SPRING 2017 Izar Farsakh

SPRING 2017 A FISH STORY 3 Letters page 80 EDITORIAL 5 Still Immoral, Still Stupid: Let’s End 50 Years of Israel’s Occupation of the West Bank—One Person/One Vote rabbi michael lerner THE OCCUPATION AT 50 12 What the Collapse of the Two-State Solution Means for Palestinian and Israeli Nationalism | jonathan kuttab 16 50 Years Later—How the Occupation Evolved and the Answer to its Growth | sami awad 19 The United States and Israel: An Alliance or a Protection Racket? stephen zunes 23 Atzma’ut 69, Occupation 50: Does That Add Up? | arthur waskow 29 Is “Land for Peace” Legitimate? Reflections on the Six-Day War, 50 Years Later | shaul magid 33 It’s Time to Put Our Privileged Jewish Bodies on the Line ilana sumka 34 The Occupation at 50: A Palestinian Perspective | nizar farsakh 36 Which Side Are You On, My People? Ending American Jewish Support for the Occupation | simone zimmerman and yonah lieberman 38 Palestinians Perpetually Participating | hagai el-ad 39 A Blessing in the Midst of the Earth | david zaslow 41 It’s the Occupation, Stupid! | tony klug 44 Numerology | aaron issar back 45 Finding Nonviolence in Jerusalem: The Palestinian Boycott of Jerusalem Municipal Elections Since 1967 | oren kroll-zeldin 46 50 Years of Israel Imposing a One-State “Solution” | sam bahour 48 When Land is God | arik ascherman 50 Israel, Palestine, and the Language of Genocide | mark levine and eric cheyfitz 56 A Lifeline to the Values We Hold Sacred | suhad babaa 57 At 50 We Dare Not Give Up | aryeh cohen 59 When Anti-Zionism Becomes Anti-Semitism and Zionism Becomes Mohamad Torokman | Reuters Pictures Anti-Palestinian | elli tikvah sarah SPRING 2017 Online Exclusives 63 Born Into Occupation, Fighting for Basic Human Rights Tikkun is not just a print issa amro magazine — visit our blog at 65 50 Years of Occupation: Working Principles for Where We Go tikkun.org/daily and our web magazine site at tikkun.org. from Here | cherie r. brown Each has content not found 67 BDS is the Peace Talks | ariel gold here. Our online magazine is an exciting supplement to the print 69 The Threat of BDS | micha kurz magazine, and the daily blog 73 Binationalism | ayelet waldman brings in a range of voices and perspectives. 74 Where Do We Begin? | stefanie fox 75 Why My Jewishness Compels Me to Stand for Justice in Palestine ethan buckner 78 Forget Solutions, We Are the Problem | ben ehrenreich POETRY 79 438 | ko un 80 A Fish Story | jane shore ARTISTS Reprints and Originals | Bashir Abu-Rabia, Tania Maya Advani, Fouad Agbaria, Nabil Anani, Ahmad Al-Baaz, Ryan Rodrick Beiler, Faryn Borella, Kamal Boullata, Frédéric Glorieux, Keren Manor, Tess Schefl an, Shaﬁ k Radwan, Yotam Ronen, Mohamad Torokman, Olivia Wise, Oren Ziv LETTERS TO THE EDITOR Send your letters to the editor to [email protected] EDITORIAL ADVISORY BOARD Rachel Adler, Gar Alperovitz, Gil Anidjar, Michael Berenbaum, Chet Bowers, Paul Buhle, Abby Caplin, Dan Cohn-Sherbok, Elliot Dorff, Terry Eagleton, Duane Elgin, Leslie Epstein, Sidra DeKoven Ezrahi, John Felstiner, Margaret Flowers, Harriet Fraad, Saul Friedlander, Nan Fink Gefen, Laura Geller, Ann Gleig, John P. Geyman, David Gordis, Jonathan Granoff, Arthur Green, Colin Greer, Mary Grey, Jamey Hecht, Burt Jacobson, David Kim, Reuven Kimelman, EDITOR Michael Lerner Richard La Brecque, Daniel Matt, Bob McChesney, Balmurli Natrajan, Elliot Neaman, EDITOR-AT-LARGE Peter Gabel David Newman, Greg Palast, Alan Michael Parker, David Pinault, Robert Pinsky, Judith Plaskow, MANAGING EDITOR Ari Bloomekatz Letty Cottin Pogrebin, Douglas Rushkoff, Wade Clark Roof, Michael Sandel, David Saperstein, ART DESIGN Duke University Press Zalman Schachter-Shalomi (z”l), Richard Schwartz, Chaim Seidler-Feller, Gerald Serotta, POETRY EDITOR Joshua Weiner Rami Shapiro, Jeremy Sher, Uri Simon, Wendy Somerson, Starhawk, Aaron Steinberg-Madow, ASSISTANT POETRY EDITOR Lindsay Bernal David Sylvester, Aaron Hahn Tapper, Arthur Waskow, John Welwood, Michael Zimmerman JEWISH THOUGHT & CULTURE EDITOR Shaul Magid PERMISSIONS FICTION EDITOR Joshua Bernstein Photocopies for course or research use that are supplied to the end user at no cost may WEB DESIGN Craig Wiesner and Derrick Kikuchi be made without explicit permission or fee. 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Printed on recycled paper. RECOMMENDS These two pamphlets from indie The beginnings of genre paintings of everyday life in poetry presses in the UK showcase northern Europe in the 16th and 17th centuries was, how poets across the pond have Harvard U. art historian Joseph Koerner tells us in been responding to the Syrian Civil this beautifully presented and deeply engaging book, War, the confrontation with the “bound inextricably to what seems like its polar op- West staged by ISIS, the refugee posite: an art of the bizarre, the monstrous, the un- crisis that has arisen as a result, plus canny,” particularly in the work of Hieronymous Bosch the immigration nightmare and its and Pieter Bruegel. At times using Biblical themes, but consequent social inequalities—all rendering them as though they were happening in a The Migrant Ship #refugees welcome: of which are felt more immediately Bosch and Bruegel way that they viewer can feel personally both moved Nicholas Murray Poems in a Time and intensely there than in the U.S. Joseph Leo Koerner and scared, these painters have managed to be as alive Melos Press, 2016 of Crisis #refugees welcome, which is a short Princeton U. Press, to 21st century viewers as they were to the emerging 2016 ed. Oliver Jones anthology, includes English poets humanism of their own time. Bosch’s portrayal of Eyewear Publishing, long associated with social action, the Garden of Earthly Delights may have been intended as a preface to the 2015 such as Tom Phillips, alongside many horrendous suffering that the devils of Hell were preparing for the sinners, younger voices originating from the Middle East, such as Alice Yousef and but it nevertheless portrayed the possibilities of a community obsessed with Zeina Hashem Beck. The poems vary widely, from verse reportage of working sexuality that had never been more beautifully portrayed in world paintings. in the refugee camps (Thomas McColl), to spare, rhythmically taut images of Bruegel captured the scenes of daily life for many peasants, and managed to violence (Kate Noakes), to the unsettling ironic distances between a world elevate their suffering in striking colors, but it is impossible to miss his deep intact and another blown apart (Rosemary Appleton). The poems all evoke cynicism about human life and its pretenses. While humans are busily con- the radical American poet, Thomas McGrath’s idea of the tactical poem, in- structing this monumental skyscraper fantasy of overcoming God through tended to move and mobilize people to a cause, in this case social justice for technology, the viewer sees the tower being dwarfed by the expanse of the WE HAVE A STRATEGY TO the dispossessed. Murray’s The Migrant Ship works differently, teasing out background scenes reminding us of the ending of this arrogant human at- the psychological implications of diaspora that are at once beautifully spare, tempt to

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