Flamenco Legends by Javier Limón: the Paco De Lucía Project Saturday, October 21, 2017 at 8:00Pm This Is the 763Rd Concert in Koerner Hall

Total Page:16

File Type:pdf, Size:1020Kb

Flamenco Legends by Javier Limón: the Paco De Lucía Project Saturday, October 21, 2017 at 8:00Pm This Is the 763Rd Concert in Koerner Hall Flamenco Legends by Javier Limón: The Paco de Lucía Project Saturday, October 21, 2017 at 8:00pm This is the 763rd concert in Koerner Hall Piraña, percussion Antonio Serrano, harmonica Antonio Sánchez, guitar Alain Pérez, bass David de Jacoba, vocals Farru, dancer Created by 10-time Latin Grammy Award winner Javier Limón, The Paco de Lucía Project reassembles the original band that toured with the legendary flamenco guitarist for the last 10 years of his career. A longtime collaborator and producer of Paco de Lucía, Limón brings the secrets of flamenco at the highest level to create an experience that honours the legacy of de Lucía while paving a new path into the future of flamenco. Paco de Lucía was widely considered to be the world’s premier flamenco guitarist and by many to be Spain’s greatest musical export. He has had a revolutionary influence on flamenco music both as a composer and otherwise. His influence on flamenco guitar has been compared with that of Andrés Segovia’s on classical guitar. Throughout his 50-year career, he performed and recorded with musical legends such as Eric Clapton, Chick Corea, Carlos Santana, and Al Di Meola, among many others. Known as “El Piraña,” Israel Suárez Escobar is one of the most renowned cajón players in the flamenco world. The son of Ramon “El Portugués,” he began his career by joining Nina Pastori’s group. He was a member of Paco de Lucía’s band for more than 10 years and has since collaborated with many renowned artists such as Sara Baras, Tomatito, Vicente Amigo, Giovanni Hidalgo, Horacio El Negro, Ketama, Antonio Carmona, Rosario Flores, Chano Domínguez, Jerry Gonzáles, Wynton Marsalis, Montse Cortes, Joaquín Cortés, Concha Buika, Ricky Martin, Alejandro Fernández, Lenny Kravitz, Jorge Pardo, Pack, Mariza, Pepe de Lucía, Antonio Canales, Enrique Morente, Estrella Morente, Diego el Cigala, Duquende, Arcángel, Paquito de Rivera, El Barrio, Paquito D’Rivera, and Luz Casal. Antonio Serrano started learning the harmonica (his main instrument) from his father from his father at the age of seven. He developed a technique on the chromatic harmonica that has allowed him to play in many different contexts, dominating all styles of music from classical to jazz, blues, tango, and flamenco, and he was soon approached by Paco de Lucía to perform with him. He continued to tour the world with the living legend while pursuing a solo career and performing with such artists as Larry Adler, Toots Thielemans, Wynton Marsalis, Jerry González, Chano Dominguez, Lou Bennett, Jorge Pardo, Vicente Amigo, Tomatito, Armando Manzanero, Luis Salinas, Javier Colina, and many more. Antonio Sánchez was exposed to the flamenco guitar at a very young age with his uncles Paco de Lucía and Ramón de Algeciras, as well as his cousin J.M. Bandera, and he studied with Juan Manuel Cañizares. His career as a guitar player began playing at Tablaos of Madrid and continued with the flamenco Ballet of Antonio Marquez. He has worked in Japan for six months with Domingo Ortega at the Tablao Flamenco of Tokyo. He also worked at Tablao Cordobes of Barcelona, considered the most important tablao in the world, sharing the stage with great artists such as La Tana, Maria Bizárraga, Oscar de los Reyes, Pol Vaquero, and Luis de Luis, among others. Cuban-born Alain Pérez Rodríguez started music at the age of eight as a vocalist and later entered the Manuel Saumell Conservatory, where he studied classical guitar and piano. He later studied at the ENA National School of Arts, where he joined the prestigious Latin jazz group Irakere. In 1998, he recorded the Belebele En La Havana album with Chucho Valdéz, which was nominated for a Grammy Award. His other recordings are The First Night, El Desafío, and Cositas Buenas with Paco de Lucía, and his collaborators include Enrique Morente, Diego el Cigala, Celia Cruz, Paquito D’Rivera, Chick Corea, Wynton Marsalis, Giovanni Hidalgo, and many others. David de Jacoba, considered one of the most important emerging flamenco artist in the world today, was chosen by Paco de Lucía to accompany him during the last four years of his touring career. He also worked with Enrique Morente, Joaquín Cortés, Tomatito, Sara Baras, Niño Josele, Duquende, and many others. His album Jubileo, produced by Lucky Losada and Carlos de Jacoba, included collaborations with Pepe Habichuela, Vicente Amigo, Raimundo Amador, Alain Pérez, Lucky Losada, Juan Antonio Salazar, Jesús de Rosario, Tomatito, Vaky and Ivan Losada, Carlos de Jacoba, and Yoni Jiménez. It was nominated for the Best Album by an Upcoming Singer in the Flamenco Hoy Awards. Antonio Fernández Montoya “Farru” is the brother of the notable dancer Farruquito and grandson of Farruco. He made his debut in Berlin at only two years of age and his film debut at six, in the movie Bodas de Gloria, directed by his grandfather. In 1988, he founded his own company named Los gnomos del flamenco, with whom he performed in numerous festivals in Spain and across Europe. Despite his young age, he has distinguished himself as a unique dancer of great strength, poise, and beauty, which accompany his unparalleled technique and footwork, and he has earned a special place in his brother’s productions. In 2010, he toured with the legendary guitarist Paco de Lucía, performing over 100 shows worldwide. “El Piraña” Israel Suárez Escobar made his Royal Conservatory debut on October 28, 2016. All of the other artists are making their Conservatory debuts tonight. .
Recommended publications
  • Women's 3000M Steeplechase
    Games of the XXXII Olympiad • Biographical Entry List • Women Women’s 3000m Steeplechase Entrants: 47 Event starts: August 1 Age (Days) Born SB PB 1003 GEGA Luiza ALB 32y 266d 1988 9:29.93 9:19.93 -19 NR Holder of all Albanian records from 800m to Marathon, plus the Steeplechase 5000 pb: 15:36.62 -19 (15:54.24 -21). 800 pb: 2:01.31 -14. 1500 pb: 4:02.63 -15. 3000 pb: 8:52.53i -17, 8:53.78 -16. 10,000 pb: 32:16.25 -21. Half Mar pb: 73:11 -17; Marathon pb: 2:35:34 -20 ht EIC 800 2011/2013; 1 Balkan 1500 2011/1500; 1 Balkan indoor 1500 2012/2013/2014/2016 & 3000 2018/2020; ht ECH 800/1500 2012; 2 WSG 1500 2013; sf WCH 1500 2013 (2015-ht); 6 WIC 1500 2014 (2016/2018-ht); 2 ECH 3000SC 2016 (2018-4); ht OLY 3000SC 2016; 5 EIC 1500 2017; 9 WCH 3000SC 2019. Coach-Taulant Stermasi Marathon (1): 1 Skopje 2020 In 2021: 1 Albanian winter 3000; 1 Albanian Cup 3000SC; 1 Albanian 3000/5000; 11 Doha Diamond 3000SC; 6 ECP 10,000; 1 ETCh 3rd League 3000SC; She was the Albanian flagbearer at the opening ceremony in Tokyo (along with weightlifter Briken Calja) 1025 CASETTA Belén ARG 26y 307d 1994 9:45.79 9:25.99 -17 Full name-Belén Adaluz Casetta South American record holder. 2017 World Championship finalist 5000 pb: 16:23.61 -16. 1500 pb: 4:19.21 -17. 10 World Youth 2011; ht WJC 2012; 1 Ibero-American 2016; ht OLY 2016; 1 South American 2017 (2013-6, 2015-3, 2019-2, 2021-3); 2 South American 5000 2017; 11 WCH 2017 (2019-ht); 3 WSG 2019 (2017-6); 3 Pan-Am Games 2019.
    [Show full text]
  • Richard Vinton Quartet
    CONCIERTO GRATUITO CAN QUET ABRE A LAS 19:00 H Y EL CONCIERTO COMIENZA A LAS 20:00 H. LA COCINA ESTÁ ABIERTA DESDE LAS 19.00 H. FREE CONCERT CAN QUET OPENS AT 7 P.M. AND THE CONCERT STARTS AT 8 P.M. THE KITCHEN OPENS ON 7 P.M. RICHARD VINTON QUARTET EN CONCIERTO / IN CONCERT Ctra. Valldemossa-Deià, s/n. JAZZ 07179 - Deià - Illes Balears Sábado 14 de Octubre a las 20.00h Tel: (+34) 971 639 196 Saturday October 14th, 8 pm [email protected] www.restaurantecanquet.com @canquetdeya Abierto: Miércoles a Domingo 19:00 a 24:00 h Parking para Clientes Concierto GRATUITO / FREE Concert RICHARD VINTON piano RICHARD VINTON piano El conocido pianista, arreglista y educador nació en Florida, The well-known pianist, arranger and educator was born in Florida, USA. Apart EEUU. Aparte de sus Bachelors de Música del New England from his Music Bachelors of the New England Conservatory in Boston and his Conservatory en Boston y su Masters de Música de la University Masters of Music from the University of Miami he studied jazz piano and com- of Miami estudió jazz piano y composición en la Berklee College position at the Berklee College of Music and worked among others with the of Music y trabajó entre otros con the Mavericks y Tony Bennett. Mavericks and Tony Bennett. En Mallorca Richard ha colaborado con The Drifters (Son Amar), Richard, who lives in Mallorca since twenty years, has collaborated with The Drifters Come Fly With Me (Gran Casino Mallorca), Michelle McCain, (Son Amar), Come Fly With Me (Gran Casino Mallorca), Michelle McCain, Jaime An- Jaime Anglada, Conxa Buika, Cap Pella y la Orquestra Simfònica glada, Conxa Buika, Cap Pella and the Symphony Orchestra of the Balearic Islands.
    [Show full text]
  • (5.1.2009) - Edita: Real Federación Española De Atletismo
    (1) Enero/January (5.1.2009) - Edita: Real Federación Española de Atletismo LV CROSS INTERNACIONAL ZORNOTZA Amorebieta (Vizcaya), 4 de enero HOMBRES Sénior-Promesa (10.700m): 1. Samuel Tsegay ERI 31:36 - 2. Moses Masai KEN 31:57 - 3. Kidane Tadesse ERI 32:02 - 4. Yonas Kifle ERI 32:14 - 5. Ayad lamdassem 32:17 - 6. Alemayehu Bezabeh 32:22 - 7. Javier Guerra 32:27 - 8. Cuthbert Nyasango ZIM 33:00 - 9. José Rios 33:10 - 10. Eliseo Martín 33:15 - 11. Jonay González 33:34 - 12. Pedro Nimo 33:35 - 13. Javier Crespo 33.35 - 14. Iván Fernández 33:36 - 15. Youness Ait-Adi MAR 33:39 - 16. Sergio Sánchez 33:46 - 17. Wilson Busienei UGA 33:54 - 18. Jesús de la Fuente 33:54 - 19. Fernando Rey 34:12 - 20. Moktar Benhari FRA 34:15 - 21. Driss Bensaid MAR 34.18 - 22. El Miloudi Dahbi MAR 34:54 - 23. Aimad Bouziane MAR 34.59 - 24. Kamel Ziani 35:04 - 25. Iván Hierro 35:12 - 26. Mohamed El Gouarrah MAR 35:15 - 27. Miguel Ángel Gamonal 35:31 - 28. Unai Sáenz 35:35 - 29. Juan Antonio Pousa 36:02 - 30. Pedro maría Muñoz 36:04 - 31. Julio Rey36.08 Júnior (6.700m): 1. Abdelacid Merzougui 22:52 - 2. Aitor Fernández 23:14 - 3. Jonathan Viego 23:26 Juvenil (6.700m): 1.Soufyane Safet 23:41 - 2. Fernando Ruiz 23:53 - 3. Diego Menéndez 24:19 Cadete (3.550m): 1. Dario Estrada 12:55 - 2. Beñat Etxabe 13:14 - 3. Ander Santos 13:41 Infantil (2.400m): 1. Mikel Fernández 9:04 - 2.
    [Show full text]
  • IMPRESSIONEN IMPRESSIONS Bmw-Berlin-Marathon.Com
    IMPRESSIONEN IMPRESSIONS bmw-berlin-marathon.com 2:01:39 DIE ZUKUNFT IST JETZT. DER BMW i3s. BMW i3s (94 Ah) mit reinem Elektroantrieb BMW eDrive: Stromverbrauch in kWh/100 km (kombiniert): 14,3; CO2-Emissionen in g/km (kombiniert): 0; Kraftstoffverbrauch in l/100 km (kombiniert): 0. Die offi ziellen Angaben zu Kraftstoffverbrauch, CO2-Emissionen und Stromverbrauch wurden nach dem vorgeschriebenen Messverfahren VO (EU) 715/2007 in der jeweils geltenden Fassung ermittelt. Bei Freude am Fahren diesem Fahrzeug können für die Bemessung von Steuern und anderen fahrzeugbezogenen Abgaben, die (auch) auf den CO2-Ausstoß abstellen, andere als die hier angegebenen Werte gelten. Abbildung zeigt Sonderausstattungen. 7617 BMW i3s Sportmarketing AZ 420x297 Ergebnisheft 20180916.indd Alle Seiten 18.07.18 15:37 DIE ZUKUNFT IST JETZT. DER BMW i3s. BMW i3s (94 Ah) mit reinem Elektroantrieb BMW eDrive: Stromverbrauch in kWh/100 km (kombiniert): 14,3; CO2-Emissionen in g/km (kombiniert): 0; Kraftstoffverbrauch in l/100 km (kombiniert): 0. Die offi ziellen Angaben zu Kraftstoffverbrauch, CO2-Emissionen und Stromverbrauch wurden nach dem vorgeschriebenen Messverfahren VO (EU) 715/2007 in der jeweils geltenden Fassung ermittelt. Bei Freude am Fahren diesem Fahrzeug können für die Bemessung von Steuern und anderen fahrzeugbezogenen Abgaben, die (auch) auf den CO2-Ausstoß abstellen, andere als die hier angegebenen Werte gelten. Abbildung zeigt Sonderausstattungen. 7617 BMW i3s Sportmarketing AZ 420x297 Ergebnisheft 20180916.indd Alle Seiten 18.07.18 15:37 AOK Nordost. Beim Sport dabei. Nutzen Sie Ihre individuellen Vorteile: Bis zu 385 Euro für Fitness, Sport und Vorsorge. Bis zu 150 Euro für eine sportmedizinische Untersuchung.
    [Show full text]
  • El Ritmo De Las Palabras: Concha Buika
    MUSIC El ritmo de las palabras: NEW YORK Concha Buika Wed, June 17, 2015 7:00 pm Venue Instituto Cervantes, 211 East 49th Street, New York, NY 10017 View map Phone: 212-308-7720 Admission Free admission, limited seating. RSVP required at [email protected] by Tuesday, June 16. More information Instituto Cervantes New York The Spanish Grammy winning artist Concha Buika will Credits ‘perform’ poems, stories and chants from her recent book, A Organized by the Consulate general of Spain in New York, Instituto los que amaron a mujeres difíciles y acabaron por soltarse. Cervantes New York and Books & Books. Born in Palma de Mallorca, Spain, as the daughter of African parents and hailed as a star in contemporary world music, jazz, flamenco, and fusion, Buika posesses a unique blend of influences as well as a remarkable voice –raw and smoky, but with a tenderness that hits right at the heart, vibrantly deploying her rich, sensual and husky instrument. In 2011, NPR listed her spellbinding sound among its 50 Great Voices, calling hers the voice of freedom. She has received multiple awards and nominations, such as Latin Grammys for Best Album and Best Production for Niña de Fuego and Best Traditional Tropical Album for El Último Trago, and she was nominated again in 2014 for Record of the Year for La Noche Más Larga and for Best Latin Jazz Album at the 2014 Grammy Awards. Book purchase necessary to attend. Book signing after the event. Embassy of Spain – Cultural Office | 2801 16th Street, NW, Washington, D.C. 20009 | Tel: (202) 728-2334 View this event online: https://www.spainculture.us/city/new-york/el-ritmo-de-las-palabras-concha-buika/ Created on 09/27/2021 | Page 1 of 1.
    [Show full text]
  • Iaaf World Half Marathon Championships Kavarna 2012 Facts & Figures
    IAAF WORLD HALF MARATHON CHAMPIONSHIPS KAVARNA 2012 FACTS & FIGURES Incorporating the IAAF World Half Marathon Championships (1992-2005/2008- 2010) & the IAAF World Road Running Championships 2006/2007 Past Championships...............................................................................................1 Past Medallists .......................................................................................................1 Overall Placing Table..............................................................................................5 Most Medals Won...................................................................................................6 Youngest & Oldest..................................................................................................7 Most Appearances by athlete.................................................................................7 Most Appearances by country................................................................................8 Competitorʼs Index ...............................................................................................10 World Road Race Records & Best Performances ...............................................33 Progression of World Record & Best Performances at Half Marathon ................35 KAVARNA 2012 ★ FACTS & FIGURES/PAST CHAMPS & MEDALLISTS 1 PAST CHAMPIONSHIPS –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– These totals have been adjusted from those previously published so that athletes entered for the championships
    [Show full text]
  • Estrella Morente Lead Guitarist: José Carbonell "Montoyita"
    Dossier de prensa ESTRELLA MORENTE Vocalist: Estrella Morente Lead Guitarist: José Carbonell "Montoyita" Second Guitarist: José Carbonell "Monty" Palmas and Back Up Vocals: Antonio Carbonell, Ángel Gabarre, Enrique Morente Carbonell "Kiki" Percussion: Pedro Gabarre "Popo" Song MADRID TEATROS DEL CANAL – SALA ROJA THURSDAY, JUNE 9TH AT 20:30 MORENTE EN CONCIERTO After her recent appearance at the Palau de la Música in Barcelona following the death of Enrique Morente, Estrella is reappearing in Madrid with a concert that is even more laden with sensitivity if that is possible. She knows she is the worthy heir to her father’s art so now it is no longer Estrella Morente in concert but Morente in Concert. Her voice, difficult to classify, has the gift of deifying any musical register she proposes. Although strongly influenced by her father’s art, Estrella likes to include her own things: fados, coplas, sevillanas, blues, jazz… ESTRELLA can’t be described described with words. Looking at her, listening to her and feeling her is the only way to experience her art in an intimate way. Her voice vibrates between the ethereal and the earthly like a presence that mutates between reality and the beyond. All those who have the chance to spend a while in her company will never forget it for they know they have been part of an inexplicable phenomenon. Tonight she offers us the best of her art. From the subtle simplicity of the festive songs of her childhood to the depths of a yearned-for love. The full panorama of feelings, the entire range of sensations and colours – all the experiences of the woman of today, as well as the woman of long ago, are found in Estrella’s voice.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Flamenco Jazz: an Analytical Study
    City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2016 Flamenco Jazz: an Analytical Study Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/306 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Journal of Jazz Studies vol. 11, no. 2, pp. 29-77 (2016) Flamenco Jazz: An Analytical Study Peter Manuel Since the 1990s, the hybrid genre of flamenco jazz has emerged as a dynamic and original entity in the realm of jazz, Spanish music, and the world music scene as a whole. Building on inherent compatibilities between jazz and flamenco, a generation of versatile Spanish musicians has synthesized the two genres in a wide variety of forms, creating in the process a coherent new idiom that can be regarded as a sort of mainstream flamenco jazz style. A few of these performers, such as pianist Chano Domínguez and wind player Jorge Pardo, have achieved international acclaim and become luminaries on the Euro-jazz scene. Indeed, flamenco jazz has become something of a minor bandwagon in some circles, with that label often being adopted, with or without rigor, as a commercial rubric to promote various sorts of productions (while conversely, some of the genre’s top performers are indifferent to the label 1). Meanwhile, however, as increasing numbers of gifted performers enter the field and cultivate genuine and substantial syntheses of flamenco and jazz, the new genre has come to merit scholarly attention for its inherent vitality, richness, and significance in the broader jazz world.
    [Show full text]
  • Towards an Ethnomusicology of Contemporary Flamenco Guitar
    Rethinking Tradition: Towards an Ethnomusicology of Contemporary Flamenco Guitar NAME: Francisco Javier Bethencourt Llobet FULL TITLE AND SUBJECT Doctor of Philosophy. Doctorate in Music. OF DEGREE PROGRAMME: School of Arts and Cultures. SCHOOL: Faculty of Humanities and Social Sciences. Newcastle University. SUPERVISOR: Dr. Nanette De Jong / Dr. Ian Biddle WORD COUNT: 82.794 FIRST SUBMISSION (VIVA): March 2011 FINAL SUBMISSION (TWO HARD COPIES): November 2011 Abstract: This thesis consists of four chapters, an introduction and a conclusion. It asks the question as to how contemporary guitarists have negotiated the relationship between tradition and modernity. In particular, the thesis uses primary fieldwork materials to question some of the assumptions made in more ‘literary’ approaches to flamenco of so-called flamencología . In particular, the thesis critiques attitudes to so-called flamenco authenticity in that tradition by bringing the voices of contemporary guitarists to bear on questions of belonging, home, and displacement. The conclusion, drawing on the author’s own experiences of playing and teaching flamenco in the North East of England, examines some of the ways in which flamenco can generate new and lasting communities of affiliation to the flamenco tradition and aesthetic. Declaration: I hereby certify that the attached research paper is wholly my own work, and that all quotations from primary and secondary sources have been acknowledged. Signed: Francisco Javier Bethencourt LLobet Date: 23 th November 2011 i Acknowledgements First of all, I would like to thank all of my supervisors, even those who advised me when my second supervisor became head of the ICMuS: thank you Nanette de Jong, Ian Biddle, and Vic Gammon.
    [Show full text]
  • Buika Vocals Dani De Morón Guitar Ramón Porrina Cajon Jose Manuel «Popo» Posada Oviedo Double Bass
    Autour du monde Lundi / Montag / Monday 23.03.2015 20:00 Grand Auditorium Buika vocals Dani de Morón guitar Ramón Porrina cajon Jose Manuel «Popo» Posada Oviedo double bass ~90’ sans entracte / ohne Pause Dans le cadre du «Printemps musical – Festival de Luxembourg» Coopération avec Luxembourg City Tourist Office, Events & Culture (LCTO) Buika & Band Richard Robert En 2008, sur la pochette de son album «Niña de fuego», Concha Buika, née María Concepción Balboa Buika, pose nue, assise de trois quarts dos, sa chevelure de jais tombant en éclaboussures sur la roche noire de ses épaules, telle une Vénus africaine sor- tant du bain. Aux journalistes qui viennent alors l’interviewer, l’Espagnole originaire de Guinée équatoriale, dans l’un de ces rires carnassiers qui, à intervalles réguliers, dévorent la fin de ses phrases, a coutume d’expliquer qu’elle a préféré se rhabiller pour partir à leur rencontre. Avant d’ajouter que c’est dans l’art du chant qu’elle aime avant tout s’exhiber dans le plus simple appa- reil. «La musique est le dernier endroit où j’ai envie de me travestir et de mentir, déclare-t-elle ainsi. Dans la vie, il existe plein de circonstances dans lesquelles je ne trouve pas nécessaire de dire la vérité. Mais quand je chante, je n’ai pas d’autre choix que de me dévoiler. La musique me per- met d’accéder à une certaine forme de liberté intérieure, que je chéris par- dessus tout et que je ne pourrais pas atteindre par le biais du mensonge.» Dans d’autres bouches, ces propos pourraient aisément passer pour une banale profession de foi, entonnée sur l’air mille fois rebattu de «Je suis forcément une grande chanteuse, puisque je vous ouvre mon cœur.» Mais il n’y a pas de chantage à la sincérité chez Buika, dont la voix granuleuse et perforante s’est forgée loin des scènes et des projecteurs, au contact brûlant du flamenco des gitans de Palma de Majorque, la ville où elle est née et a grandi, avant de s’acérer encore un peu plus à la flamme du blues, du funk ou de la soul.
    [Show full text]
  • FDLI Library
    FLAMENCO CD of the Month Club FREE TO FLAMENCO DE LA ISLA MEMBERS *A list of CD’s and the Library Waiver Form are available on our website: www.flamencodelaisla.org under “Members Info” **You may request a particular CD, but please give the librarian a few days prior notice for special requests. FLAMENCO DE LA ISLA SOCIETY RESOURCE LIBRARY DVDs DVD Title: Approx. Details length: Arte y Artistas Flamencos 0:55 Eva La Yerbabuena; Sara Baras; Beatriz Martín Baile Flamenco 1:30 Joaquin Grilo – Romeras; Concha Vargas – Siguiriyas; Maria Pagés – Garrotín; Lalo Tejada – Tientos; Milágros Mengíbar – Tarantos; La Tona – Caracoles; Ana Parilla – Soleares; Carmelilla Montoya - Tangos Bulerías (mixed) 1:22 Caminos Flamenco Vol. 1 1:08 Caminos Flamenco Vol. 2 0:55 Carlos Saura’s Carmen 1:40 Antonio Gades, Laura del Sol, Paco de Lucia Familia Carpio 1:12 Flamenco 1:40 Carlos Saura Flamenco at 5:15 0:30 National Ballet School of Canada Flamenco de la Luz 1:45 Flamenco de la Luz; Una Noche de la Luz; Women artists Gracia del Baile Flamenco 0:40 Gyspy Heart 0:45 Joaquin Cortés y Pasiόn Gitana 1:38 La Chana 0:45 Latcho Drome 1:40 The Life and music of Manuel de Falla 1:15 Montoyas y Tarantos 1:40 Noche Flamenca 0:55 Noche Flamenca Vol. 5 1:00 Nuevo Flamenco Ballet Fury 1:11 Paco Peña’s Misa Flamenco 0:52 "Unique combination of the religious Mass and Flamenco singing and dancing…" [cover] Queen of the Gypsies - Carmen Amaya 1:40 Rito y Geografía del Baile Vol.
    [Show full text]