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HDMI to Composite/S-Video Scaler
HDMI to Composite/S-Video Scaler Features* • Supported input resolutions: • 480i@60Hz • 576i@50Hz • 480p@60Hz • 576p@50Hz • 720p@50/60Hz • 1080i@50/60Hz • 1080p@50/60Hz • 640x480@60Hz • 800x600@60Hz • 1024x768@60Hz • 1280x1024@60Hz • 1600x1200@60Hz • Converts and scales HDMI to Composite/S-Video at 480i/60 or 576i/50 GTV-HDMI-2-COMPSVIDSN • De-embeds audio from HDMI and outputs it as digital and analog audio • Accepts HDMI video at resolutions up to 1080p Full HD Converts HDMI source to Composite and S-Video with • Supports both NTSC and PAL formats scaling • Underscan/Overscan Switch helps optimize image size on old analog TV screens without over-cropping or visible black borders Convert any Hi-Def source to standard definition NTSC/PAL format • Field upgradable firmware via USB port with scaling. The HDMI to analog video scaler supports resolutions up to 1080p Full HD video and scaled outputs in Composite and Specifications* S-Video, while maintaining the original aspect ratio for optimal viewing. The coax S/PDIF digital audio and left/right analog audio • Maximum Pixel Clock: 225 MHz outputs allow the audio extracted from the HDMI signal to be sent • Video Input Connector: (1) HDMI Type A, 19-pin, female, locking to any AV Receiver or audio amplifier. Underscan/Overscan and • Video Output Connectors: (1) Composite, RCA-type, female NTSC/PAL switches help assure compatibility with a variety of (1) S-Video, female analog televisions. This scaler also features a USB port for firmware • Audio Output Connectors: (1) L/R analog audio (2 x RCA-type, female) upgrades. -
State of Oklahoma
STATE OF OKLAHOMA 1st Extraordinary Session of the 47th Legislature (1999) SENATE BILL 1x By: Robinson AS INTRODUCED An Act relating to the Corporation Commission; amending Section 2, Chapter 408, O.S.L. 1997, as amended by Section 9, Chapter 246, O.S.L. 1998 (17 O.S. Supp. 1998, Section 139.102), which relates to the Oklahoma Telecommunications Act; modifying definition; and providing an effective date. BE IT ENACTED BY THE PEOPLE OF THE STATE OF OKLAHOMA: SECTION 1. AMENDATORY Section 2, Chapter 408, O.S.L. 1997, as amended by Section 9, Chapter 246, O.S.L. 1998 (17 O.S. Supp. 1998, Section 139.102), is amended to read as follows: Section 139.102 As used in the Oklahoma Telecommunications Act of 1997: 1. "Access line" means the facility provided and maintained by a telecommunications service provider which permits access to or from the public switched network; 2. "Commission" means the Corporation Commission of this state; 3. "Competitive local exchange carrier" or "CLEC" means, with respect to an area or exchange, a telecommunications service provider that is certificated by the Commission to provide local exchange services in that area or exchange within the state after July 1, 1995; 4. "Competitively neutral" means not advantaging or favoring one person over another; 5. "End User Common Line Charge" means the flat-rate monthly interstate access charge required by the Federal Communications Commission that contributes to the cost of local service; Req. No. 5010 Page 1 6. "Enhanced service" means a service that is delivered over communications transmission facilities and that uses computer processing applications to: a. -
LC-32/37RA1E Operation-Manual GB
LC-32RA1E LC-37RA1E ENGLISH C790WJZZ LC-32RA1E OPERATION MANUAL / BEDIENUNGSANLEITUNG / MODE D’EMPLOI / MANUALE DI ISTRUZIONI / GEBRUIKSAANWIJZING / MANUAL DE MANEJO LC-37RA1E DEUTSCH LCD COLOUR TELEVISION LCD-FARBFERNSEHGERÄT TÉLÉVISION COULEUR À ÉCRAN À CRISTAUX LIQUIDES (LCD) FRANÇAIS TELEVISORE A COLORI LCD LCD-KLEURENTELEVISIE TELEVISIÓN EN COLOR LCD ITALIANO OPERATION MANUAL BEDIENUNGSANLEITUNG MODE D’EMPLOI MANUALE DI ISTRUZIONI GEBRUIKSAANWIJZING MANUAL DE MANEJO NEDERLANDS ESPAÑOL Printed in Spain Gedruckt in Spanien Imprimé en Espagne Printed on environmentally friendly paper Stampato in Spagna Auf ökologischem Papier gedruckt Gedrukt in Spanje Imprimé sur papier écologique Impreso en España Stampato su carta ecologica Afgedrukt op ecologisch papier PIN TINS-C790WJZZ Impreso en papel ecológico 06P11-SP-NG 1 LC-32RA1E / LC-37RA1E ( ) : LC-32RA1E [ ] : LC-37RA1E : LC-32RA1E LC-37RA1E (506.0) / [542.0] (506,0) / [542,0] (796.4) / [920.0] (83.9) / [100.0] (115.1) / [115.9] (796,4) / [920,0] (83,9) / [100,0] (115,1) / [115,9] (700.4) / [823.0] (700,4) / [823,0] (532.1) / [600.0] (532,1) / [600,0] (589.6) / [657.0] (589,6) / [657,0] (395.1) / [464.0] (395,1) / [464,0] (343.0) / [377.0] (343,0) / [377,0] SPECIAL NOTE FOR USERS IN THE U.K. (250.0) / [291.4] (250,0) / [291,4] The mains lead of this product is fitted with a non-rewireable (moulded) plug incorporating a 13A fuse. Should the fuse need to be replaced, a BSI or ASTA approved BS 1362 fuse marked or ASA and of the same rating 200.0 as above, which is also indicated on the pin face of the plug, must be used. -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
LED TV in Some Locations) Turns the TV on and Off
Getting Started Plug & Play Connections Remote Control When you turn the TV on for the first time, a sequence of on-screen prompts will assist in configuring basic settings. Press thePOWER ✎ This remote control has Braille points on the Power, Channel, and Volume buttons and can be used by visually impaired persons. y For better picture and audio quality, connect to a digital device using an HDMI cable. y PC(D-Sub) and PC/DVI AUDIO IN input are not supported. Accessories button. Plug & Play is available only when the Input source is set to y The picture may not display normally (if at all) or the audio may not work if an external y For HDMI/DVI cable connection, you must use the HDMI IN 1(DVI) port. TV. device that uses an older version of HDMI mode is connected to the TV. If such a problem • Remote Control & Batteries (AAA x 2) • Holder-Wire stand occurs, ask the manufacturer of the external device about the HDMI version and, if out of y Connecting through the HDMI cable may not be supported depending on the PC. • Owner’s Instructions • Power Cord ✎ Connecting the power cord and antenna. (refer to date, request an upgrade. y If an HDMI to DVI cable is connected to the HDMI IN 1(DVI) port, the audio does not work. • Warranty Card / Safety Guide (Not available ‘Connections’) y Be sure to purchase a certified HDMI cable. Otherwise, the picture may not display or a y Service: Connector for service only. Displays and selects the available video connection error may occur. -
FDS1703-ABK Your Advantages
17" Video surveillance systems FDS1703-ABK Your advantages The 17-inch FDS1703-ABK with a traditional 5:4 aspect ratio stands out thanks to its signal inputs designed for video secur- High image quality for a better view ity systems. Its HDMI input supports resolutions right through to Display with a high brightness level Full HD. A composite (BNC) input allows analogue video surveil- lance devices like cameras and recorders to be connected. The PC (HDMI) and analogue video input FDS1703-ABK provides support for PAL, SECAM and NTSC sig- NTSC/PAL/SECAM support nal formats. Overscan and normal display Two-year guarantee for 24/7 operation 17" Video surveillance systems Features Variety of interfaces for PC and video Reduced Noise and Flicker An HDMI input is available for connecting to computers to re- Thanks to its Y/C separation, the monitor offers images free from ceive signals from a digital source, such as an HDD recorder. noise and flickering. During Y/C separation, the luminance sig- There is a composite (BNC) input for connecting analogue video nal (Y) and chrominance signal (C), i.e. the brightness and col- surveillance equipment and surveillance cameras. The monitor our information from the image signal, are separated, preventing supports NTSC, PAL and SECAM signals. overlap artifacts. In addition, the monitor displays 16,77 million colours clearly and vividly. Built-in loudspeaker for PC and video Two build-in 0.5 W stereo speakers ensure good tone rendering. The loudspeakers support both PC and video sources. 24/7 use guaranteed The monitor is built for 24-hour use and is impressively reliable. -
The Epic Guide to Branded Video “There's Always Room for a Story That Can Transport People to Another Place.”
The Epic Guide to Branded Video “There's always room for a story that can transport people to another place.” J.K. Rowling Foreword Jerrid Grimm Co-Founder & CEO, Pressboard Our sincerest thanks to The power of video is undeniable. The combination of sight and sound evokes emotional responses difficult to replicate through any other format. A story told through video can make people burst into laughter or shed tears of sadness. Video transports the viewer to another place, another time — and with advances in virtual reality it’s even possible to see the world through someone else’s eyes. What video is not, by any means, is easy. Fraught with challenges in production, distribution and measurement, video is one of the most resource-heavy creative processes out there. As brands move from making one or two TV commercials a year to creating weekly or even daily video for social media, these challenges grow exponentially. Pressboard is a story marketplace. We make it easy for brands to collaborate with hundreds of media publishers on video content — instead of ads. In that same collaborative spirit, we created this guide to combine the wisdom of the greatest video minds in the world and turn those insights into actionable advice that marketers, publishers, creators and technologists can all apply to their own brands. We cannot wait to see the stories that you will tell. 3 Foreword Mark Greenspan Chief Influencer, influenceTHIS Founding Members In an effort to support the growth of the branded content industry in Canada we have partnered with Pressboard to distribute this report to marketers, advertisers, influencer networks and creators. -
Digital Transformation Through Data: a Guide for News and Media Companies to Drive Value with Data March 2019 Content
In collaboration with the Activation Guide Digital transformation through data: a guide for news and media companies to drive value with data March 2019 Content Data foundations 7 Culture and ways of working ............................................ 8 Skills ................................................................................... 10 Technology........................................................................ 12 Data ................................................................................... 14 Use cases 17 Improve overall reader engagement Content planning ............................................................. 18 Recirculation ..................................................................... 20 Reader experience ........................................................... 22 Increase direct-paying relationships with readers Subscription pricing and promotion ............................. 24 Design for reader lifetime value (LTV) ........................... 26 Revenue diversification ................................................... 28 Drive revenue from advertisers Audience-based advertising ........................................... 30 Advertising pricing strategy ............................................ 32 Inventory yield management ......................................... 34 Data activation guide: news and media companies | INTRODUCTION 3 Introduction Digital innovation has reshaped the news To capitalize on this evolution, news and and media industry. The transition from print media companies -
The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi T Audiovisual Archives
Copyright ©2012 Academy of Motion Picture Arts and Sciences. “Oscar,” “Academy Award,” and the Oscar statuette are registered trademarks, and the Oscar statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. The accuracy, completeness, and adequacy of the content herein are not guaranteed, and the Academy of Motion Picture Arts and Sciences expressly disclaims all warranties, including warranties of merchantability, fi tness for a particular purpose and non-infringement. Any legal information contained herein is not legal advice, and is not a substitute for advice of an attorney. All rights reserved under international copyright conventions. No part of this document may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. Published by the Academy of Motion Picture Arts and Sciences Inquiries should be addressed to: Science and Technology Council Academy of Motion Picture Arts and Sciences 1313 Vine Street, Hollywood, CA 90028 (310) 247-3000 http://www.oscars.org Printed in the United States of America Library of Congress Cataloging-in-Publication Data The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi t Audiovisual Archives 1. Digital preservation – Case Studies. 2. Film Archives – Technological Innovations 3. Independent Filmmakers 4. Documentary Films 5. Audiovisual I. Academy of Motion Picture Arts and -
The State of Recorded Sound Preservation in the United States: a National Legacy at Risk in the Digital Age
The State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age August 2010 Commissioned for and sponsored by the CounCil on library and information resourCes and the library of Congress The State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age August 2010 from last round: National Recording Preservation Board OF THE LIBRARY OF CONGRESS revised: Commissioned for and sponsored by the National Recording Preservation Board OF THE LIBRARY OF CONGRESS Council on Library and Information Resources and The Library of Congress Washington, D.C. National Recording Registry OF THE LIBRARY OF CONGRESS The National Recording Preservation Board The National Recording Preservation Board was established at the Library of Congress by the National Recording Preservation Act of 2000. Among the provisions of the law are a directive to the Board to study and report on the state of sound recording preservation in the United States. More information about the National Recording Preservation Board can be found at http://www.loc.gov/rr/record/nrpb/. ISBN 978-1-932326-36-9 CLIR Publication No. 148 Copublished by: Council on Library and Information Resources 1752 N Street NW, Suite 800 Washington, DC 20036 Web site at http://www.clir.org and The Library of Congress 101 Independence Avenue, SE Washington, DC 20540 Web site at http://www.loc.gov Additional copies are available for $30 each. Orders must be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/abstract/pub148abst.html. -
Imagine the Most Advanced Evolution of Color Projection on the Planet
Specifications SP-A800B Display Device Texas Instruments DMD, single chip, 1920 x1080 Screen Format 16:9 System NTSC n AV-NTSC (VIT) n PAL/SECAM n Power Supply 100V~240V, 50 Hz – 60 Hz AC Picture Brightness (Marketing value) 1000 ANSI Lumens Contrast Ratio (Marketing value) 10,000:1 (Full on/off) imagine the most advanced evolution Lamp Type 300W Philips UHP Lamp Life 2000 Hours of color projection on the planet. Dynamic Black n Reference Color Temp. 6500K Samsung SP-A800B Color Temp. Variation 5500K/6500K/8000K/9300K Resolution 1920 x 1080 1080p Full HD Home Theater Projector Scan System Progressive (1080p) 3D Y/C Comb n Digital N/R n 3 to 2 Pull Down n Functions PC Input Multi Mode Blue Screen n Multi Language English/German/Spanish/Dutch/French/Italian/Portuguese/Chinese/Swedish/Korean DTV Ready Input: 1080p/1080i/720p/576p/576i/480p/480i Multi Format Full/Zoom1/Zoom2/Wide Fit/4:3 Picture Mode 7 (Dynamic/Standard/Movie1~2/User1~3) LED Lamp Off n Lens Focus Manual Lens Shift Manual (vertical only) Zoom Lens Manual Throw Ratio 1.72~2.24 Image Size (inches) 40" to 300" H-Sync Range 15.0 - 80.0kHz V-Sync Range 48 - 100Hz Fan Noise 24 dBA Theater mode, 30 dBA Bright mode Remote Type TM-90 Terminal Rear Input HDMI 2 Composite In 1 S-Video 1 Component 2 (1080p/1080i/720p/576p/576i/480p/480i) PC (D-sub 15-Pin) 1 RS-232C (S/W Upgrade+Function control) 1 Dimensions 18" x 8.5" x 19" Video Processing Weight 21.6 lbs. -
WHY VIDEO? Video Content Engages Viewers at Every Level – It Educates, Entertains and Inspires Them
INTRODUCTION If your company is not using video to build its brand and attract new customers, you are already behind the curve. In the rapid-paced world of mass-media and Internet marketing, simple text or boring PowerPoint presentations no longer grab and retain consumers’ attention. Four times as many customers would rather watch a video explaining the benefits of a product than read the same information,1 and video’s popularity continues to grow. 43% Marketing software company Hubspot reports that 43 Consumers who actually percent of consumers want to see more video content want to see more video from marketers.2 When was the last time you heard that from marketers. Source: Hubspot consumers actually want to be marketed to? 1 Animoto, 2015 2 16 Video Marketing Statistics to Inform your Q4 Strategy 1 The numbers on video’s rapid and continued growth as a business communication platform are staggering: • 80 percent of internet users will watch • 100 million people watch a video on the a video, while only 20 percent will read internet every day. the full contents of a web page. • Video will account for 80 percent of all • Users spend 88 percent more time on consumer traffic on internet by 2019. websites that include video content. And video’s value goes well beyond simply getting customers to hang around your website a little longer. Video is also a powerful medium for creating a lasting impression. Research indicates that viewers retain 95 percent of the information they consume while watching a video, compared to just 10 percent if they read the same information in simple text.