Interpreting the History of the Garden of Allah Hotel at 8150 Sunset

Total Page:16

File Type:pdf, Size:1020Kb

Interpreting the History of the Garden of Allah Hotel at 8150 Sunset Interpreting the History of the Garden of Allah Hotel at 8150 Sunset Prepared by the Alla Nazimova Society for Townscape Partners November 2013 For 32 years, the Garden of Allah was the favorite hotel of Hollywood’s bohemian elite. Its chief attraction was its aura of sophisticated hedonism, a vibe that was a legacy of its founder, Broadway phenom and silent film star, Alla Nazimova. Over the years, its guests included movie stars, world-renowned musicians and even a mobster or two. It was also closely associated with the Algonquin Round Table, the New York writers’ group from the 1920s, many of whose members made the Garden their base when they decamped to Hollywood in the 1930s. The Garden was demolished over 50 years ago, and yet its legend lives on. Its name evokes the glamor and romance of Hollywood’s golden age and, even now, the southwest corner of Sunset and Crescent Heights boulevards is still remembered as the Garden of Allah site. In 2013, Townscape Partners bought the former Garden property and announced plans to build a residential and retail complex on the site, which is called 8150 Sunset. Townscape has invited suggestions for ways to incorporate the Garden of Rendering of 8150 Sunset Allah’s history into the new project. In response to that invitation, this document, initiated by the Alla Nazimova Society, offers ideas for naming the property CONTENTS and identifies opportunities for integrating the hotel’s Opportunities for Interpretation Algonquin Square . 2 history into 8150 Sunset: Nazimova Fountain . 3 Benchley & Parker Plazas . 4 . Algonquin Square: A name that reflects the property’s historic 'Walk of Fame' . 5 association with the Algonquin Round Table Scale Model . 6 . The Nazimova Fountain: A water feature that recalls the About the Alla Nazimova Society . 6 Garden’s world famous swimming pool . Benchley Plaza & Parker Park: Outdoor spaces named for History of the Garden of Allah Garden mainstays Robert Benchley and Dorothy Parker Rancho La Brea . 7 . “Walk of fame”: Hollywood-style paver markers throughout the Hayvenhurst . 8 property honoring the hotel’s famous guests The Garden of Allah Hotel . 9 End of an Era . 9 . Scale model: A new model of the hotel created using the latest technology installed for permanent display Addendum: Site Map . 11 8150 SUNSET | ALLA NAZIMOVA SOCIETY 2 OPPORTUNITIES FOR INTERPRETATION 1. ALGONQUIN SQUARE Integrate the property's historic association with the Algonquin Round Table by incorporating "Algonquin" in the name -- perhaps Algonquin West, the Hollywood Algonquin, Algonquin on Sunset or, with a nod to Round Table's famous word play, Algonquin Square. The Algonquins were an exclusive group of about a dozen of the nation's best- known columnists, critics, editors and other media figures who dined together every day at a round table in Manhattan's Algonquin Hotel. The one- liners, puns and witticisms they traded over lunch would often appear in each other’s columns the next day. Outsiders Clockwise from left at table in foreground: Dorothy Parker, Robert called their group the Algonquin Round Benchley, Alexander Woollcott, Heywood Broun, Marc Connelly, Franklin P. Adams, Edna Ferber, George S. Kaufman and Robert Sherwood. In Table but they referred to themselves as back, left to right: Lynn Fontanne and Alfred Lunt, Vanity Fair editor "the Vicious Circle." Frank Crowninshield, and Frank Case. (Drawing by Al Hirschfeld.) Founded in 1919, the Round Table reached its peak of influence in 1925. Even so, within four years, the group had disbanded and over the next few years, about half its core members decamped to Hollywood and the Garden of Allah. Robert Benchley, one of the group’s founders, was the first to "go Hollywood,” when he was hired in 1925 by producer Jesse Lasky to write subtitles for silent films. Benchley moved into the Garden around 1933 and was soon joined by co-founder Dorothy Parker, as well as Marc Connelly (Pulitzer winner for drama), George S. Kaufman (Pulitzer winner and screenwriter for the Marx Brothers) and New Yorker columnist Alexander Woollcott. Founding Round Tabler Robert Sherwood socialized at the Garden after he moved to Hollywood. Associate Algonquinites Tallulah Bankhead, Harpo Marx and playwright David Ogden Stewart were also frequent guests at the hotel. The Algonquin Round Table was never an official organization with by-laws, dues and the rest, and its new incarnation at the Garden of Allah was even more ad hoc. Other writers entered and left the orbit: S.J. Perelman, Louis Bromfield, John O'Hara, Lillian Hellman, Somerset Maugham and F. Scott Fitzgerald, among others. The group also attracted actors of an intellectual bent. In particular, Humphrey Bogart chose to live at the Garden when he moved to Hollywood in 1935 (to film “The Petrified Forest,” based on Robert Sherwood’s play), in part because his friends Benchley and Parker lived there. Years later, another somewhat similar group of wealthy bohemians, the Rat Pack, morphed around former Garden residents Bogart, his wife Lauren Bacall and David Niven. After Bogart’s death the group coalesced around Frank Sinatra, who had also lived at the Garden, and moved with him in the 1960s from the Sunset Strip to the Las Vegas Strip, where the cycle finally ended. 8150 SUNSET | ALLA NAZIMOVA SOCIETY 3 2. NAZIMOVA FOUNTAIN Memorialize the Garden of Allah’s famous swimming pool by designing a water feature on the property to iterate its shape. The original pool was commissioned by Alla Nazimova, so it would be fitting to name it in her honor: the Nazimova Fountain, perhaps including a statue of her in one of her dramatic poses. Nazimova had the pool installed in 1918, within weeks after she acquired Hayvenhurst, the estate that would later become the Garden of Allah Hotel. The pool was large, 60 by 90 feet, and it was The debate about whether Nazimova designed the pool in the shape of the first in Hollywood equipped with the Black Sea went on for decades - implementing the same shape in underwater lights. Nazimova reportedly the Nazimova Fountain could extend the debate for generations to traced her initials, “AN,” into the cement come soon after it was poured. During Nazimova’s residency, the pool became notorious for the private women-only swim parties she held there on Sundays. In the hotel era, the pool was the Garden of Allah’s centerpiece, gathering place and main attraction. It was also known for the regularity with which movie stars fell into it. Lucius Beebe, the columnist and frequent Garden guest, wrote, “It's conventional to fall into the pool. All the best people do it. It wakes one up.” According to legend, John Barrymore held the record for the most falls. Guests might fall into the pool at night but as they sunned themselves beside it during languid gin- soaked afternoons, they debated whether Nazimova had designed it in the shape of the Black Sea, where she grew up. In surviving photographs, a map of the Black Sea is hard to discern. (The Crimean Peninsula is notably absent). If anything, it looks like a grand piano viewed from overhead. Finally, it is possible that the pool is still there, entombed under the parking lot. According to Nazimova biographer Gavin Lambert, in August 1959, Plans for 8150 Sunset already show a water feature (1) at “Nazimova’s original home was bulldozed along with the corner of Sunset and Crescent Heights (for a full-size view, visit 8150sunset.com) the villas; the pool was drained and used as dump for the debris." 8150 SUNSET | ALLA NAZIMOVA SOCIETY 4 3. BENCHLEY PLAZA AND PARKER PARK Honor the memory of the two people who were most highly identified with the Garden of Allah hotel in its day, Robert Benchley, the humorist, critic and Oscar-winning filmmaker, and Dorothy Parker, the columnist, critic, poet, short- story writer and Oscar- nominated screenwriter, by naming outdoor spaces after them, perhaps Benchley Plaza Benchley and Parker and Parker Park. Benchley and Parker met at “Vanity Fair” in 1919 and later shared an office that Parker described as “so tiny that an inch smaller and it would have been adultery.” That same year, they and others co-founded the Algonquin Round Table, a platform that put them in to the national spotlight in the 1920s and served as a stepping stone to Hollywood in the 1930s. As noted, Benchley moved west in 1925 to work for Jesse Lasky and was living at the Garden of Allah when Parker arrived in the mid-1930s. During her time in Hollywood, Dorothy Parker would work on numerous screenplays, two of which -- "A Star Is Born" (1937) and "Smash Up: The Story of a Woman" (1947) -- received Oscar nominations. She also wrote the script for Alfred Hitchcock's "Saboteur." Benchley became a popular comic actor, appearing in “Dancing Lady,” with Joan Crawford and Clark Gable, and Hitchcock’s “Foreign Correspondent.” He was perhaps best known for starring in 48 short films, starting with “The Treasurer’s Report,” released in 1927, one of the earliest “talkies.” His short “How to Sleep” won the Academy Award for Best Short Subject in 1935. (Many of Benchley’s shorts can be seen today on Turner Classic Movies.) Benchley stayed at the Garden off and on until he died, in 1945. Dorothy Parker left the hotel soon afterwards and moved several times before eventually buying a house nearby at 8983 Norma Place. She later returned to New York, where she died in 1967. While Parker is better remembered today, Benchley was, according to the columnist Sheilah Graham, not only the hotel’s “the host of hosts,” he was “the reflection and the heart of the Garden of Allah.” Finally, it is noteworthy that both of Robert Benchley’s sons became writers, as did his grandsons, one of whom, Peter Benchley, wrote the novel Jaws.
Recommended publications
  • Doll's House, Part 2
    March 12 – April 7, 2019 on the OneAmerica Mainstage STUDY GUIDE edited by Richard J Roberts, Resident Dramaturg with contributions by Janet Allen James Still • Ann Sheffield • Alex Jaeger Randy Pease • Eden Rea-Hedrick Indiana Repertory Theatre 140 West Washington Street Indianapolis, Indiana 46204 Janet Allen, Executive Artistic Director Suzanne Sweeney, Managing Director www.irtlive.com SEASON SPONSOR TITLE SPONSOR 2 INDIANA REPERTORY THEATRE A DOLL’S HOUSE, PART 2 BY LUCAS HNATH Fifteen years ago, Nora realized her marriage was a sham, and slammed the door on the life she once knew. Now, the question that’s always been in the back of theatre-goers’ minds will be answered: What has the former Mrs. Helmer been doing all this time? Last year’s Broadway hit, A Doll’s House, Part 2 dares to be the sequel to Henrik Ibsen’s revolutionary play. A perfect play for theatre classes, drama clubs, or units on classical drama, A Doll’s House, Part 2 will have you laughing while seriously contemplating modern relationships and marriage. STUDENT MATINEES 10:00 AM on March 20 & 27, 2019 ESTIMATED LENGTH Approximately 90 minutes AGE RANGE Recommended for grades 9-12 CONTENT ADVISORY A Doll’s House, Part 2 is an intense comedic drama that contains some adult language and situations. A script preview is available upon request. STUDY GUIDE CONTENTS Synopsis 3 Executive Artistic Director’s Note 4 Director’s Note 6 Designer Notes 8 Henrik Ibsen & A Doll’s House 8 COVER ART BY Alignment Guide 9 KYLE RAGSDALE Before Seeing the Show 10 Discussion Questions 10 Writing Prompts 12 Activities 12 Resources 13 Glossary 14 The Role of the Audience 17 STUDENT MATINEES, ARTIST IN THE CLASSROOM, & YOUTH AUDITIONS Sarah Geis • 317-916-4841 [email protected] CLASSES, YPIP, & SUMMER CONSERVATORY Randy D.
    [Show full text]
  • Valentino, Rudolph (1895-1926) by Peter J
    Valentino, Rudolph (1895-1926) by Peter J. Holliday Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The most popular of silent-screen stars, the darkly handsome Valentino gazed at his heroines with a mixture of passion and melancholy that sent chills down female (and some male) spines. To American women he represented mysterious, forbidden eroticism, the fulfillment of dreams of illicit love and uninhibited passion; but most male moviegoers found his acting ludicrous, his manner foppish, and his screen character effeminate. His androgynous persona, at once assertively virile and gracefully sensitive, threatened traditional images of American masculinity in a crucial period of cultural change. Top: A Paramount Born Rodolfo Alfonzo Raffaele Pierre Philibert Guglielmi in Castellaneta, Italy in 1895, Pictures poster for The Valentino emigrated to New York in 1913. There he took a succession of jobs, including Shiek (1921). Above: Rudolph dishwasher and waiter, and was booked by the police several times on suspicion of Valentino (left) with petty theft and blackmail. Elinor Glyn. In 1917 he traveled to Hollywood where he landed bit parts in the movies, mostly as an exotic dancer or villain. He married bisexual actress Jean Acker in 1920, but the marriage was never consummated. Valentino's big break came in 1921 when Metro screenwriter June Mathis insisted that director Rex Ingram give him the lead in The Four Horsemen of the Apocalypse. The film catapulted Valentino into stardom. He reached new heights with The Sheik (1921) for Paramount. During the film's exhibition women fainted in the aisles.
    [Show full text]
  • PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 1 AUTO RACING AND CLASSIC AUTOS IN FILM (14) VINTAGE PHOTOGRAPHS. $350 2 SEX IN CINEMA (55) VINTAGE PHOTOGRAPHS. $4,500 3 LILLIAN GISH VINTAGE PORTRAIT PHOTOGRAPH BY HARTSOOK STUDIO. $200 4 COLLECTION OF (19) PORTRAIT PHOTOGRAPHS OF LUCILLE BALL, TALLULAH $325 BANKHEAD, THEDA BARA, JOAN CRAWFORD, AND OTHERS. 5 ANNA MAY WONG SIGNED PORTRAIT PHOTOGRAPH BY CECIL BEATON. $4,000 6 MABEL NORMAND (7) SILENT-ERA VINTAGE PHOTOGRAPHS. $200 7 EARLY CHILD-STARS (11) VINTAGE PHOTOGRAPHS INCLUDING OUR GANG AND $225 JACKIE COOGAN. 9 BARBARA LA MARR (3) VINTAGE PHOTOS INCLUDING ONE ON HER DEATHBED. $325 10 ALLA NAZIMOVA (4) VINTAGE PORTRAIT PHOTOGRAPHS. $300 11 SILENT-FILM LEADING LADIES (13) VINTAGE PHOTOGRAPHS. $200 13 SILENT-FILM LEADING MEN (10) VINTAGE PHOTOGRAPHS. $200 14 PRE-CODE BLONDES (24) VINTAGE PHOTOGRAPHS. $325 15 CHARLIE CHAPLIN AND PAULETTE GODDARD (2) VINTAGE PHOTOGRAPHS. $350 16 COLLECTION OF (12) OVERSIZE PORTRAIT PHOTOGRAPHS OF RENÉE ADORÉE, $400 MARCELINE DAY, AND OTHERS. 17 COLLECTION OF (17) OVERSIZE PORTRAIT PHOTOGRAPHS OF EVELYN BRENT, $1,200 NANCY CARROLL, LILI DAMITA, MARLENE DIETRICH, MIRIAM HOPKINS, MARY PICKFORD, GINGER ROGERS, GLORIA SWANSON, FAY WRAY AND OTHERS. 18 MYRNA LOY (14) VINTAGE PHOTOGRAPHS INCLUDING SEVERAL RARE $375 PRE-CODE IMAGES. Page 1 of 85 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 19 PREMIUM SELECTION OF LEADING MEN (32) VINTAGE PHOTOGRAPHS.
    [Show full text]
  • Anna May Wong
    Anna May Wong From Laundryman’s Daughter to Hollywood Legend Graham Russell Gao Hodges Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong www.hkupress.org © Hong Kong University Press 2012 Copyright © 2004 by Graham Russell Gao Hodges First published by Palgrave Macmillan ISBN 978-988-8139-63-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Liang Yu Printing Factory Ltd. in Hong Kong, China Contents Preface to Second Edition ix Acknowledgments xi Introduction xv List of Illustrations xxiii One Childhood 1 Two Seeking Stardom 27 Three Europe 65 Four Atlantic Crossings 99 Five China 141 Six In the Service of the Motherland 159 Seven Becoming Chinese American 191 Epilogue 207 Filmography 213 Television Appearances 223 Notes 225 Selected Bibliography 251 Index 265 Introduction Anna May Wong (1905–1961) remains the premier Asian American actress. In part this distinction stems from the historical rarity of Asian actors in American cinema and theater, yet her singularity derives primarily from her laudable acting in more than fifty movies, during a career that ranged from 1919 to 1961, a record of achievement that is unmatched and likely to remain so in the foreseeable future.
    [Show full text]
  • Early Classical Hollywood Cinema 1900'S-In The
    Early Classical Hollywood Cinema 1900’s-In the early 1900s, motion pictures ("flickers") were no longer innovative experiments/scapist entertainment medium for the working-class masses/ Kinetoscope parlors, lecture halls, and storefronts turned into nickelodeon. Admission 5 cents (sometimes a dime) - open from early morning to midnight. 1905-First Nickelodean -Pittsburgh by Harry Davis in June of 1905/few theatre shows in US- shows GREAT TRAIN ROBBERY Urban, foreign-born, working-class, immigrant audiences loved the cheap form of entertainment and were the predominent cinema-goers Some of the biggest names in the film business got their start as proprietors, investors, exhibitors, or distributors in nickelodeons.:Adolph Zukor ,Marcus Loew, Jesse Lasky, Sam Goldwyn (Goldfish), the Warner brothers, Carl Laemmle, William Fox, Louis B. Mayer 1906-According to most sources, the first continuous, full-length narrative feature film (defined as a commercially-made film at least an hour in length) was Charles Tait's biopic of a notorious outback bushranger, The Story of the Kelly Gang (1906, Australia)- Australia was the only country set up to regularly produce feature-length films prior to 1911.- 1907-Griffith begins working for Edision- Edwin S. Porter's and Thomas Edison's Rescued From the Eagle's Nest (1907)/ Griffith- Contributing to the modern language of cinema, he used the camera and film in new, more functional, mobile ways with composed shots, traveling shots and camera movement, split-screens, flashbacks, cross-cutting (showing two simultaneous actions that build toward a tense climax), frequent closeups to observe details, fades, irises, intercutting, parallel editing, dissolves, changing camera angles, soft-focus, lens filters, and experimental/artificial lighting and shading/tinting.
    [Show full text]
  • June Mathis's Valentino Scripts: Images of Male "Becoming" After the Great War
    June Mathis's Valentino Scripts: Images of Male "Becoming" After the Great War Thomas J. Slater Cinema Journal, 50, Number 1, Fall 2010, pp. 99-120 (Article) Published by University of Texas Press For additional information about this article http://muse.jhu.edu/journals/cj/summary/v050/50.1.slater.html Access Provided by University of California @ Santa Cruz at 03/30/11 4:04PM GMT June Mathis’s Valentino Scripts: Images of Male “Becoming” After the Great War by THOMAS J. SLATER Abstract: In the screenplays she wrote for Rudolph Valentino in 1921–1922, June Mathis redefi ned masculinity according to a socially useful, sexually open, anti- materialist, non- violent model, an achievement that deserves recognition because it expands our under- standing of how American culture, and especially women, responded to the Great War. aylyn Studlar defi nes the immediate post–World War I years as “an era marked by fears of national and masculine enfeeblement” in which “there was a veritable obsession with the attainment of masculinity.”1 Many writers G at the time suggested these fears were based on “a causal connection be- tween the standard of masculinity enforced by American capitalism and the sexual, erotic, emotional defi ciencies of American men.”2 Men therefore felt threatened when women turned “matinee idols” into cult hero objects of sexual desire, and none seemed more threatening than Rudolph Valentino. For his success, he was of- ten vilifi ed by male journalists because, as Miriam Hansen states, “Valentino called into question the very idea of a stable sexual identity.”3 During the early 1920s, writes Studlar, “Valentino had been culturally poised between a traditional order of masculinity and a utopian feminine ideal, between an enticing sensual excess ascribed to the Old World and the functional ideal of the New.”4 This transitional status was established not through mise- en- scène alone, 1 Gaylyn Studlar, This Mad Masquerade: Stardom and Masculinity in the Jazz Age (New York: Columbia University Press, 1996), 12, 13.
    [Show full text]
  • Best Practices for Cataloging DVD-Video and Blu-Ray Discs Using RDA and MARC21
    Library Faculty Publications Library Faculty/Staff Scholarship & Research 3-24-2015 Best Practices for Cataloging DVD-Video and Blu-ray Discs Using RDA and MARC21 Mary Huismann Diane Robson William Anderson Lloyd Chittenden Cyrus Ford Zarganj University of Nevada, Las Vegas, [email protected] See next page for additional authors Follow this and additional works at: https://digitalscholarship.unlv.edu/lib_articles Part of the Cataloging and Metadata Commons Repository Citation Huismann, M., Robson, D., Anderson, W., Chittenden, L., Zarganj, C. F., King, D., Lavalie, J., Lisius, P., Lorimer, N., Moore, J., Murphy, L., Neuerburg, L., Panigabutra-Roberts, A., Piepenburg, S., Walker, W., Wolley, I., De Groat, G., McGrath, K., Weitz, J. (2015). Best Practices for Cataloging DVD-Video and Blu-ray Discs Using RDA and MARC21. 1-253. Online Audiovisual Catalogers Inc. (OLAC), Cataloging Policy Committee (CAPC). https://digitalscholarship.unlv.edu/lib_articles/484 This Report is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Report in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Report has been accepted for inclusion in Library Faculty Publications by an authorized administrator
    [Show full text]
  • Before the Sheik: Rudolph Valentino and Sexual Melancholia
    Before The Sheik: Rudolph Valentino and Sexual Melancholia. Abstract: Once he was cast as the powerful, yet sexually-on-display Ahmed Ben Hassan in The Sheik (George Melford, 1921), Rudolph Valentino rose to super-stardom, the bearer of a conflicted image defined by a fragmented patriarchal discourse. The enduring resonance of the ‘Sheik’ identification, combined with a lack of critical attention to Valentino’s performance, have obscured the different qualities he projected in earlier leading roles, at the dawn of his star trajectory. This paper focuses on Valentino’s three other surviving films from 1921, which preceded The Sheik in rapid succession. It argues that here Valentino’s narrative roles, and most especially his performance, are increasingly defined by a sense of loss, powerlessness, and lack of control, informing his predominantly erotic function on screen. Drawing on the work of Leo Bersani and Sigmund Freud, this paper highlights how a key strand of Valentino’s performance suggests the body’s failure to control and connect with the world beyond the Self. In an expression of sexual melancholia, Valentino’s intensity of desire, mourning, and pain marks his physical presence, constructing an erotic identity that attempts yet always fails to defer loss. In contrast with his ‘sexual menace’ image, cristallised by the Sheik persona and tempered by his ambivalent relation to the gaze, in these earlier films Valentino provides a different antidote to patriarchal brutality, embodying the essentially melancholic nature of erotic experience. ………………………………………………………………………………………….. 1 The opening of Camille (Ray C. Smallwood, 1921) introduces its male protagonist Armand Duval (Rudolph Valentino, fig.1) through his first, fateful encounter with Marguerite Gautier (Alla Nazimova, fig.2), the woman he will be obsessed with throughout the film.
    [Show full text]
  • Film Actors: Lesbian by Teresa Theophano
    Film Actors: Lesbian by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com From the days of silent films through the present, lesbian actresses have played a significant role in Hollywood--both in the movies themselves and outside of them--but their contributions have rarely been recognized or spoken of openly. Bisexual actress Alla Nazimova in Marionettes While female bisexuality and homosexuality are gradually becoming more acceptable (1911). Nazimova was both a successful actress in the film world--and sexual identity more of a pressing issue--many queer actresses and Hollywood power still fear that openness will damage their careers. The "lavender marriage," a term broker until her company coined to describe nuptials between gay male and lesbian stars for reasons of career released an all-gay film insurance and social approval, is by no means only a relic of the past. version of Oscar Wilde's Salomé (1922), a financially ruinous Early Films and the Advent of the Hays Code project. The private lives of early film stars Alla Nazimova, Greta Garbo, Marlene Dietrich, and Tallulah Bankhead have long been fodder for public speculation and gossip. Many actresses of the 1930s, 1940s, and 1950s were part of what were then termed in gay argot "sewing circles," a phrase allegedly coined by Nazimova to describe discreet gatherings of lesbians in Hollywood. Unable to be open about their sexuality, these women--with varying degrees of secrecy--nevertheless formed romantic and sexual relationships with each other. The bisexuality of Nazimova, a Russian stage actress who moved to New York City shortly after the turn of the twentieth century to pursue a career in acting, was fairly well-known in the film community, despite her long-term involvement with (gay) actor Charles Bryant.
    [Show full text]
  • A Compendium of the 500 Stars Nominated for Top 50 "Greatest Screen Legends" Status
    A compendium of the 500 stars nominated for top 50 "Greatest Screen Legends" status. 250 MALE LEGENDS - NOMINEES 1. BUD ABBOTT & LOU COSTELLO 2. BRIAN AHERNE 3. DON AMECHE 4. EDDIE "ROCHESTER" ANDERSON 5. GILBERT M. "BRONCHO BILLY" ANDERSON 6. DANA ANDREWS 7. ROSCOE "FATTY" ARBUCKLE 8. GEORGE ARLISS 9. LOUIS ARMSTRONG 10. EDWARD ARNOLD 11. FRED ASTAIRE 12. GENE AUTRY 13. LEW AYRES 14. KING BAGGOT 15. JOHN BARRYMORE 16. LIONEL BARRYMORE 17. RICHARD BARTHELMESS 18. FREDDIE BARTHOLOMEW 19. WARNER BAXTER 20. NOAH BEERY 21. WALLACE BEERY 22. RALPH BELLAMY 23. JOHN BELUSHI 24. WILLIAM BENDIX 25. JACK BENNY 26. EDGAR BERGEN & CHARLIE McCARTHY 27. MILTON BERLE 28. HUMPHREY BOGART 29. RAY BOLGER 30. WARD BOND 31. WILLIAM BOYD 32. CHARLES BOYER 33. EDDIE BRACKEN 34. MARLON BRANDO 35. WALTER BRENNAN 36. LLOYD BRIDGES 37. JOE E. BROWN 38. YUL BRYNNER 39. GEORGE BURNS 40. RICHARD BURTON 41. FRANCIS X. BUSHMAN 42. JAMES CAGNEY 43. EDDIE CANTOR 44. JOHN CARRADINE 45. LEO G. CARROLL 46. JACK CARSON 47. JOHN CASSAVETES 48. LON CHANEY 49. LON CHANEY, JR. AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. 50. CHARLES CHAPLIN 51. MAURICE CHEVALIER 52. MONTGOMERY CLIFT 53. LEE J. COBB 54. CHARLES COBURN 55. RONALD COLMAN 56. JACKIE COOGAN 57. GARY COOPER 58. JACKIE COOPER 59. JOSEPH COTTEN 60. BUSTER CRABBE 61. BRODERICK CRAWFORD 62. HUME CRONYN 63. BING CROSBY 64. ROBERT CUMMINGS 65. TONY CURTIS 66. DAN DAILEY 67. OSSIE DAVIS 68. SAMMY DAVIS, JR. 69. JAMES DEAN 70. DIVINE 71.
    [Show full text]
  • Nazimova Collection [Finding Aid]. Library of Congress. [PDF Rendered
    Nazimova Collection A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 1996 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms001040 LC Online Catalog record: http://lccn.loc.gov/mm95081203 Prepared by Laura J. Kells Collection Summary Title: Nazimova Collection Span Dates: 1877-1988 ID No.: MSS81203 Creator: Nazimova, 1879-1945 Extent: 1400 items ; 5 containers plus 1 oversize ; 1.8 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Actress. Correspondence, programs, press clippings, and scrapbooks documenting the American stage and film career of the Russian-born actress Nazimova, particularly during the silent film era. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Lewton, Lucy Olga. Lewton, Nina. Nazimova, 1879-1945. Scott, Leona. Subjects Actors. Motion picture actors and actresses--United States. Silent films--United States. Theater--United States. Occupations Actresses. Administrative Information Provenance The Nazimova Collection relating to Alla Nazimova, stage and motion picture actress, was donated to the Library of Congress by Jean L. Kling, Lucy Olga Lewton, and Val E. Lewton in 1991 and 1992. Additional material from Harry E. Vinyard, Jr., was transferred from the Motion Picture, Broadcasting, and Recorded Sound Division in 1992. Additional Guides A description of the Nazimova Collection appears in Library of Congress Acquisitions: Manuscript Division, 1991, pp.
    [Show full text]
  • Stuart Timmons' City of West Hollywood Lgbtq History Mobile Tour
    STUART TIMMONS’ CITY OF WEST HOLLYWOOD LGBTQ HISTORY MOBILE TOUR (2017 Edition) Introduction Welcome to Stuart Timmons’ City of West Hollywood LGBTQ History Mobile Tour. This tour was originally researched and written by our beloved late author/historian Stuart Timmons, and it is in his memory and honor we present it. In 2007 Stuart began developing a trio of walking tours of LGBTQ History in Los Angeles. He used his years of extensive research, interviews with living witnesses of history, and his experience as an activist and participant in the community history to create the tours. Stuart served briefly as the executive director and on the board of directors of the ONE National Gay and Lesbian Archives, wrote a biography about the gay activist and radical pioneer Harry Hay called “The Trouble with Harry Hay” and co- authored, with Lillian Faderman, the quintessential Los Angeles queer history tome “Gay L.A.: A History of Sexual Outlaws, Power Politics, and Lipstick Lesbians.” Stuart had completed tour documents about Downtown Los Angeles and Silver Lake, but was unable to finish his tour about The City of West Hollywood due to a severe and debilitating stroke in January of 2008. In 2015, a small team - led by Jason Jenn and with superlative administrative assistance by WeHo Arts Coordinator, Mike Che - helped Stuart to complete the tour, thanks to a grant from The City of West Hollywood’s One City One Pride LGBTQ Arts Festival for the 30th Anniversary of cityhood called “WeHo@30”. The original walking tour has evolved over the years to accommodate new information from various changes to “The Creative City” and in order to accommodate the Tour’s transformation into a performance art happening involving over a dozen colorfully costumed performance artists delivering the historical material on location.
    [Show full text]