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MODERATOR: Nick Gold, Chesapeake Systems, Chief Revenue Officer PANELISTS: Padraic Boyle, MLBAM, Director, Enterprise Media 9:00 a.m. REGISTRATION & CONTINENTAL BREAKFAST Eric Carson, Dalet Digital Media Systems, Senior Business Development Manager CONTINENTAL BREAKFAST SPONSORED BY: David Clack, CatDV/JB&A, CEO Scott Rinehart, Notre Dame Athletics, Fighting Irish Media, Broadcast Technology Program Director Jennifer Terbosic, Philadelphia Eagles, Digital Asset Manager 2:15 – 2:30 p.m. SPONSORED BY 9:40 a.m. WELCOMING REMARKS SPONSORED BY WERNE PRODUCTION HOUSE CASE STUDY: by Grant Nodine, NHL, SVP, Technology QUICK TURNAROUND WORKFLOWS FOR LIVE SPORTS PRODUCTION 9:45 – 10:30 a.m. STATE OF THE SPORTS ASSET MANAGEMENT & Every season, Europe’s best ice-hockey and soccer players take to the ice and the pitch, STORAGE INDUSTRY: DATA IS CONTENT and, at every game, Werne Production House is there to broadcast all the action to Finns Your library is only as valuable as the metadata attached to it. SAMS 2016 kicks off at home and across the Baltic. Learn how Werne launched two successful 24/7 sports with a panel of representatives from leagues and networks discussing best practices in channels by leveraging its Primestream dynamic–media-management solution. logging and metadata management, as well as the latest challenges, opportunities, and PRESENTER: David Schleifer, Primestream, COO breakthroughs in the media-asset management (MAM) and storage/archive industry. 2:30 – 3:15 p.m. SPONSORED BY MODERATOR: Grant Nodine, NHL, SVP, Technology DAM CLOUDY: CHALLENGES AND OPPORTUNITIES PANELISTS: FOR CLOUD-BASED ASSET MANAGEMENT Tab Butler, MLB Network, Director, Media Management and Post Production Scott McBurney, ACC, Associate Commissioner, Advanced Media Cloud-based asset-management and storage workflows are quickly becoming ubiquitous James Pilott, HBO, Operations and Creative Producer with leagues, broadcasters, and teams looking to create new production workflows across Kathleen Shannon, Turner Sports Library, Manager multiple sites. Vendors and users address best practices and challenges of stitching together Bryan Staffaroni, WWE, Senior Director, Media Asset Management multiple disparate digital-asset-management systems in the cloud. MODERATOR: Jason Dachman, SVG, Chief Editor 10:30 – 10:45 a.m. PGA TOUR ENTERTAINMENT CASE STUDY: PANELISTS: MAM UPGRADE ENABLES NEW CAPABILITIES & WORKFLOWS Scott Bounds, Microsoft, U.S. Media and Cable Industry Lead PGA TOUR Entertainment upgraded to Vizrt’s Viz One MAM system at the end of 2015. David Dukes, PGA TOUR Entertainment, Senior Director, Technical Operations Not only did the upgrade bring dynamic-search capabilities, but it enabled enhancements Michelle Munson, Aspera (an IBM Company), CEO like metadata extraction — including speech to text, logo, and facial recognition — as well Shane Warden, ATP Media, Director, Broadcast and Technology as an enriched statistical integration with the TOUR’s ShotLink scoring system. Chris Witmayer, NASCAR Productions, Director, PRESENTERS: Broadcast, Post Production, and New Media Technology

David Dukes, PGA TOUR Entertainment, Senior Director, Technical Operations 3:15 – 3:45 p.m. NETWORKING BREAK Michael Raimondo, PGA TOUR, Director, Media Asset Management in Technology Showcase Area SPONSORED BY 10:45 – 11:00 a.m. TECHNOLOGY SHOWCASE PREVIEW 3:45 – 4:15 p.m. DAM BURSTING: CHALLENGES OF MULTI-ANGLE 11:00 – 11:30 a.m. NETWORKING BREAK SPONSORED BY MULTIPLICATION AND SYNCING ISO FEEDS in Technology Showcase Area With more camera angles than ever available on large-scale live sports shows, the storage 11:30 a.m. – 12:15 p.m. OBJECT STORAGE AND ALL-IP WORKFLOWS: infrastructure of sports organizations large and small is bursting at the seams. How can leagues, broadcasters, and teams hold onto important iso feeds and multiple angles of key ARE FILES AND SIGNALS THE SAME NOW? moments without stretching capabilities too thin? Though on the scene for nearly two decades, object storage is finally entering the spotlight MODERATOR: Chris May, Digital Strategies, President as sports-video organizations look to streamline content-management and storage PANELISTS: Changing workflows. Meanwhile, the rise of IP has these organizations rethinking the entire facility’s Chris Halton, NBA, VP, Media and Distribution Technology infrastructure. How will these technologies collide and support each other? Nima Malekmanesh, Evertz, Product Marketing Manager/Senior Engineer, MODERATOR: Scott Katzenoff, Ooyala, Head of Media Solutions DreamCatcher PANELISTS: Grant Nodine, NHL, SVP, Technology the Game Brian Campanotti, Oracle, Global Director, Business Development SPONSORED BY Jeff Greenwald, HGST, Senior Director, Market Development 4:15 – 5:00 p.m. Michael King, DDN Storage, Senior Director of Marketing Strategy and Operations THE ROAD TO 8K: NEXT-GEN UNIFIED STORAGE Janet Lafleur, Quantum, Product Marketing, Media and Entertainment AND MULTI-RESOLUTION ARCHIVING Take your sports production to a whole new dimension Scott Rinehart, Notre Dame Athletics, Fighting Irish Media, With 4K at the doorstep and 8K on the horizon, file sizes and storage requirements are likely Broadcast Technology Program Director to skyrocket in the coming years. With an eye to the future, sports leagues and broadcasters are on the lookout for the next generation of unified storage solutions and routing fabrics. Captivate your viewers with a fully immersive sports experience. From rich 12:15 – 12:30 p.m. SPONSORED BY MODERATOR: Ken Kerschbaumer, SVG, Co-Executive Director, Editorial Services Ultra HD/4K content and augmented reality to powerful sports enhancements— GOLDEN STATE WARRIORS CASE STUDY: PANELISTS: CHAMPIONSHIP-CALIBER STORYTELLING VIA THE CLOUD Régis André, Avid, Senior Director Product Management Avid end-to-end sports solutions give you the platform to create captivating content Learn how the Golden State Warriors have embraced Avid Everywhere in order to Tom Burns, EMC, CTO, Media and Entertainment Division from any location and deliver a game-changing viewer experience. collaborate via the cloud to efficiently produce content and better engage their fans. Alan Gagliardotto, Sony, Product Marketing Manager, Optical Disc Archive PRESENTER: Paul Hodges III, Golden State Warriors, Senior Executive Producer 5:00 – 6:00 p.m. 12:30 – 1:30 p.m. LUNCH SPONSORED BY NETWORKING RECEPTION SPONSORED BY Learn how by contacting your Avid sales representative 1:30 – 2:15 p.m. THE NEXT MAM FRONTIER: PRO TEAMS AND COLLEGE ATHLETICS GET INTO ASSET-MANAGEMENT GAME VISIT THE TECHNOLOGY SHOWCASES! or local reseller, or visit Avid.com/sports As sports franchises and college athletics expand the amount of in-game video produced and content created, the need to manage this valuable content multiplies in importance. Hear how pro franchises and major athlietcs programs are implementing their own in- © 2016 Avid Technology, Inc. All rights reserved. Avid and the Avid logo are either registered house MAM systems, streamlining metadata logging, and archiving content for future use. trademarks or trademarks of Avid Technology, Inc. in the United States and/or other countries. page 4/SPORTS ASSET MANAGEMENT & STORAGE FORUM #SVGSAMS DARRYL JEFFERSON, NBC Sports Group/Olympics, VP, Digital Workflow Enterprise Media Asset Management COMMITTEE Jefferson oversees NBC Sports Group’s Post Production and Asset Manage- ment teams, which focus on development and execution of automated file- n 2013, SVG launched the Sports Asset Management & Storage (SAMS) Committee, dedicated based ingest, production transcode, long-term archive, and remote delivery. Ito advancing the sports-media industry’s content-management and storage capabilities and In addition, he is responsible for transitioning the NBC Sports film/tape ar- for multi-platform production tools. This group — comprising leaders from major U.S. professional leagues, sports networks, chive to a wholly file-based system. Previously, Jefferson served as director of postproduc- and college-sports entities — spearheads the annual Sports Asset Management & Storage tion operations. Most notably, he oversaw the Highlights Factory/asset-management sys- Forum agenda and SVG’s year-round SAMS initiatives. tem from conception through implementation at the 2010, 2012, and 2014 Olympic Games. A world leader in media asset management WALTER RAPS, CBS Sports Network, CTO solutions, Vizrt offers sports broadcasters a COMMITTEE CHAIR: A senior technology executive with more than two decades of experience in GRANT NODINE, broadcast engineering and IT, Raps has managed many complex projects streamlined toolset. The unique approach makes NHL, SVP, Technology with successful results. Deploying the latest technologies to maximize effi- Nodine started his career working as a systems librarian at Editel. He ciencies and realize ROI, he has built systems and workflows that are now Vizrt’s Viz One the MAM of choice for leading moved on to working as a web developer on such sites as Rodale standard for the creation and delivery of digital video and audio. His passion for keeping Press’s MensHealth.com. He later co-founded web-development firm broadcasters worldwide, allowing the management current with technological advancements allows him to address existing challenges and Mercury Seven, serving as its chief technologist. In 1999, he arrived at recognize new business opportunities. the NHL, where he has been involved in building a technology infrastructure that and delivery of content to any platform in the supports NHL.com and all 30 of the team’s websites, numerous systems to produce SCOTT RINEHART, Notre Dame Athletics, Fighting Irish workflow. and deliver streaming media, and many other large technology implementations. Media, Broadcast Technology Program Director Rinehart is responsible for providing technical direction for Notre Dame Learn more at Vizrt.com Athletics’ multimedia-production infrastructure. Prior to joining Notre COMMITTEE MEMBERS: Dame, he worked at NASCAR Media Group as director of internal opera- tions. Before that, he was at PGA TOUR Productions. Rinehart serves as a TAB BUTLER, MLB Network, Director, Media member of the Sports Video Group advisory board and the SpectraLogic Advisory Council Management and Post Production and has won several awards throughout his career. Butler joined MLB Network in June 2008 as part of the Engineering and IT Department, where he was chartered with the facility buildout for the net- MIKE SAINDON, UFC/Zuffa, Senior Production Engineer work’s Jan. 1, 2009, launch. He currently manages the Media Management Saindon joined the UFC in 2011 to help develop procedures and functional- team and oversees MLB Network postproduction. Previously, he spent 18 ity around its digital-asset–management system. He oversees existing and years at NBC, working for NBC News, NBC Sports, and NBC Operations and Technical new technologies within the UFC’s production environment, including dig- Services. He received two Emmy Awards while at NBC and one Emmy Award while at MLB ital-content delivery to more than 450 clients in more than 150 digital for- Network. mats and 26 languages to countries around the world. DAVID DUKES, PGA TOUR Entertainment, Senior TOM SCHOLLE, DirecTV Sports Networks, Director, Technical Operations Chief Systems Integrator Besides management of all technical operations and staff, Dukes’s current Scholle specializes in building workflows connecting best-of-breed technol- responsibilities include direct oversight of PGA TOUR Entertainment’s ogy to DAM/MAM systems, newsroom computer systems, and nonlinear- MAM initiatives as well as strategic technology planning for PGA TOUR editing systems, such as Avid, Apple Final Cut, and Adobe Premiere. In 2013, Entertainment. He began his career in commercial postproduction more he oversaw buildout of a control room and studio in the Rocky Mountain than 20 years ago, serving as an assistant editor and then as editor for a Cincinnati-based Region, which launched with the networks’ Mountain West Football package. Currently, postproduction facility. He joined PGA TOUR in 1996 as an editor and has held several Scholle is responsible for oversight and design of systems installed in all three DirecTV WE MAKE TAPE DEAD SIMPLE. positions within PGA TOUR Entertainment. Sports Networks. DAVE FRANZA, NFL Films/Network, VP/Executive in KATHLEEN SHANNON, Turner Sports Library, Manager Charge, Production Application Development & Support Shannon currently leads library and metadata initiatives for Turner Sports, Unlock the benefits of LTO storage with the world’s most reliable, Franza oversees development and support of technology and applications drawing on a decade of experience in public, academic, and corporate li- related to production, operations, and administration for NFL Films and braries. Since joining Turner Sports in September 2009, she has worked to cost-effective and easy to use LTFS storage solution, designed for NFL Network, the television-production arms of the NFL. Hired in 1986 as transition its library from a tape-based physical space to a file-based service director of IT, he has directed technological advances contributing to the by developing metadata schema, establishing media and data standards, and advising on today's intensive content production. explosive growth in size and production capability at NFL Films over the past 25 years. In- best practices for search and user experience. cluded among these is design and development of SABER, an application suite used for BRYAN STAFFARONI, capturing, indexing, researching, and delivering NFL game footage recorded by NFL Films. WWE, Senior Director, Media Asset Management MARK HADEN, MLB Network, VP, Engineering & IT Staffaroni oversees media management, central ingest, and media-library ser- Haden ensures that the facility meets the technical needs of both MLB Network vices for the WWE. He and his team built, manage, and continue to expand the and MLB Productions. With a staff of more than 40 professional technicians, he WWE’s 120,000-hour digital archive. They also play an integral role in sup- Build a Better Archive with Dternity: oversees day-to-day technical operations as well as broadcast and office com- porting WWE’s elite production team, which creates hundreds of hours of puter networks for this “lens-to-satellite” facility. He also is responsible for re- content every week for the WWE Network, social-media outlets, and more than 175 countries. freshing technologies and keeps a close eye on the future, investigating new and promising in- Staffaroni played a major role in WWE’s transition to HD in 2008, including establishing Fastest LTFS NAS on the market novations and techniques. Previously, Haden was at ABC News, served as director of East Coast workflows for its first digital archive within its new Grass Valley editing environment. Extreme power for complex workflows production at HBO, and also held positions with USA Network and Lifetime Television. CHRIS WITMAYER, NASCAR Productions, Director, Built-in data protection KEITH HORSTMAN, NBA, VP, Digital Media Technology Broadcast, Post Production and New Media Technology Horstman oversees technical and operational planning and manage- Witmayer designed and implemented a completely file-based workflow us- Scalable file and object storage ment for NBA Entertainment. He also oversees all IT functions around ing an easily expandable open architecture, introduced advanced color cor- Free from vendor lock-in digital media and the real-time courtside-statistics system that services rection to the file-based workflow for both completed shows and archival media outlets around the world. He was instrumental in the launch of material, managed integration of EVS to the file-based workflow, designed the NBA digital-media archive, the first such an initiative by a major professional and managed expansion of the archive and production SAN to 1.8 PB, and increased the sports league. efficiency of archival ingest. TRY IT FOR FREE | .com page 6/SPORTS ASSET MANAGEMENT & STORAGE FORUM #SVGSAMS RÉGIS ANDRÉ, Avid, Senior Director Product Management NICK GOLD, Chesapeake Systems, Chief Revenue Officer André has been a driver in the creation of major products in the industry Gold brings to his consultant role with Chesapeake Systems an exten- around production asset management for sports, studio, and news opera- sive technical-knowledge base. His intense curiosity drives him to stay tions for more than 15 years. André started his career at Avid as a workflow current with the latest developments in media and IT. Complementing specialist and eventually headed up the design of what is now Interplay Pro- that is his ability to communicate complex technical concepts to the lay- duction, among other products. After that he moved to another company for person. Gold is recognized as a leading expert in MAM and related archive and storage 10 years to head the product management and UI/UX teams for software products. André workflows. is now back at Avid looking after the future of Avid’s production and asset-management platforms, as well as news systems. ALAN GAGLIARDOTTO, Sony, Product Marketing TOM BLAKE, Manager, Optical Disc Archive Imagen, CEO Gagliardotto currently leads a growing lineup of Optical Disc Archive Compelled by the depth of technology and the nascent state of the enter- storage and content management solutions, for both on premise and prise-video market, Blake took on the evolution of Imagen from bespoke hybrid cloud. He has more than 18 years of experience managing auto- developers of software to venture-backed growth business with a world- mated (tape and optical) library systems and integrating with third- leading sports-video platform selling on four continents. Imagen is now a party software partners. Gagliardotto advises Sony’s Media Backbone team on long- leading platform for preserving and monetizing large libraries of sports content. term media preservation workflows and helps to define and execute the company’s PADRAIC BOYLE, MLBAM, Director, Enterprise Media future product roadmap. Boyle joined Major League Baseball in February 2008 as part of its informa- JEFF GREENWALD, HGST, Senior Director, tion-technology transformation. In his role as a business relationship manag- er, he provided technical direction to the business verticals of the Office of the Market Development Commissioner and also served as a technical liaison to MLB Productions and Greenwald’s focus is to build industry solutions that provide vertical-market MLB Network. Boyle also took on the role as technical lead for MLB and architected the workflows for various customer use cases. Customers in media, broadcast, league’s digital-asset–management system, the DIAMOND Platform. healthcare, high-performance computing, and other industry sectors need solutions that integrate exactly with ISV and other industry-standard soft- TOM BURNS, EMC, CTO, Media & Entertainment Division ware specifically in the workflows of these verticals. He has more than 25 years’ experience Burns was previously responsible for re-engineering Technicolor’s global in these markets and has lead vertical and product-marketing teams at IBM, Sun Microsys- file-based workflows and developed HDR imaging solutions for episodic tems, and, most recently, at Hitachi Data Systems. and feature postproduction. He has built a boutique VFX facility in Shang- hai and a CG-animated-feature studio in Toronto. Prior to that, he was the CHRIS HALTON, NBA, VP, Media and Distribution architect of Oxygen Media’s (now NBCUniversal) storage and networking infrastructure in Technology Manhattan’s Chelsea Market. Halton is responsible for leading technical strategies for the league’s digi- tal-media acquisition, distribution, and archiving platforms. Since joining BRIAN CAMPANOTTI, Oracle, Global Director, Business the NBA in April 2014, he has implemented new digital and broadcast Development technologies for NBA statistics and video distribution, such as the new For the past decade, Campanotti has led innovation and strategy for Front Continuous Game Feeds to global NBA partners, as well as introducing NBA’s Content & Porch Digital as CTO, leading to its acquisition by Oracle in 2014. He now Audience Network. Halton also played a key role in creation of the NBA Replay Center, heads a global business-development team focused on advanced on-prem- which debuted in the 2014-15 season, overseeing all software development for the ap- ises and cloud-based content-storage–management solutions for archive plication. and preservation, serving many verticals. Campanotti was one of the primary inventors of the SMPTE Archive eXchange Format (AXF) open standard. PAUL HODGES III, Golden State Warriors, Senior Executive Producer ERIC CARSON, Dalet Digital Media Systems, Senior Hodges leads all video-content development and distribution and oversees Business Development Manager Warriors Studio, the in-house group he founded, which is solely responsible With well over a decade of experience at the cutting edge of media workflows, for all aspects of video content — overall strategy, creative, technical, infra- Carson is passionate about finding new ways to optimize media processes, bridg- structure — and which drives delivery of that content across TV, online, and ing the gap between the need for quality viewing experiences and creating addi- in-arena channels. Prior to the Warriors, Hodges spent the majority of his 16-year career in tional content-monetization paths. He has a strong technical background in file- sports entertainment with the San Francisco Giants building SFG Productions. based workflows as the original architect of Tektronix Aurora automated QC software and has contributed significantly to industry projects and such groups as EBU (QC), AMWA, and SMPTE. SCOTT KATZENOFF, Ooyala, Head of Media Solutions Katzenoff is responsible for driving market success for Ooyala’s media DAVID CLACK, CatDV/JB&A, CEO logistics platform, Ooyala Flex, in North America. He oversees customer- Clack leads Square Box, supplier of CatDV MAM products, helping creative driven sales of Ooyala’s video workflow solutions, helping broadcasters and professionals make incredible video and audio content, optimize media work- media companies produce premium video with greater efficiency, automa- flows, and manage the exploding demand for high-quality video content. tion, and analytics to continually measure and improve their video operations. He also CatDV enables creative teams to manage the huge volume of video, audio, supports solution sales of the company’s live platform in North America. graphics, images, and documents involved in program-making today. It streamlines the pro- cess of planning, shooting, postproduction, and distribution of compelling media content. KEN KERSCHBAUMER, SVG, Co-Executive Director, JASON DACHMAN, SVG, Chief Editor Editorial Services Dachman oversees all aspects of SVG’s North American editorial operations, Kerschbaumer, a co-founder of SVG with Paul Gallo and Marty Porter in including the thrice-weekly SVG Insider newsletter and SVG’s annual print 2005, has been writing about how sports networks and leagues use video publications. A member of the SVG team since 2009, he also serves as pro- and audio technology to deliver a quality TV experience since 1991. He be- gram director for SVG’s Sports Asset Management & Storage (SAMS) Fo- gan his career at Television Broadcast magazine before joining Cahners, rum, Sports Graphics Forum, and TranSPORT event. Prior to joining SVG, he spent three where he was founding editor of Digital Broadcasting magazine. In 2000, he joined Broad- years covering local sports for The Patriot Ledger in Quincy, MA, and spent two years on casting & Cable magazine as senior editor of technology, covering all aspects of broadcast- the production staff of SiriusXM Satellite Radio’s The Ron & Fez Show. ing, cable, and internet content creation and distribution. page 8/SPORTS ASSET MANAGEMENT & STORAGE FORUM #SVGSAMS MICHAEL KING, DDN Storage, Senior Director of JAMES PILOTT, HBO Sports, Marketing Strategy and Operations Operations and Creative Producer King is responsible for marketing strategy and operations in the rapidly Pilott has been responsible for crafting broadcast, edit, and storage work- growing cloud market and its convergence with traditional media. Prior to flows and solutions for the Sports department since 2012, as well as coordi- DDN, he worked for a diverse group of companies from commodity goods nating a multiplatform media-management operation for all HBO Sports to niche ultra-high technology firms and has held numerous technology properties. He is responsible for identifying, means-testing, and implement- and management positions. King’s professional experience includes large-scale Internet ing new technologies aimed at consistently raising production values on HBO Sports shows content distribution, distributed computing, new media production, and storage infra- and is also currently working on a cross-departmental campaign to archive thousands of structure. His roles in Internet, cloud, and new media companies span from developer all hours of legacy footage. the way to president. MICHAEL RAIMONDO, PGA TOUR, Director, JANET LAFLEUR, Quantum, Product Marketing, Media Asset Management Media and Entertainment Raimondo oversees the PGA TOUR’s MAM system, including day-to-day Lafleur is a Silicon Valley-based technologist focused on workflow operations of the ingest operators, loggers, and library personnel, as well storage solutions for the media and entertainment. In her product- as the media-fulfillment division. He has more than 20 years’ experience marketing role at Quantum, she sees major disruptions caused by in broadcast. Prior to joining the TOUR, he worked in New York City at technology advances, from 4K/8K and HDR to increased content MTI – The Image Group (now NEP Studios) as a systems engineer, wiring and building monetization, and focuses on how these technologies benefit people and businesses, studios and edit suites. The company grew from one studio in 1993 to seven by 1998. going beyond the “faster, cheaper, better” approach. DAVID SCHLEIFER, Primestream, COO NIMA MALEKMANESH, Evertz, Product Marketing A 25-year veteran of the technology industry, Schleifer previously was with Manager/Senior Engineer, DreamCatcher Avid Technology, where he served as VP of strategic planning, building and Malekmanesh has been with Evertz since 2001 and is one of the lead soft- managing the business strategy for the media and entertainment market, ware engineers who developed DreamCatcher. He oversees DreamCatcher and as VP of broadcast, building and managing the company’s growth into marketing, sales, and service worldwide and also contributes to product di- the broadcast market. Over his career, he has been responsible for development and intro- rection and development. duction of many products, including Avid Interplay and Avid iNEWS Instinct, as well as on-air systems and automation, 3D-graphics, and editing solutions. CHRIS MAY, Digital Strategies, President May is president of Digital Strategies, a technology advisory organiza- JENNIFER TERBOSIC, Philadelphia Eagles, tion that provides strategic business planning, technology roadmap- Digital Asset Manager ping, and implementation/post-implementation coaching to help orga- With the Philadelphia Eagles since November 2014, Terbosic has been nizations elevate their digital supply chain. Formerly at Turner, he over- reworking metadata and defining metadata fields and their values with saw the digital-video operations for Turner Sports broadcast and digital properties, her team. She has also worked closely with integrators at Chesapeake Sys- which included NBATV, NBA on TNT, MLB on TBS, NCAA on TruTV, NCAA.com, tems to automate manual processes and develop workflows that have NBA.com, PGA.com, and Bleacher Report. been able to improve delivery time to social channels and affiliates. Before joining the Eagles, she was digital asset manager at DePuy Synthes, a Johnson & Johnson Company. SCOTT MCBURNEY, ACC, Associate Commissioner, Advanced Media SHANE WARDEN, ATP Media, Director, McBurney is entering his 20th year with the Atlantic Coast Conference Broadcast and Technology overseeing video production and distribution in the league office. Hired to Warden is responsible for keeping ATP Media at the leading edge of media technol- impact ACC awareness in local and national sports programming, McBur- ogy and excellence, pushing the boundaries of production, distribution, content ney has been involved in developing distribution methods to meet the management, and digital to enhance quality, service, and value for the global ever-expanding role that video can have in spreading the message of the conference and broadcast partners and brands associated with the tour. This includes detailed in- its 15 member institutions. volvement in onsite production services and workflows as well as development of the asset-man- agement system for the Archive and Broadcaster Portal for in-tournament news and content.

Be sure to visit the Sports Asset Management and Storage TECHNOLOGY SHOWCASES

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