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Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
New Pulp-Related Books and Periodicals Available from Michael Chomko for July 2008
New pulp-related books and periodicals available from Michael Chomko for July 2008 In just two short weeks, the Dayton Convention Center will be hosting Pulpcon 37. It will begin on Thursday, July 31 and run through Sunday, August 3. This year’s convention will focus on Jack Williamson and the 70 th anniversary of John Campbell’s ascension to the editorship of Astounding. There will be two guests-of-honor, science-fiction writers Larry Niven and Jerry Pournelle. Another highlight will be this year’s auction. It will feature many items from the estate of Ed Kessell, one of the guiding lights of the first Pulpcon. Included will be letters signed by Walter Gibson, E. Hoffmann Price, Walter Baumhofer, and others, as well as a wide variety of pulp magazines. For further information about Pulpcon 37, please visit the convention’s website at http://www.pulpcon.org/ Another highlight of Pulpcon is Tony Davis’ program book and fanzine, The Pulpster . As usual, I’ll be picking up copies of the issue for those of you who are unable to attend the convention. If you’d like me to acquire a copy for you, please drop me an email or letter as soon as possible. My addresses are listed below. Most likely, the issue will cost about seven dollars plus postage. For those who have been concerned, John Gunnison of Adventure House will be attending Pulpcon. If you plan to be at Pulpcon and would like me to bring along any books that I am holding for you, please let me know by Friday, July 25. -
Nelson Slade Bond Collection, 1920-2006
Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2006 0749: Nelson Slade Bond Collection, 1920-2006 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the Fiction Commons, Intellectual History Commons, Playwriting Commons, and the Social History Commons Recommended Citation Nelson Slade Bond Collection, 1920-2006, Accession No. 2006/04.0749, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 0 REGISTER OF THE NELSON SLADE BOND COLLECTION Accession Number: 2006/04.749 Special Collections Department James E. Morrow Library Marshall University Huntington, West Virginia 2007 1 Special Collections Department James E. Morrow Library Marshall University Huntington, WV 25755-2060 Finding Aid for the Nelson Slade Bond Collection, ca.1920-2006 Accession Number: 2006/04.749 Processor: Gabe McKee Date Completed: February 2008 Location: Special Collections Department, Morrow Library, Room 217 and Nelson Bond Room Corporate Name: N/A Date: ca.1920-2006, bulk of content: 1935-1965 Extent: 54 linear ft. System of Arrangement: File arrangement is the original order imposed by Nelson Bond with small variations noted in the finding aid. The collection was a gift from Nelson S. Bond and his family in April of 2006 with other materials forwarded in May, September, and November of 2007. -
Peter Harringtonlondon We Are Exhibiting at These Fairs
Modern Literature Peter Harringtonlondon We are exhibiting at these fairs: 30 June–6 July 2016 (Preview 29 June) masterpiece The Royal Hospital Chelsea www.masterpiece.com 1–2 October pasadena Antiquarian Book, Print, Photo and Paper Fair Pasadena Convention Center www.bustamante-shows.com 8–9 October seattle Antiquarian Book Fair Seattle Center www.seattlebookfair.com 28–30 October boston Hynes Convention Center www.bostonbookfair.com All items from this catalogue are on display at Dover Street 4–5 November chelsea Chelsea Old Town Hall www.chelseabookfair.com Full details of all these are available at www.peterharrington.co.uk/bookfairs where there is also a form to request us to bring items for your inspection at the fairs VAT no. gb 701 5578 50 Front cover illustration from Jane Bowles’ Two Serious Ladies, item 20. Illustration opposite from Tennessee Williams’s A Streetcar Named Desire, item 230. Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Design: Nigel Bents; Photography Ruth Segarra. Registered in England and Wales No: 3609982 Peter Harrington london catalogue 121 modern literature All items from this catalogue are on display at Dover Street mayfair chelsea Peter Harrington Peter Harrington 43 Dover Street 100 Fulham Road London w1s 4ff London sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday www.peterharrington.co.uk All items are fully described and photographed at peterharrington.co.uk 1 ADAMS, Douglas. -
Popular Culture Association - Pulp Studies Area
H-Announce Popular Culture Association - Pulp Studies Area Announcement published by Jason Ray Carney on Wednesday, September 23, 2020 Type: Conference Date: June 6, 2021 Location: United States Subject Fields: American History / Studies, Cultural History / Studies, Humanities, Literature, Popular Culture Studies POPULAR CULTURE ASSOCIATON -- PULP STUDIES AREA Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper. They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content. They were sold at a price the working classes could afford, though they were popular with all classes. The earlier magazines, such asAll-Story , were general fiction magazines, though later they diversified and helped solidify many of the genres we are familiar with today, including western, detective, science fiction, fantasy, horror, romance, and sports fiction. The first pulp, Argosy, began life as the children’s magazine, The Golden Argosy, dated December 2nd, 1882 and the last of the “original” pulps was Ranch Romances and Adventures, November of 1971. Despite the limited historical range of the pulpwood magazine form, the “pulp aesthetic” continues to influence popular culture today. With this in mind, we are calling for presentations for the National PCA/ACA Conference that discuss the pulps and their legacy. Magazines: Weird Tales, Amazing Stories, Wonder Stories, Fight Stories, All-Story, Argosy, Thrilling Wonder Stories, Spicy Detective, Ranch Romances and Adventures, Oriental Stories/Magic Carpet Magazine, Love Story, Flying Aces, Black Mask, and Unknown, to name a few. Editors and Owners: Street and Smith (Argosy), Farnsworth Wright (Weird Tales), Hugo Gernsback (Amazing Stories), Mencken and Nathan (Black Mask), John Campbell (Astounding). -
Literature & Science Fiction Illustrated & Children's Books Fine Books In
Sale 444 Thursday, January 6, 2011 1:00 PM Literature & Science Fiction Illustrated & Children’s Books Fine Books in All Fields Auction Preview Tuesday, January 4 - 9:00 AM to 5:00 PM Wednesday, January 5 - 9:00 AM to 5:00 PM Thursday, January 6 - 9:00 AM to 1:00 PM Or by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
January 2020 Magic Man Jose K. Sanchez
Tightbeam 304 January 2020 Magic Man Jose K. Sanchez Tightbeam 304 January 2020 The Editors are: George Phillies [email protected] 48 Hancock Hill Drive, Worcester, MA 01609. Jon Swartz [email protected] Art Editors are Angela K. Scott, Jose Sanchez, and Cedar Sanderson. Anime Reviews are courtesy Jessi Silver and her site www.s1e1.com. Ms. Silver writes of her site “S1E1 is primarily an outlet for views and reviews on Japanese animated media, and occasionally video games and other entertainment.” Regular contributors include Declan Finn, Jim McCoy, Pat Patterson, Tamara Wilhite, Chris Nuttall, Tom Feller, and Heath Row. Declan Finn’s web page de- clanfinn.com covers his books, reviews, writing, and more. Jim McCoy’s reviews and more appear at jimbossffreviews.blogspot.com. Pat Patterson’s reviews ap- pear on his blog habakkuk21.blogspot.com and also on Good Reads and Ama- zon.com. Tamara Wilhite’s other essays appear on Liberty Island (libertyislandmag.com). Chris Nuttall’s essays and writings are seen at chrishang- er.wordpress.com and at superversivesf.com. Regular short fiction reviewers Greg Hullender and Eric Wong publish at RocketStackRank.com. Cedar Sanderson’s reviews and other interesting articles appear on her site www.cedarwrites.wordpress.com/ and its culinary extension . Tightbeam is published approximately monthly by the National Fantasy Fan Federation and distributed electronically to the membership. The N3F offers four different memberships. Memberships with The National Fantasy Fan (TNFF) via paper mail are $18; memberships with TNFF via email are $6. Zines other than TNFF are email only. Additional memberships at the address of a current member are $4. -
Fantasy & Science Fiction V023n03
THEODORE STURGEON ISSUE THE MA GA2INE 0 F Fantasi; and Science Fiction WHEN YOU CARE, WHEN YOU LOVE a novelet by THEODORE STURGEON JUDITH MERRIL JAMES BUSH EVELYN E. SMITH JAMES H. SCHMITZ KIT REED fMi .M" ^ Including Venture Science Fiction When You Care, When You Love (.novelet) THEODORE STURGEON 6 Theodore Sturgeon’s Macrocosm JAMES BLISH 42 Theodore Sturgeon JUDITH MERRIL 46 Fantasy and Science Fiction by Theodore Sturgeon (bibliography) SAM moskowitz 56 Martian Mouse ROBIN STURGEON 62 They Also Serve EVELYN E. SMITH 63 Ferdinand Feghoot: LIV GRENDEL BRIARTON 82 Myrrha GARY JENNINGS 83 Science: The Shape of Things ISAAC ASIMOV 89 The New You KIT REED 100 The Devil’s God-daughter SUZANNE MALAVAL no These Are the Arts JAMES H. SCHMITZ 113 Editorial 4 In this issue . , . Coming soon 5 F&SF Marketplace 129 Cover by Ed Emsh The Magazine of Fantasy and Science Fiction, Volume 23, No. 3, Whole No. 136, Sept. 1902. Published monthly by Mercury Press, Inc., at 40t a copy. Annual subscription $4.50 in U. S. and Possessions, $5.00 in Canada and the Pan American Union; $5.50 in all other countries. Publication office, 10 Ferry Street, Concord, N. H. Editorial and general mail should he sent to 347 East 53rd St., New York 22, N. Y. Second Class postage paid at Concord, N. H. Printed in U. S. A. © 1962 by Mercury Press, Inc. All rights, including translations into other languages, reserved. Submissions must be accom- panied by stamped, self-addressed envelopes; the Publisher assumes no responsibility for return of XinsoHcited manuscripts* Joseph IV. -
Fiction Flights in Space & Time
20 Fiction Flights in Space & Time S.-F. Roundup These are the books that Mr. Pratt discusses in the accompanying arti cle: FLETCHER PRATT THE BLIND SPOT. By Austin Hall and Homer Eon Flint. Philadelphia: Prime Press. $3.50. SEEDS OF LIFE. By John Taine.' Read ing, Penna.: Fantasy Press. $2.75. ET's face it: the leading drawback perfectly aware that a story should TOMORROW AND TOMORROW AND THE from which science-fiction cur progress from point A to point B, not FAIRY CHESSMAN. By Lewis Padgett. I rently suffers is bad writing. This merely move from situation to situa New York: Gnome Press. $2.75. SLAN. By A. E. Van Vogt, New York: is, of course, traceable to the fact tion until the author is ready to write Simon & Schuster. $2.50. the the form is firmly rooted in the 30. He has proved it on numerous TIME AND AGAIN. By Clifford D. pulps, but not for the reason a super occasions, especially in the domain of Simak. New York: Simon & Schuster. ficial glance would suggest, that the $2.50. fantasy. But the constant demand of SEETEE SHIP. By Will Stewart. New pulps are storehouses of bad writing. the science-fiction magazines for new, York: Gnome Press. $2.75. After all, H. G. Wells and Arnold Ben not merely carefully worked out, sci GRAY LENSMAN. By Edward E. Smith. nett were published in pulp maga Reading, Penna.: Fantasy Press. $3. entific principles has caused those BULLARD OF THE SPACE PATROL. By zines, and so was C. S. Forester's "Cap principles to become intricate and ab Malcolm Jameson. -
Speculative Fiction for the Future of Man and Civilization
Speculative Fiction for the Future of Man and Civilization Bogdan Trocha1 Doctor of Science (Philology), Professor, University of Zielona Góra (Zielona Góra, Poland) E-mail: [email protected] https://orcid.org/0000-0003-2348-4813 The main thesis of the article is the comparison of speculative fiction with the challenges facing modern man. Introductory questions are two issues. How can fantasy become the subject of cultural reflection on the future of human civilization? Can contemporary speculative fistion act as an instructional story about the unknown? The author indicates several basic models of using speculative fiction. However, it limits itself to creating an introductory canon, which is associated with literary speculations regarding the impact of man and technology on the future of civilization. Keywords: myth, speculative fiction, political fiction, space opera, postapocalyptic fiction, ecological science fiction Received: September 11, 2019; accepted: October 5, 2019 Future Human Image, Volume 12, 2019: 104-114. https://doi.org/10.29202/fhi/12/9 In the face of the unknown — in search of model stories: myth, fantasy, speculative fiction The notion of speculative fiction has been firmly established in popular culture for many years. However, while it is very easy to point to the essential features of the poetics of this type of novel, it is much more difficult to point to the cultural paradigm from which both speculative fiction and the need to use this type of poetics stems. The foundations of this type of cognitive and creative procedures should be found in two aspects of the human condition. The first one is certainly the aspiration to discover the sense of everything that man experiences in various ways in the world around him. -
About This Volume Gary Hoppenstand
About This Volume Gary Hoppenstand Much has been published over the past several decades about both the pulpPaJa]ine ¿ction oI the s and s and Weird Tales, one of the Post faPous and inÀuential pulps to have been published durinJ this tZodecade period 7he dif¿cult\ of editinJ a voluPe that both brieÀ\ outlines the heiJht of the pulpPaJa]ine era and speci¿call\ examines an important title of this era was in deciding what to exclude, rather than what to include. M\ solution to the dilemma was to provide a timeline of popular ¿c- tion following the Industrial Revolution and leading up to the pulps. I wanted to discuss the cultural and social dynamics of the invention and evolution of popular ¿ction over a period of approximately years in both England and the United States, being sure to cover such topics as social class, education, the rise of the city, and printing technology as important elements of the discussion. I also wanted to cover the historical sequence of working-class ven- ues for popular ¿ction that led to the creation of the pulp maga]ines in general and Weird Tales speci¿cally. It is important for the contempo- rary reader to understand that historical sequence and to realize that publications such as Weird Tales did not spring fully grown onto the newsstand without an extended lineage. Beginning with the story pa- pers and penny dreadfuls and leading up to the dime novels and early decades of the pulps, each iteration of working-class popular ¿ction was essential in leading to the conception of the next iteration. -
Fantasy Review Would Long Since Have Given up the Struggle
FA NI TASY REV It VV Vol. III. No. 15 ONE SHILLING SUMMER'49 EXTENSION In discussing the disproportionate production costs which hamper any publishing venture catering for a limited circle of readers, Mr. August Derleth, editor and publisher of The Arkham Sampler, announces the imminent suspension oI that valuable periodical. Which prompts us to point out that, had it been launched as a proflt-making proposition, Fantasy Review would long since have given up the struggle. Only the continued support of its advertisers-which made it possible in the flrst place-has enabled ii to survive and' encouraged by the tangible entirusiasm of its comparatively small number of subscribers, develop into somet'hing more substantial than it was in its first two years of life. The letters we have published since its enlargement give evidence of the desire of its readers for more frequent publication; and we wish we were in a position to respond to this demand. Instead of which, due to production difficulties which we are powerless to resolve at present. $e have to announce that it becomes necessary for us to issue Fa.ntasy Review a,t quarterly intervals, as a temporary measure. OnIy thus can we contrive to maintain both the standard of contents and regularlty of appearance which have made its reputation, and at the same time embark on the further development which is essential to its progress in other respects. At first sight, this might seem a retrogressive step. But although subscribers must now wait longer for each lssue' they wi]I soon be aware of the improvements which the less frequent publishing schedule will permit us to introduce as from the next (Autumn, '49) issue, which will see a modiflcation in the title of this journal the better to convey the greater seope of its a$icles and features.