Endeavour...A weekend with the ISB 1. Endeavour Martin Cordner 4.05 2. All the World is Waiting Howard Davies arr. Paul Sharman 2.40 3. What a Wonderful Day Cox arr. Andreas Holmlund 4.28 4. Living Waters Sam Creamer 3.19 Flugel Horn Soloist Richard Woodrow 5. Glory, Hallelujah! Kevin Larsson 3.09 6. Jesus, good above all other arr. Geoffrey Nobes 3.53 7. Cross-Rhythms Steven Ponsford 6.39 8. A Special Moment Steven Ponsford 4.08 9. The Garden Martin Cordner 6.21 10. Candle of the Lord Joy Webb arr. Peter Graham 4.12 11. When He Cometh Howard Evans 5.11 Euphonium Soloist Derick Kane 12. Boundless Spirit Martin Cordner 6.41 13. Into the Deep Ray Steadman-Allen 8.55 14. Spirit of the West Dudley Bright 2.57 15. To Boldly Go Peter Graham 7.51 BONUS TRACK 16. My Story and Song Foster arr. Ray Steadman-Allen 4.22 Baritone Soloist Simon Birkett

For some years Simon Birkett assisted the band as an Associate Producer where his attention to detail and wonderful musicianship were valued immensely. The ISB was shocked and saddened by his sudden passing and acknowledges his contribution to the life of the band by featuring a solo he performed with the band some years ago. Amongst the many important aspects of The International Staff Band’s The title track, Endeavour, opensBAND with all PERSONNEL the energy and fireworks one has ministry are our monthly weekend visits to corps, where we present music come to expect of Martin Cordner. This rollicking festival march was written in concert and as an aid to worship. This CD reflects the band’s current especiallyStaff forBandmaster young players – in this case,Flugel the FutureHorn All Stars Weekend,Euphonium an “weekend” repertoire; new music featured in our Saturday concerts, music annualDr youth Stephen band Cobb event sponsored byRichard the USA Woodrow Eastern Territory. It featuresDerick Kane of a devotional nature used as part of our Sunday morning ministry, and the song, There’s mercy still for thee with occasional references to KennethDeputy Bandmaster more concert music from Sunday afternoon. Endeavour means “effort Downie’sExecutive updated Officer tune to Jesus wants meSolo for Horn a sunbeam . A good timeJonathan is Evans directed towards a goal” – our goal is to challenge the hearts and minds of had byMajor all! Noel Wright David Winch those we play to and bring them into a closer relationship with God. Eb Bass In completeSoprano contrast, Cornet Paul Sharman’s brief1st Horn setting of All the WorldMichael is Calland Staff Bandmaster Dr Stephen Cobb WaitingGary unfolds Fountain with elegant simplicity,Stephen capturing Hanover the mood and substanceCarl Woodman of Howard Davies’ choral paraphrase of Romans 8:22-23. It is a haunting songPrincipal of anticipation Cornet which begins ‘All the2nd world Horn is waiting, waiting, LordBb Bass THE MUSIC for thee’Carl and Nielsen concludes with the resolution,Stephen ‘Even Willis so, Lord Jesus, come,Martin O Tiplady come!’ Martin Blessett When listening to this latest recording by the ISB three diverse conclusions Solo Cornet 1st Baritone come to mind: The first and most obvious is the fact that the ISB continues The internationalismPaul Sharman and universalismIain of Parkhouse SA music is confirmed in Percussion the to be the standard-bearer for Salvation Army bands around the world, followingGavin bracket Lamplough of swing settings - from Sweden and Australia! Robert Hayward providing a model of excellence that inspires its volunteer musicians by Nicola Redhead 2nd Baritone Ashley Durrant modelling what is possible. AndreasNicholas Holmlund, Brill Bandmaster of the StockholmDarren Willis Vasa Corps Band, isChristopher a pro House musician with obvious big band expertise. What a Wonderful Day was Second, a brass band is an incredibly versatile ensemble which can sound recently 1st submitted Cornet to the UK Music 1st Editorial Trombone Department for publishing like almost anything. Under the impeccable leadership of Bandmaster Dr consideration.Martyn BryantWhen the ISB read throughAndrew his Justice swing version of the Sidney Stephen Cobb, these 15 tracks feature a range of sonorities and idioms Cox classicKevin song, Coates they liked it so muchJonathan it was soon Evans a regular feature on their that convincingly transport the listener from street parade to cathedral, programmes.Band Manager symphony to big band, quiet introspection to overflowing jubilance – with a 2nd Trombone bit of Hollywood and Broadway thrown in for good measure. Australian2nd Sam Cornet Creamer also demonstratesStuart his Hall considerable skill with the jazzy flugelNigel Hillssolo, Living Waters, written for Richard Woodrow and the Finally, the fact that most works featured here were written in the last two ISB for theirDarren 2015 Bull Australia Tour. BasedBass on Trombonethe 19th century Gospel song of years affirms that the future of Salvation Army brass band repertoire is James Conner Bateman and Russell KelsoStephen Carter, Williams the exultant mood of the healthy and bright indeed. chorus more than justifies this happy toe-tapper: THE INTERNATIONALDown where the STAFF living waters BAND flow, survey the wondrousSTAFF cross BANDMASTER on which the Prince DR of GlorySTEPHEN died.’ Continuing COBB OF THEDown SALVATION where the Tree ARMY of Life does grow; with dramatic settings of ‘Here at the cross’ and ‘In the cross of Christ I glory’, I’m living in the light, Bandmasterthe music triumphantly Dr Stephen concludesCobb is the with Director references of Music to the and tune Creative Llanfair Arts and Ministries for the The first reference to a ‘Staff Band’ recordedFor inJesus Salvation now I fight,Army history dates back to 1880. Unitedits affirmation, Kingdom Territory‘Christ the with Lord the is Republicrisen today, of Ireland. Hallelujah!’ His role gives him overall responsibility However, it was on 7 October 1891 thatDown an ‘International where the living Headquarters waters flow. Staff Band’ was officially for all the Salvation Army’s music and arts ministries. In addition to that significant role he brought into being. The present-day International Staff Band therefore acknowledges this date has,A Special since 1994, Moment also been is a the collaboration Bandmaster of of mother The Salvation and son, Army’s Flora premier (words) brass band, The as its formal inauguration.The fact that In thoseKevin earlyLarsson days has the spent band most was of entirely his formative made up years of Officers in southern and Internationaland John Larsson Staff (music), Band. In thoughtfully both positions arranged he has by followed Stephen in Ponsford. the footsteps The of some of The employees of TheCalifornia Salvation can Army be and readily attendance realised at in the this band’s Hollywood rehearsals, tour deand force engagements for brass Salvationchorus affirms Army’s a most relationship famous musicians!with God that is personal and intentional: took precedenceand over percussion, work! Glory, Hallelujah! With a tip of the hat to the likes of John This is God’s moment, God’s moment for you, Williams and Danny Elfman, it features The devil and me, a contagious, Stephen’s leadershipA moment of The so solemn, International yet joyous Staff and Band new, has seen it journey through an The modern-daywhimsical ISB is drawn tune from which a wide first geographical appeared radiusin The andSalvation the members Army Songs are engaged in 1899 exciting period Forgivenof innovation is all sinning,that has real seen life the is beginning, band’s profile in the wider brass banding in a variety of professions,which begins: with only a few now being employed by The Salvation Army. All of world significantly raised.For this is His God’s innovative moment forleadership you. has also brought about renewed them are active members of their localThe Salvation devil and Army me wecorps, don’t with agree, many holding leadership energy and enthusiasm for the Salvation Army’s rich musical tradition, particularly positions. They serve with the ISB because they,Glory in common Hallelujah. with their early day counterparts, withText painting young Salvationists. is a technique Notably, often used his ongoing by composers work withto musically the Territorial portray Youth Band and believe that God uses the band’s ministryI hate as him a means and he ofhates spreading me. the message of the Youthideas already Choir continues expressed to in influence word. Martin the Cordner’s spiritual setting and of musical Keith Getty development of some of Christian Gospel. the movement’s finest young musicians in the Territory who attend the annual courses. Glory Hallelujah! and Stuart Townend’s The Garden, is exemplary of this concept. A serene, Stephen’s professional background and qualifications were as a music educator but, in July The band meets at The Salvation Army’s Territorial Headquarters in London every Wednesday transparent texture sets the opening scene of this Good Friday hymn: ‘Oh, 2006, he was awarded the Degree of Doctor of Musical Arts in Instrumental Conducting by evening for rehearsal,Organ-like and makes sonorities monthly permeate visits to GeoffreySalvation ArmyNobes’ centres sensitive around setting the Territory,of Quem to see the dawn of the darkest day, Christ on the road to Calvary.’ The Salford University. where it presentspastores concerts, laudevere open-air ministry,, a melody and whichleads worship. originated It is inregularly the 14th featured century. at major More music goes on to portray contrasting scenes of agony, fear, and regret - Salvation Army eventsthan 600 such years as Congresses later, Percy and Dearmer has also penned taken thepart hymn, in many Jesus, significant good above events Asculminating Bandmaster in theof The final International triumphant chorus:Staff Band, and also conductor of the Hendon Salvation linked to the widerall brass other banding, which movement, has been inextricably building bridges linked and to strengthening the tune ever links since. between This is Army Band, Stephen consistentlyThis, the power maintains of the cross: the highest standards of musicianship and these two significanta splendid strands moment of brass of reflectionband music-making. and repose. It also undertakes visits to other musical ministry, with bothSon groupsof God - providing slain for us. outstanding examples for the worldwide Salvation Army Territories, taking with it its very special brand of Salvation Army music ministry. Salvation Army musical fellowship.What a love! Recordings, What a cost! concerts and international tours with both The band recordsThe regularly ISB gratefully for the SP&S acknowledges label and also the recorded Bolsover a commercial District Council album and called its ensembles continue toWe receive stand the forgiven highest at criticalthe cross. acclaim and affirmation. Together for UniversalDirector, Classics Carole and Jazz Crompton, – a project for that commissioning provided the band Stephen and The Ponsford Salvation to Army with an unprecedentedwrite Cross-Rhythms level of publicity for a recent as a result brass of band working summer with schoolone of thewhich world’s was AsThere a member is no question of a family that ofPeter talented Graham Bandmasters is a fan of theand songssoloists, of Joyhis reputationWebb, as a cornet largest recordingsubsequently companies. The gifted album to was The even Salvation nominated Army. for Drawing a Classical its inspirationBrit Award! from soloisthaving utilised was established her music both as principal at Hendon themes Corps in many and withof his The major International Salvation Staff Band. He Jesus’ sacrificial death and victorious resurrection, an ominous introduction andArmy his brass wife, bandElaine, works, are still including members his of the ever corps popular at Hendon, Shine together as the Light with their youngest The ISB shares asoon common evolves goal into with a multitude every musical of melodic group and within rhythmic The Salvation patterns withArmy, subtle as it sonwhich Philip, also whofeatured is himself Candle a renowned of the Lord cornet. This and present trumpet setting, player, with currently subtle occupying the seeks to communicatereferences the Gospel to the of tune Jesus Rockingham Christ through and its the music. words associated: ‘When I Principalreferences Trumpet to the position former with work, the explores London Symphony the paradox Orchestra. of overwhelming adversity (‘How great the darkness, how deep the need’) which is conquered sea, inspired by the closing lines of William Whiting’s (1825-1878) first verse: by individual courage (‘I am the candle of the Lord, and truth and love more ‘O hear us when we cry to thee for those in peril on the sea.’ The music soon powerful than sword!’) returns to a festive mood, reaching a joyful conclusion with fragments of previous themes and a closing reference to ‘I will make you fishers of men.’ When He Cometh, is a reprise from Derick Kane’s recent CD, Forte, which celebrated his 40th year as ISB Principal Euphonium. This is his presentation The fact that Dudley Bright is also Principal Trombone in the London of Howard Evans’ stirring contemporary theme associated with the song, Symphony Orchestra has no doubt broadened and influenced his musical Jewels by William Cushing (1823-1902). pallet. His clever march, Spirit of the West, hints at the influence of 20th century Russian composer, Dmitri Shostakovich. Written in 1981 for the USA In 2015 The Salvation Army marked its 150th anniversary with a huge Western Territory’s Music Institute, the themes reflect the energy and bold celebration in London known as Boundless. Martin Cordner was tasked Christian witness of the young people for whom it was written: Dare to be a with creating epic, colourful incidental music for the Opening Ceremony Daniel and I’ll stand for Christ. which welcomed delegates from 125 countries. Not long after, Dr Stephen Cobb asked him to create an overture from these festive segments and the Peter Graham’s brilliant overture To Boldly Go was written in 2015 for the result is Boundless Spirit. It highlights themes of worldwide mission with Melbourne Staff Band’s 125th anniversary. Bandmaster Ken Waterworth references to Joyful, joyful we adore thee, They shall come from the east, requested that this new work echo the flavour and style of the composer’s they shall come from the west, The world for God and For the world, Jesus aforementioned masterwork, Shine as the Light. This accommodation is died. most apparent in the ethereal middle setting of I’ll not turn back. Other songs included are I’ll go in the strength of the Lord and Oh, oh, oh, how By today’s standards, Into the Deep would be considered an ‘oldie.’ good is the Lord. However, it was written by Ray Steadman-Allen (1922-2014), the dean of SA composers, who never wrote an old thing in his life! Written in 1981 for Having listened intently many times to these 15 tracks of diverse styles, the centenary of the Royal National Mission to Deep Sea Fisherman, this moods and sounds, I have reached a final ultimate conclusion: Salvation selection comes up as fresh today as it did at its première by the ISB 36 Army music continues to play a vital role in expressing our soul-saving years ago. Opening with a series of motivic digressions, these brief ideas mission. eventually form a lyrical mosaic linking several songs of nautical metaphor, including ‘We have an anchor that keeps the soul steadfast and sure while William Himes the billows roll’ and ‘Launch out into the deep, O let the shoreline go!’ Appropriately, the selection’s centrepiece is the Royal Navy hymn, Eternal Father, strong to save. The music portrays the dangers and reverence for the THE INTERNATIONALDown where the STAFF living waters BAND flow, survey the wondrousSTAFF cross BANDMASTER on which the Prince DR of GlorySTEPHEN died.’ Continuing COBB OF THEDown SALVATION where the Tree ARMY of Life does grow; with dramatic settings of ‘Here at the cross’ and ‘In the cross of Christ I glory’, I’m living in the light, Bandmasterthe music triumphantly Dr Stephen concludesCobb is the with Director references of Music to the and tune Creative Llanfair Arts and Ministries for the The first reference to a ‘Staff Band’ recordedFor inJesus Salvation now I fight,Army history dates back to 1880. Unitedits affirmation, Kingdom Territory‘Christ the with Lord the is Republicrisen today, of Ireland. Hallelujah!’ His role gives him overall responsibility However, it was on 7 October 1891 thatDown an ‘International where the living Headquarters waters flow. Staff Band’ was officially for all the Salvation Army’s music and arts ministries. In addition to that significant role he brought into being. The present-day International Staff Band therefore acknowledges this date has,A Special since 1994, Moment also been is a the collaboration Bandmaster of of mother The Salvation and son, Army’s Flora premier (words) brass band, The as its formal inauguration.The fact that In thoseKevin earlyLarsson days has the spent band most was of entirely his formative made up years of Officers in southern and Internationaland John Larsson Staff (music), Band. In thoughtfully both positions arranged he has by followed Stephen in Ponsford. the footsteps The of some of The employees of TheCalifornia Salvation can Army be and readily attendance realised at in the this band’s Hollywood rehearsals, tour deand force engagements for brass Salvationchorus affirms Army’s a most relationship famous musicians!with God that is personal and intentional: took precedenceand over percussion, work! Glory, Hallelujah! With a tip of the hat to the likes of John This is God’s moment, God’s moment for you, Williams and Danny Elfman, it features The devil and me, a contagious, Stephen’s leadershipA moment of The so solemn, International yet joyous Staff and Band new, has seen it journey through an The modern-daywhimsical ISB is drawn tune from which a wide first geographical appeared radiusin The andSalvation the members Army Songs are engaged in 1899 exciting period Forgivenof innovation is all sinning,that has real seen life the is beginning, band’s profile in the wider brass banding in a variety of professions,which begins: with only a few now being employed by The Salvation Army. All of world significantly raised.For this is His God’s innovative moment forleadership you. has also brought about renewed them are active members of their localThe Salvation devil and Army me wecorps, don’t with agree, many holding leadership energy and enthusiasm for the Salvation Army’s rich musical tradition, particularly positions. They serve with the ISB because they,Glory in common Hallelujah. with their early day counterparts, withText painting young Salvationists. is a technique Notably, often used his ongoing by composers work withto musically the Territorial portray Youth Band and believe that God uses the band’s ministryI hate as him a means and he ofhates spreading me. the message of the Youthideas already Choir continues expressed to in influence word. Martin the Cordner’s spiritual setting and of musical Keith Getty development of some of Christian Gospel. the movement’s finest young musicians in the Territory who attend the annual courses. Glory Hallelujah! and Stuart Townend’s The Garden, is exemplary of this concept. A serene, Stephen’s professional background and qualifications were as a music educator but, in July The band meets at The Salvation Army’s Territorial Headquarters in London every Wednesday transparent texture sets the opening scene of this Good Friday hymn: ‘Oh, 2006, he was awarded the Degree of Doctor of Musical Arts in Instrumental Conducting by evening for rehearsal,Organ-like and makes sonorities monthly permeate visits to GeoffreySalvation ArmyNobes’ centres sensitive around setting the Territory,of Quem to see the dawn of the darkest day, Christ on the road to Calvary.’ The Salford University. where it presentspastores concerts, laudevere open-air ministry,, a melody and whichleads worship. originated It is inregularly the 14th featured century. at major More music goes on to portray contrasting scenes of agony, fear, and regret - Salvation Army eventsthan 600 such years as Congresses later, Percy and Dearmer has also penned taken thepart hymn, in many Jesus, significant good above events Asculminating Bandmaster in theof The final International triumphant chorus:Staff Band, and also conductor of the Hendon Salvation linked to the widerall brass other banding, which movement, has been inextricably building bridges linked and to strengthening the tune ever links since. between This is Army Band, Stephen consistentlyThis, the power maintains of the cross: the highest standards of musicianship and these two significanta splendid strands moment of brass of reflectionband music-making. and repose. It also undertakes visits to other musical ministry, with bothSon groupsof God - providing slain for us. outstanding examples for the worldwide Salvation Army Territories, taking with it its very special brand of Salvation Army music ministry. Salvation Army musical fellowship.What a love! Recordings, What a cost! concerts and international tours with both The band recordsThe regularly ISB gratefully for the SP&S acknowledges label and also the recorded Bolsover a commercial District Council album and called its ensembles continue toWe receive stand the forgiven highest at criticalthe cross. acclaim and affirmation. Together for UniversalDirector, Classics Carole and Jazz Crompton, – a project for that commissioning provided the band Stephen and The Ponsford Salvation to Army with an unprecedentedwrite Cross-Rhythms level of publicity for a recent as a result brass of band working summer with schoolone of thewhich world’s was AsThere a member is no question of a family that ofPeter talented Graham Bandmasters is a fan of theand songssoloists, of Joyhis reputationWebb, as a cornet largest recordingsubsequently companies. The gifted album to was The even Salvation nominated Army. for Drawing a Classical its inspirationBrit Award! from soloisthaving utilised was established her music both as principal at Hendon themes Corps in many and withof his The major International Salvation Staff Band. He Jesus’ sacrificial death and victorious resurrection, an ominous introduction andArmy his brass wife, bandElaine, works, are still including members his of the ever corps popular at Hendon, Shine together as the Light with their youngest The ISB shares asoon common evolves goal into with a multitude every musical of melodic group and within rhythmic The Salvation patterns withArmy, subtle as it sonwhich Philip, also whofeatured is himself Candle a renowned of the Lord cornet. This and present trumpet setting, player, with currently subtle occupying the seeks to communicatereferences the Gospel to the of tune Jesus Rockingham Christ through and its the music. words associated: ‘When I Principalreferences Trumpet to the position former with work, the explores London Symphony the paradox Orchestra. of overwhelming Amongst the many important aspects of The International Staff Band’s The title track, Endeavour, opensBAND with all PERSONNEL the energy and fireworks one has ministry are our monthly weekend visits to corps, where we present music come to expect of Martin Cordner. This rollicking festival march was written in concert and as an aid to worship. This CD reflects the band’s current especiallyStaff forBandmaster young players – in this case,Flugel the FutureHorn All Stars Weekend,Euphonium an “weekend” repertoire; new music featured in our Saturday concerts, music annualDr youth Stephen band Cobb event sponsored byRichard the USA Woodrow Eastern Territory. It featuresDerick Kane of a devotional nature used as part of our Sunday morning ministry, and the song, There’s mercy still for thee with occasional references to KennethDeputy Bandmaster more concert music from Sunday afternoon. Endeavour means “effort Downie’sExecutive updated Officer tune to Jesus wants meSolo for Horn a sunbeam . A good timeJonathan is Evans directed towards a goal” – our goal is to challenge the hearts and minds of had byMajor all! Noel Wright David Winch those we play to and bring them into a closer relationship with God. Eb Bass In completeSoprano contrast, Cornet Paul Sharman’s brief1st Horn setting of All the WorldMichael is Calland Staff Bandmaster Dr Stephen Cobb WaitingGary unfolds Fountain with elegant simplicity,Stephen capturing Hanover the mood and substanceCarl Woodman of Howard Davies’ choral paraphrase of Romans 8:22-23. It is a haunting songPrincipal of anticipation Cornet which begins ‘All the2nd world Horn is waiting, waiting, LordBb Bass THE MUSIC for thee’Carl and Nielsen concludes with the resolution,Stephen ‘Even Willis so, Lord Jesus, come,Martin O Tiplady come!’ Martin Blessett When listening to this latest recording by the ISB three diverse conclusions Solo Cornet 1st Baritone come to mind: The first and most obvious is the fact that the ISB continues The internationalismPaul Sharman and universalismIain of Parkhouse SA music is confirmed in Percussion the to be the standard-bearer for Salvation Army bands around the world, followingGavin bracket Lamplough of swing settings - from Sweden and Australia! Robert Hayward providing a model of excellence that inspires its volunteer musicians by Nicola Redhead 2nd Baritone Ashley Durrant modelling what is possible. AndreasNicholas Holmlund, Brill Bandmaster of the StockholmDarren Willis Vasa Corps Band, isChristopher a pro House musician with obvious big band expertise. What a Wonderful Day was Second, a brass band is an incredibly versatile ensemble which can sound recently 1st submitted Cornet to the UK Music 1st Editorial Trombone Department for publishing like almost anything. Under the impeccable leadership of Bandmaster Dr consideration.Martyn BryantWhen the ISB read throughAndrew his Justice swing version of the Sidney Stephen Cobb, these 15 tracks feature a range of sonorities and idioms Cox classicKevin song, Coates they liked it so muchJonathan it was soon Evans a regular feature on their that convincingly transport the listener from street parade to cathedral, programmes.Band Manager symphony to big band, quiet introspection to overflowing jubilance – with a 2nd Trombone bit of Hollywood and Broadway thrown in for good measure. Australian2nd Sam Cornet Creamer also demonstratesStuart his Hall considerable skill with the jazzy flugelNigel Hillssolo, Living Waters, written for Richard Woodrow and the Finally, the fact that most works featured here were written in the last two ISB for theirDarren 2015 Bull Australia Tour. BasedBass on Trombonethe 19th century Gospel song of years affirms that the future of Salvation Army brass band repertoire is James Conner Bateman and Russell KelsoStephen Carter, Williams the exultant mood of the healthy and bright indeed. chorus more than justifies this happy toe-tapper: Endeavour...A weekend with the ISB 1. Endeavour Martin Cordner 4.05 2. All the World is Waiting Howard Davies arr. Paul Sharman 2.40 3. What a Wonderful Day Cox arr. Andreas Holmlund 4.28 4. Living Waters Sam Creamer 3.19 Flugel Horn Soloist Richard Woodrow 5. Glory, Hallelujah! Kevin Larsson 3.09 6. Jesus, good above all other arr. Geoffrey Nobes 3.53 7. Cross-Rhythms Steven Ponsford 6.39 8. A Special Moment Steven Ponsford 4.08 9. The Garden Martin Cordner 6.21 10. Candle of the Lord Joy Webb arr. Peter Graham 4.12 11. When He Cometh Howard Evans 5.11 Euphonium Soloist Derick Kane 12. Boundless Spirit Martin Cordner 6.41 13. Into the Deep Ray Steadman-Allen 8.55 14. Spirit of the West Dudley Bright 2.57 15. To Boldly Go Peter Graham 7.51 BONUS TRACK 16. My Story and Song Foster arr. Ray Steadman-Allen 4.22 Baritone Soloist Simon Birkett

For some years Simon Birkett assisted the band as an Associate Producer where his attention to detail and wonderful musicianship were valued immensely. The ISB was shocked and saddened by his sudden passing and acknowledges his contribution to the life of the band by featuring a solo he performed with the band some years ago.