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Poor Miss Finch: a Novel Volume 2 Online QIF79 [Free download] Poor Miss Finch: A Novel Volume 2 Online [QIF79.ebook] Poor Miss Finch: A Novel Volume 2 Pdf Free Wilkie Collins ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook Collins Wilkie 2016-05-24Original language:English 9.21 x .75 x 6.14l, #File Name: 1359247092Poor Miss Finch A Novel Volume 2 | File size: 72.Mb Wilkie Collins : Poor Miss Finch: A Novel Volume 2 before purchasing it in order to gage whether or not it would be worth my time, and all praised Poor Miss Finch: A Novel Volume 2: 0 of 0 people found the following review helpful. Not his best, but still enjoyableBy JudithHere we have a complex story about a blind girl, twin brothers who both are in love with her, a quirky eye surgeon, and a fine collection of wonderfully weird secondary characters, all living in an isolated English village in the mid-19th century. The plot is good, but the book is really wordy. This would be so much better if Wilkie Collins would have had an editor who made him tighten up the story and cut the meandering, repetitive parts. Sometimes he makes his point, and then beats it to death. This novel is not in the same league with Collins' books Moonstone, The Woman in White, No Name, and Dead Secret, but if you are willing to skim over some of the wordy parts, this is an enjoyable book. Yes, there are a number of unlikely plot twists, as some other reviewers have pointed out, but that was common in Victorian era novels. Dickens was the king of incredible coincidences. I just suspend my sense of believablility, and go with it.0 of 0 people found the following review helpful. Well.....what can I sayBy Kindle CustomerThis was not the usual Willie Collins work. It rambled in parts and injected unnecessary sides. There were times I had to remind myself that it was WC writing. Just didnt have his voice at all. But, being a WC fan, I won't let this one writing deter me from taking up another.15 of 16 people found the following review helpful. An Additional Perspective on Poor Miss FinchBy BluestalkingThe two other reviews of this book are extremely perceptive and well-written. I'd just like to add more on what's truly special about this book, and why I think it deserves a little better notice than it gets.Yes, the plot is improbable, but it's not exactly singular for that alone. A lot of Victorian-era fiction demands we suspend disbelief. It's a fact the Victorian audience wasn't as completely jaded as we are in the 21st century, so judging it by today's standards isn't entirely fair. The book is romantic and at times laughingly improbable, yes, but it's still what I'd consider a ripping good yarn of a book.Aside from this, what made it exceptional at the time was the fact no one had really written from a blind person's perspective before, or at least not with the sort of detail and thought Collins did. The passages written after Lucilla regains her sight (okay, cat out of bag partially but there's MUCH MORE to it) are wonders of insightful prose. Collins describes her challenges with things like depth perception, and in thinking about it doesn't that make perfect sense? Lucilla has to close her eyes, at first, just to make her way across a room. Distance has no meaning for her as she'd never seen it before, or hadn't since before she was one year old.Writing was a challenge, too, though she could write when she was blind. She knew how to form characters but couldn't recognize them when she saw them, much less make them by use of her sight. In another very moving scene Lucilla is shown a round and a square object, and asked "which is round?" She couldn't say. She'd never SEEN the concepts of round and square before. Again, she had to close her eyes and feel them both to know the answer.Throughout all these "tests" Lucilla felt completely humiliated and stupid that she couldn't do these very basic things, and declared she wished she were blind again. Really moving stuff, written with so much empathy and attention to detail.That's an even more exceptional dimension to Poor Miss Finch, in case anyone wasn't swayed by the great storyline. I recommend it very highly to those who love Victorian fiction and would like to explore more of Wilkie Collins's works. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. `praiseworthy novel ... it is well worth exhuming' David Holloway, Sunday TelegraphFrom the Back CoverWilkie Collins's intriguing story about a blind girl, Lucilla Finch, and the identical twins who both fall in love with her, has the exciting complications of his better-known novels, but it also overturns conventional expectations. Using a background of myth and fairy-tale to expand the boundaries of nineteenth-century realist fiction, Collins not only takes a blind person as his central character but also explores the idea of blindness and its implications. His sensitive presentation of the difficulties, disappointments, and occasional delights which follow the recovery of sight by someone blind since infancy is still one of the best accounts in fiction of a problem which continues to intrigue philosophers, psychologists, and the general public, as it has done since it was first discussed by Locke and Berkeley in the eighteenth century.About the AuthorWilliam Wilkie Collins (8 January 1824 ndash; 23 September 1889) was an English novelist, playwright, and author of short stories. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868). Collins was born into the family of painter William Collins in London. He received his early education at home from his mother, after which he attended an academy and a private boarding school. He also traveled with his family to Italy and France, and learned the French and Italian languages. He served as a clerk in the firm of the tea merchants Antrobus Co. His first novel Iolani, or Tahiti as It Was; a Romance, was rejected by publishers in 1845. His next novel, Antonina, was published in 1850. In 1851, he met Charles Dickens, and the two became close friends. A number of Collins' works were first published in Dickens' journals All the Year Round and Household Words. The two collaborated on several dramatic and fictional works, and some of Collins' plays were performed by Dickens' acting company. Collins published his best known works in the 1860s, achieving financial stability and an international reputation. During this time he began suffering from gout and developed an addiction to opium, which he took (in the form of laudanum) for pain. He continued to publish novels and other works throughout the 1870s and '80s, but the quality of his writing declined along with his health. He died in 1889. 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