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EDIT Dress Code 20-21 Updated 21 Jan 2021
Online Stores: Dennis Uniforms (Uniform Store) BIS Houston Spirit Store (PE Uniforms and Spirit Wear) Bulldogs Online Store (Team Athletics Wear, Custom BISH Items, Custom Spirit Wear and cold weather PE.) BISH Dress Code Why do we have a dress code? At the British International School of Houston, we believe that our dress code helps us in creating a school identity, developing our school community, and promoting our school’s core values: Pride, Unity, and Respect. Pride: Wearing the Nord Anglia logo or the BISH Bulldog develops pride in being a member of our school community. When out of school on trips, it provides our students with an easily recognizable identity. Additionally, it invites students to take pride in their appearance. Unity: Provides a sense of community and unity among same-age peers. Respect: Reduces the possibility of social conflict associated with appearance and increases students’ respect for each other’s character and abilities. Learning: As learning is at the center of all we do at BISH, our dress code is similarly aligned. Anything that distracts oneself or others from learning is not permitted. Why do we have Spirit Day? Spirit Day takes place every Friday and is an extension of our regular dress code. On Spirit Days we celebrate different aspects of our community by wearing school Spirit wear. Spirit Day aims to bring together our students of all ages and unites the school through our “Bulldog Pride”. Where do I purchase my child’s school wear? Items with the British International School of Houston logo can be purchased from Dennis Uniform, located at: 2687 Wilcrest Drive #L07, Houston, TX 77042, phone (713) 789-0932 or online at: https://www.dennisuniform.com. -
Men's Formalwear: Innovation
Continuous Development GM Product Knowledge Men’s Formalwear: Innovation retail What is formal wear? Paul, an M&S technologist, explains why Innovation is so important A Customer asks you the in Men’s Formalwear… following… find Every man should own at least one suit, a shirt and a tie (or equivalent garment) in a suitable option accordance with his heritage. They should be pressed, clean, and ready to go at a in your formal moment’s notice. shirt range: A formal working wardrobe needs to work with the customers lifestyle. Ideally a suit and the ‘I need a shirt that I can put in accompanying garments should look and feel as good at the end of the day as they did at my overnight bag and pull out the beginning. This is why we are always reviewing our formalwear package to make it an and wear the next day’ easy to wear, hassle free and comfortable purchase. ‘My shirt has visible sweat stains Starting with Shirts at the end of the working day, Sharon, a Customer Assistant on men’s formalwear at what can you recommend?’ Milton Keynes, asks about Stain Release formal shirts, Paul explains…Using the example of a white shirt, it looks great, but will pick up a lot of grime in a normal working day. We apply a fabric Grab your finish on key areas like the collars and the cuffs, which resist spills SSPR, Which & releases stains. We then test to M&S standards by treating 12 different stains as per formal shirt is wash instructions. -
Use and Applications of Draping in Turkey's
USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION DUYGU KOCABA Ş MAY 2010 USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY DUYGU KOCABA Ş IN PARTIAL FULFILLMENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES MAY 2010 Approval of the Graduate School of Social Sciences ...................................................... Prof. Dr. Cengiz Erol Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ...................................................... Prof. Dr. Tevfik Balcıoglu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adaquate, in scope and quality, as a thesis for the degree of Master of Design. ...................................................... Asst. Prof. Dr. Şölen Kipöz Supervisor Examining Committee Members Asst. Prof. Dr. Duygu Ebru Öngen Corsini ..................................................... Asst. Prof. Dr. Nevbahar Göksel ...................................................... Asst. Prof. Dr. Şölen Kipöz ...................................................... ii ABSTRACT USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION Kocaba ş, Duygu MDes, Department of Design Studies Supervisor: Asst. Prof. Dr. Şölen K İPÖZ May 2010, 157 pages This study includes the investigations of the methodology and applications of draping technique which helps to add creativity and originality with the effects of experimental process during the application. Drapes which have been used in different forms and purposes from past to present are described as an interaction between art and fashion. Drapes which had decorated the sculptures of many sculptors in ancient times and the paintings of many artists in Renaissance period, has been used as draping technique for fashion design with the contributions of Madeleine Vionnet in 20 th century. -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Electric Scotland's Weekly Newsletter for January 23Rd, 2015
Electric Scotland's Weekly Newsletter for January 23rd, 2015 To see what we've added to the Electric Scotland site view our What's New page at: http://www.electricscotland.com/whatsnew.htm To see what we've added to the Electric Canadian site view our What's New page at: http://www.electriccanadian.com/whatsnew.htm For the latest news from Scotland see our ScotNews feed at: http://www.electricscotland.com/ Electric Scotland News I've actually been reading rather than publishing this week. I got hooked on reading the biography of Lord Strathconna and Mount Royal which was a very enjoyable read. I'd previously put up a biography about him but that one almost ignored his early life in both Scotland and Canada. I was also taken with all the work he did for Newfoundland to promote the area economically. He also created an experimental farm which demonstrated that you could live well as long as you were well organised and so as one person put it when visiting him he enjoyed all the best in beef, pork and lamb along with fresh vegetables. I've made this book available and you'll see a link to it below. ----- And as this coming Saturday usually sees the Burns Suppers being celebrated all over the world I've made available a great book by the Rev. Paul who is credited with starting the Burns Suppers. The book is... The Poems and Songs of Robert Burns with a Life of the Author Containing a Variety of Particulars, drawn from sources inaccessible by former Biographers to which is subjoined an Appendix of a Panegyrical Ode, and a demonstration of Burns' Superiority to every other poet as a writer of Songs, by Rev. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
23 Trs Male Uniform Checklist
23 TRS MALE UNIFORM CHECKLIST Rank and Name: Class: Flight: Items that have been worn or altered CANNOT be returned. Quantities listed are minimum requirements; you may purchase more for convenience. Items listed as “seasonal” will be purchased for COT 17-01 through 17-03, they are optional during the remainder of the year. All Mess Dress uniform items (marked with *) are optional for RCOT. Blues Qty Outerwear and Accessories Qty Hard Rank (shiny/pin on) 2 sets Light Weight Blues Jacket (seasonal) 1 Soft Rank Epaulets (large) 1 set Cardigan (optional) 1 Ribbon Mount varies Black Gloves (seasonal) 1 pair Ribbons varies Green Issue-Style Duffle Bag 1 U.S. Insignia 1 pair Eyeglass Strap (if needed) 1 Blue Belt with Silver Buckle 1 CamelBak Cleansing Tablet (optional) 1 Shirt Garters 1 set Tie Tack or Tie Bar (optional) 1 PT Qty Blue Tie 1 USAF PT Jacket (seasonal) 1 Flight Cap 1 USAF PT Pants (seasonal) 1 Service Dress Coat 1 USAF PT Shirt 2 sets Short Sleeve Blue Shirts 2 USAF PT Shorts 2 sets Long Sleeve Blue Shirt (optional) 1 Blues Service Pants (wool) 2 Footwear Qty White V-Neck T-shirts 3 ABU Boots Sage Green 1 pair Low Quarter Shoes (Black) 1 pair Mess Dress Qty Sage Green Socks 3 pairs White Formal Shirt (seasonal)* 1 Black Dress Socks 3 pairs Mess Dress Jacket (seasonal)* 1 White or Black Athletic Socks 3 pairs Mess Dress Trousers (seasonal)* 1 Cuff Links & Studs (seasonal)* 1 set Shoppette Items Qty Mini Medals & Mounts (seasonal)* varies Bath Towel 1 Bowtie (seasonal)* 1 Shower Shoes 1 pair -
Vol. 17, No. 3 December 2011
Journal December 2011 Vol.17, No. 3 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] December 2011 Vol. 17, No. 3 President Editorial 3 Julian Lloyd Webber FRCM Gerald Lawrence, Elgar and the missing Beau Brummel Music 4 Vice-Presidents Robert Kay Ian Parrott Sir David Willcocks, CBE, MC Elgar and Rosa Newmarch 29 Diana McVeagh Martin Bird Michael Kennedy, CBE Michael Pope Book reviews Sir Colin Davis, CH, CBE Robert Anderson, Martin Bird, Richard Wiley 41 Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 46 Sir Andrew Davis, CBE Simon Thompson Donald Hunt, OBE Christopher Robinson, CVO, CBE CD reviews 49 Andrew Neill Barry Collett, Martin Bird, Richard Spenceley Sir Mark Elder, CBE 100 Years Ago 61 Chairman Steven Halls Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Gerald Lawrence in his Beau Brummel costume, from Messrs. William Elkin's published piano arrangement of the Minuet (Arthur Reynolds Collection). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained. Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
Miss Lisa Brown's Guide to Dressing for a Regency Ball – Gentlemen's
MMiissss LLiissaa BBrroowwnn’’ss GGuuiiddee ttoo DDrreessssiinngg ffoorr aa RReeggeennccyy BBaallll –– GGeennttlleemmeenn’’ss EEddiittiioonn (and remove string!) Shave Jane Austen & the Regency face every Wednesday and The term “Regency” refers to years between 1811 Sunday as per regulations. and 1820 when George III of the United Kingdom was deemed unfit to rule and his son, later George Other types of facial hair IV, was installed as his proxy with the title of were not popular and were “Prince Regent”. However, “Regency Era” is often not allowed in the military. applied to the years between 1795 and 1830. This No beards, mustaches, period is often called the “Extended Regency” goatees, soul patches or because the time shared the same distinctive culture, Van Dykes. fashion, architecture, politics and the continuing Napoleonic War. If you have short hair, brush it forward into a Caesar cut style The author most closely associated with the with no discernable part. If your Regency is Jane Austen (1775-1817). Her witty and hair is long, put it into a pony tail engaging novels are a window into the manners, at the neck with a bow. lifestyle and society of the English gentry. She is the ideal connexion to English Country Dancing as Curly hair for both men and each of her six books: Pride and Prejudice , Sense women was favored over straight and Sensibility , Emma , Persuasion , Mansfield Par k hair. Individual curls were made and Northanger Abbey, feature balls and dances. with pomade (hair gel) and curling papers. Hair If you are unable to assemble much of a Regency wardrobe, you can still look the part by growing your sideburns The Minimum and getting a Caesar cut If you wish to dress the part of a country gentleman hairstyle. -
BISH Dress Code 2018/2019
BISH Dress Code 2018/2019 BISH Dress Code Why do we have a dress code? At the British International School of Houston, we believe that our dress code helps us in creating a school identity, developing our school community, and promoting our school’s core values: Pride, Unity, and Respect. Pride: Wearing the Nord Anglia logo or the BISH Bulldog develops pride in being a member of our school community. When out of school, on trips, it provides our students with an easily recognizable identity. Additionally, it invites students to take pride in their appearance. Unity: Provides a sense of community and unity among same-age peers. Respect: Reduces the possibility of social conflict associated with appearance and increases students’ respect for each other’s character and abilities. Why do we have Spirit Day? Spirit Day takes place every Friday and is an extension of our regular dress code. On Spirit Days we celebrate different aspects of our community by wearing school Spirit wear. Spirit Day aims to bring together our students of all ages and unites the school through our “Bulldog Pride”. Where do I purchase my child’s school wear? Items with the British International School of Houston logo can be purchased from Dennis Uniform, located at - 2687 Wilcrest Drive #L07, Houston, TX 77042, phone (713) 789-0932 or online at: https://www.dennisuniform.com. PE wear, school hats, and approved school outer wear (sweatshirts or quarter zips-ups), with the School’s logo on, can be purchased from the School’s Spirit Store. Early Years 0 to Early Years -
Fashion Trends 2016
Fashion Trends 2016 U.S. & U.K. Report [email protected] Intro With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the population and gain insight into this population’s behavior. In our second iteration of the Google Fashion Trends Report, we are excited to introduce data from multiple markets. This report focuses on apparel trends from the United States and United Kingdom to enable a better understanding of how trends spread and behaviors emerge across the two markets. We are proud to share this iteration and look forward to hearing back from you. Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Methodology To compile a list of accurate trends within the fashion industry, we pulled top volume queries related to the apparel category and looked at their monthly volume from May 2014 to May 2016. We first removed any seasonal effect, and then measured the year-over-year growth, velocity, and acceleration for each search query. Based on these metrics, we were able to classify the queries into similar trend patterns. We then curated the most significant trends to illustrate interesting shifts in behavior. Query Deseasonalized Trend 2004 2006 2008 2010 2012 2014 Query 2016 Characteristics Part 1 Part 2 Part 3 Top Risers a Spotlight on an Extensive List and Decliners Top Trending of the Top Volume Themes Fashion Trends Trend Categories To identify top trends, we categorized past data into six different clusters based on Sustained Seasonal Rising similar behaviors.