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Bob Dylan – the Original Mono Recordings
Bob Dylan – The Original Mono Recordings by Roger Ford The eight albums in this box are of course the foundation of a sound that was still integrated but with added presence Bob Dylan’s career and legend, the records that made him and depth. famous. But more specifically, these are the records that made him famous – not the albums as they sound on the But technology marched on, and the mono versions of standard CDs today, not the earlier generation of CDs from Dylan’s LPs were discontinued in 1968 in the US, a year later the late ’80s, not even the stereo LPs that came out as each in the UK, and as far as I know had disappeared from all other record was made. It was the mono LPs (and the singles taken parts of the world by the mid -’70s. For the last quarter of the from them) that people heard on the radio, round at friends’ 20 th century they were completely unavailable, and once houses, in record shops. These were the sounds that were people realised what had been lost, good condition original engraved into the memory of anyone who listened to Dylan copies became increasingly sought after. in the sixties. The mono albums were eventually reissued by the US specialist reissue label Sundazed between 2001 and 2004, though only in vinyl format. They were remastered by Sundazed owner Bob Irwin, a well-respected audio engineer in his own right. Irwin put a lot of work into finding the right master tapes as well as into the remastering process itself, but nonetheless these editions evoked a somewhat mixed response, with some albums better received than others. -
Metallica Garage Inc. Mp3, Flac, Wma
Metallica Garage Inc. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Garage Inc. Country: Japan Released: 2010 Style: Heavy Metal MP3 version RAR size: 1860 mb FLAC version RAR size: 1771 mb WMA version RAR size: 1778 mb Rating: 4.6 Votes: 100 Other Formats: XM RA FLAC AC3 DTS MP4 MP3 Tracklist Hide Credits New Recordings '98 1-01 Free Speech For The Dumb 2:35 1-02 It's Electric 3:33 1-03 Sabra Cadabra 6:20 1-04 Turn The Page 6:06 1-05 Die, Die My Darling 2:29 1-06 Loverman 7:52 1-07 Mercyful Fate 11:11 1-08 Astronomy 6:37 1-09 Whiskey In The Jar 5:04 1-10 Tuesday's Gone 9:05 1-11 The More I See 4:48 Garage Days Re-Revisited '87 2-01 Helpless 6:38 2-02 The Small Hours 6:43 2-03 The Wait 4:55 2-04 Crash Course In Brain Surgery 3:10 2-05 Last Caress / Green Hell 3:29 Garage Days Revisited '84 Am I Evil? 2-06 Bass – Cliff BurtonEngineer – Jeffrey NormanProducer – Mark 7:50 Whitaker Blitzkrieg 2-07 Bass – Cliff BurtonEngineer – Jeffrey NormanProducer – Mark 3:36 Whitaker B-Sides & One-Offs '88-'91 Breadfan 2-08 5:41 Engineer – Mike ClinkMixed By – Flemming Rasmussen The Prince 2-09 4:25 Engineer – Mike ClinkMixed By – Flemming Rasmussen 2-10 Stone Cold Crazy 2:17 2-11 So What 3:08 2-12 Killing Time 3:03 Motorheadache '95 2-13 Overkill 4:04 2-14 Damage Case 3:40 2-15 Stone Dead Forever 4:51 2-16 Too Late Too Late 3:12 Credits Bass – Jason Newsted (tracks: CD1, CD2-1 to CD2-5, CD2-8 to CD2-16) Drums – Lars Ulrich Edited By [Digital] – Mike Gillies (tracks: CD1), Paul DeCarli (tracks: CD1) Engineer – Csaba "The Hut" Petocz* (tracks: -
Audiokarma Deadwax Info.Pdf
Repost the Deadwax notes list PLEASE! [Archive] - AudioKarma.org Home Audio Stere ... Page 1 of 9 AudioKarma.org Home Audio Stereo Discussion Forums > Turntables > Repost the Deadwax notes list PLEASE! PDA View Full Version : Repost the Deadwax notes list PLEASE! libertycaps 08-02-2010, 10:26 PM Found it awhile ago while browsing, but now i can't locate it again! :tears: Any help out there, good people? It was quite long and quite a Deadwax script resource worth printing and filing by the record collection!!!! Amcrebelfan 08-02-2010, 10:47 PM Found it awhile ago while browsing, but now i can't locate it again! :tears: Any help out there, good people? It was quite long and quite a Deadwax script resource worth printing and filing by the record collection!!!! Ooohh That sounds cool never ran across it, I would love to have it myself. cactuscowboy 08-03-2010, 12:15 AM Dunno if this is what you're looking for, but here goes: Deadwax mastering info G.S.V.) -> Greg Vaughn (spiral sign) @ D+M -> Robert Henke ( Dubplates-mastering, Berlin ) *-J.T.S.-* -> JTS Studio, London @cul -> Moritz von Oswald @t GP -> George Piros “Soundmaster” Lionel @ Translab, Paris -> Lionel Nicod 7AP -> Augustus Pablo A 1ST FOR KEV – TOWNHOUSE -> Kevin Metcalfe ( Townhouse Studios, London ) A Porky ‘Oh yes’ Prime cut -> George Peckham A Porky Prime Cut -> George Peckham A PORKY PRIME CUT -> George Peckham A Porky Prime Er-Er-Er Goldfish I Think -> George Peckham A Porky Prime sniff sniff cut -> George Peckham A PORKY PRIME TANGO -> George Peckham Allen Zentz -> Allen -
WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1998 to the Present
WHO'S WHO IN POP LP ENGINEERING The following is a list of ENGINEERS credited on at least one album in the Top Pop 100 Charts from January 1998 to the present.. (Please note that, due to computer restraints, ENGINEERS are NOT credited on an album that has more than 4 ENGINEERS listed)) This listing includes the ENGINEER'S Name (# of records credited) "Album Title" - Artist/ Other ENGINEERS credited on the record. 4th Disciple(1) - 'Heavy Mental'- Killah Priest-/Troy Hightower Bob Power 4th Disciple Alan Douglaa(1) - "Pilgrim"-Eric Clapton-/ Dave Aaron(i) - "40 Dayz & 40 Nightz"- XzibitVRichard 'Segal' Huredia Greg Droman(l) - "I Don't Want To Miss A Thing'-Mark Chesnutt-/ Josh Abrams(1) - "Something For Everybody"-Baz Luhrmann-/ Michael Dumas(1) - "A Long Way Home'-Dwight Yoakam-/ Dusty Wakeman David Leonard Conley Abrams 111(1) - "Let's Ride'-Montell Jordan-/Annie Mae Catalino Claude Achille Kevin Davis Charles Dye(2) - "Growing Pains'-Billie Myers-/ Michael Brauer Greg Calbi + "Red Voodoo" -Sammy Claude Achille(1) - "Let's Ride'-Montell JordanVAnnie Mae Catalino Kevin Davis Hagar-/Toby Wright Tom McWilliams Brian Ackley(l) - "The Christmas Angel"- Mannheim Steamroller-/ Dave Cwirko Dan Charette Jim Ebert(1) - "Blurring The Edges'-Meredith BrooksVGeza X John Agnello(1) - "Wide Swing Tremolo"- Son VolWDavid Barbe Jack Joseph Puig Brett EliasonM) - "Live On Two Legs'- Pearl Jam-/ John Aguto(1) - "Still In The Game'-Keith SweatVKarl Heilbron Kevin 'KD' Davis Geoff Emerick(1) - "Vertical Man'-Ringo Starr-/Scott Gordon Chuck Ainlay(3) - "One Step At ATime'-George Strait-/ + "If You See Him"-Reba McEntire-/ + "Always Chad Evan«(1) - "Kennedy Center Homecoming: A Celebration Of Our Faith & Heritage"-Bill & Gloria Never The Same'-George Strait-/ Scotch Ralston Gaither-/ John Alagia(i) - "Live At Luther College'-Dave Matthews Band & Tim Reynolds-/Jeff Thomas Stephen Fitzmaurice(l) - "Human Being"- Seal-/ Tim Weidner Richard Lowe Stevo Albini(1) - 'Walking Into Clarksdale"-Jimmy Page & Robert Plant-/ Paul Hicks FloodM) - "Is This Desire?"-P.J. -
Audio Mastering: an Investigation and Analysis of Contemporary Techniques
1 AUDIO MASTERING: AN INVESTIGATION AND ANALYSIS OF CONTEMPORARY TECHNIQUES BY KARL N. FLECK B.A. HOPE COLLEGE (2013) SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC DEPARTMENT OF SOUND RECORDING TECHNOLOGY UNIVERSITY OF MASSACHUSETTS LOWELL Signature of Author: Date: Signature of Thesis Supervisor: Name Typed: 2 Abstract Mastering is an aspect of music production that is encompassed by air of mystery. There is very little specific information written about mastering and it is oftentimes overlooked in common collegiate Audio Engineering curricula. The purpose of this study is to investigate audio mastering and examine its finer details. In this study a single song was recorded; mixed by four different mixing engineers; and finally collected, analyzed, and mastered. Furthermore, interviews were conducted with five prominent mastering engineers regarding the many specific facets of mastering. These interviews were then transcribed and analyzed for common trends and practices. The goal is to illuminate various techniques for mastering while utilizing these examples in the context of a case study. Throughout this study, several themes emerged including the need for accurate monitoring, specified equipment, experience, and a touch of luck. The information gathered in this study will benefit those interested in understanding mastering. This could range from students wishing to pursue a career in mastering, to artists looking to comprehend how the mastering process affects their work. 3 Acknowledgements I would like to offer my most sincere thanks and gratitude to Alan Williams and the rest of the members of Birdsong at Morning, Darleen Wilson and Greg Porter. Your cooperation, musical wisdom, and guidance has truly been treasured. -
Jimi Hendrix the Collector’S 1969: Studio, Private, Related & Remixed Recordings
Jimi Hendrix The Collector’s 1969: Studio, Private, Related & Remixed Recordings Studio & Private pg. 2 – 115 Related & Remixed pg. 116 – 131 Cover Sources pg. 131 – 136 Brief CD Track List pg. 137 – 147 Song Index pg. 148 – 153 Flac Fingerprints pg. 154 – 161 The intention of this set is to bring together all 1969 Hendrix-related recordings in the best available sound quality and the most complete versions. As with all reference works of this magnitude there are likely unintended errors in spite of diligent efforts to be error free; corrections are encouraged. If you are aware of any upgrades, know of additional tracks that should be included, or have comments about the information presented here please contact [email protected] or [email protected]. This collection was assembled based on information contained at Doug Bell's website, which is compiled from several reference sources: http://home.earthlink.net/~ldouglasbell/jimi.htm. Further details were obtained from Jimpress (2014-2015, From The Benjamin Franklin Studios, 4th edition): http://www.jimpress.co.uk/, Ultimate Hendrix (2009, Backbeat Books), Jimi Hendrix: The Ultimate Lyric Book (2012, Backbeat Books), In From The Storm: http://infromthestorm.net/hendrix.html, and Discogs.com. All tracks are as they appear on their sources, though some sources are known to have utilized normalization, pitch correction, etc. A few tracks have had beginning/ending dead silence removed and are so noted, and track 127 has had a minor non-music patch. Four tracks are lossy and so noted. The track order is roughly from session takes to intermediate mixes to final and alternate mixes; complete versions precede incomplete versions. -
Guns N' Roses Entity Partnership Citizenship California Composed Of: W
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA966168 Filing date: 04/10/2019 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Guns N' Roses Entity Partnership Citizenship California Composed Of: W. Axl Rose Saul Hudson Michael "Duff" McKagan Address c/o LL Management Group West, LLC 5950 Canoga Ave., Ste. 510 Woodland Hills, CA 91367 UNITED STATES Attorney informa- Jill M. Pietrini Esq. tion Sheppard Mullin Richter & Hampton LLP 1901 Avenue of the Stars, Suite 1600 Los Angeles, CA 90067 UNITED STATES [email protected], [email protected], [email protected], [email protected], MDan- [email protected], [email protected], RLHud- [email protected] 310-228-3700 Applicant Information Application No 87947921 Publication date 03/12/2019 Opposition Filing 04/10/2019 Opposition Peri- 04/11/2019 Date od Ends Applicant ALDI Inc. 1200 N. Kirk Road Batavia, IL 60510 UNITED STATES Goods/Services Affected by Opposition Class 029. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: cheese, namely, cheddar cheese Grounds for Opposition Priority and likelihood of confusion Trademark Act Section 2(d) False suggestion of a connection with persons, Trademark Act Section 2(a) living or dead, institutions, beliefs, or national symbols, or brings them into contempt, or disrep- ute Mark Cited by Opposer as Basis for Opposition U.S. Application/ Registra- NONE Application Date NONE tion No. -
JUN 2019 CONTENTS GSCENE Magazine R
JUN 2019 CONTENTS GSCENE magazine R AMSTERDAM BAR & KITCHEN UNITY WEEKEND A B ) www.gscene.com Y T @gscene I t N I F F f GScene.Brighton A PUBLISHER Peter Storrow TEL 01273 749 947 EDITORIAL [email protected] ADS+ARTWORK [email protected] EDITORIAL TEAM James Ledward, Graham Robson, Gary Hart, Ray A-J SPORTS EDITOR Paul Gustafson ARTS EDITOR Michael Hootman SUB EDITOR Graham Robson SOCIAL MEDIA EDITOR Marina Marzotto DESIGN Michèle Allardyce ZONE BAR FRONT COVER MODEL Dave Wilkes PHOTOGRAPHER Nick Ford NEWS www.nickfordphotography.co.uk Twitter: @nickfordphoto 6 News f Nick Ford Photography CONTRIBUTORS Simon Adams, Ray A-J, Jaq Bayles, SCENE LISTINGS Jo Bourne, Nick Boston, Brian Butler, Suchi Chatterjee, Richard Jeneway, 26 Gscene Out & About Craig Hanlon-Smith, Samuel Hall, Lee Henriques, Adam Mallaby, Enzo LEGENDS BASEMENT CLUB GLITTER FABULOUS 28 Brighton & Hove Marra, Eric Page, Simon Robinson- 43 Solent Stynes, Del Sharp, Gay Socrates, Brian Stacey, Michael Steinhage, Sugar Swan, Glen Stevens, Duncan Stewart, Craig Storrie, Violet ARTS Valentine (Zoe Anslow-Gwilliam), 48 Arts News Mike Wall, Netty Wendt, Roger Wheeler, Kate Wildblood 49 Arts Matters PHOTOGRAPHERS 49 Arts Jazz Jack Lynn, Creag Aaro, James Ledward 50 Classical Notes 51 Page’s Pages REGULARS 47 Dance Music 47 DJ Profile: Claire Fuller © GSCENE 2019 All work appearing in Gscene Ltd is 52 Shopping copyright. It is to be assumed that the copyright for material rests with the 54 Craig’s Thoughts magazine unless otherwise stated on the page concerned. No part of this 55 Wall’s Words publication may be reproduced, stored in RECEPTION AT OLD SHOP HOTEL TO THANK OUTGOING MAYOR, CLLR DEE SIMSON FOR HER an electronic or other retrieval system, SUPPORT OF BEAR-PATROL EVENTS DURING HER YEARS MAYORALTY. -
Acoustic Sounds Winter Catalog Update
VOL. 8.8 VOL. 2014 WINTER ACOUSTICSOUNDS.COM ACOUSTIC SOUNDS, INC. VOLUME 8.8 The world’s largest selection of audiophile recordings Published 11/14 THE BEATLES IN MONO BOX SET AAPL 379916 • $336.98 The Beatles get back to mono in a limited edition 14 LP box set! 180-gram LPs pressed in Germany by Optimal Media. Newly remastered for vinyl from the analogue tapes by Sean Magee and Steve Berkowitz. The release includes all nine original mono mixed U.K. albums plus the original American- Cut to lacquer on a VMS80 lathe compiled mono Magical Mystery Tour and the Mono Masters, a three LP collection of Exclusive 12” 108-page hardbound book non-album tracks also compiled and mastered from the original analogue tapes. with rare studio photos! All individual albums available. See acousticsounds.com for details. FOUR MORE FROM THE FAB FOUR New LP Reissues - Including QRP Pressings! The below four Beatles LPs will be pressed in two separate runs. First up are 10,000 European-pressed copies. After those are sold through, the label will then release the Quality Record Pressings-pressed copies. All four albums are 180-gram double LPs! The Beatles 1967-1970 The Beatles 1962-1966 1 Love ACAP 48448 $35.98 ACAP 48455 $35.98 ACAP 60079 $35.98 ACAP 48509 $48.98 (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) ACAP 484480 $35.98 ACAP 484550 $35.98 ACAP 600790 $35.98 ACAP ACAP 485090 $48.98 (European-pressed version; (European-pressed -
Acoustic Sounds Catalog Update
Analogue Productions and Quality Record Pressings are proud to announce the newest incarnation of titles to be pressed at 45 RPM on 200-gram vinyl. Ladies and gentlemen: The Doors! Additionally, these will also be available on Multichannel Hybrid SACD. The Doors Strange Days Waiting For The Sun Soft Parade Morrison Hotel L.A. Woman AAPP 74007-45 AAPP 74014-45 AAPP 74024-45 AAPP 75005-45 AAPP 75007-45 AAPP 75011-45 $50.00 $50.00 $50.00 $50.00 $50.00 $50.00 (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) Multichannel Hybrid Multichannel Hybrid Multichannel Hybrid No SACD available No SACD available Multichannel Hybrid SACD SACD SACD for this title for this title SACD CAPP 74007 SA CAPP 74014 SA CAPP 74024 SA CAPP 75011 SA $30.00 $30.00 $30.00 $30.00 Cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy. Sax and Doors producer/engineer Bruce Botnick went through a meticulous setup to guarantee a positively stunning reissue series. This is an all-tubes process. These masters were recorded on tube equipment and the tape machine used for transfer for these releases is a tube machine, as is the cutting system. Tubes, baby! A truly authentic reissue project. Also available: Mr. Mojo Risin’: The Doors By The Doors The Story Of L.A. Woman The Doors by The Doors – a Featuring exclusive interviews with Ray huge, gorgeous volume in which Manzarek, John Densmore, Robby Krieger the band tells its own story – is colleagues and collaborators, exclusive per- now available. -
WAR and REMEMBRANCE Concerts and Charities Raise Music Industry's Bottom Line Millions for Disaster Relief Feels Terrorism's Aftermath
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) II. nIml..II,J..11l I II,nII #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 804 A06 B0122 001 MAR 02 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r OCTOBER 6, 2001 WAR AND REMEMBRANCE Concerts And Charities Raise Music Industry's Bottom Line Millions For Disaster Relief Feels Terrorism's Aftermath BY BRIAN GARRITY BY MATTHEW BENZ NEW YORK -In an unprecedented wave of NEW YORK -The entertainment industry, charitable contributions, music- industry- which moved quickly to lend its voices and related companies and events have gen- muscle to relief efforts, has also been busy erated more than $170 million in assessing its own uncertain financial pledged donations to organizations aid- future in the wake of the Sept. 11 ter- ing in the relief effort of the Sept. 11 rorist attacks. terrorist attacks in New York City The short -term fallout from the attacks and Washington, D.C. was clear enough, as media and enter- The majority of that figure, $150 tainment stocks plunged alongside million, stems from a single fund- those of most other markets during raising event, America: A Tribute the following week. From Sept. 17 to Heroes -a Sept. 21 telethon to Sept. 21, AOL Time Warner stock that was carried on more than 35 dropped 13.3 %, while Viacom's fell broadcast and cable TV networks and 8,000 17.55 %. A number of companies, especial- radio stations in the U.S.- featuring performances ly those more reliant on advertising revenue, have since and /or appearances from more than 20 artists, lowered their financial targets for the rest of the year. -
How Does It Sound Now ? Legendary Engineers and Vintage Gear
How Does It Sound Now? Legendary Engineers and Vintage Gear Gary Gottlieb Course Technology PTR A part of Cengage Learning Australia . Brazil . Japan . Korea . Mexico . Singapore . Spain . United Kingdom . United States How Does It Sound Now? © 2010 Course Technology, a part of Cengage Learning. Legendary Engineers and Vintage Gear ALL RIGHTS RESERVED. No part of this work covered by the copyright herein Gary Gottlieb may be reproduced, transmitted, stored, or used in any form or by any means Publisher and General Manager, Course graphic, electronic, or mechanical, including but not limited to photocopying, Technology PTR: Stacy L. Hiquet recording, scanning, digitizing, taping, Web distribution, information Associate Director of Marketing: Sarah networks, or information storage and retrieval systems, except as permitted 107 108 1976 Panella under Section or of the United States Copyright Act, without the prior written permission of the publisher. Manager of Editorial Services: Heather Talbot Marketing Manager: Mark Hughes For product information and technology assistance, contact us at Cengage Learning Customer & Sales Support, 1-800-354-9706 Acquisitions Editor: Orren Merton Project Editor/Copy Editor: Cathleen D. For permission to use material from this text or product, submit all Small requests online at www.cengage.com/permissions Further permissions questions can be emailed to Editorial Services Coordinator: Judy [email protected] Littlefield Interior Layout Tech: MPS Limited Cover Designer: Mike Tanamachi All trademarks