Government Initiatives IQ HAMILTON MEDIA
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Telling the Story of the Royal Navy and Its People in the 20Th & 21St
NATIONAL Telling the story of the Royal Navy and its people MUSEUM in the 20th & 21st Centuries OF THE ROYAL NAVY Storehouse 10: New Galleries Project: Exhibition Design Report JULY 2011 NATIONAL MUSEUM OF THE ROYAL NAVY Telling the story of the Royal Navy and its people in the 20th & 21st Centuries Storehouse 10: New Galleries Project: Exhibition Design Report 2 EXHIBITION DESIGN REPORT Contents Contents 1.0 Executive Summary 2.0 Introduction 2.1 Vision, Goal and Mission 2.2 Strategic Context 2.3 Exhibition Objectives 3.0 Design Brief 3.1 Interpretation Strategy 3.2 Target Audiences 3.3 Learning & Participation 3.4 Exhibition Themes 3.5 Special Exhibition Gallery 3.6 Content Detail 4.0 Design Proposals 4.1 Gallery Plan 4.2 Gallery Plan: Visitor Circulation 4.3 Gallery Plan: Media Distribution 4.4 Isometric View 4.5 Finishes 5.0 The Visitor Experience 5.1 Visuals of the Gallery 5.2 Accessibility 6.0 Consultation & Participation EXHIBITION DESIGN REPORT 3 Ratings from HMS Sphinx. In the back row, second left, is Able Seaman Joseph Chidwick who first spotted 6 Africans floating on an upturned tree, after they had escaped from a slave trader on the coast. The Navy’s impact has been felt around the world, in peace as well as war. Here, the ship’s Carpenter on HMS Sphinx sets an enslaved African free following his escape from a slave trader in The slave trader following his capture by a party of Royal Marines and seamen. the Persian Gulf, 1907. 4 EXHIBITION DESIGN REPORT 1.0 Executive Summary 1.0 Executive Summary Enabling people to learn, enjoy and engage with the story of the Royal Navy and understand its impact in making the modern world. -
Lancaster House Venue Hire
Lancaster House Venue Hire “I have come from my house to your palace” —Queen Victoria Steeped in political history, discover magnificent Lancaster House with fabulous Louis XIV style interiors, stunning art collection, beautiful terrace and garden. Situated adjacent to Buckingham Palace, this historic house provides an impressive setting and first-class facilities for your event, reception, conference or other special occasion. The Grand Hall and Staircase On entering the house through the portico, the Grand Hall opens up to reveal a sweeping staircase and balustrade, in an echo of the Palace of Versailles. Both features are part of architect’s Benjamin Wyatt’s original design. Over the past two centuries numerous high-profile occasions have taken place here, from society banquets to international summits and receptions. With its ornate ceiling, marble walls and beautiful frescoes, the Grand Hall is a wonderful location to hold receptions, with a capacity of 200 available to experience the splendour of Lancaster House. To enquire about booking the Grand Hall and other fine rooms contact the team on +44 (0)20 7008 2711 from 0800–1700 Monday to Friday or email lancasterhouse. [email protected]. The Long Gallery More than 35 metres in length, the Long Gallery dominates the whole of the east side of the house. With 18 windows and a large ornate skylight, the room is filled with natural light. Winston Churchill gave a Coronation Banquet for the newly crowned Queen Elizabeth II here in June 1953. Long Gallery maximum capacities Reception Boardroom Theatre-style Seated meal 350 60* 200 150 *plus a further 120 people seated beside and behind table The Music Room With windows opening onto a balcony and recesses flanked by Corinthian columns, the music room is the wonderful venue for meetings, press briefings or formal dinners. -
The Black Watch Museum and Home Headquarters
No. 102 November 2010 THE RED HACKLE Perth and Kinross is proud to be home to the Black Watch Museum and Home Headquarters Delivering Quality to the Heart of Scotland don’t lOSE YOUR VOICE - REGISTER TO VOTE In order to vote you must be registered as an elector. If you are not on the register your views and opinions will count for nothing at election time. You can and should register to vote if you are not already registered. If you have changed your name, please let us know. Members of HM Forces and their spouses or civil partners can register either by means of a service declaration or choose to be registered as an ordinary elector instead. Remember, 16 and 17 year olds who register are entitled to vote as soon as they turn 18. P.S. Did you know that registering to vote can do more than protect your democratic rights? It can also help you open a bank account or get a mortgage, loan or mobile phone. For information on registering to vote: Phone the Freefone Helpline on 0800 393783 e-mail: [email protected] or write to the Electoral Registration Officer, Moray House, 16-18 Bank Street, Inverness IV1 1QY HAVE YOUR SAY No. 102 42nd 73rd November 2010 THE RED HACKLE The Chronicle of The Black Watch (Royal Highland Regiment), its successor The Black Watch, 3rd Battalion The Royal Regiment of Scotland, The Affiliated Regiments and The Black Watch Association Private Sam Morgan receives his Afghanistan campaign medal during the visit or the Royal Colonel to Balhousie Castle on 1 June 2010. -
British Pa Inters Their Story and Their
H rTP S BRIT ISH PA INT ERS T H EIR ST O RY A ND T H EIR A RT J E . DGC UMBE ST A LEY A UT H OR OF WA TT EA U A ND H I S SCH OOL ET C . WIT H TWENTY -FO UR EXAMPLES IN C OLOUR O F T H EIR WO RK P RE FA C E “ BRI TI SH P A I NT E RS : Their Story and their Art l o f o f is a presentation, in popu ar form , the Story — - British Painting a well worn but never wearying t o Story , which for ever offers fresh charms young o ld and , and stirs in British hearts feelings of patriotism and delight . In a work o f the size of this volume it is im possible to d o more than lightly sketch the more sa lient features o f the glorious panorama o f seven hundred years . My purpose , in this compilation , —t o is threefold . First bring into stronger light the painting glories o f the earlier artists o f Britain many people are unfamiliar with the lives and s o f work of the precur ors Hogarth . Secondly to t reat especially o f the persons and art of painte rs Whose works are exhibited in o u r Public Galleries pictures in private holding are often inaccessible t o o f and the generality people, besides, they — co nstantly changing locality this is true of T — the Royal Collections . hirdl y t o vindicate the a of t o cl im Britain be regarded as an ancient , vii BRIT I S H P A I NT E RS consistent , and renowned Home of the Fine Arts and to correct the strange insular habit o f self depreciation, by showing that the British are supreme as a tasteful and artistic people . -
St James Conservation Area Audit
ST JAMES’S 17 CONSERVATION AREA AUDIT AREA CONSERVATION Document Title: St James Conservation Area Audit Status: Adopted Supplementary Planning Guidance Document ID No.: 2471 This report is based on a draft prepared by B D P. Following a consultation programme undertaken by the council it was adopted as Supplementary Planning Guidance by the Cabinet Member for City Development on 27 November 2002. Published December 2002 © Westminster City Council Department of Planning & Transportation, Development Planning Services, City Hall, 64 Victoria Street, London SW1E 6QP www.westminster.gov.uk PREFACE Since the designation of the first conservation areas in 1967 the City Council has undertaken a comprehensive programme of conservation area designation, extensions and policy development. There are now 53 conservation areas in Westminster, covering 76% of the City. These conservation areas are the subject of detailed policies in the Unitary Development Plan and in Supplementary Planning Guidance. In addition to the basic activity of designation and the formulation of general policy, the City Council is required to undertake conservation area appraisals and to devise local policies in order to protect the unique character of each area. Although this process was first undertaken with the various designation reports, more recent national guidance (as found in Planning Policy Guidance Note 15 and the English Heritage Conservation Area Practice and Conservation Area Appraisal documents) requires detailed appraisals of each conservation area in the form of formally approved and published documents. This enhanced process involves the review of original designation procedures and boundaries; analysis of historical development; identification of all listed buildings and those unlisted buildings making a positive contribution to an area; and the identification and description of key townscape features, including street patterns, trees, open spaces and building types. -
The Life of William Ewart Gladstone (Vol 2 of 3) by John Morley
The Project Gutenberg EBook of The Life of William Ewart Gladstone (Vol 2 of 3) by John Morley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Life of William Ewart Gladstone (Vol 2 of 3) Author: John Morley Release Date: May 24, 2010, 2009 [Ebook 32510] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE LIFE OF WILLIAM EWART GLADSTONE (VOL 2 OF 3)*** The Life Of William Ewart Gladstone By John Morley In Three Volumes—Vol. II. (1859-1880) Toronto George N. Morang & Company, Limited Copyright, 1903 By The Macmillan Company Contents Book V. 1859-1868 . .2 Chapter I. The Italian Revolution. (1859-1860) . .2 Chapter II. The Great Budget. (1860-1861) . 21 Chapter III. Battle For Economy. (1860-1862) . 49 Chapter IV. The Spirit Of Gladstonian Finance. (1859- 1866) . 62 Chapter V. American Civil War. (1861-1863) . 79 Chapter VI. Death Of Friends—Days At Balmoral. (1861-1884) . 99 Chapter VII. Garibaldi—Denmark. (1864) . 121 Chapter VIII. Advance In Public Position And Other- wise. (1864) . 137 Chapter IX. Defeat At Oxford—Death Of Lord Palmer- ston—Parliamentary Leadership. (1865) . 156 Chapter X. Matters Ecclesiastical. (1864-1868) . 179 Chapter XI. Popular Estimates. (1868) . 192 Chapter XII. Letters. (1859-1868) . 203 Chapter XIII. Reform. (1866) . 223 Chapter XIV. The Struggle For Household Suffrage. (1867) . 250 Chapter XV. -
Microscopy and Archival Research: Interpreting Results Within the Context of Historical Records and Traditional Practice
Microscopy and archival research: interpreting results within the context of historical records and traditional practice Jane Davies 32 ISSUE 3 SEPT 2006 The analysis of paint samples is an invaluable tool in the armoury of historic paint research. However, powerful as the techniques of pigment, cross-sectional and instrumental analysis may be, they cannot always provide complete answers to the questions posed. Historical records relating to specific buildings and projects, as well as painters’ manuals recording traditional painting techniques can offer clues which are vital to solving analysis puzzles. Historical text records which are particular to buildings and/or paintings can provide definitive dates for paint schemes which could otherwise only be dated approximately if key ‘marker’ pigments with known dates of introduction or obsolescence are present. Reference sources may be useful in suggesting or guiding proposed research and conversely, sample analysis can lead to a reassessment of archive records and a refinement of their interpretation. The application of cross-sectional analysis to the or redecoration decisions. To fulfil this role, I look investigation of architectural paint was pioneered in to a broad range of clues, drawing from diverse the 1970s by Ian Bristow and Josephine Darrah. sources, such as standing structure archaeology and During my research degree I was fortunate enough archival research — using all pieces of evidence to study microscopy with Jo Darrah at the Victoria available. Paper based archives such as accounts, and Albert Museum.This training, together with my correspondence and diaries, and artists images, tend painting conservator’s understanding of artist’s to be site specific. -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
Download Brochure
FLAGSHIP RETAIL DUBLIN, IRELAND WHERE THE CITY CONNECTS GRAFTON STREET – TEMPLE BAR – GUINNESS STOREHOUSE – TRINITY COLLEGE – COLLEGE GREEN – HENRY STREET FLAGSHIP RETAIL OPPORTUNITY AN OUTSTANDING 928 SQ M FLAGSHIP VENUE: 3 FLOORS OF RETAIL IN HIGH FOOTFALL AREA. Clean-lined and panoramic, the new double-aspect storefronts of 6/8 College Green offer you stand-out presence on Dublin's main tourist and shopping route. Inside, this eye-catching 35-metre-wide window display serves a dual purpose, drawing in widescreen views that add theatre to your retail experience. 4 CENTRAL PLAZA RETAIL WHERE THE CITY CONNECTS 5 THE VISION “CENTRAL PLAZA STARTED AS A CENTER FOR INTERNATIONAL COMMERCE. WE HONOR THAT LEGACY AS WE CREATE DUBLIN’S MOST EXCITING NEW RETAIL DESTINATION IN ONE OF THE MOST VIBRANT NEIGHBOURHOODS IN ALL OF EUROPE.” GERALD D HINES, HINES FOUNDER AND CHAIRMAN 6 CENTRAL PLAZA RETAIL WHERE THE CITY CONNECTS 7 CIVIC TOWN SQUARE IMPROVEMENTS SOCIAL SPACE COLLEGE GREEN PLAZA 8 CENTRAL PLAZA RETAIL WHERE THE CITY CONNECTS 9 OFFICE 100% SPACE Reserved Market-leading firms have already leased the majority of Central Plaza's 100,000 sq ft workspace. WeWork, the world's leading shared workspace firm, has leased all eight floors of One Central Plaza and will create an onsite community of 1,300 affluent young professionals. Insurance giant AmTrust International Underwriters will base a new headquarters in the upper floors of 6/8 College Green. 10 CENTRAL PLAZA RETAIL WHERE THE CITY CONNECTS 11 Standing a full three storeys taller than the Guinness Gravity Bar, Central Plaza’s rooftop venue is currently being considered by RESTAURANT major hospitality operators and 75% is set to become one of Ireland's Reserved & LEISURE premier visitor attractions. -
International Passenger Survey, 2008
UK Data Archive Study Number 5993 - International Passenger Survey, 2008 Airline code Airline name Code 2L 2L Helvetic Airways 26099 2M 2M Moldavian Airlines (Dump 31999 2R 2R Star Airlines (Dump) 07099 2T 2T Canada 3000 Airln (Dump) 80099 3D 3D Denim Air (Dump) 11099 3M 3M Gulf Stream Interntnal (Dump) 81099 3W 3W Euro Manx 01699 4L 4L Air Astana 31599 4P 4P Polonia 30699 4R 4R Hamburg International 08099 4U 4U German Wings 08011 5A 5A Air Atlanta 01099 5D 5D Vbird 11099 5E 5E Base Airlines (Dump) 11099 5G 5G Skyservice Airlines 80099 5P 5P SkyEurope Airlines Hungary 30599 5Q 5Q EuroCeltic Airways 01099 5R 5R Karthago Airlines 35499 5W 5W Astraeus 01062 6B 6B Britannia Airways 20099 6H 6H Israir (Airlines and Tourism ltd) 57099 6N 6N Trans Travel Airlines (Dump) 11099 6Q 6Q Slovak Airlines 30499 6U 6U Air Ukraine 32201 7B 7B Kras Air (Dump) 30999 7G 7G MK Airlines (Dump) 01099 7L 7L Sun d'Or International 57099 7W 7W Air Sask 80099 7Y 7Y EAE European Air Express 08099 8A 8A Atlas Blue 35299 8F 8F Fischer Air 30399 8L 8L Newair (Dump) 12099 8Q 8Q Onur Air (Dump) 16099 8U 8U Afriqiyah Airways 35199 9C 9C Gill Aviation (Dump) 01099 9G 9G Galaxy Airways (Dump) 22099 9L 9L Colgan Air (Dump) 81099 9P 9P Pelangi Air (Dump) 60599 9R 9R Phuket Airlines 66499 9S 9S Blue Panorama Airlines 10099 9U 9U Air Moldova (Dump) 31999 9W 9W Jet Airways (Dump) 61099 9Y 9Y Air Kazakstan (Dump) 31599 A3 A3 Aegean Airlines 22099 A7 A7 Air Plus Comet 25099 AA AA American Airlines 81028 AAA1 AAA Ansett Air Australia (Dump) 50099 AAA2 AAA Ansett New Zealand (Dump) -
Amazing-Facts-About-The-Queen.Pdf
Thank You So Much and Welcome Thank you so much choosing this lovely book about the Queen. Part of the proceeds will go towards helping people in Africa and other 3rd world countries with pressing health issues. I have been a Nurse for 50 years and have always been very grateful for excellent health and our very good health services. Others are not so lucky! I sincerely hope that you enjoy reading some amazing and unusual facts about the Queen 1 Table of Contents Early Years……………………..……………...……………………………… Page 7 The Queens First Home ………..………………….……………………………... Page 9 Never went to school ….................................................................................. Page 11 A Royal romance............................................................................................ Page 15 Married in Westminster Abbey..................................................................... Page 19 Engagement ring.......................................................................................... Page 18 The wedding …................................................................................................ Page 19 Eight bridesmaids.......................................................................................... Page 20 The Queen's wedding dress …......................................................................... Page 22 Wedding gifts........................................................................................................ Page 22 Honeymoon.......................................................................................................... -
A Carriage Ride Through History
Photo: Captain Tucker/Wikimedia Commons Captain Tucker/Wikimedia Photo: A Carriage Ride Through History By Margaret Evans From pony cart to coronation coach, few vehicles have had such a colourful history as the horse-drawn carriage. Ever since the wheel was first invented the disc and at the ends of the axle had to be have a cart. It you hitched a horse to the front around 3,500 BC in Mesopotamia as a perfectly smooth and round in order for the end, you’d have an animal to pull it, which wooden disc with a hole in the middle for wheel to fit and turn. Otherwise, too much would save doing it yourself. With the some form of axle, creative Sumarian minds friction would cause breakage. domestication of the horse almost 6,000 years were buzzing. They were, after all, already The wheel for transportation actually ago, a marriage between the cart and the planting crops, herding animals, and had a followed the invention of the potter’s wheel. horse was inevitable, eventually pretty impressive social order. But getting But those Bronze Age inventors wasted little transforming a civilization. On the Sumerian the wheel contraption right took a bit of time connecting the dots and figuring out Battle Standard of Ur is the depiction of an creative genius. The holes in the centre of that if you put a box on top of the axle, you’d onager-drawn cart from 2,500 BC. 56 Equine Consumers’ Guide 2016 CANADA’S HORSE INDUSTRY AT YOUR FINGERTIPS Photo: David Crochet/Wikimedia Commons Crochet/Wikimedia David Photo: Photo: Steve F-E-Cameron/Wikimedia Commons F-E-Cameron/Wikimedia Steve Photo: Photo: David Crochet/Wikimedia Commons Crochet/Wikimedia David Photo: The earliest form of a “carriage” (from Old became the defining form of transport.