PLAY:3 IMMERSIVE Hifi SOUND

Total Page:16

File Type:pdf, Size:1020Kb

PLAY:3 IMMERSIVE Hifi SOUND PLAY:3 IMMERSIVE HiFi SOUND. SERIOUS ROOM-FILLING POWER. PLAY:3 BENEFITS SONOS WIRELESS HiFi SONOS HiFi SOUND SYSTEM BENEFITS Three custom-designed integrated speakers powered by three dedicated digital amplifiers (two mid-range and one tweeter) HiFi SOUND AND ROCK-SOLID WIRELESS provide crystal-clear, high-quality sound. Experience your favorite music from the only wireless music system that combines warm, full-bodied HiFi sound with the most powerful VERSATILE FOR ANY ROOM OR SPACE solutions for delivering rock-solid wireless performance in any home. Position the PLAY:3 vertically or horizontally and the internal sensor will modify the speaker’s output to ensure clean, balanced, room-filling STREAM ALL THE MUSIC ON EARTH sound. Dimensions: (H) 5 in, (W) 10.5 in, (D) 6 in. A single app lets you play your entire music library, stream all of your favorite Music Services and tune in to more than 100,000 Internet Radio stations and podcasts. Play the same song in every room, in STEREO PAIR FOR BIGGER SOUND perfect sync—or play different music in every room—from any source. Turn two PLAY:3s into separate left and right channel speakers for big stereo sound in one room. SIMPLE TO SET-UP, CONTROL, AND EXPAND Control your favorite music sources and listening experience with a free app for iOS, Android, Mac or PC. And since it is a modular system, you can easily add music to more rooms with a simple button press. PLAY:3 SPECS AUDIO NETWORKING* AMPLIFIER Three Class-D digital amplifiers WIRELESS CONNECTIVITY Works on your home WiFi network with any 802.11b/g, 2.4GHz broadcast capable router. Also works on SPEAKERS Three driver speaker system – two 3 inch mid-range drivers and SonosNet, a secure AES encrypted, peer-to-peer wireless mesh one tweeter. Each driver of the product is individually powered by a dedicated network. amplifier. ETHERNET PORT One 10/100Mbps Ethernet port BASS RADIATOR One rear firing bass radiator with a 60 sq. cm surface area. STEREO PAIR SETTING Allows you to group two PLAY:3s in the same room with GENERAL one PLAY:3 serving as the left channel and the other as the right channel. POWER SUPPLY AC 120/240V, 50-60Hz, auto-switchable MUSIC TOP-PANEL BUTTONS Volume and Play/Pause AUDIO FORMATS SUPPORTED Support for compressed MP3, iTunes Plus, WMA TOP-PANEL LIGHTS Indicate status (including purchased Windows Media downloads), AAC (MPEG4), AAC+, Ogg Vorbis, Audible (format 4), Apple Lossless, Flac (lossless) music files, as well DIMENSIONS (H x D x W) 5.2 x 10.5 x 6.3 in. (132 x 268 x 160 mm) as uncompressed WAV and AIFF files. Native support for 44.1kHz sample rates. THREADED MOUNT 1/4 inch (6.75mm) / 20-thread Additional support for 48kHz, 32kHz, 24kHz, 22kHz, 16kHz, 11kHz, and 8kHz sample rates. Note: Apple “Fairplay”, WMA DRM and WMA Lossless formats not WEIGHT 5.7 lb (2.6 kg) currently supported. Previously purchased Apple “Fairplay” DRM-protected songs may be upgraded. OPERATING TEMPERATURE 32°F to 104°F (0°C to 40°C) MUSIC SERVICES SUPPORTED Sonos works seamlessly with 7 STORAGE TEMPERATURE 4°F to 158°F (-20°C to 70°C) Digital, 8Tracks, Amazon Cloud Player, Bandcamp, Batanga, Beats Music™, PRODUCT FINISH White with light metallic grille; black with Blinkbox®, CalmRadio, Concert Vault, Dar.fm, Daytrotter, Deezer, Duoban, graphite grille Duomi, Google™ Play Music, Hearts of Space, Hotelradio.fm™, Hype Machine, iHeartRADIO, JB Hi-Fi NOW, JUKE, Live365, MLB.com® Gameday, Murfie, Napster®, MULTI-LANGUAGE SUPPORT Sonos System Software supports Pandora®, Qobuz, QQ, Radionomy, RadioPup, Rdio®, Rhapsody®, Rusc, Shuffler. Danish, Dutch, English, French, German, Italian, Japanese, Norwegian, fm, Simfy, SiriusXM™, Slacker® Radio, Songl, Songza, SoundCloud®, Spotify®, Simplified Chinese, Spanish, Swedish and Brazilian Portuguese. Stitcher SmartRadio™, TDC Play, TuneIn, WiMP, and YouMusic. Service availability PACKAGE CONTENTS SONOS PLAY:3, power cord, flat Ethernet cable, varies by region. Sonos QuickStart Guide OPERATING SYSTEMS (FOR STORED FILES) Windows® XP SP3 and higher; Mac *Internet connection required for access to Internet radio stations, online music services and OS X v10.6.8 and higher; NAS (Network Attached Storage) devices supporting software updates (DSL, cable modem or LAN-based high-speed Internet connection required.) Internet functionality may require payment of separate fee to a service provider; local and/or CIFS. long distance telephone charges may apply. ALBUM ART SUPPORTED JPEG, PNG, BMP, GIF Note: All specifications subject to change without notice PLAYLISTS SUPPORTED iTunes®, WinAmp®, Windows Media Player®, and MusicMatch™ (.m3u, .pls, .wpl) PLAYBACK MODES Crossfade, shuffle, repeat © 2004-2014 Sonos Inc. All rights reserved. Sonos and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. Sonos Reg. U.S. Pat. & Tm. Off. All other products and services may be trademarks or service marks of their respective owners..
Recommended publications
  • Who Pays Soundexchange: Q1 - Q3 2017
    Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P.
    [Show full text]
  • Stable Repositories: Sudo Dnf Install Mellowplayer
    MellowPlayer Documentation Release 3.6.8 Colin Duquesnoy Jan 09, 2021 Contents 1 User documentation 3 1.1 About MellowPlayer...........................................3 1.2 Installation................................................3 1.3 Features..................................................5 1.4 Getting started..............................................6 1.5 FAQ & Known issues.......................................... 16 2 Developer documentation 19 2.1 Coding guidelines............................................ 19 2.2 Project structure............................................. 19 2.3 Plugins.................................................. 20 2.4 Contributing to MellowPlayer...................................... 24 3 Indices and tables 27 i ii MellowPlayer Documentation, Release 3.6.8 Contents 1 MellowPlayer Documentation, Release 3.6.8 2 Contents CHAPTER 1 User documentation Contents: 1.1 About MellowPlayer MellowPlayer is born from the need of a Qt-based alternative to NuvolaPlayer for the KaOS linux distribution Here are the initial goals: • the application should embed a web view of the music streaming service (the same as you see in a regular browser) and should provide an integration with the desktop (media keys support, global shortcuts, notifica- tions,. ). • the application should be able to support more than 1 streaming service • we (the core team) will only support the streaming services that we are actively using. Other services should be added and maintained by contributors. The main reason is that we won’t be able to support non-free services (even those who have a trial period). Support for free services (even with limitations) might be added by the team after the release 1.0. • adding a new service/extension should be easy: you just write a javascript plugin 1.2 Installation This page will guide you throught the installation of MellowPlayer on the supported operating systems.
    [Show full text]
  • Sonos Connect:Amp
    SONOS® CONNECT Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. SONOS and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. SONOS Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android™ is a trademark of Google, Inc. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. August 2014 ©2004-2014 by Sonos, Inc. All rights reserved. SONOS CONNECT:AMP The SONOS CONNECT:AMP (formerly ZonePlayer 120) includes a built-in state-of-the-art digital amplifier that can power large or small speakers, allowing you to enjoy superior audio quality in every room. • Includes a multi-port Ethernet switch to enable direct connections to routers, computers, or other Sonos products.
    [Show full text]
  • Mysqueezebox Setup Request Server Setup
    Streaming Services Quick Start Enabling and configuring streaming music on your Serious Play 7 server MySqueezebox Setup You must have a MySqueezebox account to use streaming audio and music services on your ReQuest server. Create your account at www.MySqueezebox.com Changes made in your MySqueezebox account may take up to 5 minutes to show up on your ReQuest sytem. Once logged in, click on App Gallery Browse to each app you are interested or any of the featured app icons. in and click the Install button.. Supported Apps Only the following MySqueezebox apps currently work with ReQuest. This list is subject to change. Absolute Radio UK, AccuRadio, BBC, CBC, CBS Radio, Classical.com, Digitally Imported, Last.fm Radio, Live365, Live Music Archive, MOG, Orange Liveradio, Pandora, Podcasts, RadioFeeds UK & Ireland, RadioIO, Radionomy, SHOUTcast, SiriusXM Internet Radio, SKY.fm, Slacker, SomaFM, Sounds & Effects, Spotify, TuneIn Radio ReQuest Server Setup Screen Saver ReQuest.com | Remote | Settings Use a computer to browse to your Status ReQuest web server. Streaming Services If you don’t know the address of your System Info webserver, use a computer on the same Task Manager network as your ReQuest and go to: Click on Settings at the bottom Choose Streaming Services from the top request.com/findmyserver pulldown menu. If Streaming Services is not an option, you may not be running Serious Play 7. Enter your MySqeezebox account information here. Status messages: Some MySqueezebox services require separate accounts. This list is subject to Valid
    [Show full text]
  • Zero-Rating Practices in Broadband Markets
    Zero-rating practices in broadband markets Report by Competition EUROPEAN COMMISSION Directorate-General for Competition E-mail: [email protected] European Commission B-1049 Brussels [Cataloguenumber] Zero-rating practices in broadband markets Final report February 2017 Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE The information and views set out in this report are those of the author(s) and do not necessarily reflect the official opinion of the Commission. The Commission does not guarantee the accuracy of the data included in this study. Neither the Commission nor any person acting on the Commission’s behalf may be held responsible for the use which may be made of the information contained therein. Les informations et opinions exprimées dans ce rapport sont ceux de(s) l'auteur(s) et ne reflètent pas nécessairement l'opinion officielle de la Commission. La Commission ne garantit pas l’exactitude des informations comprises dans ce rapport. La Commission, ainsi que toute personne agissant pour le compte de celle-ci, ne saurait en aucun cas être tenue responsable de l’utilisation des informations contenues dans ce rapport. More information on the European Union is available on the Internet (http://www.europa.eu). Luxembourg: Publications Office of the European Union, 2017 Catalogue number: KD-02-17-687-EN-N ISBN 978-92-79-69466-0 doi: 10.2763/002126 © European Union, 2017 Reproduction is authorised provided the source is acknowledged.
    [Show full text]
  • PLAY:5 the ULTIMATE ALL-IN-ONE LISTENING EXPERIENCE with the DEEPEST, RICHEST Hifi SOUND
    PLAY:5 THE ULTIMATE ALL-IN-ONE LISTENING EXPERIENCE WITH THE DEEPEST, RICHEST HiFi SOUND. PLAY:5 BENEFITS SONOS WIRELESS HiFi SONOS HiFi SOUND SYSTEM BENEFITS Five custom-designed speakers powered by five dedicated digital amplifiers (two tweeters, two mid-range drivers, and one subwoofer HiFi SOUND AND ROCK-SOLID WIRELESS driver) provide crystal-clear, high-quality sound. Experience your favorite music from the only wireless music system that combines warm, full-bodied HiFi sound with the most powerful STEREO PAIR FOR BIGGER SOUND solutions for delivering rock-solid wireless performance in any home. Turn two PLAY:5s into separate left and right channel speakers for big stereo sound in one room. STREAM ALL THE MUSIC ON EARTH A single app lets you play your entire music library, stream all of your favorite Music Services and tune in to more than 100,000 Internet Radio stations and podcasts. Play the same song in every room, in perfect sync—or play different music in every room—from any source. SIMPLE TO SET-UP, CONTROL, AND EXPAND Control your favorite music sources and listening experience with a free app for iOS, Android, Mac or PC. And since it is a modular system, you can easily add music to more rooms with a simple button press. PLAY:5 SPECS AUDIO NETWORKING* AMPLIFIER Five Class-D digital amplifiers WIRELESS CONNECTIVITY Works on your home WiFi network with any 802.11b/g, 2.4GHz broadcast capable router. Also works on HEADPHONE Auto-detecting 3.5 mm headphone connection SonosNet, a secure AES encrypted, peer-to-peer wireless mesh AUDIO LINE-IN Auto-detecting 3.5 mm audio line-in connection network.
    [Show full text]
  • The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry
    UCLA UCLA Entertainment Law Review Title The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry Permalink https://escholarship.org/uc/item/7n4322vm Journal UCLA Entertainment Law Review, 22(1) ISSN 1073-2896 Author Richardson, James H. Publication Date 2014 DOI 10.5070/LR8221025203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry James H. Richardson* I. INTRODUCTION �����������������������������������������������������������������������������������������������������46 II. ILLEGAL DOWNLOADING LOCALLY STORED MEDIA, AND THE RISE OF STREAMING MUSIC ����������������������������������������������������������������������������������������������������������������47 A. The Digitalization of Music, and the Rise of Locally Stored Content. ......47 B. The Road to Legitimacy: Digital Media in Light of A&M Records, Inc. ..48 C. Legitimacy in a Sea of Piracy: The iTunes Music Store. ...........................49 D. Streaming and the Future of Digital Music Service. ���������������������������������50 III. THE COPYRIGHT AND DIGITALIZATION �������������������������������������������������������������������51 A. Statutory Background ................................................................................51 B. Digital Performance Right in Sound Recordings Act ................................52
    [Show full text]
  • Is Community Radio in Crisis in the Global North?: Lessons from Australia and the United States
    Is community radio in crisis in the Global North?: Lessons from Australia and the United States Heather Anderson* Griffith University, Australia Clemencia Rodríguez* Temple University, United States Abstract This article explores the relevance of community radio in the Global North. Its significance in the Global South is uncontested (Gumucio Dagron, 2011; Rodríguez, 2011; Tacchi, 2002), however, in the Global North the role of community radio is not necessarily so clear. According to a 2017 study published by New York University, newer digital services are changing the way people listen to content, endangering the future of traditional radio (Miller, 2017). In this environment, the relevance of community radio can be put into question. Based on three different case studies – two in Australia and one in the US – our analysis explores community broadcasters’ strategic initiatives that, although different, intend to address specific communication needs in particular audiences. Our analysis suggests that the future of community radio in the Global North depends on its ability to detect needs and audiences at the hyper-local level. Keywords Community media, community radio, Global North, sustainability, low-power FM radio Introduction The significance of community radio in the Global South is uncontested (Gumucio Dagron, 2011; Rodríguez, 2011; Tacchi, 2002); in media ecologies where only precarious Internet access is available to the majority of the population, community radio still has the potential to serve various information and communication needs (i.e., serving as a local public sphere, showcasing local voices otherwise left at the margins, connecting people and organisations, facilitating local governance and community participation in decision-making processes).
    [Show full text]
  • Marketing Plan
    ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A.
    [Show full text]
  • Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing Price (25 May 2020): €4.06 Market Capitalisation: €43M EV: €50M Free Float: C
    AudioValley BELGIUM Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing price (25 May 2020): €4.06 Market capitalisation: €43m EV: €50m Free float: c. 33% Digital audio software, ad tech and monetisation engine, all-in-one Share price performance vs. peers (€, rebased) Unique European listed technology play on digital audio disruption… 6 AudioValley is a Belgian technology company active in the field of digital audio disruption covering most of the industry’s value chain: from music licencing to software enabling the 5 creation, streaming and hosting of digital audio content over the internet for a range of 4 publishers including online radio channels, podcasts, connected hardware, etc. The digital audio 3 market is growing fast, catching up (Europe) or taking over (North America) analogue audio in terms of audience. We expect digital audio ad spend to grow at 21% CAGR 2019-23e. 2 … and ad tech engine for digital audio publishers 1 AudioValley’s main USP, and growth driver, is its global digital ad selling business, Targetspot, a 0 technology platform allowing digital audio publishers to monetise their audience through Jul-18 Jan-19 Jul-19 Jan-20 targeted advertising. The B2B platform consists of an ad tech software providing AudioValley Peers audience/listener data management with real-time analytics allowing for targeted advertising over streaming audio, the sweet-spot for any global or local advertisers (looking for efficiency) and publishers (looking to monetise their audience with higher CPMs). AudioValley operates globally, with over 1.1bn monthly impressions moving through its ad server (70% in N.
    [Show full text]
  • Finding a Partner Model with Broadcasters at Tunein.Com.” Stanford Casepublisher 204-2011-1
    S TANFORD U NIVERSITY 2 0 1 1 - 2 0 4 - 1 S CHOOL OF E NGINEERING C ASEP UBLISHER DRAFT Rev. May 17, 2011 DRAFT COPY DO NOT CITE: R. Chen et al. “Finding a Partner Model with Broadcasters at Tunein.com.” Stanford CasePublisher 204-2011-1. 17 May 2010. DRAFT COPY DO NOT CITE FINDING A PARTNER MODEL WITH BROADCASTERS AT TUNEIN.COM T ABLE OF C ONTENTS Introduction 1. Overview of Online Broadcast Industry 1.1. Industry Trends 1.2. Industry Participants 2. TuneIn Background 2.1. RadioTime 2.2. Tunein Radio 3. Business Model 3.1. Metrics 3.2. Market Reaction 4. Conclusions 5. Discussion 6. Questions 7. Exhibits 8. References 9. Authors Professors Micah Siegel (Stanford University) and Fred Gibbons (Stanford University) guided the de- velopment of this case using the CasePublisher service as the basis for class discussion rather than to il- lustrate either effective or ineffective handling of a business situation. S TANFORD 204-2011-01 Finding a Partner Model at TuneIn.com Introduction !Founded in 2002, TuneIn delivers free Internet radio from all over the world. The application streams radio stations from 50,000 local, international, and Internet stations spanning 140 countries and 55 di"erent languages in over 150 products.1) It provides users with access to live radio content through a variety of media including websites, smart- phones, home entertainment devices, and auto in-dash receivers. 2) The application also al- lows users to pause, rewind, and record live radio programs. Although there are numerous online applications that o"er music streaming, TuneIn di"erentiates itself by focusing on radio programming.
    [Show full text]
  • An Introduction to Internet Radio
    NB: This version was updated with new Internet Radio products on 26 October 2005 (see page 8). INTERNET RADIO AnInternet introduction to Radio Franc Kozamernik and Michael Mullane EBU This article – based on an EBU contribution to the WBU-TC Digital Radio Systems Handbook – introduces the concept of Internet Radio (IR) and provides some technical background. It gives examples of IR services now available in different countries and provides some guidance for traditional radio broadcasters on how to adapt to the rapidly changing multimedia environment. Traditionally, audio programmes have been available via dedicated terrestrial networks broad- casting to radio receivers. Typically, they have operated on AM and FM terrestrial platforms but, with the move to digital broadcasting, audio programmes are also available today via DAB, DRM and IBOC (e.g. HD Radio in the USA). However, this paradigm is about to change. Radio programmes are increasingly available not only from terrestrial networks but also from a large variety of satellite, cable and, indeed, telecommunications networks (e.g. fixed telephone lines, wire- less broadband connections and mobile phones). Very often, radio is added to digital television plat- forms (e.g. DVB-S and DVB-T). Radio receivers are no longer only dedicated hi-fi tuners or portable radios with whip aerials, but are now assuming the shape of various multimedia-enabled computer devices (e.g. desktops, notebooks, PDAs, “Internet” radios, etc.). These sea changes in radio technologies impact dramatically on the radio medium itself – the way it is produced, delivered, consumed and paid-for. Radio has become more than just audio – it can now contain associated metadata, synchronized slideshows and even short video clips.
    [Show full text]