Schacht-Reeves Spinning Wheel Convergence Denver, Colorado
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Read Threads of Life. Khadi in Oaxaca Here
www.selvedge.org ISSUE 95 UK £12.50 USA $28.95 RTW £20.50 EUROPE €23 THE FABRIC OF YOUR LIFE THE FABRIC OF YOUR LIFE: HERITAGE 95 MAKE OUR STORIES PART OF YOUR STORY THREADS OF LIFE Khadi in Oaxaca The khadi movement is thriving in the Sierra that made a lasting impression on him. ‘When I first textile industry remains a slow educational process Sur Mountains of Oaxaca, Mexico. In the remote came here everybody had sheep and spun wool on and the long-term goal they plan to achieve. Zapotec village of San Sebastian Rio Hondo, their drop spindles; they wove blankets and women spin organic cotton on the Charkha, the ponchos on backstrap looms. This was part of their Marcos, who’s a spinner and weaver, brought the wooden spinning wheel that was the embodiment tradition’. He remained in San Sebastian and shared first spinning wheel from India. Today, they are made of Gandhi’s vision for a new India. Khadi, the fabric the life of the Ramirez family until this village life by the local master carpenters and the 200 spinners of freedom is woven on backstrap and pedal looms experience took him to India, to Gandhi’s Ashram working for Khadi own their charkha. ‘The spinning with white or pre-Hispanic brown cotton grown on the Sabarmati River. Travelling with Gandhian wheel is five times faster than the native drop on the Pacific Coast. Ponchos and huipiles, the old men in Gujarat, he saw empowered villages spindles and it’s very relaxing. With a spinning wheel indigenous sleeveless tunics worn by women in growing their food, weaving and making their own you are using the left and right brain hemispheres, so Mexico and Central America, are hand-stitched clothes. -
Spinning and Weaving of Flax and Wool
The Museum | The Village Hall | The Research Library | The Museum Shop Spinning and Weaving of Flax and Wool 1 – Flax Plant Linen is made from a plant called flax. The plants were usually harvested in August. The plants were laid out to dry in the sun and then the seed pods were pulled off. The stalks were bound into bundles and soaked in a stream or pond for several days. Then the fibers were taken from the plant, combed and spun into thread on a spinning wheel. Then the thread was woven into cloth. 2 – Wool Wool comes from sheep that were usually sheared in the spring. Men and older boys usually did this job. The wool was combed, washed and rubbed with grease then spun into thread on a spinning wheel and then woven into cloth. 3 – Carding Colonial women and children used cards to straighten out the curly wool of the sheep. A card consisted of a piece of wood with a handle and it had nails or needle like objects driven through the back to the front of the card. They would put in a handful of wool on a card and then use another card to comb the wool back and forth until it was as straight and soft as possible. The wool was then ready for the spinning wheel. 4 – Spinning Wheels Spinning wheels were used to turn the flax and wool fibers into thread. The larger of the spinning wheels is for wool and the small one is for flax. 5 – Loom came from the Pike Haven Foster house. -
Wins Insurance Scobeyville Acre Curtailed Mail
/ili ilia News of BED DANK- liiitl Swrwundliig Towns GUI PART Tify* Told [fearlessly vaU Without Bias. IBSUSII Vfeskly. Entered an Second-Clais Hotter ot tho Fost- Subscription Price: One Year JI.SO PAGES 1 TO 12. VOLUME LVI, NO. 42. ofTica st n«d Bank, H. J.. under tho Act of March 3, 1879. RED BANK, N. J., WEDNESDAY, APRIL 11,1934. Six Months 81,00, Sinyle Copy 4c, JCDGE ACKEKSON PRESIDENT. OPENING OF KIT KAT INN. Scobeyville Acre Curtailed Mail Elected Head of tho Holland Society Floor Show and Special Numbers To Of New York Last Friday. B« Featured Saturday Night. Tho annual meeting and election Tho formal opening of Kit Kat Inn, overlooking the Shrewsbury river at Entire New Board of Trustees of ofllcera of tho Holland society of Justice Announces Candidacy Department of Works Carrying No Proof A$ to Who Owns Afternoon Service DicoalSn- Big Billboard May be Put Up New York, of which Prcsldont Roose- tho Red Bank end of Cooper's bridge, Properly Where Boy Scouts of ued Until July 1 aa Result of Bearing the Words, "Please Elected at. Presbyterian Con- velt is a member and one of tho for Democratic Nomination on Project Discontinued by •111 bo held Saturday night, April 14. Tho affair will be featured by enter- Atlantic Township Planned to the Passage of the Economy Don't Judge This Town by gregational . Meeting — No board of trustees, woo held at tho for Mayor at Primary Election Civil Works Administration— Changs in Elders. Hotel Afltor Friday night. Circuit Nest Month. -
The Textile Machinery Collection at the American Textile History Museum a Historic Mechanical Engineering Heritage Collection
THE TEXTILE MACHINERY COLLECTION AT THE AMERICAN TEXTILE HISTORY MUSEUM A HISTORIC MECHANICAL ENGINEERING HERITAGE COLLECTION Textiles are an important part of our everyday lives. They clothe and comfort us, protect our first-responders, Introduction filter the air in our automobiles, and form the core of the fuselage in our newest aircraft. We enjoy their bright colors, wrap up in their warmth, and seldom give a second thought to how they make bicycles stronger and lighter or how they might be used to repair our vital organs. As textiles have changed from the first simple twisted fibers to high-tech smart fabrics, the tools and machinery used to make them have evolved as well. Drop spindles and spinning wheels have given way to long lines of spinning frames. And looms now use puffs of air instead of the human hand to insert the weft thread in a growing length of fabric. During the eighteenth and nineteenth centuries, textile manufacture was the catalyst for the Industrial Revolution in America. It was the leading edge in the transformation from an agricultural to a manufacturing economy and started the move of significant numbers of people from rural areas to urban centers. With industrialization came a change in the way people worked. No longer controlled by natural rhythms, the workday demanded a life governed by the factory bell. On the consumer side, industrialization transformed textiles from one of a person’s most valuable possessions to a product widely available at incredibly low prices. For more than a century, textile mills in Great Britain and the United States dominated textile production and led the industrial revolution in both Europe and North America. -
Spinning Yarns, Telling Tales About Textiles
News for Schools from the Smithsonian Institution, Office of Elementary and Secondary Education, Washington, D.C. 20560 SEPTEMBER 1980 Spinning Yarns, Telling Tales about Textiles Textiles Tell Stories: The "Age of Homespun" and in regard to spinning, weaving, and other aspects of Other Tales textile making. This exchange of ideas led to a great Consider, for example, the piece of cloth shown in many improvements and innovations in all the various figure 1. This piece of hand-loomed, plaid linen is aspects of textile making over time. Some of the most from the Age of Homespun-a period of American important of these developments are explained in the history lasting from colonial times up until the Civil next section of this article. Bull mummy-wrapping (from Egypt) War. During the Age of Homespun many of the necessi ties of life-including textiles-were made in the Textiles From Scratch: Fiber to Cloth home. This was especially true in remote rural areas, Traditionally the making of a piece of cloth involved .7l",;;;,;i1_ where practically every farm had its own plot of flax first the selection of an appropriate natural fiber. (For i.liIi!i,~;':;\';_-- a discussion of natural fibers, see the article on page (as well as its own flock of sheep) and there was a m1i'<!Si~ 4.) The fiber was then harvested and made ready for 1\ wool wheel and a flax wheel in every kitchen. -iW:Mii\ii\_ spinning into thread or yarn. After spinning, the yarn en@! The making of cloth for clothing and bedding de manded an enormous amount of time and energy was usually either knitted or woven into cloth. -
NEEDLEWORK / FIBER Introduction to Inkle Weaving
Inkle and Tablet Weaving Next Steps – Beyond the Basics A lecture and discussion class covering inkle and tablet (card) weaving techniques that go beyond warp based designs. Class will cover: Patterning using brocading and pickup work; adding beads, loops, bells, and fringe; adding and removing warp threads; using multiple shuttles. There are no hands on activity in the class; we’ll have descriptive handouts, samples, demos, and discussion. I. Who am I: Mistress Lynnette de Sandoval del Valle de los Unicornios … [email protected] II. Who are you? A. Lots of Inkle? B. Other weaving? C. Bring anything to share? III. Art vs. Functionality A. What does that mean? B. Who cares? C. Is inkle weaving Period? 1. The looms we use – no 2. Warp faced weaving – yes! D. What do you expect in the way of wear and tear IV. Adding stuff to the Warp and Weft threads A. Adding sticks / feathers / etc 1. Lay in while weaving 2. Sticks wider than loom 3. Should you glue at edge ???? 4. Christmas Tree 5. Spacing: Count Warp threads / measure B. Measure: Pre-measured / knotted non-stretch cord 1. Weaving Multiple, measured strips in one warping C. Concept: Secondary Weft 1. What is it? a) Additional Weft thread(s) 2. Why? a) Main Weft holds the weaving together b) Secondary Weft adds style elements 3. Disadvantages a) Adds thickness to rows 1) Use thinner / softer yarn if possible 2) Beat down harder b) Shows at salvages 1) Use same or complementary color if possible 2) Monofilament thread / fish line @Debbie Coyle (Unicorn Fiber Arts) & Angela of Rosebury p. -
Weaving My Math to Make Art
Weaving My Math to Make Art Curriculum This curriculum was developed for the Boulder Valley School District by art teacher Virginia Schick and math teacher Kelly Armitage. The integrated curriculum interlocks math concepts and visual art concepts to create a hands-on art/math curriculum. Integral to the success of this program is teacher training. The curriculum is offered as a one-day continuing education workshop which includes instruction in inkle weaving and teaching the math concepts. In addition, to make the curriculum available throughout the school district, the materials have been assembled into a kit that is checked out by classroom teachers for a specified period of time from the district resource center, making the materials available district wide. Weaving My Math To Make Art” was made possible by a Foundation of Boulder Valley Schools mini- grant and a Boulder Arts Commission grant. Additional assistance was provided by Schacht Spindle Company, manufacturer, Shuttles Spindles and Skeins, weaving and yarn store, and the Handweavers Guild of Boulder. The lesson plans are presented here with permission. Resources for finding out more: F&W Media/Interweave Press Publishers of books and magazines about weaving and spinning, and the textile arts. Their web site lists numerous resources that could be helpful to teachers establishing weaving programs in their schools, as well as basic information about weaving and spinning. Handweavers Guild of America This national organization has affiliate guilds across the country. Their web site is a good resource for information about local guilds, schools, and resources. Schacht Spindle Company Inc 6101 Ben Place Boulder, CO 80301 www.schachtspindle.com Schacht Spindle Company is a manufacturer of hand weaving looms, spinning wheels, and the accompanying accessories. -
Costume, Interior Design Design, Color
Last Updated: May 2013 NORTHERN COLORADO WEAVERS GUILD LIBRARY LIST DATE SUBJECT or TITLE AUTHOR/S (D) DONATED BY or (M) IN MEMORY OF ACQUIRED Costume, Interior Design 20,000 Years of Fashion Boucher, Francois Ethnic Costume Ericson, Lois, et al Historic Costume in Pictures Braun and Schneider History of Costume Kohler, Carl How to Design Your Own Clothes and Make Your Ein, Claudia Own Patterns Prehistoric Sandals from Northeastern Arizona Hays-Gilpin, Kelley Ann, et al Wearable Crafts Sommer, Elyse and Mike Design, Color African Textiles Spring, Christopher American Indian Design & Decoration Appleton, LeRoy H. Art Fabric: Mainstream Constantine, Mildred, et al Beyond Craft: The Art Fabric Constantine, Mildred, et al Color Works: The Crafters Guide to Color Menz, Deb Complex Cloth Dunnewold, Jane Creative Textile Design Hartung, Rolf Design on Fabrics Johnston, Meda Parker, et al Design on Fabrics, 2nd Edition Johnston, Meda Parker, et al Designer’s Guide to Color 2 Stockton, James Designer’s Guide to Color 3 Allen, Jeanne Designer’s Guide to Color 4 Shibukawa, Ikuyoshi Designer’s Guide to Color 5 Shibukawa, Ikuyoshi Dial-a-Color Elements of Color Itten, Johannes Fiberarts Design Book Fiberarts Magazine Fiberarts Design Book Five Batchelder, Ann Fiberarts Design Book Four Orban, Nancy Fiberarts Design Book Seven Kieffer, Susan Mowery Fiberarts Design Book Six Orban, Nancy Fiberarts Design Book Three Fiberarts Magazine Fiberarts Design Book Two Fiberarts Magazine Principles of Two-Dimensional Design Wong, Wucius Scottish Clans & Tartans Grimble, Ian Setts of the Scottish Tartans Stewart, Donald C. Page 1 Last Updated: May 2013 NORTHERN COLORADO WEAVERS GUILD LIBRARY LIST DATE SUBJECT or TITLE AUTHOR/S (D) DONATED BY or (M) IN MEMORY OF ACQUIRED Tartan Weaver’s Guide Scarlett, James D. -
Introduction to Spinning Wheels
presents An Introduction to Spinning Wheels: How to Use and How to Choose a Spinning Wheel elcome to the world of handspinning! So, you’ve decided to take the plunge and explore Wthe wonders of making your own yarn with a spinning wheel. Not only are you in for a treat, but you’ve also started at the right place. Learning how to spin your own yarn is pretty easy and straight forward, especially if you have access to great teachers. To make this free eBook, we pulled from some of our best content from the pages of Spin.Offmagazine. The oldest of Interweave’s publications, Spin.Off is a quarterly magazine that has been around since 1977 inspiring spinners new and old to make beautiful yarn and find enchanting ways to use it. We also host the spinning community, spinningdaily.com complete with blogs, forums, and free patterns, Spin.Off Autumn Retreat (SOAR)—an intense and inspirational week with like-minded spinners, and our series of workshop videos where the living treasures of the spinning world share their knowledge with you. We’re devoted to bringing you the best spinning teachers, the newest spinning ideas, and most inspirational creativity right to your mailbox, computer, and ultimately fingertips. We hope you enjoy your spinning journey—come tell us about it at spinningdaily.com. Happy spinning, Amy Clarke Moore [email protected] Indulge your passion for fiber with Spin.Off magazine Spin.Off brings you: • The best teachers teaching the best spinning tricks and techniques • The newest information: fibers, tools, books, events, people, and places • The warmest handspun projects that you can make • The coolest stories of spinning history and tradition Subscribe Now! Call (800) 767-9638 or go to spinoffmagazine.com Copyright Spin.Off® magazine, Interweave Press LLC. -
The Ultimate A-Z of Dog Names
Page 1 of 155 The ultimate A-Z of dog names To Barney For his infinite patience and perserverence in training me to be a model dog owner! And for introducing me to the joys of being a dog’s best friend. Please do not copy this book Richard Cussons has spent many many hours compiling this book. He alone is the copyright holder. He would very much appreciate it if you do not make this book available to others who have not paid for it. Thanks for your cooperation and understanding. Copywright 2004 by Richard Cussons. All rights reserved worldwide. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of Richard Cussons. Page 2 of 155 The ultimate A-Z of dog names Contents Contents The ultimate A-Z of dog names 4 How to choose the perfect name for your dog 5 All about dog names 7 The top 10 dog names 13 A-Z of 24,920 names for dogs 14 1,084 names for two dogs 131 99 names for three dogs 136 Even more doggie information 137 And finally… 138 Bonus Report – 2,514 dog names by country 139 Page 3 of 155 The ultimate A-Z of dog names The ultimate A-Z of dog names The ultimate A-Z of dog names Of all the domesticated animals around today, dogs are arguably the greatest of companions to man. -
Textile Industry and the Factory System
What might be the advantages of factory weaving WhatWhatWhat isWhat the are are boy dothe the you inmachines workers the see machine here? doing?doing? doing? over cottage industry weaving? This is a picture of workers at the mule- spinning machines making cotton cloth in an English textile mill in 1834. The Textile Industry Invented Textiles: any cloth or goods produced by weaving, knitting or felting. The textile industry developed as a way to solve the problems of the putting-out system (cottage industries) and increase productivity and efficiency. The markets continued to demand more cloth, and the rural workers spinning yarn by hand and weaving cloth on a hand loom could not keep up. Notes: Textile Industry Invented: Cottage industry couldn’t keep up with the demand for textiles. 1767: James Hargreaves invented a compound spinning wheel. It was able to spin 16 threads at one time. He named this invention the Spinning Jenny, after his wife, Jenny. 1769: Richard Arkwright improved on the spinning wheel with his invention of the water frame. This machine involved winding thread through four pairs of rollers operating at varying speeds. What powers the water frame? A water wheel powered the water frame. What might be the advantages of the water frame? What might be the disadvantages of the water frame? 1779: Samuel Crompton made a further improvement on the spinning wheel. By using the mobile carriage of the spinning jenny and the rollers of the water frame, Crompton created a new machine that was able to spin strong yarn, yet also thin enough to be used in the finest fabrics. -
Traditional Zapotec Weavings Mel and Lucy Come from a Long-Line Of
Traditional Zapotec Weavings Mel and Lucy come from a long-line of weavers, dating back several generations. Following a generations long family tradition, Mel learned to weave in Teotitlan del Valle, in a small town in the state of Oaxaca, Mexico. He was taught at his parent’s feet, by watching and learning, before himself taking up the wool and weaving on a two-foot pedal loom. His wife, Lucy, assists Mel, and his two daughters are learning the business just as he did from his parents. The Zapotec name comes from an Indian civilization that existed in Central America and Mexico from 500 BC until approximately 1500 AD. They were credited with having developed both highly advanced forms of communication and technological capabilities beyond the norm for that time. The Zapotec Indians of Oaxaca, Mexico have been weaving textiles for over 2,000 years. The first ancient Zapotec City, Monte Alban, was established around 500 BC and flourished for 1200 years in southern Mexico. Ceremonial architecture, hieroglyphs and clay figures are only part of this rich legacy that included colorful cotton cloth woven on back-strap tension looms. The arrival of Hernando Cortes and the Spanish conquistadores in 1519 ushered in a period of violence, disease, slavery and religious conversion. The Spanish recognized the value of the Zapotec weaving tradition, however, and introduced sheep, the fixed-frame pedal loom and the spinning wheel. These 16th century investments prevented the dismantling of the Zapotec culture and enabled the weavers to make larger, stronger and more durable textiles. PO Box 40 1051 Zion Park Blvd Springdale, UT 84767 435-772-6888 www.deziongallery.com [email protected] .