Doctor Who: the Crimson Horror (Target Collection)
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A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Blink by Steven Moffat EXT
Blink by Steven Moffat EXT. WESTER DRUMLINS HOUSE - NIGHT Big forbidding gates. Wrought iron, the works. A big modern padlock on. Through the gates, an old house. Ancient, crumbling, overgrown. Once beautiful - still beautiful in decay. Panning along: on the gates - DANGER, KEEP OUT, UNSAFE STRUCTURE -- The gates are shaking, like someone is climbing them -- -- and then a figure drops into a view on the other side. Straightens up into a close-up. SALLY SPARROW. Early twenties, very pretty, just a bit mad, just a bit dangerous. She's staring at the house, eyes shining. Big naughty grin. SALLY Sexy! And she starts marching up the long gravel drive ... CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY - NIGHT The big grand house in darkness, huge sweeping staircase, shuttered window, debris everywhere -- One set of shutters buckles from an impact from the inside, splinters. SALLY SPARROW, kicking her away in -- CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY/ROOMS - NIGHT SALLY, clutching a camera. Walks from one room to another. Takes a photograph. Her face: fascinated, loving this creepy old place. Takes another photograph. CUT TO: INT. WESTER DRUMLINS HOUSE. CONSERVATORY ROOM - NIGHT In the conservatory now - the windows looking out on a darkened garden. And a patch of rotting wallpaper catches SALLY'S eye -- 2. High on the wall, just below the picture rail, a corner of wallpaper is peeling away, drooping mournfully down from the wall -- -- revealing writing on the plaster behind. Just two letters we can see - BE - the beginning of a word -- She reaches up on tiptoes and pulls at the hanging frond of wallpaper. -
THE CRIMSON HORROR.Fdr
(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name (of company, if applicable) Address Phone Number 1 INT. MRS GILLYFLOWER’S HOUSE. PARLOUR. DUSK. 1 The crashing chords of a pipe organ. Someone is bashing out the tune of a grim and worthy hymn. We’re in a large, red- walled room, suffocating in Victorian bric-a-brac. Track past a series of strange still-lifes. Those oddly disturbing Victorian tableaux - colourful birds stuffed and arranged on twigs, surrounded by artificial flowers and under big glass bell-jars. Gas-light glints in the creatures’ beady glass eyes. The playing stops and a woman rises from the organ. We don’t see her face as she runs her hand over the line of bell-jars. MRS GILLYFLOWER Like pretty maids all in a row. She makes a gentle cooing. Then there’s another sound. A strangely horrible gurgling. Like a contented baby. A door opens behind the woman, framing a black-bonneted silhouette. CUT TO: 2 INT. MILL. SPIRAL STAIRCASE. DUSK. 2 Tap, tap, tap. A white cane clatters away as a pair of neat little feet ascend a darkened, spiral staircase. The staircase finally ends in a door, padded with old, stained green baize. Fumbling, lace-gloved female hands flutter around the bottom of the door, eventually locating a sort of cat-flap. The hands push through a bowl of grisly-looking food. From the other side of the door comes the sound of heavy, ragged breathing. -
Scuttlebutt from the Spermaceti Press 2021
Jan 21 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) did not gather in New York to celebrate the Great Detective’s 167th birthday this year, but the somewhat shorter long weekend offered plenty of events, thanks to Zoom and other modern technol- ogy. Detailed reports will be available soon at the web-site of The Baker Street Irregulars <www.bakerstreetirregulars.com>, but here are few brief paragraphs to tide you over: The BSI’s Distinguished Speaker on Thursday was Andrew Lycett, the author of two fine books about Conan Doyle; his topic was “Conan Doyle’s Questing World” (and close to 400 people were able to attend the virtual lecture); the event also included the announcement by Steve Rothman, editor of the Baker Street Journal, of the winner of the Morley-Montgomery Award for the best article the BSJ last year: Jessica Schilling (for her “Just His Type: An Analysis of the Découpé Warning in The Hound of the Baskervilles”). Irregulars and guests gathered on Friday for the BSI’s annual dinner, with Andrew Joffe offering the traditional first toast to Nina Singleton as The Woman, and the program continued with the usual toasts, rituals, and pap- ers; this year the toast to Mrs. Hudson was delivered by the lady herself, splendidly impersonated by Denny Dobry from his recreation of the sitting- room at 221B Baker Street. Mike Kean (the “Wiggins” of the BSI) presented the Birthday Honours (Irregular Shillings and Investitures) to Dan Andri- acco (St. Saviour’s Near King’s Cross), Deborah Clark (Mrs. Cecil Forres- ter), Carla Coupe (London Bridge), Ann Margaret Lewis (The Polyphonic Mo- tets of Lassus), Steve Mason (The Fortescue Scholarship), Ashley Polasek (Singlestick), Svend Ranild (A “Copenhagen” Label), Ray Riethmeier (Mor- rison, Morrison, and Dodd), Alan Rettig (The Red Lamp), and Tracy Revels (A Black Sequin-Covered Dinner-Dress). -
The Pandorica Opens / the Big Bang Sample
The Black Archive #44 THE PANDORICA OPENS / THE BIG BANG SAMPLE By Philip Bates Published June 2020 by Obverse Books Cover Design © Cody Schell Text © Philip Bates, 2020 Range Editors: Paul Simpson, Philip Purser-Hallard Philip Bates has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available #32: The Romans by Jacob Edwards #33: Horror of Fang Rock by Matthew Guerrieri #34: Battlefield by Philip Purser-Hallard #35: Timelash by Phil Pascoe #36: Listen by Dewi Small #37: Kerblam! by Naomi Jacobs and Thomas L Rodebaugh #38: The Sound of Drums / Last of the Time Lords by James Mortimer #39: The Silurians by Robert Smith? #40: The Underwater Menace by James Cooray Smith #41: Vengeance on Varos by Jonathan Dennis #42: The Rings of Akhaten by William Shaw #43: The Robots of Death by Fiona Moore This book is dedicated to my family and friends – to everyone whose story I’m part of. CONTENTS Overview Synopsis Introduction 1: Balancing the Epic and the Intimate 2: Myths and Fairytales 3: Anomalies 4: When Time Travel Wouldn’t Help 5: The Trouble with Time 6: Endings and Beginnings -
Orthia & Morgain 2016 the Gendered Culture of Scientific Competence
CULTURE OF SCIENTIFIC COMPETENCE 1 The Gendered Culture of Scientific Competence: A Study of Scientist Characters in Doctor Who 1963-2013 Lindy A. Orthia and Rachel Morgain The Australian National University Author Note Lindy A. Orthia, Australian National Centre for the Public Awareness of Science, The Australian National University; Rachel Morgain, School of Culture, History and Language, College of Asia and the Pacific, The Australian National University. Thanks to Emlyn Williams for statistical advice, and two anonymous peer reviewers for their useful suggestions. Address correspondence concerning this manuscript to Lindy A. Orthia, Australian National Centre for the Public Awareness of Science, The Australian National University, Peter Baume Building 42A, Acton ACT 2601, Australia. Email: [email protected] Published in Sex Roles. Final publication available at Springer via http://dx.doi.org/10.1007/s11199-016-0597-y CULTURE OF SCIENTIFIC COMPETENCE 2 Abstract The present study examines the relationship between gender and scientific competence in fictional representations of scientists in the British science fiction television program Doctor Who. Previous studies of fictional scientists have argued that women are often depicted as less scientifically capable than men, but these have largely taken a simple demographic approach or focused exclusively on female scientist characters. By examining both male and female scientists (n = 222) depicted over the first 50 years of Doctor Who, our study shows that, although male scientists significantly outnumbered female scientists in all but the most recent decade, both genders have consistently been depicted as equally competent in scientific matters. However, an in-depth analysis of several characters depicted as extremely scientifically non-credible found that their behavior, appearance, and relations were universally marked by more subtle violations of gender expectations. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
Doctor Who: Abominable Snowmen
A single blow from the giant, hairy paw smashes the explorer to the ground. Terrified, he flees from the monster’s glowing eyes and savage fangs... Why are the peaceful Yeti now spreading death and destruction? And what is the secret behind the glowing cave on the mountain? When DOCTOR WHO discovers that a long-dead friend is still alive, he knows why his visit to the lonely Himalayan monastery has led to a struggle to save the Earth! ISBN 0 426 10583 4 DOCTOR WHO AND THE ABOMINABLE SNOWMEN Based on the BBC television serial Doctor Who and the Abominable Snowmen by Mervyn Haisman and Henry Lincoln by arrangement with the British Broadcasting Corporation TERRANCE DICKS Illustrated by Alan Willow A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1974 by the Paperback Division of W. H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Terrance Dicks 1974 Original script copyright © Mervin Haisman and Henry Lincoln 1967 Illustrations copyright © W. H. Allen & Co. Ltd 1974 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1967, 1974 Reproduced, printed and bound in Great Britain by The Anchor Press Ltd, Tiptree, Essex ISBN 0 426 10583 4 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Reading Aloud - Doctor Who
Reading aloud - Doctor Who These are lines from a Doctor Who episode, ‘The Time of Angels’. The Doctor’s companion Amy believes her hand has been turned to stone and she can’t move. They are in danger from terrifying aliens called the Weeping Angels. Read the lines aloud. The DOCTOR is examining AMY, flashing a torch in her eyes. DOCTOR: You looked into the eyes of an Angel, didn't you? AMY: I couldn't stop myself. I tried. DOCTOR: Listen. It's messing with your head. Your hand is not made of stone. AMY: It is. Look at it! DOCTOR: It's in your mind. I promise you. You can move that hand. You can let go. AMY: I can't, OK? I've tried and I can't. It's stone. The torchlight begins to flicker. DOCTOR: The Angel is gonna come and it's gonna turn this light off, and then there's nothing I can do to stop it. So do it, concentrate, move your hand! AMY: I can't. DOCTOR: Then we're both going to die. AMY: You're not going to die. DOCTOR: They'll kill the lights. The light flickers off and the Angels move closer. [Continued on next page] © BBC 2012 AMY: You've got to go, you know you have. You've got all that stuff with River and that's all got to happen. You know you can't die here! DOCTOR: Time can be re-written, it doesn't work like that. The light flickers again. AMY turns to look at the Angels. -
Doctor Who: Silver Nemesis
Launched into space 350 years ago, a meteor is returning to Earth – and inside it waits Nemesis, a silver statue made of the living metal validium, the most dangerous substance in the Universe. Evil powers await the statue's return: the neo-Nazi de Flores and his stormtroopers; Lady Peinforte, who saw Nemesis exiled in 1638 and has propelled herself forward in time; and the advance party of a Cyberman invasion force. And in the garden of a Windsor pub, the Doctor and Ace are enjoying the timeless sounds of a jazz quartet . This story celebrates 25 years of Doctor Who on television. Distributed by USA: LYLE STUART INC, 120 Enterprise Ave, Secaucus, New Jersey 07094 USA CANADA: CANCOAST BOOKS LTD, Unit 3, 90 Signet Drive, Weston, Ontario M9L 1T5 Canada AUSTRALIA: HODDER & STOUGHTON (AUS) PTY LTD, Rydalmere Business Park, 10-16 South Street, Rydalmere, N.S.W. 2116 Australia NEW ZEALAND: MACDONALD PUBLISHERS (NZ) LTD, 42/44 View Road, Glenfield, AUCKLAND 10, New Zealand ISBN 0- 426-20340-2 UK: £1.99 *USA: $3.95 ,-7IA4C6-cadeah— CANADA: $4.95 NZ: $8.99 *AUSTRALIA: $5.95 *RECOMMENDED PRICE Science Fiction/TV Tie-in DOCTOR WHO SILVER NEMESIS Based on the BBC television programme by Kevin Clarke by arrangement with BBC Books, a division of BBC Enterprises Ltd Kevin Clarke Number 143 in the Target Doctor Who Library published by The Paperback Division of W. H. Allen & Co. Plc A Target Book Published in 1989 By the Paperback Division of W. H. Allen & Co. Plc Sekforde House, 175/9 St John Street, London EC1V 4LL Novelization copyright © Kevin Clarke -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
Doctor Who: the Ambassadors of Death
Seven months after it left Mars there has still been no radio communication with the Probe Seven spacecraft or the astronauts inside it. Back on Earth concern is mounting and eventually a recovery capsule is sent up to rescue the astronauts. But when the capsule returns to Earth it is found to be empty. As the Doctor and Liz investigate, they discover that the interior of the capsule is highly radioactive: if anyone was inside they would now surely be dead. Have the astronauts indeed returned to Earth? And if not, who are the sinister space-suited figures who stalk the countryside and whose very touch means instant death?... Distributed by USA: LYLE STUART INC, 120 Enterprise Ave, Secaucus, New Jersey 07094 CANADA: CANCOAST BOOKS, 90 Signet Drive, Unit 3, Weston, Ontario M9L 1T5 NEW ZEALAND: MACDONALD PUBLISHERS (NZ) LTD, 42 View Road, Glenfield, AUCKLAND, New Zealand SOUTH AFRICA: CENTURY HUTCHINSON SOUTH AFRICA (PTY) LTD. PO Box 337, Bergvie, 2012 South Africa ISBN 0-426-20305-4 UK: £1.95 USA: $3.50 CANADA: $4.95 ,-7IA4C6-cadafg— NZ: $8.99 Science Fiction/TV Tie-in DOCTOR WHO THE AMBASSADORS OF DEATH Based on the BBC television serial by David Whitaker by arrangement with the British Broadcasting Corporation TERRANCE DICKS Number 121 in the Doctor Who Library published by the Paperback Division of W. H. Allen & Co. PLC A Target Book Published in 1987 by the Paperback Division of W. H. Allen & Co. Ltd. 44 Hill Street, London W1X 8LB First published in Great Britain by W. H. Allen & Co.