Spinning for Beginners: a Guide
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Spinning Alpaca: Fiber from Huacaya Alpaca to Suri Alpaca (And Beyond)
presents A Guide to Spinning Alpaca: Fiber from Huacaya Alpaca to Suri Alpaca (and beyond) ©F+W Media, Inc. ■ All rights reserved ■ F+W Media grants permission for any or all pages in this issue to be copied for personal use Spin.Off ■ spinningdaily.com ■ 1 oft, long, and available in a range of beautiful natural colors, alpaca can be a joy to spin. That is, if you know what makes it different from the sheep’s wool most spinners start with. It is Sa long fiber with no crimp, so it doesn’t stretch and bounce the way wool does. Sheep’s wool also contains a lot of lanolin (grease) and most spinners like to scour the wool to remove excess lanolin before they spin it. Alpaca doesn’t have the same grease content, so it can be spun raw (or unwashed) pretty easily, though it may contain a lot of dust or vegetable matter. Alpaca fiber also takes dye beautifully—you’ll find that the colors will be a little more muted than they would be on most sheep’s wool because the fiber is not lustrous. Because alpaca fiber doesn’t have crimp of wool, the yarn requires more twist to stay together as well as hold its shape over time. If you spin a softly spun, thick yarn, and then knit a heavy sweater, the garment is likely to grow over time as the fiber stretches. I hadn’t much experience spinning alpaca until I started volunteering at a school with a spinning program and two alpacas on the working farm that is part of the campus. -
Read Threads of Life. Khadi in Oaxaca Here
www.selvedge.org ISSUE 95 UK £12.50 USA $28.95 RTW £20.50 EUROPE €23 THE FABRIC OF YOUR LIFE THE FABRIC OF YOUR LIFE: HERITAGE 95 MAKE OUR STORIES PART OF YOUR STORY THREADS OF LIFE Khadi in Oaxaca The khadi movement is thriving in the Sierra that made a lasting impression on him. ‘When I first textile industry remains a slow educational process Sur Mountains of Oaxaca, Mexico. In the remote came here everybody had sheep and spun wool on and the long-term goal they plan to achieve. Zapotec village of San Sebastian Rio Hondo, their drop spindles; they wove blankets and women spin organic cotton on the Charkha, the ponchos on backstrap looms. This was part of their Marcos, who’s a spinner and weaver, brought the wooden spinning wheel that was the embodiment tradition’. He remained in San Sebastian and shared first spinning wheel from India. Today, they are made of Gandhi’s vision for a new India. Khadi, the fabric the life of the Ramirez family until this village life by the local master carpenters and the 200 spinners of freedom is woven on backstrap and pedal looms experience took him to India, to Gandhi’s Ashram working for Khadi own their charkha. ‘The spinning with white or pre-Hispanic brown cotton grown on the Sabarmati River. Travelling with Gandhian wheel is five times faster than the native drop on the Pacific Coast. Ponchos and huipiles, the old men in Gujarat, he saw empowered villages spindles and it’s very relaxing. With a spinning wheel indigenous sleeveless tunics worn by women in growing their food, weaving and making their own you are using the left and right brain hemispheres, so Mexico and Central America, are hand-stitched clothes. -
Spinning and Weaving of Flax and Wool
The Museum | The Village Hall | The Research Library | The Museum Shop Spinning and Weaving of Flax and Wool 1 – Flax Plant Linen is made from a plant called flax. The plants were usually harvested in August. The plants were laid out to dry in the sun and then the seed pods were pulled off. The stalks were bound into bundles and soaked in a stream or pond for several days. Then the fibers were taken from the plant, combed and spun into thread on a spinning wheel. Then the thread was woven into cloth. 2 – Wool Wool comes from sheep that were usually sheared in the spring. Men and older boys usually did this job. The wool was combed, washed and rubbed with grease then spun into thread on a spinning wheel and then woven into cloth. 3 – Carding Colonial women and children used cards to straighten out the curly wool of the sheep. A card consisted of a piece of wood with a handle and it had nails or needle like objects driven through the back to the front of the card. They would put in a handful of wool on a card and then use another card to comb the wool back and forth until it was as straight and soft as possible. The wool was then ready for the spinning wheel. 4 – Spinning Wheels Spinning wheels were used to turn the flax and wool fibers into thread. The larger of the spinning wheels is for wool and the small one is for flax. 5 – Loom came from the Pike Haven Foster house. -
India's Textile and Apparel Industry
Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies . -
The Textile Machinery Collection at the American Textile History Museum a Historic Mechanical Engineering Heritage Collection
THE TEXTILE MACHINERY COLLECTION AT THE AMERICAN TEXTILE HISTORY MUSEUM A HISTORIC MECHANICAL ENGINEERING HERITAGE COLLECTION Textiles are an important part of our everyday lives. They clothe and comfort us, protect our first-responders, Introduction filter the air in our automobiles, and form the core of the fuselage in our newest aircraft. We enjoy their bright colors, wrap up in their warmth, and seldom give a second thought to how they make bicycles stronger and lighter or how they might be used to repair our vital organs. As textiles have changed from the first simple twisted fibers to high-tech smart fabrics, the tools and machinery used to make them have evolved as well. Drop spindles and spinning wheels have given way to long lines of spinning frames. And looms now use puffs of air instead of the human hand to insert the weft thread in a growing length of fabric. During the eighteenth and nineteenth centuries, textile manufacture was the catalyst for the Industrial Revolution in America. It was the leading edge in the transformation from an agricultural to a manufacturing economy and started the move of significant numbers of people from rural areas to urban centers. With industrialization came a change in the way people worked. No longer controlled by natural rhythms, the workday demanded a life governed by the factory bell. On the consumer side, industrialization transformed textiles from one of a person’s most valuable possessions to a product widely available at incredibly low prices. For more than a century, textile mills in Great Britain and the United States dominated textile production and led the industrial revolution in both Europe and North America. -
Tapestry Weaving
CONTENTS FOREWORD INTRODUCTION TO TEXTILES AND WEAVING 2 SPINNING SPINNING BY HAND 6 SPINNINGWHEEL: THE PARTS 6 SPINNINGWHEELWITH BOBBIN LEAD 9 BICYCLE SPINNINGWHEEL 9 SPINNING ACCESSORIES 9 BENCH-CARDER 11 CONSTRUCTING A BENCH-CARDER 12 THE SPINNING OPERATION 13 MATERIALS: WOOL AN D MOHAl R 14 THE CLASSES OF MOHAIR FROM LESOTHO 14 SORTING BASOTHO MOHAIR 15 TEASING 16 CARDING 16 COMBING 18 SPINNING: WORKING METHOD 19 LONG DRAW-WOOLLEN SPINNING 20 SHORT DRAW-WORSTED SPINNING 21 SPINNING FLUFFY YARN 22 Z-TWISTED AND S-TWISTED YARN 22 PLYING 22 THE SIZE OF THE YARN 23 SKEINS 23 EVALUATI NG TH E YARN 24 DYEING NATURAL DYES 25 SYNTHETIC OR CHEMICAL DYES 25 SYNTHETIC DYES FOR ANIMAL FIBRE 25 EQUIPMENT 27 MATERIALS USED FOR DYEING AT TLM 29 WEIGHING THE DYE-STUFF 30 PREPARING LESS THAN 1/10 GRAM DYE-STUFF 30 http://d-nb.info/1015550118 CALCULATING PERCENTAGES 31 PREPARING YARN FOR WASHING AND DYEING 31 HANDLING YARN FROM ANIMAL FIBRE 32 SOAKING YARN BEFORE WASHING 32 WASHING YARN 32 WORKING ROUTINE AND DYEING METHOD 33 SAMPLE DYEING 34 MATERIAL CONSUMPTION REGISTRATION 35 SHAFT LOOM WEAVING SHAFT LOOM WITH OVERHEAD PULLEY SYSTEM 36 SHAFT LOOM: THE PARTS 37 SHAFT LOOM: OPERATION 38 SHAFT LOOM WITH COUNTERMARCH 39 WEAVING ACCESSORIES AND HAND-TOOLS 39 THE WARP 42 THE WEFT 42 PREPARING WARP THE SIMPLEST WAY 42 PREPARING WARP ON A FRAME 43 PREPARING WARP ON A WARPING MILL 44 THE CROSS 45 THE REED 46 CALCULATING THE WARP WIDTH 47 CALCULATING THE WARP LENGTH 47 SPACING THE WARP BEFORE DRESSING THE LOOM 48 TRANSFERRING A WARP TO THE SHAFT LOOM 49 DRESSING -
Spinning Yarns, Telling Tales About Textiles
News for Schools from the Smithsonian Institution, Office of Elementary and Secondary Education, Washington, D.C. 20560 SEPTEMBER 1980 Spinning Yarns, Telling Tales about Textiles Textiles Tell Stories: The "Age of Homespun" and in regard to spinning, weaving, and other aspects of Other Tales textile making. This exchange of ideas led to a great Consider, for example, the piece of cloth shown in many improvements and innovations in all the various figure 1. This piece of hand-loomed, plaid linen is aspects of textile making over time. Some of the most from the Age of Homespun-a period of American important of these developments are explained in the history lasting from colonial times up until the Civil next section of this article. Bull mummy-wrapping (from Egypt) War. During the Age of Homespun many of the necessi ties of life-including textiles-were made in the Textiles From Scratch: Fiber to Cloth home. This was especially true in remote rural areas, Traditionally the making of a piece of cloth involved .7l",;;;,;i1_ where practically every farm had its own plot of flax first the selection of an appropriate natural fiber. (For i.liIi!i,~;':;\';_-- a discussion of natural fibers, see the article on page (as well as its own flock of sheep) and there was a m1i'<!Si~ 4.) The fiber was then harvested and made ready for 1\ wool wheel and a flax wheel in every kitchen. -iW:Mii\ii\_ spinning into thread or yarn. After spinning, the yarn en@! The making of cloth for clothing and bedding de manded an enormous amount of time and energy was usually either knitted or woven into cloth. -
SO an Introduction to Spinning 2018
An Introduction to Spinning BASIC IDEAS, TOOLS, AND TERMS Starting with Wool Sheep’s wool is the most popular fiber CRIMP lots among handspinners because it is easy to spin and versatile. There are dozens of breeds of sheep, such as Lincoln, Romney, Corriedale, Suffolk, and Merino, and each breed produces a unique type less of wool. By choosing from suitable breeds, spinners can use wool to make warm, comfortable, and stylish sweaters, scarves, mittens, hats, socks, afghans, rugs, and many other kinds of garments and accessories. One advantage to making your own yarn is that you can choose the qualities in the fiber that you want to emphasize in your finished project. Yes, the results are definitely worth it! the crimp or waviness of the wool, and the count or A single fleece—one sheep’s annual growth of thickness of the wool fibers (larger numbers indicate wool—usually weighs between 4 and 12 pounds. A finer wool—80s is quite fine, and 40s is coarse). Coarse good spinning fleece costs around $4 to $12 per pound. wool tends to have fewer crimps per inch, and may be Shepherds who produce good wool pay extra attention scratchy or itchy—but it will be very durable. Fine wool to their animals throughout the year. Some put jackets most often has a lot of crimps per inch, and feels soft or blankets on their sheep to keep hay out of the wool; and comfortable next to your skin, but it does not wear those fleeces may be especially clean, although cover- well in a rug. -
1 Classes Run 9-12 and 2-5 Each Day. Retreat Day 1 Tuesday, March 27
Classes run 9-12 and 2-5 each day. Retreat Day 1 Retreat Day 2 Retreat Day 3 Retreat Day 4 Retreat Day 5 Tuesday, March 27, 2018 Wednesday, March 28, 2018 Thursday, March 29, 2018 Friday March 30, 2018 Saturday, March 31, 2018 Casey, English v Spinning Big Boucle the Spinning Big Maggie Start Spinning American & Lofty Yarns Easy Way & Lofty Yarns Longdraw Clemes & Explorations Clemes in Drumcarding Demers, Knitting Happily Knitting Happily Ergo Spin Ergo Spin Ergo Spin Carson Ever After Ever After Egbert, Taking the Taking the Silk Fusion: Fiber Prep Elevated Fiber Prep Elevated Mystery Out Mystery Out Mary Making Paper of the Box of the Box Emerson, Locks in the Locks in the Bernadette Lens, Fiber Lens, Fiber in Focus in Focus Franquemont, Teaching Spindle Intro to Intermediate Backstrap Weaving Abby Spinning Plying Backstrap Weaving Gaustad, The Best from Focus on the The Best from Plying by Design Stephenie Your Wheel Drafting Zone Your Wheel Mackenzie, Extraordinary Extraordinary Judith Perfect Cloth: Spinning Bountiful Beasts: Cloth: Spinning Perfect Unusual The Gentle Art of Plying Unusual Pairings Spinning the Wild Pairings Threads for Threads for Weaving Weaving Moreno, Pretty Maids Living Color Spin & Nosh Yarnitecture 2 Spin & Nosh Jillian All in a Row Mullarkey, Pocket Pocket Woven Shoe Laces John Weaving Weaving Robson, Basic Things Every Spinner Deb The Classic Down Wools Wool Facts for Wool Geeks The Classic Down Wools Should Know About Wool Rodgers, Spinning Twisted Together Wild Plying Wild Plying Esther Loops Ruane, Love -
Majacraft Camp
MAJACRAFT CAMP February 2017 We would love to welcome you to our next Majacraft Magic Camp! Featuring Laurie Boyer (USA) !1 Laurie Boyer: The three yarn classes will be workshop choices– the application will be a whole group session on Sunday afternoon. Slub Fun Learn how to spin a comfortable and regular slub yarn. Then use this slub yarn to create the popular bobble yarn and Laurie’s unique teardrop and icicle yarns. Warning! Create these yarns only if you want your knitting to be the center of attention. Basic spinning skills required. Please bring the following equipment and materials to class: -Spinning wheel with the largest orifice (Woolly winders create too much tension and flyer hooks will catch the large texture so both should be avoided.) Double treadles will make starting and stopping easier. -2 empty bobbins -Lazy kate -Niddy noddy -6 oz. of nice wool (merino combed top or roving works well) prepared and ready for spinning. -At least 1-2 oz. of plying thread on a cone (8/2 cotton works well or anything that is fingering or sport weight that has a good drape). Ultra Spongy Singles from the “Oh My God, Squeeze This” series Learn how to construct Laurie’s newest yarn creation. It has three layers, is an extra-bulky (2 sts = 1”), lightweight and well-balanced yarn that is a pleasure to spin and feels luxurious sliding through your hands as you knit your favorite project. It also doesn’t seem to have a singles slant when knit on #10 or so needles. -
Introduction to Spinning Wheels
presents An Introduction to Spinning Wheels: How to Use and How to Choose a Spinning Wheel elcome to the world of handspinning! So, you’ve decided to take the plunge and explore Wthe wonders of making your own yarn with a spinning wheel. Not only are you in for a treat, but you’ve also started at the right place. Learning how to spin your own yarn is pretty easy and straight forward, especially if you have access to great teachers. To make this free eBook, we pulled from some of our best content from the pages of Spin.Offmagazine. The oldest of Interweave’s publications, Spin.Off is a quarterly magazine that has been around since 1977 inspiring spinners new and old to make beautiful yarn and find enchanting ways to use it. We also host the spinning community, spinningdaily.com complete with blogs, forums, and free patterns, Spin.Off Autumn Retreat (SOAR)—an intense and inspirational week with like-minded spinners, and our series of workshop videos where the living treasures of the spinning world share their knowledge with you. We’re devoted to bringing you the best spinning teachers, the newest spinning ideas, and most inspirational creativity right to your mailbox, computer, and ultimately fingertips. We hope you enjoy your spinning journey—come tell us about it at spinningdaily.com. Happy spinning, Amy Clarke Moore [email protected] Indulge your passion for fiber with Spin.Off magazine Spin.Off brings you: • The best teachers teaching the best spinning tricks and techniques • The newest information: fibers, tools, books, events, people, and places • The warmest handspun projects that you can make • The coolest stories of spinning history and tradition Subscribe Now! Call (800) 767-9638 or go to spinoffmagazine.com Copyright Spin.Off® magazine, Interweave Press LLC. -
Textile Industry and the Factory System
What might be the advantages of factory weaving WhatWhatWhat isWhat the are are boy dothe the you inmachines workers the see machine here? doing?doing? doing? over cottage industry weaving? This is a picture of workers at the mule- spinning machines making cotton cloth in an English textile mill in 1834. The Textile Industry Invented Textiles: any cloth or goods produced by weaving, knitting or felting. The textile industry developed as a way to solve the problems of the putting-out system (cottage industries) and increase productivity and efficiency. The markets continued to demand more cloth, and the rural workers spinning yarn by hand and weaving cloth on a hand loom could not keep up. Notes: Textile Industry Invented: Cottage industry couldn’t keep up with the demand for textiles. 1767: James Hargreaves invented a compound spinning wheel. It was able to spin 16 threads at one time. He named this invention the Spinning Jenny, after his wife, Jenny. 1769: Richard Arkwright improved on the spinning wheel with his invention of the water frame. This machine involved winding thread through four pairs of rollers operating at varying speeds. What powers the water frame? A water wheel powered the water frame. What might be the advantages of the water frame? What might be the disadvantages of the water frame? 1779: Samuel Crompton made a further improvement on the spinning wheel. By using the mobile carriage of the spinning jenny and the rollers of the water frame, Crompton created a new machine that was able to spin strong yarn, yet also thin enough to be used in the finest fabrics.