Who Says There's No Justice in the World?
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The Notenki Memoirs: Studio Gainax and the Men Who Created Evangelion
The Notenki Memoirs: Studio Gainax And The Men Who Created Evangelion By Yasuhiro Takeda (2002) Japanese edition: • Photography: Kazuyoshi Sakai • Yasuhiro Takeda Illustration: Mitsue Aoki • Writing Assistance: Yu Sugitani (EHRGEIZ), Yasuhiro Kamimura (GAINAX), Takayoshi Miwa (PAQUET) • ISBN 4847014073 • © 2002, Wani Books English edition: • Translation & adaptation: Javier Lopez, Jack Wiedrick, Brendan Frayne, Kay Bertrand, Gina Koerner, Hiroaki Fukuda and Sheridan Jacobs • Design & layout: Natalia Reynolds • Cover Design: Jason Babler • ISBN 1–4139–0234–0 • English text ©2005 published by A.D. Vision, Inc., under exclusive license from Wani Books, Co. (Tokyo) Editor’s preface This unofficial electronic edition is derived from the 1st book printing by ADV, and formatted in Pandoc Markdown; the source code is available, as is a PDF1 A 200MB scan is available for anyone who wishes to check the original print book against this edition. Many of the formatting conventions differ - for example, in the book, endnotes are divided into biographical endnotes and non-biographical endnotes, and the latter appear as a consolidated section in the middle of the book while the former appear in the last section of the book; in this ebook, the notes appear intermingled as endnotes (although one can tell the difference: all biographical endnotes start with the name in bold). The convention report in the middle 1The PDF is generated by obtaining a copy of the gwern.net website repository and running markdown2pdf --xetex docs/2002-notenki-memoirs.page. 1 of the text was originally formatted as multiple columns on a page with no whitespace and photographs inserted out of order; I have taken the liberty of interpreting large text as section titles and converting the run-on paragraphs to list items. -
Innovation Management Entrepreneurship and Corporate Sustainability 2016
Sborník INNOVATION MANAGEMENT ENTREPRENEURSHIP AND CORPORATE SUSTAINABILITY 2016 Proceedings of the 4th International Conference Proceedings of the 4th International Conference Innovation Management, Entrepreneurship and Corporate Sustainability 26 – 27 May, 2016, Prague Organized by: University of Economics, Prague Proceedings of the 4th International Conference Innovation Management, Entrepreneurship and Corporate Sustainability, 2016 International Scientific Committee Chairman: Doc. Ing. Mgr. Martin Lukeš, Ph.D., Members: Doc. Ing. Jitka Srpová, Ph.D. Doc. Ing. Miroslav Špaček, Ph.D., MBA Prof. Ing. Anna Pilková, Ph.D., MBA Doc. Ing. Galina Ostapenko, Ph.D. International Organizational and Program Committee Chairman: Doc. Ing. Jitka Srpová, Ph.D. Members: Ing. Blanka Habrmanová, Ph.D. Doc. Ing. Galina Ostapenko, Ph.D. Ing. Ivana Svobodová, Ph.D. Ing. Jana Müllerová Ing. Ladislav Hartman Ing. Jan Mareš Ing. Jan Mísař Ing. Michal Ander Ing. Ondřej Dvouletý 2 Proceedings of the 4th International Conference Innovation Management, Entrepreneurship and Corporate Sustainability, 2016 This conference proceedings contain contributions of the conference participants presented during both days of the conference. All these contributions have successfully passed the double- blind peer-review process. All rights of the authors are reserved. The copyright of materials incl. quotations used remains with the authors. Unauthorised copying is prohibited. No responsibility is assumed by the publisher for the linguistic and technical accuracy of their contributions -
CREDIT Belongs to Anime Studio, Fansubbers, Encoders & Re-Encoders Who Did the All Hard Work!!! NO PROFIT Is Ever Made by Me
Downloaded from: justpaste.it/1vc3 < іѕт!: < AT׀ ↓Αпіме dd Disclaimer: All CREDIT belongs to Anime Studio, Fansubbers, Encoders & Re-Encoders who did the all hard work!!! NO PROFIT is ever made by me. Period! --------------------- Note: Never Re-post/Steal any Links! Please. You must Upload yourself so that My Links won't get Taken Down or DMCA'ed! --------------------- Be sure to Credit Fansub Group, Encoders & Re-Encoders if you know. --------------------- If you do Plan to Upload, be sure to change MKV/MP4 MD5 hash with MD5 Hasher first or Zip/Rar b4 you Upload. To prevent files from being blocked/deleted from everyone's Accounts. --------------------- Do Support Anime Creators by Buying Original Anime DVD/BD if it Sells in your Country. --------------------- Visit > Animezz --------------------- МҒ links are Dead. You can request re-upload. I will try re-upload when i got time. Tusfiles, Filewinds or Sharebeast & Mirror links are alive, maybe. #: [FW] .hack//Sekai no Mukou ni [BD][Subbed] [FW] .hack//Series [DVD][Dual-Audio] [FW] .hack//Versus: The Thanatos Report [BD][Subbed] [2S/SB/Davvas] 009 Re:Cyborg [ВD][ЅυЬЬеd|CRF24] A: [ЅВ] Afro Samurai [ВD|Uпсепѕогеd|dυЬЬеd|CRF24] [МҒ] Air (Whole Series)[DVD][Dual-Audio] [МҒ] Aquarion + OVA [DVD][Dual-Audio] [2Ѕ/ЅВ] Asura [ВD|ЅυЬЬеd|CRF24] B: [МҒ] Baccano! [DVD][Dual-Audio] [МҒ] Basilisk - Kōga Ninpō Chō [DVD][Dual-Audio] [TF] Berserk: The Golden Age Arc - All Chapters [ВD|Uпсепѕοгеd|ЅυЬЬеd|CRF24] [DDLA] Black Lagoon (Complete) [DVD/BD] [МҒ] Black Blood Brothers [DVD][Dual-Audio] [МҒ] Blood: -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
A Case Study of Anime Fansubbing
King’s Research Portal DOI: 10.1177/0163443711418271 Link to publication record in King's Research Portal Citation for published version (APA): Lee, H. K. (2011). Participatory media fandom: a case study of anime fansubbing. Media Culture & Society, 33(8), 1131-1147. https://doi.org/10.1177/0163443711418271 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Animation and Videogames: Creativity and Market Failures in Japan's Content Industries
Animation and Videogames: Creativity and Market Failures in Japan’s Content Industries Andrei Hagiu Harvard Business School Temple University Japan March 20th 2007 Anime: a very creative Japanese industry… “To define anime simply as Japanese cartoons gives no sense of the depth and variety that make up the medium. Essentially, anime works include everything that Western audiences are accustomed to seeing in live-action films—romance, comedy, tragedy, adventure, even psychological probing of a kind seldom attempted in recent mass-culture Western film or television.” Susan J. Napier, Anime From Akira to Howl’s Moving Castle Japanese anime: 60% of TV anime series worldwide Pokemon example: 68 countries and 25 languages; aggregate size of Pokémon-related markets estimated at $200 billion …stuck in a suboptimal equilibrium Anime in Japan: ¥234 billion ($2.0 billion) in 2005 Fragmented industry (430 animation production companies) dominated by distributors (copyrights and financing) Lack of business and financial strength of animation production companies In 2005, Disney Co. had $32 billion revenues; Toei Animation had ¥21 billion ($175 million) revenues Disney and Pixar spend over ¥10 billion to produce one anime movie; Japanese anime production companies usually spent ¥0.2-0.3 billion (Studio Ghibli: ¥1-3 billion) Why? How can that be changed? The production committee system: financing and copyrights problems Investment Distribution Right Completed Anime for Video Distribute Video P. C. Member A: Anime Production Production Video Distribution Video Market Company Committee Video Sale Proceeds Company Fixed Payment (Less COGS and fees) Sales Proceeds Distribution of Profits P. C. Member B: TV Station P. -
Aachi Wa Ssipak Afro Samurai Afro Samurai Resurrection Air Air Gear
1001 Nights Burn Up! Excess Dragon Ball Z Movies 3 Busou Renkin Druaga no Tou: the Aegis of Uruk Byousoku 5 Centimeter Druaga no Tou: the Sword of Uruk AA! Megami-sama (2005) Durarara!! Aachi wa Ssipak Dwaejiui Wang Afro Samurai C Afro Samurai Resurrection Canaan Air Card Captor Sakura Edens Bowy Air Gear Casshern Sins El Cazador de la Bruja Akira Chaos;Head Elfen Lied Angel Beats! Chihayafuru Erementar Gerad Animatrix, The Chii's Sweet Home Evangelion Ano Natsu de Matteru Chii's Sweet Home: Atarashii Evangelion Shin Gekijouban: Ha Ao no Exorcist O'uchi Evangelion Shin Gekijouban: Jo Appleseed +(2004) Chobits Appleseed Saga Ex Machina Choujuushin Gravion Argento Soma Choujuushin Gravion Zwei Fate/Stay Night Aria the Animation Chrno Crusade Fate/Stay Night: Unlimited Blade Asobi ni Iku yo! +Ova Chuunibyou demo Koi ga Shitai! Works Ayakashi: Samurai Horror Tales Clannad Figure 17: Tsubasa & Hikaru Azumanga Daioh Clannad After Story Final Fantasy Claymore Final Fantasy Unlimited Code Geass Hangyaku no Lelouch Final Fantasy VII: Advent Children B Gata H Kei Code Geass Hangyaku no Lelouch Final Fantasy: The Spirits Within Baccano! R2 Freedom Baka to Test to Shoukanjuu Colorful Fruits Basket Bakemonogatari Cossette no Shouzou Full Metal Panic! Bakuman. Cowboy Bebop Full Metal Panic? Fumoffu + TSR Bakumatsu Kikansetsu Coyote Ragtime Show Furi Kuri Irohanihoheto Cyber City Oedo 808 Fushigi Yuugi Bakuretsu Tenshi +Ova Bamboo Blade Bartender D.Gray-man Gad Guard Basilisk: Kouga Ninpou Chou D.N. Angel Gakuen Mokushiroku: High School Beck Dance in -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Afro-Orientalism; an Exploration of The
Afro-Orientalism; An Exploration of the Relationship Between African Americans and the Japanese from the 18th to the 21st Century By: Alana Lewis Abstract The study of Afro-Asian relationships, often referred to as Afro-Orientalism, is a subject that is not widely discussed. This relationship is a cultural and often political interaction of two vastly different cultures, that have found a common identity and connectedness between themselves even across oceans. My honors thesis will specifically address the Afro-Asian relationship between African Americans in the United States and Japanese people. The benefit of the previous research that has been done in this study is that it sets the foundation for Afro- Orientalism. Additionally, those who have explored in this area have explicated the specific problems that fester as a manifestation of this Afro-Asian relationship such as the World Color Line. However, it fails address the development of the Afro-Asian relationship from 1902 in comparison to the 21th century. It is important to understand how the dynamics between cultures and their interconnectedness with one another develop with changing cultural ideologies over time. This paper will extend beyond existing scholarship about cultural politics and the critical problem of World Color Line. It will address the relationship in the early 20th to early 21st century to explore how new frame works of cultural understanding has changed the dynamics between the two cultures. To do this I will primarily look at Bill Mullin’s “Afro-Orientalism”, Gerald Home’s “Facing the Rising Sun: African Americans, Japan, and the Rise of Afro-Asian Solidarity”, Tze-Yue G. -
Copy of Anime Licensing Information
Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep. -
Net Marketing / 6175
R Net Marketing / 6175 COVERAGE INITIATED ON: 2019.11.20 LAST UPDATE: 2021.08.06 Shared Research Inc. has produced this report by request from the company discussed in the report. The aim is to provide an “owner’s manual” to investors. We at Shared Research Inc. make every effort to provide an accurate, objective, and neutral analysis. In order to highlight any biases, we clearly attribute our data and findings. We will always present opinions from company management as such. Our views are ours where stated. We do not try to convince or influence, only inform. We appreciate your suggestions and feedback. Write to us at [email protected] or find us on Bloomberg. Research Coverage Report by Shared Research Inc. Net Marketing / 6175 R LAST UPDATE: 2021.08.06 Research Coverage Report by Shared Research Inc. | https://sharedresearch.jp Coverage INDEX How to read a Shared Research report: This report begins with the trends and outlook section, which discusses the company’s most recent earnings. First-time readers should start at the business section later in the report. Executive summary ----------------------------------------------------------------------------------------------------------------------------------- 3 Key financial data ------------------------------------------------------------------------------------------------------------------------------------- 5 Recent updates ---------------------------------------------------------------------------------------------------------------------------------------- 6 Highlights