Download Jailbird: a Novel PDF

Total Page：16

File Type：pdf, Size：1020Kb

Download: Jailbird: A Novel PDF Free [485.Book] Download Jailbird: A Novel PDF By Kurt Vonnegut Jailbird: A Novel you can download free book and read Jailbird: A Novel for free here. Do you want to search free download Jailbird: A Novel or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Jailbird: A Novel | #3461368 in Books | 2016-01-19 | Formats: Audiobook, MP3 Audio, Unabridged | Original language: English | PDF # 1 | 6.75 x .50 x 5.25l, | Running time: 9 Hours | Binding: MP3 CD | |2 of 2 people found the following review helpful.| Jailbird, a very Vonnegut look into the morals of our modern economy | By Derick C. Marsh |Kurt Vonnegut approaches vital themes as honestly as anyone with a wise whimsy that makes your mind grow and your heat warm. Jailbird is perhaps not as laugh-out-loud funny as, say, Breakfast of Champions, but it presents a very piercing argument and perspective within a wonderfully endearin | | “He has never been more satirically on-target. Nothing is spared.”—People ||“[Vonnegut] is our strongest writer . the most stubbornly imaginative.”—John Irving| | “A gem . a mature, imaginative Jailbird takes us into a fractured and comic, pure Vonnegut world of high crimes and misdemeanors in government—and in the heart. This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentiary as Watergate’s least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable [232.Book] Jailbird: A Novel PDF [343.Book] Jailbird: A Novel By Kurt Vonnegut Epub [024.Book] Jailbird: A Novel By Kurt Vonnegut Ebook [894.Book] Jailbird: A Novel By Kurt Vonnegut Rar [668.Book] Jailbird: A Novel By Kurt Vonnegut Zip [350.Book] Jailbird: A Novel By Kurt Vonnegut Read Online Free Download: Jailbird: A Novel pdf.

Copy Link

Recommended publications

Download Full Text In
European Proceedings of Social and Behavioural Sciences EpSBS www.europeanproceedings.com e-ISSN: 2357-1330 DOI: 10.15405/epsbs.2020.11.03.68 DCCD 2020 Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding THE HOLY GRAIL AS A DIALOGUE OF STORIES IN THE NOVEL BY KURT VONNEGUT 'BLUEBEARD' Olga I. Nefedova (a)* *Corresponding author (a) Moscow City University, Institute of Foreign Languages, 5B Malyj Kazennyj pereulok, Moscow, Russia, [email protected] Abstract The article is devoted to analyzing a novel by Kurt Vonnegut “Bluebeard” in order to identify some of its allusions and references. The author claims that the text refers to the so-called Matter of Britain, specifically to the adventure of a knight in search of an unreachable sacred object, the Holy Grail. It helps the writer to explore the issues of determining a person’s identity and the purposes of art. The analysis has shown that the main opposition form versus idea reveals itself in the tensions between realism and abstract expressionism in art and between “soul” and “meat” of the main character Rabo Karabekian. The first conflict is tied to the succession of the Fisher King, the keeper of the grail, and his knight: a modernist artist Rabo is a knight for a realist illustrator Dan Gregory and a Fisher King to a popular writer Circe Berman close to social realist philosophy. The second one is connected with his broken communication with people in his life and his quest for belonging and identity. The resolution lies in balance reached through sharing stories about art objects and life experiences.
[Show full text]
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945101 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Context and Neglect: Kurt Vonnegut and the Middleclass Magazine. Lori Philbin A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2018 Copyright 2018 Lori Philbin Abstract The scholarship focusing on the work of Kurt Vonnegut, Jr. has largely centered on his novels. Most studies have neglected Vonnegut’s start in the popular magazine market writing short stories. A few notable scholars have focused on the stories: Jerome Klinkowitz, Peter J. Reed, Jeff Karon, James Thorson, and Steve Gronert Ellerhoff. Even with the work of such scholars, there have been few studies that consider the context of Vonnegut’s earliest stories and how the influence of the middleclass magazine market not only shaped Vonnegut’s career but had continued impact on his later novels. This study explores Vonnegut’s first eight stories: “Report on the Barnhouse Effect,” “Thanasphere,” “EPICAC,” “All the King’s Horses,” “Mnemonics,” “The Euphio Question,” “The Foster Portfolio,” and “More Stately Mansions.” The stories are considered within the context of their first publication venue, the magazine Collier’s, and how that context shows connections between the stories and his novels such as Player Piano, Cat’s Cradle, and Slaughterhouse-Five.
[Show full text]
Reading Kurt Vonnegut's Breakfast of Champions with an Eye to Walt Whitman
RSA Journal 13 21 ROBERTO SERRAI Landscapes of Destruction: Reading Kurt Vonnegut's Breakfast of Champions with an Eye to Walt Whitman In heart, I am an American artist, and I have no guilt... Patti Smith, Babel (1978) Breakfast of Champions, first published in 1973, is probably one of Kurt Vonnegut's most destructive, pessimistic and nihilistic works. Even if we chose to label it a comedy, or a farce, its humor would still be of a very black qual ity.1 Thus, maybe, the book would be more accurately described as a satire verging on tragedy. Vonnegut was not new to the theme of destruction; where the earlier novel Cats Cradle (1963) is a long allegory on power and author ity which ends in catastrophe, Mother Night (1961) and Slaughterhouse-Five (1969) unfold as chronicles of private vicissitudes set against the tragic back drop of a major historical event, World War II. Along with a deep reflection on identity, ambiguity, and the thorny issue of distinguishing innocence from guilt, both share an outright condemnation of war's useless folly and of all the mystifications often concocted to disguise it. In the latter work, remarkably, the horror of the chosen exemplum — the allied firebombing of the German city of Dresden, which in three days (2/13-15/1945) killed more than 135.000 harmless civilians — is so immense to prove basically impossible to represent. Billy Pilgrim, the young American POW most of the book focuses on, takes shelter in a deep underground meat locker "hollowed in living rock" (S5 209) and so is only able to witness the bomb runs' aftermath, the morning when Dresden suddenly "was like the moon" (S5 229).
[Show full text]
By Sarah J Griffith
THE MORAL EGOTIST: EVOLUTION OF STYLE IN KURT VONNEGUT’S SATIRE by Sarah J Griffith The Moral Egotist: Evolution of Style in Kurt Vonnegut’s Satire by Sarah J Griffith A thesis presented for the B.A. Degree with Honors in The Department of English University of Michigan Spring 2008 © 2008 Sarah J Griffith Acknowledgements I would like to thank my teachers, advisors, friends, and family without whose support this project may never have become a reality. My thesis advisor, Eric Rabkin, has been an absolutely invaluable resource of both support and tough-love. He earned my respect on the first day we met and I felt compelled to spend the following weeks drafting a project statement grand enough to satisfy his high standards. He is a phenomenal mentor and academic from whom I have learned more about writing in six months than ever before. During the writing process, my teammates and friends were constant sources of alternate encouragement, guidance, and comic relief. Many thanks to Tyler Kinley for providing a tireless and creative ear for the development of my ideas, though I am fortunate in that this comes as no surprise. Most importantly, much appreciation goes to my overwhelmingly supportive parents who affirmed their love for me one more time in soldiering through the early drafts of my writing. Thanks to my father from whom I get my passion for language and my mother whose unmatched patience and compassion have buoyed me up time and again throughout this intensive project. Gratitude is also due to both of them for my opportunity to attend the University of Michigan to meet and work with all of the incredible individuals mentioned above.
[Show full text]
Kurt Vonnegut Biography
Kurt Vonnegut (1922-2007) Born in Indianapolis. Attended Cornell University, majoring in chemistry. Served in WWII and was POW in Dresden when 135,000 were killed by fire bombs. His mother committed suicide on Mother’s Day 1944. Kurt Vonnegut (1922-2007) Attended University of Chicago as graduate student in anthropology, but his thesis was rejected. In 1971 Chicago awarded him the MA, accepting his novel Cat’s Cradle as substitute for his thesis. Kurt Vonnegut (1922-2007) After WWII he married his childhood sweetheart Jane Cox and eventually raised seven children, three with her, three adopted after his sister Alice died and one adopted with his second wife Jill Krementz. Worked in public relations for General Electric. Quit in 1950 to write science fiction. Kurt Vonnegut (1922-2007) Player Piano (1952) was his first novel, followed by The Sirens of Titan (1959) and Mother Night (1961). Cat’s Cradle (1963) was his first book to be published in hard back, followed by God Bless You Mr. Rosewater (1965) Kurt Vonnegut (1922-2007) Considered giving up writing but took a position teaching at the University of Iowa’s Writer’s Workshop where he started writing Slaughter House Five (1969) which became his first big best seller. Kurt Vonnegut (1922-2007) Other novels included Breakfast of Champions (1973), Slapstick (1976), Jailbird (1979), Deadeye Dick (1982), Galápagos (1985), Bluebeard (1987), Hocus Pocus (1990), and Timequake (1997). Kurt Vonnegut (1922-2007) He smoked unfiltered Pall Mall cigarettes all of his adult life, calling it a “classy way to commit suicide.” In TimeQuake (1997) he wrote that his alter ego Kilgore Trout would die when he was 84.
[Show full text]
Â•Œall Persons Living and Dead Are Purely Coincidental:Â•Š Unity, Dissolution, and the Humanist Wampeter of Kurt Vonnegu
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2014 “All Persons Living and Dead Are Purely Coincidental:” Unity, Dissolution, and the Humanist Wampeter of Kurt Vonnegut’s Universe Danielle M. Clarke College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, North America Commons Recommended Citation Clarke, Danielle M., "“All Persons Living and Dead Are Purely Coincidental:” Unity, Dissolution, and the Humanist Wampeter of Kurt Vonnegut’s Universe" (2014). Undergraduate Honors Theses. Paper 56. https://scholarworks.wm.edu/honorstheses/56 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Clarke 2 Table of Contents: Introduction…………………………………………………………………..……………3 Reading Cosmically…………………………………………………………...…………12 Reading Thematically……………..……..………………………………………………29 Reading Holisitcally …………...…………...……………………………………………38 Reading Theoretically …………………………………………...………………………58 Conclusions………………………………………………………………………………75 Works Cited…………………………………………………………………...…………85 Works Consulted…………………………………………………………………………89 Clarke 3 Introduction “‘Being alive is a crock of shit’" (3) writes Kurt Vonnegut in the opening chapter of Timequake (1997), quoting “the old science fiction writer
[Show full text]
A Postmodern Iconography: Vonnegut and the Great American Novel
A POSTMODERNICONOGRAPHY: VONNEGUTAND THE GREATAMERICAN NOVEL "Call me Jonah". The opening line of Cat's Cradle, Kurt Vomegut's end-of-the-world masterpiece, unmistakably echoes that of Moby-Dick, Herman Melville's end-of-the-world masterpiece. Indeed, such echoes are audible elsewhere in Cat's Cradle, from the "cetacean" Mount MacCabe, which looks like a whale with a snapped harpoon protruding from it, to the great Ahab-like quarrel with God, humorously figured in Bokonon's thumb-nosing gesture at the novel's end. In pointing to Moby-Dick, as likely a candidate as ever was for the "great American novel". Vonnegut registers his own entry into the contest, but here it is also bound up in the laughable impossibility of the project. The novels of Kurt Vonnegut are not generally the first to come to mind when one thinks of the great American novel. Indeed, this latter, elusive thing-impossible and, perhaps, not even desirable-has long been a bit of a joke, the sort of thing an aspiring writer claims to be working on, or (even more likely) something a writer's parents, friends, and others say that he or she is working on. The great American novel is always a dream deferred; it cannot really exist, it seems, for that very reality would probably undermine any novel's greatness. The "great American novel" really belongs to the nineteenth century, not the twentieth. It existed there as a dream of writers and critics, desperate to carve a distinct national culture from the variously influential European traditions.
[Show full text]
The Critical Response to Kurt Vonnegut'
H-PCAACA Bane on Mustazza, 'The Critical Response to Kurt Vonnegut' Review published on Thursday, June 1, 1995 Leonard Mustazza, ed. The Critical Response to Kurt Vonnegut. Westport, Conn.: Greenwood Press, 1994. xxxiii + 346 pp. $59.95 (cloth), ISBN 978-0-313-28634-6. Reviewed by S. Kirk Bane (Arkansas Tech University) Published on H-PCAACA (June, 1995) Leonard Mustazza, Director of Academic Affairs and Professor of English and American Studies at Pennsylvania State University-Ogontz Campus, and author of Forever Pursuing Genesis: The Myth of Eden in the Novels of Kurt Vonnegut, has done a commendable job compiling and editing the various critical reactions to the renowned novelist's works. This study, part of a Critical Responses in Arts and Letters Series, contains forty reviews by such critics as Doris Lessing, Stanley Schatt Terry Southern, Jerome Klinkowitz, Granville Hicks, Robert Merrill, Kathryn Hume, Lawrence R. Broer, and Jay McInerney. The volume includes reviews of Player Piano, The Sirens of Titan, Mother Night, Cat's Cradle God Bless You, Mr. Rosewater, Slaughterhouse-Five, Breakfast of Champions, Slapstick, Jailbird, Deadeye Dick, Galapagos, Bluebeard, and Hocus Pocus. The text is divided into two parts: The Road to Critical Success, 1952-1969 and The Critical Mainstream, 1970-1993. Mustazza has written a fine introduction to complement his collection of reviews; a helpful Selected Bibliography rounds out the book. Vonnegut students will applaud the publication of this excellent volume. Copyright (c) 1995 by H-Net and PCAACA, all rights reserved. This work may be copied for non-profit educational use if proper credit is given to the author and the list.
[Show full text]
Spicer 1 Cracked Messiah
Spicer 1 Cracked Messiah: Parody and Parable in Kurt Vonnegut’s Troutean Novels Sarah Spicer Trout was out there talking to and gesturing at the lidless wire basket as though it were an editor in an old-fashioned book-publishing house, and as though his four-page handwritten yellow manuscript were a great novel, sure to sell like hotcakes. He wasn’t remotely crazy. He would later say of his performance: ‘It was the world that had suffered the nervous breakdown. I was just having fun in a nightmare, arguing with an imaginary editor about the advertising budget, and about who should play whom in the movie, and personal appearances on TV shows and so on, perfectly harmless funny stuff.’ (Vonnegut, Timequake 228) Introduction This quotation demonstrates three important qualities of Kurt Vonnegut’s most famous recurring character, Kilgore Trout: first, Trout’s simultaneous unorthodoxy and comic wisdom; second, his relationship to his own writing; and third, his metafictional relationship to writing in general. In this paper, I will show how Trout manifests these qualities throughout his repeated incarnations as a fool figure, a science fiction writer, and a complex and ambivalent alter ego for Vonnegut, a novelist who is crucial to our understanding of the American postmodern ethos. Vonnegut is typically studied along with other postmodern novelists (such as Nabokov, Eco, and Burroughs), and as such, his work is understood in the context of the contradictions, distortions, and frenetic intertextuality present in much postmodern work. Metafiction, fabulation, and pastiche are all strategies of postmodernism that Vonnegut makes use of.
[Show full text]
Department of English and American Studies English
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Martina Jergová Vonnegut’s Cradle: The United States as Reflected in Selected Novels by Kurt Vonnegut Bachelor‟s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Dr. 2014 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Martina Jergová Acknowledgement I would like to thank my supervisor doc. PhDr. Tomáš Pospíšil, Dr. for his valuable advice and comments and his very helpful attitude. TABLE OF CONTENTS 1. Introduction 3 1.1. Introducing Kurt Vonnegut 3 2. Slaughterhouse-Five 5 2.1 Background 5 2.2 Plot Summary and Narrator 6 2.3 Dresden 8 2.4 American Army 9 2.5 Religion 12 2.6 American Society 13 2.7 Summary 14 3. Breakfast of the Champions 15 3.1 Birthday Present 15 3.2 Symbols of the United States 15 3.3 American Society 17 3.4 Race 21 3.5 Summary 22 4. Hocus Pocus 23 4.1 Narrator and the Plot Summary 23 4.2 Vietnam War 24 4.3 Conditions in 1980s America 28 4.4 Summary 31 5. Jailbird 32 5.1. Narrator and the Plot Summary 32 5.2. Sacco and Vanzetti – Story of Immigrants in 1920s America 32 1 5.3. Richard M. Nixon and the Watergate Scandal 35 5.4. Summary 36 6. Conclusion 38 7. Works Used and Cited 39 8. Czech Resume 42 9. English Resume 43 2 1. INTRODUCTION Kurt Vonnegut said he was „a man without a country‟.
[Show full text]
Kurt Vonnegut in Flight Ten Stone Steps Lead up from the Sidewalk To
Kurt Vonnegut in Flight Ten stone steps lead up from the sidewalk to the front door of the Manhattan th brownstone row house at 228 East 48 Street where Kurt Vonnegut lived for the last thirty-four years of his life. He’d walked up and down those stairs on thousands of days, but on the sunny afternoon of March 14, 2007, he descended them for the last time. Taking his little dog out for their usual walk, Vonnegut apparently got tangled up in his pet’s leash and fell face forward onto the sidewalk. The resulting blow to his head sent him into a coma from which he was unable to recover. He died on April 11. He was 84. It was the end of one of the most remarkable lives of any great novelist of the second half th of the 20 Century. Vonnegut’s final fall was foreshadowed by the circumstances of an anecdote Kurt had loved to tell about his beloved sister Alice’s sense of humor. Kurt, Alice, and their older brother Bernard had grown up delighting in the vaudeville-style slapstick humor of the 1930s. On radio and in film, “Amos and Andy,” Charlie Chaplin, Laurel and Hardy, and other great comics portrayed ordinary people matter-of-factly persisting though insults, eye-pokes, and pratfalls, and thereby succeeding in turning pain into humor. Vonnegut’s anecdote about Alice described how the biggest laugh they ever shared happened one day when a city bus stopped suddenly right beside them: its door flew open, and an unfortunate passenger was thrown out (“horizontally,” as Alice afterwards insisted) onto the sidewalk at their feet.
[Show full text]
ANTWORDPROFILER ANALYSIS of the NOVELS of KURT VONNEGUT, JR., AS SET in OPPOSITION to the GSL, the AWL, and the BNC/COCA WORD-FAMILY LISTS MA Thesis
UNIVERSITY OF TARTU DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE ANTWORDPROFILER ANALYSIS OF THE NOVELS OF KURT VONNEGUT, JR., AS SET IN OPPOSITION TO THE GSL, THE AWL, AND THE BNC/COCA WORD-FAMILY LISTS MA thesis EDMUND ALEXANDER DALTON SUPERVISOR: ASSOC. PROF. REET SOOL TARTU 2014 2 ABSTRACT This thesis was conceived in response to an article titled “How large a vocabulary is needed for reading and listening?” by Paul Nation, in which a selection of written and spoken texts are analyzed with a vocabulary-profiling program called Range. In his article, certain texts that are thereby posited to typify discrete categories, such as the genre of the novel, are measured against the frequency-based lists of 14,000 word families, along with an additional list of proper nouns, compiled from the British National Corpus. The current study, however, takes a revised approach that is encapsulated in a 2013 journal paper titled “Mid-frequency readers”, by Nation and Laurence Anthony. They apply AntWordProfiler for computer-assisted analysis of educational literature by the lists of 25,000 word families, as well as those of marginal words, that have been made from the British National Corpus in conjunction with the Corpus of Contemporary American English. Moreover, their work includes a concise definition of the concepts of high-, mid-, and low-frequency vocabulary. Thus, the aim of this thesis is to adopt and optimize an established methodology applicable to statistical analysis of the active vocabulary of Kurt Vonnegut, Jr. and its evolution over a 45-year period that encompasses his career as a novelist.
[Show full text]