Young Artists Chorus Young Artists Orchestra Paul Haas, Conductor
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COLLEGE OF FINE ARTS ADMINISTRATION BUTI ADMINISTRATION Boston University Benjamin E. Juarez, Dean Phyllis Hoffman, Executive and Artistic Director Robert K. Dodson, Director, School of Music Shirley Leiphon, Administrative Director Tanglewood Institute Jim Petosa, Director, School of Theatre Arts Lisa Naas, Director of Operations and Student Life Lynne Allen, Director, School of Visual Arts David Faleris, Program Administrator John Amend, Assistant Dean of Finance and Emily Culler, Development, Alumni Relations, and presents Administration Outreach Officer Patricia Mitro, Senior Assistant Dean of Enrollment Grace Kennerly, Publications Coordinator Stephanie Trodello, Assistant Dean of Development Manda Shepherd, Office Coordinator and Alumni Relations Mandy Kelly, Office Intern Laurel Homer, Director of Communications Ben Fox, Private Lessons Coordinator Travis Dobson, Stage Crew Manager DESIGN TEAM FOR SEIJI OZAWA HALL Matthew Lemmel, Greg Mitrokostas, William Rawn Associates, Architect Andres Trujillo, Matt Visconti, Stage Crew Young Artists Chorus Lawrence Kierkegaard & Associates, Acoustician Michael Culler, Recording Engineer Theatre Projects Consultants, Inc., Theatrical Shane McMahon, Recording Engineer Consultant Xiaodan Liu, Piano Technician Young Artists Orchestra YOUNG ARTISTS ORCHESTRA PROGRAM YOUNG ARTISTS VOCAL PROGRAM PAUL HAAS, conductor FACULTY AND STAFF FACULTY AND STAFF Ryan McAdams, Conductor Phyllis Hoffman, Director Paul Haas, Conductor Ann Howard Jones, Chorus Conductor Mark Berger, Viola Coach, String Chamber Music Elissa Alvarez, Vocal Coordinator Ariana Falk, Cello Coach, String Chamber Music Joy McIntrye, Artist in Residence Michael Israelievitch, Percussion Coach George Case, Assistant Chorus Conductor/ David Krauss, Brass Coach, Brass Chamber Music Voice Faculty Hyun Min Lee, Cello Coach, String Chamber Music Jonathan Cole, Voice Faculty Kai-yun Lu, Winds Coach, Wind Chamber Music Meredeth Kelly, Voice Faculty Laura Manko, Viola Coach, String Chamber Music Evangelia Leontis, Voice Faculty Miguel Perez-Espejo Cardenas, Violin Coach, Vera Savage, Voice Faculty String Coordinator Dana Schnitzer, Opera Coordinator/Voice Faculty Brian Perry, Double Bass Coach, String Chamber Gregory Zavracky, Theory Coordinator/Voice Faculty Saturday Music Justin Blackwell, Choral Pianist Caroline Pliszka, Violin Coach, String Chamber Music Michael Dauterman, Choral Pianist/Vocal Coach July 28, 2012 Clara Shin, Piano Chamber Music Coach Augustine Gonzales, Pianist/Vocal Coach Samuel Solomon, Percussion Coordinator and Coach Gretchen Peery-Hewitt, Pianist/Vocal Coach 2:30pm Klaudia Szlachta, Violin Coach, String Chamber Music Maja Tremiszewska, Pianist/Vocal Coach Hsin-Lin Tsai, Violin Coach, String Chamber Music Ronald Barron, Private Lessons Instructor, Trombone Seiji Ozawa Hall Dan Bauch, Private Lessons Instructor, Percussion Kevin Owen, Private Lessons Instructor, Horn Andrew Price, Private Lessons Instructor, Oboe Mike Roylance, Private Lessons Instructor, Tuba Linda Toote, Private Lessons Instructor, Flute Janet Underhill, Private Lessons Instructor, Bassoon Tiffany Chang, Orchestra/Chamber Music Manager Kory Major, Orchestra Librarian/Assistant Manager Florence Gould Auditorium SUPPORT FOR THE BOSTON UNIVERSITY TANGLEWOOD Seiji Ozawa Hall INSTITUTE IS PROVIDED BY: Tanglewood Young Artists Chorus Young Artists Orchestra Paul Haas, conductor BERNSTEIN Symphony No. 1, “Jeremiah” Prophecy Profanation Lamentation Tammy Coil, mezzo soprano ~Intermission~ BEETHOVEN Mass in C major, op. 86 Kyrie Gloria (Qui tollis – Quoniam) Credo Sanctus (Benedictus – Osanna) Agnus Dei (Dona nobis pacem) Young Artists Chorus Ann Howard Jones, conductor Dana Schnitzer, soprano Vera Savage, mezzo soprano Gregory Zavracky, tenor This program is supported in part by awards from the Jack Kent Cooke Foundation, the Surdna Foundation, Jonathan Cole, baritone the National Endowment for the Arts, the ASCAP Foundation Irving Caesar Fund, Zildjian, and the Bose Foundation. Yamaha is the official piano of the Boston University Tanglewood Institute, arranged in cooperation with Falcetti Music. Rehearsal space is provided In Kind by Lenox Commons. BOSTON UNIVERSITY COLLEGE OF FINE ARTS PAUL HAAS, conductor According to The New York Times, Paul Haas “is surely on the brink of a noteworthy The Boston University Tanglewood Institute is part of the educational and artistic pro- career.” Time Out New York calls him a “visionary”. He is the Music Director of the grams of the Boston University School of Music. Founded in 1873, the School of Music Symphony of Northwest Arkansas (SoNA), and his guest conducting engagements combines the intimacy and intensity of conservatory training with a broadly based, have included performances with the Orchestra of St. Luke’s, San Antonio Symphony, traditional liberal arts education at the undergraduate level and intense coursework at the Rochester Philharmonic Orchestra, the Fort Worth Symphony Orchestra, and the the graduate level. The school offers degrees in performance, composition and theory, New World Symphony, among others, as well as festival appearances. Recently, Paul’s musicology, music education, collaborative piano, historical performance, as well as a performance with the National Symphony Orchestra and Itzhak Perlman as soloist certificate program in its Opera Institute, and artist and performance diplomas. caused the Washington Post to write: Founded in 1839, Boston University is an internationally recognized private research “The young conductor Paul Haas was all about fresh thinking and visceral engagement. university with more than 30,000 students participating in undergraduate, graduate, His musicmaking…revealed a keen musical mind and an impressive feeling for the and professional programs. BU consists of 17 colleges and schools along with a number natural pulse and trajectory of a score… Haas’s sensitivity to rhythmic and dynamic of multi-disciplinary centers and institutes which are central to the school’s research gradation, and his ability to marry heartfelt expression with disciplined playing from and teaching mission. The Boston University College of Fine Arts was created in 1954 the NSO…would have been impressive in a conductor three times his age. If Thurs- to bring together the School of Music, the School of Theatre, and the School of Visual day’s concert was an accurate barometer of his talents, Haas is headed for a significant Arts. The University’s vision was to create a community of artists in a conservatory- podium career.” style school offering professional training in the arts to both undergraduate and gradu- ate students, complemented by a liberal arts curriculum for undergraduate students. As former Music Director of the renowned New York Youth Symphony, which performs Since those early days, education at the College of Fine Arts has begun on the BU regularly at Carnegie Hall, Mr. Haas and the NYYS were awarded the ASCAP-League campus and extended into the city of Boston, a rich center of cultural, artistic and intel- of American Orchestras Leonard Bernstein Award for Educational Programming, the lectual activity. first and only time that coveted award has ever been presented to a youth orchestra. Recently, Mr. Haas was selected out of hundreds to perform in the League of American Orchestras’ prestigious National Conductor Preview. Haas also enjoys an active composing career. He conducted the premiere of his “Matthew Says” for orchestra, chorus, and two violin soloists at Carnegie Hall in 2007 and has premiered nine other orchestral pieces of his in New York City during recent seasons. San Francisco-based Hope Mohr Dance commissioned a large-scale score by Haas, premiering the work (“The Unsayable”) in March 2011. Recently, New York Magazine singled out Haas as one of the “New New York School” of composers. In addition to his orchestral engagements, Haas is the founder and Artistic Director of Sympho, a trailblazing concert production company that creates powerful and emo- tional musical experiences, collaborating with leading artists and using unexpected performance methods and unorthodox venues. “Refits the Classical Experience for a New Century,” proclaimed The New York Times headline for Sympho’s first concert. “Something momentous has occurred,” raved the San Francisco Chronicle. And Sym- phony Magazine declared, “Something important was happening, something with emotional stakes.” In February 2011, Sympho and Haas created a critically-acclaimed concert event for the opening night of the Park Avenue Armory’s Tune-In Music Festival, ranked by New York’s WQXR FM as the “Top New Music Event of 2011”. Recent events include a site- specific concert commission for Ann Hamilton’s Tower, an 80-foot sculpture and per- formance venue in Sonoma County, California, whose past performances have featured BOSTON UNIVERSITY TANGLEWOOD INSTITUTE the likes of Kronos Quartet and Meredith Monk. For more information about Sympho, please visit www.SymphoConcerts.org. The Boston University Tanglewood Institute is a program within the School of Music in Paul Haas is a graduate of Yale University and The Juilliard School, where he studied the College of Fine Arts at Boston University. conducting as a Bruno Walter Fellow with Otto-Werner Mueller. His other conducting teachers include Michael Tilson Thomas and Leonard Slatkin. He also studied opera In 1966, educational programs at Tanglewood were extended to younger students of conducting in Dresden, Germany, at the Hochschule für Musik. Haas currently