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Rivers and Lakes in Serbia
NATIONAL TOURISM ORGANISATION OF SERBIA Čika Ljubina 8, 11000 Belgrade Phone: +381 11 6557 100 Rivers and Lakes Fax: +381 11 2626 767 E-mail: [email protected] www.serbia.travel Tourist Information Centre and Souvenir Shop Tel : +381 11 6557 127 in Serbia E-mail: [email protected] NATIONAL TOURISM ORGANISATION OF SERBIA www.serbia.travel Rivers and Lakes in Serbia PALIĆ LAKE BELA CRKVA LAKES LAKE OF BOR SILVER LAKE GAZIVODE LAKE VLASINA LAKE LAKES OF THE UVAC RIVER LIM RIVER DRINA RIVER SAVA RIVER ADA CIGANLIJA LAKE BELGRADE DANUBE RIVER TIMOK RIVER NIŠAVA RIVER IBAR RIVER WESTERN MORAVA RIVER SOUTHERN MORAVA RIVER GREAT MORAVA RIVER TISA RIVER MORE RIVERS AND LAKES International Border Monastery Provincial Border UNESKO Cultural Site Settlement Signs Castle, Medieval Town Archeological Site Rivers and Lakes Roman Emperors Route Highway (pay toll, enterance) Spa, Air Spa One-lane Highway Rural tourism Regional Road Rafting International Border Crossing Fishing Area Airport Camp Tourist Port Bicycle trail “A river could be an ocean, if it doubled up – it has in itself so much enormous, eternal water ...” Miroslav Antić - serbian poet Photo-poetry on the rivers and lakes of Serbia There is a poetic image saying that the wide lowland of The famous Viennese waltz The Blue Danube by Johann Vojvodina in the north of Serbia reminds us of a sea during Baptist Strauss, Jr. is known to have been composed exactly the night, under the splendor of the stars. There really used to on his journey down the Danube, the river that connects 10 be the Pannonian Sea, but had flowed away a long time ago. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Anthology Berhe Gebrihet Vincent Ternida Glenn Green Carol Vandenengel Anthology John Grey Donald R
Featured Authors Steve Abbott Matthew Robinson Laurence Ammann-Lanthier Ron Romanowski Bob Armstrong Jim Ross Robert Beveridge Sandra Schmidtke Gabriella Brand Korellia Schneider Diane Driedger Moneca Sinclaire Emma Durand-Wood Karen Solomon Holly Ferrier Lamont Kevin Strong Anthology Berhe Gebrihet Vincent Ternida Glenn Green Carol VandenEngel Anthology John Grey Donald R. Vogel Izzeddin Hawamda Laura White Janell Henry Nancy Wick Tricia Knoll Yvonne Kyle Foreword Jenean McBrearty Leigh Anne Parry Brendan McKay and Anders Swanson Laura McMaster Introduction Alex Merrill Sharon Chisvin Eva Morrison Cath Nichols Binh Pham Byron Rempel-Burkholder Nicole Roach Edited by Sharon Chisvin The WriteToMove anthology was created through the Winnipeg Arts Council’s WITH ART Edited by community public art program and is part of the Sharon Chisvin City of Winnipeg’s Public Art Collection. A Winnipeg Arts Council WITH ART project in partnership with the Winnipeg Trails Association WriteToMove An anthology © Winnipeg Arts Council, 2021 All rights reserved. The authors retain copyright to their own contributions. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system without written permission from the editor. The WriteToMove anthology was created through the Winnipeg Arts Council’s WITH ART community public art program and is part of the City of Winnipeg’s Public Art Collection. WriteToMove logo designed by Anders Swanson. With special thanks to: Marshall Carroll, Niri Carroll, Andrea Davis and Paul Doyle. ISBN 978-1-7775184-0-0 FIC003000 Fiction Anthologies (Multiple Authors) FIC019000 Fiction, Literary LCO010000 Literary Collections, Essays Printed in Canada by Hignell Book Printing TABLE OF CONTENTS 5. -
2020 ECA CANOE MARATHON EUROPEAN CHAMPIONSHIPS Dear Sports Friends!
2020 ECA CANOE MARATHON EUROPEAN CHAMPIONSHIPS Dear Sports Friends! This year, Canoe Marathon returns to Győr, a venue already known and loved by many. Győr can fairly be considered as the capital of Canoe Marathon, since it has hosted three world championships in 1999, 2007 and in 2015, while this will be the second Canoe Marathon European Championships organized in the city after 2001. The Hungarian Canoe Federation has the pleasure of inviting your Federation to be represented at the ECA Canoe Marathon European Championships (Seniors short distance, and Juniors, U23 and Seniors long distance) to be held between 1-4 October 2020 in Győr. On the following pages, we walk you through the most important information that may guide you and your team on the way to Győr, from the general introduction of the city and the regatta course, the most vital and useful bits of information on the competition, participation, boat rental, visa issuance, board, lodging and training camp opportunities can also be found here. Due to the corona virus, we have decided not having the master European Cup, which normally will be organized the days before the European Championships. You can always reach the same information and then more and more as time progresses on the official website of the competition: www.gyorcanoe2020.com SEE YOU IN GYŐR ORGANISING COMMITTEE Dear Sports Friends! I warmly welcome you to Győr, the city of rivers! Located at the confluence of four rivers (Rába, Rábca, Mosoni-Danube, Marcal), the city has a long tradition of water sports, which is due not only to its geographical location, but also to the people living here, who have extraordinary passion for sports. -
Policies & Procedures
ATLANTIC DIVISION CANOEKAYAK CANADA Policies & Procedures April 2019 Table of Contents 1 ATLANTIC DIVISION CANOEKAYAK CANADA 1. Policies 4 1.1 General 4 1.2 Interpretation 4 1.3 Operation 5 2. Participation 5 2.1 General 5 2.2 Registration 5 2.3 Fees 6 2.4 Club Membership 6 3. Athlete Movement 7 3.1 General 7 3.2 Movement Criteria 7 3.3 Eligibility to Compete 7 4. Privacy 8 4.1 General 8 5. Regattas 8 5.1 General 8 5.2 Draw Entries 9 5.3 Officials 9 5.4 Safety Boats 10 5.5 Back Numbers 10 5.6 Boat Numbers 10 5.7 Club Representatives (Scratch) Meeting 11 5.8 Regatta Cancellation 11 5.9 Protests 12 5.10 CKC Nationals/Qualifying 12 5.11 Bye Policy 13 5.12 ADCKC/Provincial Team 14 6. Safety 14 7. Disciplinary Measures 15 8. Recognition 15 9. Donations 15 10. Sponsorship 15 11. Fair Play and Harassment 16 11.1 Fundamental Principle of the Freedom to Participate 16 11.2 Realization of the Principle of the Freedom to Participate 16 11.3 Principle of Honouring Sport 17 11.4 Discrimination 17 11.5 Harassment 17 2 ATLANTIC DIVISION CANOEKAYAK CANADA 11.6 Special Needs 17 11.7 Gender Identification 18 11.8 Awareness 18 11.9 Complaints 18 11.10 Prohibited Conduct 19 11.11 Privacy 19 12. Appeals 20 12.1 General 20 12.2 Scope of Appeal 20 12.3 Timing of Appeal 21 12.4 Grounds for Appeal 21 12.5 Administration of Appeal 22 12.6 Location and Jurisdiction 23 13. -
This Is a Self-Archived Version of an Original Article. This Version May Differ from the Original in Pagination and Typographic Details
This is a self-archived version of an original article. This version may differ from the original in pagination and typographic details. Author(s): Karjalainen, Noora Title: Imagined, remembered, gendered : Narratives of cosy other in the media representations of female folk singers Year: 2018 Version: Published version Copyright: © Kirjoittaja & SES 2019. Rights: In Copyright Rights url: http://rightsstatements.org/page/InC/1.0/?language=en Please cite the original version: Karjalainen, N. (2018). Imagined, remembered, gendered : Narratives of cosy other in the media representations of female folk singers. Etnomusikologian vuosikirja, 30, 66-91. https://doi.org/10.23985/evk.69076 Noora Karjalainen IMAGINED, REMEMBERED, GENDERED: Narratives of cosy other in the media representations of female folk singers This article examines the ways in which contemporary folk singers Julie Fowlis (Scotland), Muireann Nic Amhlaoibh (Ireland), Emily Portman and Kate Rusby (England) are constructed in the media as what I call the ‘cosy other’. Discussed here in relation to these Western European artists, I argue that my concept of cosy otherness derives from the internal other that is both European and foreign (Bohlman 2000: 189–193; Gelbart 2007: 64; McKerrell 2016: 126; O’Flynn 2014: 238). Unlike the conventional definition of a post-colonial other and the concept of an internal other, the cosy other is not ominous, competing, or negative. Rather, it appears charming and unthreateningly different with singular cultural traits such as a performance language other than English, a discernible regional dialect, or a pronounced regionalism. The cultural baggage accumulated over time – for example the troubled history of both Ireland and Scotland with England – is wrapped up in cosiness, niceness and nostalgia. -
CANOA Enciclopedia Dello Sport Di Ferruccio Calegari
CANOA Enciclopedia dello Sport di Ferruccio Calegari Specialità CANOA IN LINEA (SU ACQUA PIATTA): La maggior parte delle federazioni nazionali, pur occupandosi di altri settori, riserva l'attività prevalente alle competizioni su acqua ferma (o piatta). Il programma olimpico prevede competizioni sui 500 o 1000 m. Ai Mondiali, a partire dal 1994, si disputano anche gare di sprint sui 200 m. Al di fuori dei campionati sono previste inoltre competizioni su percorsi più lunghi. Nel marzo 2003 all'Idroscalo di Milano ha avuto una buona partecipazione la European canoe association challenge, disputata sui 10.000 m: organizzata dall'Idroscalo Club, si è ispirata alle vecchie gare di fondo (con giro di boa) che sino al 1956 facevano parte del programma delle Olimpiadi e sino al 1993 dei Mondiali. Gare di fondo, con giro di boa, sui 5000 m sono peraltro ancora regolamentate dall'ICF. Le donne gareggiano soltanto in kayak, anche se in passato nelle competizioni fluviali, di chiara derivazione dall'attività turistica, in C2 erano possibili formazioni miste, un uomo e una donna. La promozione delle competizioni femminili in canadese è sostenuta da alcuni anni da club del Canada. Allo scopo di eliminare lo 'strapotere' dei paesi più ricchi di club e di atleti si è stabilito che ai Mondiali su acqua ferma ogni nazione partecipi con un solo equipaggio per specialità. I Campionati, che nel 2003 si sono svolti a Gainesville (USA), nel 2005 avranno luogo a Zagabria (Croazia), nel 2006 a Szeged (Ungheria), nel 2007 a Duisburg (Germania). Il diritto di partecipare alle Olimpiadi è determinato dai risultati conseguiti ai Mondiali dell'anno precedente, oltre che da una 'gara di recupero' a livello continentale. -
A Message from the Mayor Citizens – the Heart of Pointe-Claire Page 3
POINTE-CLAIRE PUBLISHED BY THE POINTE-CLAIRE CITY COUNCIL SPRING – SUMMER 2014 VILLE.POINTE-CLAIRE.QC.CA/EN A MESSAGE FROM THE MAYOR CITIZENS – THE HEART OF POINTE-CLAIRE PAGE 3 SURVEY YOUR OPINION MATTERS! PAGE 3 WHAT YOU NEED TO KNOW ABOUT MUNICIPAL SERVICES PAGES 4 TO 12 SPORT AND LEISURE ACTIVITIES PAGES 13 TO 46 SPRING–SUMMER 2014 | CITY OF POINTE-CLAIRE | VILLE.POINTE-CLAIRE.QC.CA/EN 1 YOUR MUNICIPAL COUNCIL TABLE OF CONTENTS Mayor MORRIS TRUDEAU YOUR MUNICIPAL COUNCIL ................................................ 2 Office: 514-630-1207 A MESSAGE FROM THE MAYOR ......................................... 3 Home: 514-697-1138 YOUR DEPARTMENTS: [email protected] ENGINEERING ....................................................................... 4 Councillor – District 1 – Cedar / The Village PLANNING .............................................................................. 6 CLAUDE COUSINEAU PUBLIC WORKS .................................................................... 9 Office: 514-630-1288 Home: 514-693-9700 YOUR SECURITY ...................................................................... 9 [email protected] ENVIRONMENT .......................................................................11 AQUATIC CENTRE ..................................................................13 Councillor – District 2 – Lakeside PAUL BISSONNETTE SPORTS AND LEISURE ........................................................ 19 Office: 514-630-1289 CULTURAL CENTRE ..............................................................29 -
Sport Dispute Resolution Centre of Canada (Sdrcc) Centre De Règlement Des Différends Sportifs Du Canada (Crdsc)
SPORT DISPUTE RESOLUTION CENTRE OF CANADA (SDRCC) CENTRE DE RÈGLEMENT DES DIFFÉRENDS SPORTIFS DU CANADA (CRDSC) NO: SDRCC 18‐0366 GRACE WHEBBY (CLAIMANT) AND CANOE KAYAK CANADA (RESPONDENT) REASONED DECISION Appearances: Chris Chaisson On behalf of the Claimant Grace Whebby Adam Klevinas On behalf of the Respondent Casey Wade Anders Gustafsson (Head Coach) Graham Barton (Chief Technical Officer) Ian Mortimer 1. On July 11, 2018, I was selected by the parties as a Med/Arb Neutral and appointed by SDRCC under Article 6 of the Canadian Sport Dispute Resolution Code (the “Code”) to hear Grace Whebby’s appeal of Canoe Kayak Canada’s (“CKC”) decision not to select her to the 2018 U23 World Championship Team (“the Team”). 2. The proceedings were conducted on an expedited basis due to a July 21, 2018 deadline for the selected athletes to travel to the World Championships in Bulgaria. 3. Following an unsuccessful attempt to resolve the dispute by mediation on July 14, 2018, the parties filed written submissions on July 16 and 17, 2018. The parties subsequently agreed that additional oral submissions were not necessary. 4. On July 19, 2018, I issued my decision to deny Ms. Whebby’s appeal, with reasons to follow. These are my written reasons. BACKGROUND 5. Ms. Whebby is a competitive kayaker and a member of CKC’s Kayak Sprint team. 6. CKC is the national governing body for competitive paddling in Canada. It is recognized by the International Canoe Federation, the Canadian Olympic Committee, the Canadian Paralympic Committee and Sport Canada as the designated authority for the sport in Canada. -
Princess Margaret of the Isles Memorial Prize for Senior Clàrsach, 16 June 2018 Finallist Biographies and Programme Notes
Princess Margaret of the Isles Memorial Prize for Senior Clàrsach, 16 June 2018 Finallist biographies and programme notes Màiri Chaimbeul is a Boston, Massachusetts-based harp player and composer from the Isle of Skye. Described by Folk Radio UK as "astonishing", she is known for her versatile sound, which combines deep roots in Gaelic tradition with a distinctive improvising voice and honed classical technique. Màiri tours regularly throughout the UK, Europe and in North America. Recent highlights include performances at major festivals and events including the Cambridge Folk Festival, Fairport's Cropredy Convention, Hillside Festival (Canada), WGBH's St Patrick's Day Celtic Sojourn, Celtic Connections, and Encuentro Internacional Maestros del Arpa, Bogota, Colombia. Màiri can currently be heard regularly in duo with US fiddler Jenna Moynihan, progressive-folk Toronto group Aerialists, with her sister Brìghde Chaimbeul, and with legendary violinist Darol Anger & the Furies. She is featured in series 2 of Julie Fowlis and Muireann NicAmhlaoibh's BBC Alba/TG4 television show, Port. Màiri was twice- nominated for the BBC Radio 2 Young Folk Award, finalist in the BBC Young Traditional & Jazz Musicians of the year and twice participated in Savannah Music Festival's prestigious Acoustic Music Seminar. She is a graduate of the Berklee College of Music, where she attended with full scholarship, and was awarded the prestigious American Roots Award. Màiri joins the faculty at Berklee College of Music this year as their lever harp instructor. Riko Matsuoka was born in the Osaka prefecture of Japan and began playing the piano at the age of three. She started playing the harp at the age of fourteen. -
Insights from Emerging Sport Tourism Destinations
Hosting Regional Sport Events: Insights from Emerging Sport Tourism Destinations by Kenwyn Peter McComie A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in Recreation and Leisure Studies – Tourism Waterloo, Ontario, Canada, 2015 © Kenwyn Peter McComie 2015 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract The aim of this exploratory study was to investigate and gain stakeholder insights into the nature of hosting sport tourism events and using them as a regional development strategy in two emerging sport tourism markets (i.e., regions that have recently begun to explore the potential of hosting small-scale sport events as a tourism development strategy). Specifically, the current research addressed five research questions in relation to tourism stakeholders’ input from the Waterloo and Niagara Regions in Ontario, Canada: (i) Why do destinations engage in sport tourism development strategies? (ii) What are perceived constraints to engaging in sport tourism events as development strategies? (iii) How do stakeholders decide which sport events to pursue, bid for and host? (iv) What are the perceived regional impacts of hosting sport tourism events? (v) What extent is leveraging these impacts considered in sport tourism strategy development? A total of 10 semi-structured interviews were conducted with key sport and tourism decision making stakeholders in the two regions during February and March 2015. -
Clarsach Programme Notes Final
Welcome to the inaugural Princess Margaret of the Isles Memorial Prize for Senior Clàrsach Armadale Castle Stables, Saturday 16 June 2018, 2pm Programme Welcome and opening remarks by Professor Boyd Robertson Competitors ▪ Karen Marshalsay ▪ Fraya Thomsen ▪ Riko Matsuoka ▪ Màiri Chaimbeul Adjudicator: Savourna Stevenson. See overleaf for programme notes and biographies. There will be a short break (approx. 5 minutes) between each performer while the adjudicator makes her assessment. Gasta at Armadale bar will open for drinks ‘at 5pm. The performance will be live streamed via the Armadale Castle Facebook page and YouTube channel and made available for viewing after the event. Please visit our website at www.armadalecastle.com for links and to sign up to our newsletter. Acknowledgements We would like to thank Skye tutors, Mary M. Strachan and Christine Martin of Scotlandsmusic.com, for their assistance in organising this competition and for undertaking the first stage judging. We also offer a special welcome to adjudicator Savourna Stevenson and to Fear an Taighe Professor Boyd Robertson, Principal, Sabhal Mòr Ostaig. Clan Donald Lands Trust is also grateful for the generous support of donors who make our sponsorship of the Gaelic performing arts possible. Programme notes Candidates were required to prepare a 25 minute recital, including a variety of traditional and contemporary Scottish styles, and a new composition by themselves. The following notes have been provided by the performers. Karen Marshalsay Opening with a tune from a Skye collection, and featuring my own compositions alongside others written for harp, pipes and fiddle, and a tune from one of the oldest published collections of Highland music, this recital aims to convey both the traditional and contemporary nature of Scottish music on the harp.