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The Robert Burns Fellowship 2020
THE ROBERT BURNS FELLOWSHIP 2020 The Fellowship was established in 1958 by a group of citizens, who wished to remain anonymous, to commemorate the bicentenary of the birth of Robert Burns and to perpetuate appreciation of the valuable services rendered to the early settlement of Otago by the Burns family. The general purpose of the Fellowship is to encourage and promote imaginative New Zealand literature and to associate writers thereof with the University. It is attached to the Department of English and Linguistics of the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism, who are normally resident in New Zealand or who, for the time being, are residing overseas and who in the opinion of the Selection Committee have established by published work or otherwise that they are a serious writer likely to continue writing and to benefit from the Fellowship. 2. Applicants for the Fellowship need not possess a university degree or diploma or any other educational or professional qualification nor belong to any association or organisation of writers. As between candidates of comparable merit, preference shall be given to applicants under forty years of age at the time of selection. The Fellowship shall not normally be awarded to a person who is a full time teacher at any University. 3. Normally one Fellowship shall be awarded annually and normally for a term of one year, but may be awarded for a shorter period. The Fellowship may be extended for a further term of up to one year, provided that no Fellow shall hold the Fellowship for more than two years continuously. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
Newsletter – 21 November 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 November 2011 ISSN: 1178-9441 This is the 175th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. A real e-book ........................................................................................................... 1 2. Making Baby Float ................................................................................................. 2 3. Bernard Beckett ....................................................................................................... 2 4. A possible Janet Frame sighting? ........................................................................... 2 5. A poetry masterclass ................................................................................................ 3 6. Awards and prizes ................................................................................................... 3 7. Eric Olsen meets the muse ..................................................................................... 3 8. The expanding bookshelf......................................................................................... 4 9. Best New Zealand Poems ....................................................................................... 4 10. Peter Campbell RIP ............................................................................................. 4 11. Gossipy bits ........................................................................................................... -
2015 Grimshaw Sargeson Fellowship Announced
2015 Grimshaw Sargeson Fellowship announced AUCKLAND, 18 February, 2015: The Frank Sargeson Trust announces Duncan Sarkies and Bob Glancy as the recipients of the 2015 Grimshaw Sargeson Fellowship. The writers will share a $20,000 stipend and a four month residency each at the Frank Sargeson Centre in Auckland. This will give them the ability to focus on their writing full‐time without financial distractions at a critical time in their careers. The fellowship runs from 1 April, 2015. Paul Grimshaw, Partner at Grimshaw and Co, said “It's a real privilege to give writers the resources to help them focus on their work. We’re excited to see Duncan and Bob’s next big contribution to our rich literary culture.” Elizabeth Aitken Rose, Chair of the Frank Sargeson Trust, says “The Sargeson Trust congratulates Duncan and Bob, who were selected from a strong pool of talented candidates.” Bob Glancy was born in Zambia and grew up in Malawi. Educated in the UK, he moved to New Zealand in 2003 and published his first book, Terms and Conditions, last year. Terms and Conditions has been very well received with positive reviews from publications like The New York Times and Publishers Weekly. Glancy says “It’s such an honour to be granted the Grimshaw Sargeson Fellowship, which has been previously held by so many talented New Zealand writers. It’s also a great relief to have the time, resources and space to work on my next book.” Duncan Sarkies is a playwright, TV and film screenwriter, novelist and short story writer. -
Tina Makereti, the Novel Sleeps Standing About the Battle of Orakau and Native Son, the Second Volume of His Memoir
2017 AUTHOR Showcase AcademyAcademy ofof NewNew Zealand Zealand Literature Literature ANZLANZLTe WhareTe Whare Mātātuhi Mātātuhi o Aotearoa o Aotearoa Please visit the Academy of New Zealand Literature web site for in-depth features, interviews and conversations. www.anzliterature.com Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Kia ora festival directors, This is the first Author Showcase produced by the Academy of New Zealand Literature (ANZL). We are writers from Aotearoa New Zealand, mid-career and senior practitioners who write fiction, poetry and creative nonfiction. Our list of Fellows and Members includes New Zealand’s most acclaimed contemporary writers, including Maurice Gee, Keri Hulme, Lloyd Jones, Eleanor Catton, Witi Ihimaera, C.K. Stead and Albert Wendt. This showcase presents 15 writers who are available to appear at literary festivals around the world in 2017. In this e-book you’ll find pages for each writer with a bio, a short blurb about their latest books, information on their interests and availability, and links to online interviews and performances. Each writer’s page lists an email address so you can contact them directly, but please feel free to contact me directly if you have questions. These writers are well-known to New Zealand’s festival directors, including Anne O’Brien of the Auckland Writers Festival and Rachael King of Word Christchurch. Please note that New Zealand writers can apply for local funding for travel to festivals and other related events. We plan to publish an updated Author Showcase later this year. -
Introduction: “A Refusal to Read”
ka mate ka ora: a new zealand journal of poetry and poetics Issue 1 2005 “BY WRITING AND EXAMPLE”: THE BAXTER EFFECT John Newton Introduction: fame and “folk” When James K. Baxter left the literary straight-and-narrow to immerse himself in the Jerusalem commune — in a process which transformed him into a media icon who for many may be only incidentally a writer — he created a problem which our literary culture has not yet remotely assimilated. The Baxter of the Jerusalem era achieved what for a New Zealand poet remains unrivalled celebrity. And in this self-reinvention he discovered a path, if not precisely in his poetry then through it, to the public vocation to which he had always aspired. The poet emerges as a social activist. The writings that record this transformation have been well enough received; beginning with Karl Stead in his influential Islands essay of 1973, plenty of readers have been glad to affirm the Jerusalem poetry as his crowning achievement.1 The extent of his popular exposure, however, is apt to be viewed as an irritant and a distraction. For instance Stead writes: “A haze of undiscriminating feeling surrounds Baxter . To the young . he has become a culture hero, and if his poems were much less remarkable than they are I suspect his youthful disciples would not know it and would admire them quite as much.”2 Meanwhile, in literary circles at least, the activism itself has gone largely unanalysed, sidelined in deference to what his biographer Frank McKay calls the more “lasting fruit” of his poetry and prose.3 This ambivalent response to late Baxter was rehearsed at the time of the poet’s death by his one-time sponsor, Allen Curnow: 11 A Refusal to Read Poems of James K. -
The Robert Burns Fellowship 2019
THE ROBERT BURNS FELLOWSHIP 2019 The Fellowship was established in 1958 by a group of citizens, who wished to remain anonymous, to commemorate the bicentenary of the birth of Robert Burns and to perpetuate appreciation of the valuable services rendered to the early settlement of Otago by the Burns family. The general purpose of the Fellowship is to encourage and promote imaginative New Zealand literature and to associate writers thereof with the University. It is attached to the Department of English and Linguistics of the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism, who are normally resident in New Zealand or who, for the time being, are residing overseas and who in the opinion of the Selection Committee have established by published work or otherwise that they are a serious writer likely to continue writing and to benefit from the Fellowship. 2. Applicants for the Fellowship need not possess a university degree or diploma or any other educational or professional qualification nor belong to any association or organisation of writers. As between candidates of comparable merit, preference shall be given to applicants under forty years of age at the time of selection. The Fellowship shall not normally be awarded to a person who is a full time teacher at any University. 3. Normally one Fellowship shall be awarded annually and normally for a term of one year, but may be awarded for a shorter period. The Fellowship may be extended for a further term of up to one year, provided that no Fellow shall hold the Fellowship for more than two years continuously. -
Thesis Fulltext.Pdf
A thesis submitted in partial fulfilment of the requirements for the Degree of Masters of Arts in English in the University of Canterbury by Mandala White Contents Acknowledgements………………………………………………………………….....i Abstract…………………………………………………………………………….….ii Introduction……………………………………………………………………………1 Chapter One: Modernity and Nature: A Theoretical and Historical Overview……….7 1. Mystical to Mechanistic: Western Culture’s Developing Vision of Nature 2. God’s Own Temple: Romantic Appreciations of Nature 3. Deep Versus Shallow: Contemporary Environmentalist Responses to Nature 4. Ontological Promiscuity: Postmodern Rethinking of Nature-culture Dualism 5. Ecocriticism: The Literary Response to the Environmental Crisis 6. Conclusion: Defining My Ecocritical Approach Chapter Two: In a Fishbone Church and the Variable Sublime……...……………...43 1. Clifford: The Neo-colonial Masculinist Sublime 2. Etta and Gene: Cultural Victimisation and the Maternal Sublime 3. Bridget and Christina: A Foot On the Pavement, A Foot in the Water 4. From Fishbone Church to Rainbow Trout: The Ecological Sublime Chapter Three: Transformations of Nature: Modern Mastery and Medieval Metaphysics..........................................................................................86 1. Transformation as Control: Modernity’s Mastery of Nature i. Colonial Transformation ii. Industrial Transformation iii. Monsieur Goulet: The Master Figure Unmasked 2. From Skin and Bones to Divine Art: Medieval Transformations of Nature Chapter Four: Fearing the Feral: The -
Newsletter – 17 December 2004
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te Putahi¯ Tuhi Auaha o te Ao Newsletter – 10 February 2004 This is the 48th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. The Prize in Modern Letters ......................................................................................1 2. Janet Frame’s French Poem.......................................................................................2 3. Glenn Schaeffer Award..............................................................................................2 4. A New Term ..............................................................................................................2 5. Bart Simpson meets Thomas Pynchon ......................................................................3 6. Some Recent Web Reading .......................................................................................3 7. Shaken But Not Stirred ..............................................................................................4 8. The Expanding Bookshelf..........................................................................................4 9. Congratulations..........................................................................................................4 10. Poetry Competition ..................................................................................................4 11. Michael Harlow at the Randell Cottage...................................................................4 -
21 December 2010 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 December 2010 ISSN: 1178-9441 This is the 164th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Adam Prize goes to post-apartheid tale .............................................................. 2 2. Tale of Jersey under the jackboot wins scriptwriting prize ............................. 2 3. Biggs prize awarded to Serbian poet .................................................................. 2 4. Project scholarships .............................................................................................. 3 5. A decade of Turbine .............................................................................................. 3 6. A short story reminder… ..................................................................................... 3 7. Generation next (1) – script to stage ................................................................... 3 8. April winner .......................................................................................................... 4 9. Generation next (2) ............................................................................................... 4 10. A literary job in Wellington ................................................................................. 5 11. Landfall sails on ................................................................................................... -
'No Middle Ground': James K. Baxter's Writing of the Self
No Middle Ground: Baxter’s Writing of the Self Janet Wilson, University of Northampton, UK In a very real sense all of Baxter’s writing, verse, prose and drama, is autobiographical, for, as has been noted, the impulse to record his life experience in all kinds of writing, and particularly in verse form, was with him from the time he started composing poetry (‘Notes on the Education of a New Zealand Poet’, Collected Prose 2. 217-19; McKay 26). Keeping a prose record in note or diary form alongside the drafts of poems was a habit that he acquired in childhood, and the working and reworking of subjective impressions drawing upon observation, memory, dream and fantasy was part of his education as a poet. This intuitive reach for words to articulate his life experiences suggests he recognised that prose could give voice to his inner world in ways that differed from those of poetry or drama. Prose narrative as a medium reflects the realities of life in a mundane way, as well as dramatically, and Baxter’s early narrative fragments show him in everyday situations and settings grappling with sensations of fear, anxiety, guilt, registering pain and wounding, and using impressionistic modes—dreams, images and reflection—from which to construct textual images of wholeness and self-agency. This indicates that writing was an essential coordinate of the drama of his life. As Vincent O’Sullivan comments, ‘he saw himself as naturally at the centre of forces which made any movement of his own feelings or thought of more than passing significance’ (5), and he aimed to recreate these reactions both in verse and prose. -
A History of New Zealand Literature Mark Williams Frontmatter More Information
Cambridge University Press 978-1-107-08535-0 - A History of New Zealand Literature Mark Williams Frontmatter More information A HISTORY OF NEW ZEALAND LITERATURE A History of New Zealand Literature traces the genealogy of New Zealand literature from its fi rst imaginings by colonial Europeans to the development of a national canon in the twentieth century. Beginning with a comprehensive introduction that charts the growth of a national literary tradition, this History includes exten- sive essays that illuminate the cultural and political intricacies of New Zealand literature. Organized thematically, these essays survey the multilayered verse, fi ction, and drama of such diverse writers as Katherine Mansfi eld, Allen Curnow, Frank Sargeson, Janet Frame, Keri Hulme, Witi Ihimaera, and Patricia Grace. Written by a host of leading scholars, this History devotes special attention to the lasting signifi cance of colonialism, the Māori Renaissance, and multicul- turalism in New Zealand literature. Th is book is of pivotal impor- tance to the development of New Zealand writing and will serve as an invaluable reference for specialists and students alike. Mark Williams is Professor of English at Victoria University in Wellington, New Zealand. He is the author of Leaving the Highway: Six Contemporary New Zealand Novelists , Patrick White , and with Jane Staff ord, Maoriland: New Zealand Literature 1872–1914 . Williams has also coedited Th e Auckland University Press Anthology of New Zealand Literature with Jane Staff ord. © in this web service Cambridge