the floor. �Far overhead, water sprinklers are cascading sheets of "rain" onto the stage floor, where a crew waits with brooms and squeegees to push the water into floor drains. Chris Evans stretches out on the floor to peer through the VistaVision viewfinder on one of ILM's cameras. �The lens points up into the rain at a steep angle. Evans sees me shielding my eyes from the bright lights, which are shining directly toward us through the spray of rain. �"Backlighting makes the droplets visible against the background," he explains. �"This rain element will be composited with a matte painting of the Nockmaar castle. �It's a very dramatic shot, since the camera will appear to tilt up the castle walls into the rain." Several crew members approach Evans with suggestions about placing the wind machines so that the rain appears to move across the stage in sheets, just the way a real rainstorm does on a windy day. �It is standard procedure at ILM, and one of the secrets of their success, to invite comment and suggestions from everyone on the crew.
    [Show full text]
  • “I Want Music Everywhere” Music, Operetta, and Cultural Hierarchy at the Hal Roach Studios
    4 “I Want Music Everywhere” Music, Operetta, and Cultural Hierarchy at the Hal Roach Studios In their 1928 stockholders’ report, the Hal Roach Studios’ board of directors anticipated the company’s conversion to sound with calm assuredness: The last few months has [sic] witnessed the advent of another element in the produc- tion field; that is, the talking or sound pictures. It is, of course, difficult to foretell what the eventual outcome of talking pictures will be or the eventual form they will assume. One thing is certain, however, that is that they are at the present time an element in the amusement field apparently having a definite appeal to the public, and properly handled, it promises to be a great addition to the entertainment value of pictures and a great aid to the producer in building up the interest in the picture intended. The company has placed itself in a position to gain by any and all new methods and devices introduced in the field.1 Confidence is to be expected in a stockholders’ statement, but for the Roach Studios such an attitude likely came easy, at least in comparison with the com- petition. Unlike the independent producer-distributor Educational—which had initially flubbed its transition by backing the Vocafilm technology—the Roach Studios enjoyed the luxury of a financing and distribution deal with industry powerhouse Loew’s-MGM and opted to follow the parent company’s lead in entering the uncertain waters ahead. The Roach organization was, for example, included in Loew’s-MGM’s initial contract with Electrical Research Products, Inc.
    [Show full text]
  • Report to Investors
    Report to Investors CONTENTS Leadership Gifts 1 The Wharton Fund 16 MBA Classes 38 Friends, Parents and Family Foundations 86 Corporations and Foundations 93 Undergraduate, Masters and Doctoral Programs 102 Tribute Gifts 109 Gift Planning 114 LEADERSHIP GIFTS Visionary Leaders Joseph Wharton gave the Trustees of the University of Pennsylvania $100,000 worth of railroad stock and mortgage bonds in 1881, to establish the world’s first collegiate business school. Today, the Wharton School continues to rely on the generosity of visionary leaders to support its vast global activities. Leadership gifts to the Wharton School follow the example set by our founder in supporting the research enterprise and academic programming, technology enhancements and other critical financial needs. THE President’s CirCLE LEADERSHIP GIFTS Gifts of $1 Million and Above Giving at the President’s Circle level reflects outright gifts and pledges to restricted and unrestricted funds. Anonymous (6) Phyllis S. and William L. Mack, W’61 Patty and Jay H. Baker, W’56 William and Phyllis Mack Family Foundation Pat and Jay Baker Foundation Lisa and David J. Matlin, W’83 Dahlia and Arthur H. Bilger, W’75 Aditya Mittal, W’96, and Megha P. Mittal, W’97 Bilger Foundation Michael Moh, W’92 David S. Blitzer, W’91, and Allison J. Blitzer, C’91 Larry & Celia Moh Foundation Norine I. and Geoffrey T. Boisi, WG’71 Diane J. and John Patience, WG’73 Jerome F. Dean, W’75 Marc J. Rowan, W’84, WG’85 James G. Dinan, W’81 and Elizabeth R. Miller Rowan Family Foundation Jacalyn C.
    [Show full text]