ATO, Roots Engage Inroofdeck Scuffle

Total Page:16

File Type:pdf, Size:1020Kb

ATO, Roots Engage Inroofdeck Scuffle MIT's The Weather Oldest and Largest Today: Wann and dry, 77°F (25° ) Tonight: Clear, cool, 57°F (14° ) ewspaper Tomorrow: Hot and dry, 83°F (2 ° ) Details Page 2 Volume 121, umber 22 ATO, Roots Engage InRoofdeck Scuffle By Bnan Loux, Shankar or Jag, a guest performer with The Mukherji, and Jennifer Young Roots, proceeded to yell at the peo- STAFF REPORTERS ple on the roofdeck from the side- Racially charged language walk. As the verbal argument con- sparked a physical altercation last tinued, a member of the fraternity friday between members of the hip- approached the edge of the deck and hop band The Roots and the Alpha shouted an inflammatory comment Tau Omega fraternity. to Jaguar. At a meeting held yesterday, An infuriated Jaguar then Senior A sociate Dean Robert M. entered the house, grabbed a large Randolph said that ATO has been spoon from the ATO kitchen, and suspended by the administration ran up the stairs. he wa closely pending a resolution of the conflict. followed by The Roots' lead rapper, Furthermore, two members of ATO known as Black Thought. Upon have been suspended from the fra- reaching the roofdeck, Jaguar ternity. reportedly threatened those present, Under a preliminary agreement asking for the identity of whom she between the administration and had heard. "She was very angry," ATO, the fraternity will undergo said Lorien M. Paulson '02, who sensitivity training and sponsor a was on the roofdeck at the time. campus symposium on cultural "She shouted at everyone on the diversity during orientation. Addi- roof deck, particularly ones near the tionally, the Interfraternity Council ledge." will report the incident to the Cam- Soon thereafter, Black Thought bridge License Commission. appeared on the roof deck, and more The incident began early in the angry words were exchanged. NATHAN COLLiNS-THE TECH afternoon as an unregistered party Reports confirmed that the two Assistant Dean Carol Orme-Johnson (center right) speaks with Jaguar (left, front) and members of the was held on the roofdeck of the groups traded curses. Roots outside of Alpha Tau Omega Friday afternoon. ATO house in Cambridge. Thereafter the situation quickly Sometime around 5 p.m., mem- deteriorated into a physical scuffle as thrown whatsoever ... one member Thought suffering a kick to the nications report states "there [are] bers of the band The Roots were an ATO brother attempted to restrain stepped forward to restrain a mem- head. The fighting was broken up weapons & 50 people involved," escorted to the ATO house. At this the lead rapper of The Roots. ber from the Roots and they became soon after it started. One member of though no weapon were actually time, a brother on the roofdeck ATO President Erik M. Glover locked up." The Roots and one member of ATO involved. Officers from the Cam- shouted a comment to the members '02 said, "The scuffle involved four The physical confrontation left agreed to call 911. Emergency dis- bridge police department arrived of the band. Upon hearing this, people, two from A TO and two an ATO brother with welt marks patch received the call at 5:57 p.m. female performer known as Jaguar, from the Roots. No punches were from Jaguar's spoon and with Black The Cambridge emergency commu- ATO, Page 20 ROTC Celebrates Pass in Review Julia M. Carpenter Julia M. Carpenter, a ophomore in chemi- This Year's Event Runs Smoothly, Fails to Draw Expected Protests cal engineering was found dead in her Ran- dom Hall dormitory room early Monday morn- By Vicky Hsu ing. She was 20 years old. STAFF REPORTER "Julie was definitely very outgoing and The annual MIT Reserve Officer friendly happy talking to people," said Matthew Training Corps Tri-service Presi- S. Cain '02, pre ident of Random Hall. 'Her dential Pass "inReview took place at death took us all completely by surprise." Berry Field on Friday afternoon. Carpenter was a member of Alpha Chi Sigma "This is one of the best conduct- (AXE) a professional chemistry fraternity. Last ed ceremonies I have ever attend- year he rowed for the women' crew team. Jul1a M. Carpenter ed," said retired U.S. Army Major XE Pre ident Karla E. Maguire '01 Robert Winterhalter. Winterhalter described Carpenter as "a very vibrant person. ... he was always praised "the, discipline of the volunteering to do things, and she was always in a positive mood." troops, the exactness of the commu- " he was very active and enthu iastic in our club," aid AXE nication between officers and staff, Treasurer Dan Lowrey '02. "We will mis her a lot." and the precision of the maneu- Random Hall Housemaster ina Davis-Millis said Carpenter had vers." gone out for dim-sum on Sunday and attended a birthday party on the The pass in review is a long- Random Hall roofdeck that evening. standing military tradition that "We were just tunned [by the news of Carpenter's death]," began as a way for a newly assigned Davis-Millis said. " he was making plans for the summer. ... he commander to inspect his troops. was happy and filled with life." Vi iting officers and guest speakers "She always had omething to ay that would brighten up some- are al 0 invited to review the troop . one' day," said Jenny Lee '02, another member of AXE. "Each [military branch] hosts a Carpenter's roommate found her unconscious on the floor of their lot of individual events. The tri- er- room at about 2:30 a.m, Monday. Da i -Milli ummoned Campus vice ceremony brings all the ser- Police, who confirmed that Carpenter was dead. There were no igns vices together a a military," said of foul play, according to Campu Police. The iddlesex County Melanie S. Woo '03, an Air Force Medical Examiner is cheduled to perform an autopsy to determine ROTC cadet. the cause of death. The guest speaker at this year's Chief of ental Health ervice Peter Reich along with counsel- pass in review was retired U.S ing and support staff, met with Random Hall re idents ye terday Army Lieutenant General Jame afternoon to answer questions and offer COUll eling. Terry cott, who gave a short A graduate oftratford High chool in Houston, Texas, Carpenter speech on the field to commend and was an accomplished tudent and a talented musician who entertained encourage the troops. nursing home residents with violin performances when she was in The ceremony went smoothly, middle chool. SHlHAB ELBORAI-THE TECH with no materialization of a threat- Carpenter is survived by her parents, Timothy and Kay Carpenter, MIT Reserve Office Training Corps students parade in Briggs field as and her younger sister, Lindsay Ann Carpenter. part of the Tn-service Presidential Pass in Review last Friday. ROTC, Page 22 The Odyssey Comics The Tech interviews G C World & ation 2 Ball was one Pre ident- Elect Dilan A. Opinion 4 highlight of Seneviratne. Event Calendar 11 Spring Week- Arts 16 end. Sports 28 Page 14-15 Page 8 Page 25 Page 2 ay 1 2001 ORLD & NATION InHo Bush Consults ATO Allies p m THE WASHl 'GTON POST On Plans for Missile Defense Meeting through the weekend and all day onday ahead of a looming deadline, negotiators in Hollywood appeared to inch toward for consultations with Ru ia and the architecture (of the anti-mis ile ettling a labor di pute that threaten to idle much of the entertain- China and for cut in the U. system) goe .' ment indu try. nu lear ar enal to the lov est possi- Flei cher said Bu h made a After months of dread and panic, there was increasing optimism Pre ident Bu h phoned the lead- ble level,' the official aid. eries of call Monday about 10 that the studios and the Writer Guild of America would trike a deal er of four major allies and the ec- Bu h want 'to thin in a new minute each, to German Chancellor before 12:01 a.m. PDT Wedne day, when the current contract setting retary general of ATO ye terday direction about how to protect the Gerhard chroeder French Presi- alaries and working conditions for movie and tel vi ion writer to pre forward with plan for mi - United tat from rogue and acci- dent Jacques Chirac, Canadian e pires. ile defen e and to pre iew a dental mi sile launch in the po t- Prime Mini ter Jean Chretien, But there was little clear evidence to support the sunnier view, p ech he will deliver today arguing Cold ar era," said White Hou e Briti h Prime inister Tony Blair since neither the studios, represented by the Alliance of' orion Pic- that deterrence i no longer enough poke man Ari Flei cher. "Hi me- and ATO Secretary General ture and Televi ion Producers, nor the labor union has officially po- to protect again t po ible nuclear age to Russia is that the develop- George Robertson 'to begin the ken to the media since talks resumed pril 17. attacks, senior admini tration offi- ment of a mi ile defense system - con ultation proce s." The two sides have been arguing mainly over money; pecifically, cial aid. o we can think b yond the confine American "con ultation teams" the level of re idual payments that writers earn for work that appear In his p e h at the ational of the Cold War era - is the best will go to Europe next week, and in secondary outlets like cable, video DVD and foreign markets. Defense Univer ity, Bu h will call way to preserve the peace." the administration hopes to move They're also arguing over limiting the use of the prestigious "a film the Anti-Balli tic Missile Treaty a The peech is not expected to be talks forward by June, when Bush is by" credit for directors.
Recommended publications
  • Roots101art & Writing Activities
    Art & Writing Roots101Activities ART & WRITING ACTIVITIES 1 Roots-inspired mural by AIC students Speaker Box by Waring Elementary student "Annie's Tomorrow" by Annie Seng TABLE OF CONTENTS Introduction 2 Roots Trading Cards 3 Warm-ups 6 Activity #1: Also Known As 12 Activity #2: Phrenology Portrait 14 Activity #3: Album Cover Design 16 Activity #4: Musical Invention 18 Activity #5: Speaker Boxes 20 Activity #6: Self-Portrait on Vinyl 22 ART & WRITING ACTIVITIES 1 Through The Roots Mural Project, Mural Arts honors INTRODUCTION homegrown hip hop trailblazers, cultural icons, and GRAMMY® Award winners, The Roots. From founders Tariq “Black Thought” Trotter’s and Ahmir “?uestlove” Thompson’s humble beginnings at the Philadelphia High School for Creative and Performing Arts (CAPA), to their double digit recorded albums and EPs, to an endless overseas touring schedule, and their current position as house band on “Late Night with Jimmy Fallon” on NBC, The Roots have influenced generations of artists locally, nationally, and globally. As Mural Arts continues to redefine muralism in the 21st century, this project was one of its most ambitious and far-reaching yet, including elements such as audio and video, city-wide engagement through paint days, a talkback lecture series, and a pop-up studio. Working alongside SEFG Entertainment LLC and other arts and culture partners, Mural Arts produced a larger-than-life mural to showcase the breadth of The Roots’ musical accomplishments and their place in the pantheon of Philadelphia’s rich musical history. The mural is located at 512 S. Broad Street on the wall of World Communications Charter School, not far from CAPA, where The Roots were founded.
    [Show full text]
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
    [Show full text]
  • Rise up Sing out Shorts Announcement
    May 18, 2021 DISNEY JUNIOR TEAMS UP WITH QUESTLOVE AND BLACK THOUGHT FROM THE ROOTS FOR NEW ANIMATED SHORT SERIES 'RISE UP, SING OUT,' FOCUSED ON RACE, RACISM AND SOCIAL JUSTICE -- Produced in Collaboration With Academy Award®-Winning Lion Forge Animation -- As kids and parents continue to navigate and understand the current issues happening in our country and around the world, Disney Junior—home to the #1 preschool network— announced today the new animated short series "Rise Up, Sing Out." Presenting important concepts around race, racism and social justice for the youngest viewers, the series consists of music-based shorts that are designed to provide an inspiring and empowering message about noticing and celebrating differences and providing a framework for conversation. The shorts are slated to premiere later this year across all Disney Junior platforms. The shorts will feature music by Ahmir "Questlove" Thompson and Tariq "Black Thought" Trotter of the GRAMMY Award®-winning musical group The Roots, who are executive producing through their Two One Five Entertainment production company alongside Latoya Raveneau (Disney+'s highly anticipated "The Proud Family: Louder and Prouder"), who also serves as executive producer. The Conscious Kid, an organization dedicated to equity and promoting healthy racial identity development in youth, is consulting on the series and will develop a viewing companion guide for parents. "Rise Up, Sing Out" is produced in collaboration with Academy Award-winning animation studio Lion Forge Animation ("Hair Love") for Disney Junior. Photo credit for Black Thought and Questlove: @iamsuede Photo credit for Latoya Raveneau: Megan Raveneau Photos are available here.
    [Show full text]
  • Grolier, Europe 1 Launch
    FEBRUARY 12, 2000 Music Volume 17, Issue 7 £3.95 Gabrielleis on theRise, with her Go! Beat single bursting into the Eurochart Hot 100 this week as the Media® highest new entry. we tallerd M'ail.41:721_1_4C10 M&M chart toppers this week Grolier, Europe 1 launch 'Net venture Eurochart Hot 100 Singles by Emmanuel Legrand music -related offers and is presented Brunet, who has had a long career EIFFEL65 as "a free full -service portal for French in radio, and a stint in the music Move Your Body PARIS - Europe 1 Communication, one and European music" and a window forindustry as MD of BMG France in the (Bliss Co.) of Europe's leading radio groups, andnew talent and new musical trends. mid -'80s, says one of his goals with the European Top 100 Albums multimedia company Grolier Interac- MCity.fr managing Internet is to go back to the basics of tive-both part of Lagardere Group-director Claude Brunet radio, when the medium was a plat- SANTANA have established a major presence onsays the portal will be form for new talent. Supernatural theInternet with the February 2 open to all musical gen- Users will be able to (Arista) launch of MCity.fr, the first Frenchres with the aim of F.-access information on European Radio Top 50 music -only Internet portal, alongside "favouring creative, music and artists, use various services such as a directory of CHRISTINA AGUILERA 12 new on-line radio stations. quality music in partner- Designed by a team of 30 program-ship with all participants in the music 10,000 music sites, download music What A Girl Wants mers, DJs, producers and journalists,world-musicians, writers, producers,and also streamline the different 'Net (RCA) MCity.fr will provide a wide range oflabels, distributors and the media." continued on page 21 European Dance Traxx EIFFEL65 Move Your Body RAJARs reveal BBC boom (Bliss Co.) by Jon Heasman share of listening, compared to com- mercial radio's 46.7%, giving the BBC Inside M&M this week LONDON - The UK's commercial radio a 4.6% lead.
    [Show full text]
  • Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
    Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.
    [Show full text]
  • BLACK THOUGHT and BLACK REALITY Lou Turner
    BLACK THOUGHT AND BLACK REALITY A Critica~ Essay By Lou Turner I . Bwak Revolt vs. Bwck Studies It doesn't take a Black studies course in sociology to decipher what the May explosion in Miami revealed about the nature of the crisis in America, nor, in 1980, what relationship Miami has to the resurgence of Black mass revolt in South Africa during the June 16 anniversary of the 1976 Soweto rebellion. Yet, an earlier protest this year involving American Black youth at Harvard University demonstrating against the latest reorgani­ zation of the Black Studies Department very nearly appears to be in another world, separated from the economically depressed reality Black youth of Miami and Capetown, South Africe have shown they have every intention of transforming.! What drives the world of Black academia to face the Black reality of the ghetto is the inescapable totality of crises which demands that thought and activity not be kept in separate realms. Whether the crisis is spelled out as Carter's drive to war, the racist balance-the-budget-on-the-backs-of-the-poor hysteria, the imposition of an unprecedented draft registration in peace time or the struggle c;~ver the direction of Black studies, the crisis i s so deep that Black thought cannot be separated in an ivory tower from Black reality. The truth is that theory has been running a losing race with the reality that the mass of Black Americans live and vith the deep undercurrent of revolt that runs very near the surface of American society. Thus, the current debates over the inter­ pretation of Black history and culture in Black studies would seem far afield from the race and class struggles of Miami and South Africa were it nor for the fact that social upheavals com­ pel consciousness to break with its old categories of thought and create new ones, more intrinsically rooted in reality.
    [Show full text]
  • Abstract One Love: Collective Consciousness in Rap and Poetry
    Abstract One Love: Collective Consciousness in Rap and Poetry of the Hip-Hop Generation by Austin Harold Hart April, 2012 Thesis Director: John Hoppenthaler Major Department: English (Literature and Poetry) This study aims to offer an understanding of hip-hop culture through which three concepts are elucidated: (1) the existence and dimensions of a collective consciousness within rap and poetry of the hip-hop generation (Allison Joseph, A. Van Jordan, Terrance Hayes, Major Jackson, Taylor Mali, and Kevin Coval); (2) a poetics of rap—to parallel the influence seen/suggested among the selected poets; and (3) an analysis of the manner(s) in which the poetry of these more serious, academic artists reflects an influence of hip-hop culture. My thesis suggests that these poets are indeed influenced by the culture in which they grew up, and in their verse, this influence can be seen through linguistic playfulness, sonic density, layered meaning and usage through form and content, and the connection to a larger cultural, collective consciousness fed by specific social bodies. Poetic analysis, as well as studies of vernacular and oral traditions, has allowed me to explore these concepts and theories from a wider spectrum, and with regard to the work of the poets, an original perspective. Providing a deeper understanding of artists, their identities, places, and dreams within their work, this study begins to offer some insight into notions of the ways in which individuals might participate in cultural conservation. One Love: Collective Consciousness
    [Show full text]
  • Complete Book of Witchcraft Was Born When One of the Cavemen Threw on a Skin and Antlered Mask and Played the Part of the Hunting God, Directing the Attack
    INTRODUCTION Witchcraft is not merely legendary; it was, and is, real. It is not extinct; it is alive and prospering. Since the last laws against Witchcraft were repealed (as recently as the 1950s), Witches have been able to come out into the open and show themselves for what they are. And what are they? They are intelligent, community-conscious, thoughtful men and women of TODAY. Witchcraft is not a step backwards; a retreat into a more superstition-filled time. Far from it. It is a step forward. Witchcraft is a religion far more relevant to the times than the vast majority of the established churches. It is the acceptance of personal and social responsibility. It is acknowledgement of a holistic universe and a means towards a raising of consciousness. Equal rights; feminism; ecology; attunement; brotherly/sisterly love; planetary care—these are all part and parcel of Witchcraft, the old yet new religion. The above is certainly not what the average person thinks of in relation to "Witchcraft". No; the misconceptions are deeply ingrained, from centuries of propaganda. How and why these misconceptions came about will be examined later. With the spreading news of Witchcraft—what it is; its relevance in the world today—comes "The Seeker". If there is this alternative to the conventional religions, this modern, forward-looking approach to life known as "Witchcraft", then how does one become a part of it? There, for many, is the snag. General information on the Old Religion—valid information, from the Witches themselves—is available, but entry into the order is not.
    [Show full text]
  • Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.
    [Show full text]
  • The Future Is History: Hip-Hop in the Aftermath of (Post)Modernity
    The Future is History: Hip-hop in the Aftermath of (Post)Modernity Russell A. Potter Rhode Island College From The Resisting Muse: Popular Music and Social Protest, edited by Ian Peddie (Aldershot, Hampshire: Ashgate Publishing, 2006). When hip-hop first broke in on the (academic) scene, it was widely hailed as a boldly irreverent embodiment of the postmodern aesthetics of pastiche, a cut-up method which would slice and dice all those old humanistic truisms which, for some reason, seemed to be gathering strength again as the end of the millennium approached. Today, over a decade after the first academic treatments of hip-hop, both the intellectual sheen of postmodernism and the counter-cultural patina of hip-hip seem a bit tarnished, their glimmerings of resistance swallowed whole by the same ubiquitous culture industry which took the rebellion out of rock 'n' roll and locked it away in an I.M. Pei pyramid. There are hazards in being a young art form, always striving for recognition even while rejecting it Ice Cube's famous phrase ‘Fuck the Grammys’ comes to mind but there are still deeper perils in becoming the single most popular form of music in the world, with a media profile that would make even Rupert Murdoch jealous. In an era when pioneers such as KRS-One, Ice-T, and Chuck D are well over forty and hip-hop ditties about thongs and bling bling dominate the malls and airwaves, it's noticeably harder to locate any points of friction between the microphone commandos and the bourgeois masses they once seemed to terrorize with sonic booms pumping out of speaker-loaded jeeps.
    [Show full text]
  • Black Feminist Thought
    Praise for the first edition of Black Feminist Thought “The book argues convincingly that black feminists be given, in the words immor- talized by Aretha Franklin, a little more R-E-S-P-E-C-T....Those with an appetite for scholarese will find the book delicious.” —Black Enterprise “With the publication of Black Feminist Thought, black feminism has moved to a new level. Collins’ work sets a standard for the discussion of black women’s lives, experiences, and thought that demands rigorous attention to the complexity of these experiences and an exploration of a multiplicity of responses.” —Women’s Review of Books “Patricia Hill Collins’ new work [is] a marvelous and engaging account of the social construction of black feminist thought. Historically grounded, making excellent use of oral history, interviews, music, poetry, fiction, and scholarly literature, Hill pro- poses to illuminate black women’s standpoint. .Those already familiar with black women’s history and literature will find this book a rich and satisfying analysis. Those who are not well acquainted with this body of work will find Collins’ book an accessible and absorbing first encounter with excerpts from many works, inviting fuller engagement. As an overview, this book would make an excellent text in women’s studies, ethnic studies, and African-American studies courses, especially at the upper-division and graduate levels. As a meditation on the deeper implications of feminist epistemology and sociological practice, Patricia Hill Collins has given us a particular gift.” —Signs “Patricia Hill Collins has done the impossible. She has written a book on black feminist thought that combines the theory with the most immediate in feminist practice.
    [Show full text]
  • Uptown Conversation : the New Jazz Studies / Edited by Robert G
    uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
    [Show full text]