ಋᖚ he Hong Kong Arts Festival is a prominent ࠗຝ̯ܰ Tarts event in the cultural calendar of Hong Δʥԓʪਂ Kong and the Asia Pacific region. Proudly ؿʼʝଞ stepping into its 33rd year, the Festival ಳም continues its vigorous pursuit of innovativeסԑe ɃɍɊɍ՚ development; the presentation of new works αc˚ፒዀ and the provision of quality arts. ٻ࿚ᆅʘুұณcɺᒾ˞၀ ࠷ؿຝ͌ȹณᜮଠϦ͌e In terms of the number and diversity of programmes, the 2005 Festival is one of the ʌαᖚຝʑࢀҡᔔఒΛۜcஃ largest festivals to date, offering a wide variety ᅡɾɣዃαӢӮcݯࣵʑ̔Ρ of inspiring art, music and cultural ԞਝΊࡼၤ̯Δ၀ߜᐰϳᖚ programmes by prestigious international ࠭Ͳؿ൚ɓˮcผ˥ࠗಋ artists and leading local talents. I am sure that ਝʼʝผࠛቤɈe the Festival will further enhance Hong Kong’s status as an international cultural metropolis. ΈϽᖚࡼၤܰωଞٴᔑϊᚭ d I extend our warmest welcome to allผcԎूࣵʑ̔ᜮଠʶ̈́ သጙϤᓊe participating artists and wish all local and overseas members of the audience a most enjoyable time. ւٽܧϷਂܧࠗಋऋПϷ
TUNG Chee Hwa Chief Executive Hong Kong Special Administrative Region ˚ᘆᖽ Message from the Chairman
.ၤɍɊɍ։ࠗಋᖚ warmly welcome you to the 33rd Arts Festivalٴ ᚭ ຝcܰࠗಋʼʝވʥԓʪΔ IAs a premier event in the Hong Kong cultural ؿࠇ߬ʼʝଞԑcමၙਝԓʪ calendar as well as the Asia Pacific region, theਂ ᖚ၀ߜc˞ʥ̯Δ෮ݗึؿᖚ Festival presents the finest international andਂ ɮАّe regional artists in an intense series of concerts and performances, as well as showcases the creativity ̯Ɂটʶᑢ༦ᅥʥʼʝԑ৻ອ of artistic talent in Hong Kong. c˞ʥࠗಋᑩ֚ܧ༅Х҈ࠨؿࠗಋ ԭɣ˚߬༅Хዀ࿚c Appreciation and thanks are due to our mainټপਥڌผ෯ഁ ˢࠨΛαԞྦྷࠗಋᖚຝؿྐྵషʻ subventing organisations – the Hong Kong ܛc҈ࠨ૯ߎᑢ҃e Government, through the Leisure and Cultural Services Department, and the Hong Kong Jockey ϊ̔cࠗಋᖚຝྦྷֺτᖳХዀ࿚d Club Charities Trust. Their long and continued ᖚ྆˞ʥɁ༅Хc͛ߎ˞টʶ patronage are what make these cultural ᑢ෮e presentations possible. In addition, we gratefully acknowledge the ,ȹΣ˞֡cࠗಋᖚຝ༦˸ძነ́ generous support of many corporate sponsors .ʭαɾʤི߮cߎɈ arts institutions and individualsڇయ˞ʥ རነ́ʥαႦᜮଠઅᘩΈᗘᖚe ɐ߸ི߮ΛαԞᏵଠΛዀ࿚ʥɁ༅ The Festival has always made our programmes Хcɻነʥɣነነ́ɖʦᎶᆅईe accessible to students and young audiences through half-price student tickets and our Young 2005αࠗಋᖚຝຝ͌ᔔఒd˳ᖓ Friends Scheme. These schemes are funded by the ɺᜮଠؿ௩ΡʥɟՈc generous donations from numerous corporateٴຒτc .փe and individual donorsڻϢ̢ c౨શၤ੬Ε The 2005 Festival offers a rich and stimulatingܛωᑢჇɎؿʻʹ 2005αࠗಋᖚຝɻӮࠍe programme, with a variety of captivating performances and choices, presenting a diverse range of tastes with artistic excellence. We hope to offer something enjoyable and of interest to everyone. Above all, I would like to thank you, our patrons, for your support and participation in the 2005 Festival.
ңพᄤ Charles Lee
:ࠗಋᖚຝؿ༅ХԞϬ The Hong Kong Arts Festival is made possible with the funding support of Ϸܧᐢဟᘆᖽ Message from the Executive Director
005αࠗಋᖚຝؿຝ͌˞ he starting point for the programming of this 2005 ݯ˚ᕀeु T Festival was the idea of contrasting opposites – ‘sacredڙ˖2ुັၤ ԭඖʏॖcܰΈိ and profane’. Both of these elements are rich sources ofڙ˖dັ ᖚѼβؿӮᕀҥၤݖ creative impulses for the performing arts in most cultures cʌ։ຝ͌గऋПॶਪʦܮ and this thematic link is evident in much of our ᗐ programming. We hope these connections and contrastsޚܫ෮֨e҈ࠨѴશԭඖ Ɍྦྷ͓ؿʏॖcॶݯɣࡼొԜҡ will make your Festival experience more engaging and .৽Ɂdҡᗒѿؿᜮሌe memorable ࿘۾ȿࣵ̔ᖚɮАّc҈ࠨ Alongside all of our international artists, we are proud to ॶᑼᇼ̯Δᖚ၀ߜcΣࠗಋ֗ present many outstanding Hong Kong artists. For example, ဳ֞ᅥ྆dࠗಋჱ྆d̯Δ ˮαႦ፡ೄۗࡼਜ਼ᆼdࠓ the Hong Kong Philharmonic Orchestra and the Hong Ⴛဳʄࠇۗᘆᖚeԯˢၤˮ Kong Repertory Theatre, as well as the fine young Hong ຣჱΊД Kong musicians, pianist Rachel Cheung and the Fresh Airܢ˳ؿ̯Δᖚ၀ߜ ுʥң᎘d7AऒᎻჱୂdɻߜ Brass Quintet. Other important Hong Kong artists taking ɩմdࠗಋ part include Cantonese opera stars Mui Suet-see and Leeټܖჱ྆d89268d ϐcᑹτɈݵႇ Lung; Class 7A Drama Group; Chung Ying Theatre; Groupܬᇁၦࡼฦ лؿྡྷɈݢୂ ңᔪ 89268; the Material Girls; choreographer Daniel Yeungؒ ,ݘdષഥࠦdңɻͲʥ֍e and the remarkable combined talents of Lee Chun-chow Faye Leong, Gabriel Lee and Chong Mui-ngam in The ᖚຝᘗᙩዶรկ̯Δၤࣵ̔ French Kiss. ܢ˳ˮϳؿАɁc̯։ณА In addition, our commitment to commissioning new work קdէᚗdʌէၦރು ਝ࠭ᅥdཫ҈ from Hong Kong and around the world continues, withټܖd̡ dؒлd pieces such as Amber, The Nightingale, All That Shanghai̟ےᅚؿȹ ˚τ௩ʥɩ˔ɥనʊতe Jazz, Material Girls, i-City, The French Kiss, Come Out & Play and Little Prince Hamlet. 2005αࠗಋᖚຝݯᜮଠᘆɐȹ ྆ٲϛɀɊ̒ˮcၤ The 2005 Festival will offer a total of 124 performances ༠̒Ɋɀ˳ܢɍɊɀࣵ̔ with 42 performing groups (32 overseas and 10 local), two ʥɊ̯Δ྆cᑹτԭࢄ ,ᙴc˞ʥɺࢀ፟༦ؿᖚຝ˱ࢿ exhibitions and our Festival Plus programme of talks ຝ͌iᑟdᇹผʥᖚɁᇹe seminars and meet-the-artist sessions.
ΛۜcࠓࣟΛʏ This is one of our largest Festivals to date, in terms of theٻ։ຝ͌Λ̯ ʝcܰࠗಋዃԞஃᅡɣd˥ number and the diversity of programmes. I am sure too, Ɂሌʶࢧ͌dԮઢೕֲؿᖚ that it will be one of our most enjoyable and inspiring. We .ၤe are delighted that you could join usيຝɾȹcᑢჇɎ
ঢ়ᄨᓤ Douglas Gautier 11 Wei Song 5 ຝ͌ੱ For programme details Page 22 ࠒ
1ɩࣂ40ʗᘸcٽˮ ˳ܢȹຝɻͤࢠ Running time: approximately 1 hour and 40 minutes, including one interval
ࠗಋʼʝɻʶࠑᅥᜨ Concert Hall, Hong Kong Cultural Centre 24.2.2005
ᗐઌʹdಲᇃཋʥඨՓዀؿᚊባکݯȿᜑɣࡼྦྷωˮजɎΡͿോcᇼʘতΕຝ͌ ສeผʑᇼʜኞϬᙘᄧd፣ࠑֶ፣ᄧc͛ɺ˿ඝࠕмํcΛᑢАk To make this performance a pleasant experience for the artists and other members of the audience, PLEASE switch off your ALARM WATCHES, MOBILE PHONES and PAGERS. Eating, drinking, smoking, unauthorised photography and audio or video recording are forbidden in the auditorium. Thank you for your cooperation. ̡́ʍଽ Biography 9
ᕍ Әঢ়ࠑ
ჱၦ̎ɐؿടΊജɁӘঢ়ࠑވ˖ᕍcݠᙺΕɻਝ ɐࣵࠑᅥነcכࡼcܰਝࡼȹज़ࡗcଓพ ՚ɩዘd˔ၐᄨdңၐಘdҧန೩ઠc1999α߳ؒਝ eٽcኪͨɐࣵჱ৹܃जነdϣྦʥ૯eᓊਝ
ᎻჱֲӘঢ়ࠑcˢؿτ㠥ၤଠɺؿऋሔכᕍᙔ ᅼcڴᙔঁؿޮɈcɻГࠑತټၤࠓࣟcঢ়ࠑԮτ cႍๅᆢc΅ΥcɁ˞क़ኴϤɺڋעࠑϳ ജcඏϤɺӮႦࣺؿࠑᅥՇe̖
Յ1994α ټgෙँ ټን ʮܢ˳ᕍ౦ᏵΛᆉඖc ڥᖚᆉd1992αɻਝᐰᅥɣᑩٲʄ։͉̽ᙬᎻჱ ᆉeٲࠑᅥຝӞܬ߶c˞ʥ1990αd1992αɐࣵɾ dᇥᇦʩɁ dএ٦ɤ d پ˺ҧᙬψ dμ˺ d ܢ˳ᕍ˚༦ؿჱ ჱ ȹᗒ ؿӘঢ়ࠑ˚ӯވ˖ѹϫ dෙᖓ ೩e2004αcᕍ˚ؿီݯ ෙᖓcҐˢؿˋ̡ઐɐȿȹณؿঢ়ࢋe
ʱቭᐾϷዟࠑכᕍ౦ၤΛɻ̔ടΊؿ͚ᚊᅥ྆ʥ྆Аc 2000α6˂Ɍ ᅥผe2003α4˂cˢΕਝԈᙬɣነࠑᅥᜨʥജଞནᐾፒԭዟࠑᅥผeᕍ ᖓdዌݘdڜ౦Λωˮᒚਝdˀ̯dͿ̛dᄨਝdɡd෮ɣСdؒਝd ೩ਝࡼΔਂeپਝd˱ࢬɣ̎ᜪdࠗಋdዌ
Wei Song Tenor
Wei Song is one of the most famous singers in China. He graduated from the Vocal Department of Shanghai Conservatory of Music and in 1999 was invited to Paris for a year on a vocal exchange programme. Upon returning to China, he became the Vice President of the Shanghai Opera House. He has been invited to perform in various countries including France, Italy, Switzerland, Germany, Japan, Korea, Indonesia, Hong Kong and Taiwan. He has sung in many operas including Tosca, Turandot, Carmen, La Traviata, Madama Butterfly, Rigoletto and Otello; and sung with many renowned orchestras worldwide. In 2000 Wei held a recital in Paris and in April 2003, he gave two more recitals in the US at Maryland University and in Washington. Wei has won several prizes including the Best Co-star of the 5th Shanghai Stage Performance Prize for singing Leinsky in Eugene Onegin in 1994; the First Prize at the 1992 China Vocal Competition; and the Best Performance Prize at the 1990 and 1992 Shanghai Spring Music Festivals.
৻רيʥొԜॾڭݯᕍdਜ਼ਝيಋ᎘ॾ Wei Song, Zhang Guoyong and Ma Mei are flown in by ᅥ྆ʍଽ Orchestra Profile 11
ࠗಋဳ֞ᅥ྆
Ε̯ಋؿʼʝʥᖚ́ݠɻҘࠇ߬ӯق༦˾ϛΛαԞcࠗಋဳ֞ᅥ྆ಋᅥȹ ϳcݯԓݘਂᅥ়Ԟ৽Ɂؿࠑᅥe2004/05ᅥտcࠗಋဳ֞ᅥ్྆ዃ̌ؿณȹ eജܞࡼജऋ̯ͅտ۹ˮͨᅥ྆ؿᖚᐢဟ࠹ᐢܞΊؿ୩ᙬك˖ࠒiᐾ ผؿᐲᖎeمऋੀߎɈೕࢄᅥ྆cԎ༦ઠө̔ࢄݠ৽c˱ੜᅥ྆ၤ
ᅥኋ̜ܱ̀ܢ˳ಋᅥ༦˾ؿɍɊαιᐜಳc౦ၤɺʭᐰΊᛷႠؿࠑᅥࡼАc ˀɾܱࠂעኙᇘc˞ʥ׳ࣦਠढ़ϹdʤʤcݚϷʹਜ਼ነʤdځǧནdםࡥ ࣍dңඔ೩eಲሃܰ༦Ⴉ߳˵dᅩݘdɻਝɣdˀ̯dᒚਝ೩ΔԀি ˮcֶܰᙠ፣ːcಋᅥؿќᅥᗗc༧ʥͲଈcԎᏵঢ়۹e
ᙩઐˮؿ৺Ͳࡨܢ˳ຝ͌cٻജऋ˱ಋᅥؿࠖᅥտɻcеᘆȹடϻؿ၀ hңྦǧऋؿଡ଼ᅥޚڋ͚ᚊςhၤȹӡͶܱͮ⫙⫙ؿࡼ̎ ჱࠑᅥผhၤҌᖚˮଠؿዟۗࡼΣϴdਜ̷਼քd௶ഒԓgӴဍdऋቧဍgୣК೩ ࠖ೩eވ˖Аˮh˞ʥʼౡdோ৩ᛅऋݯಋᅥᅅᄘؿณАcᐾϷ Hong Kong Philharmonic Orchestra
For over a century, the Hong Kong Philharmonic Orchestra has been at the heart of the musical and artistic life of Hong Kong, bringing great music to the community. From the 2004/05 season, the Orchestra enters a new era. With the appointment of celebrated Dutch conductor Edo de Waart, as Artistic Director and Chief Conductor, the Orchestra renews its commitment to artistic excellence while extending its education and outreach programmes to embrace the entire community.
Many world-renowned artists have appeared with the Hong Kong Philharmonic throughout its proud history, from classical music legends like Issac Stern, Vladimir Ashkenazy and Yo-Yo Ma to pop artists like Jacky Cheung and Sandy Lam, as well as the stars of tomorrow like Lang Lang and Li Yundi. The Orchestra has been heard around the world both live, during its many international tours (including North America, Europe, China, Japan and Korea), and on recordings, many of which have received great critical acclaim.
Edo de Waart’s first season with the Orchestra includes many highlights, such as the commencement of a complete cycle of Mahler symphonies; concert performances of Richard Strauss’s Salome with a stellar cast of singers; appearances with such outstanding soloists as Emanuel Ax, Sarah Chang, Joshua Bell and Truls Mork; and world premieres written specially for the Orchestra by Guo Wenjing and Clarence Mak. ̡́ʍଽ Biographies 13
ܞ ڭਜ਼ਝ ܞɐࣵࠑᅥነכ1983α˞ଔؿιᐜଓพڭਜ਼ਝ ӡcԎज࣎ͨઠc౦ടΊܞࡼdࠑᅥઠөࡼඡኮ ࠹ᖚᐢဟdɐࣵࠑᅥነٽઠeଊͨɐࣵჱ Аςܞӡઠc˞ʥɐ͚ࣵᚊᅥ྆ͨܞe
ˢ౦ͱ܃ၤਝʑ̔dടΊ͚ᚊᅥ྆dჱАcܞ ԭٱஈΛჱ͚ᚊࠑᅥผc1998α֛2001α ࡾ٢ᑂၦ྆Аˮ٢ᑂၦჱ׳ᖓКԈճڜωၤ ߈࣠іɥʨᕖಙcᏵȿঢ়۹ിძe
ᖓୣޫਝ͓ࣜ˿ʩਥڜ1993αਝࡼݢ֡ڭਜ਼ਝ ࠑᅥነ૯cਝടΊܞɣᖓ̇ऋӇ cˢᏵୣٱᖓᅥ྆cԎ፣ႇːe199ȿαڜΛടΊܞਥe૯౨ංcΛω ˿ޫਝ͓ࣜ˿ʩਥࠑᅥነཕࠑᅥɡነϽcԎΕၘΊ༣ᔟؿୣޫਝ͓ࣜ ʩਥࠑᅥɣᜨᐾϷଓพࠑᅥผe
ᖓdዌڜαԞˢݠᙺΕਝၦ̎ɐcӷ༌༧ʥਝdؒਝdᄨਝdɡdٶ d̎ᜪ೩ਝࡼΔਂeپݘdࠗಋdዌ
Zhang Guoyong Conductor Zhang Guoyong studied conducting at the Shanghai Conservatory of Music under the direction of the famous conductor and teacher Professor Huang Xiaotong, and then remained after graduation as a teacher himself. He is currently a Professor at the Shanghai Conservatory of Music; the President and Artistic Director of the Shanghai Opera House; and resident conductor of the Shanghai Symphony Orchestra.
Zhang has cooperated with many orchestras and well-known musicians both at home and abroad. To great acclaim, in 1998 and 2001 he was invited to conduct Moscow’s Kremlin Ballet performances of The Nutcracker and Swan Lake.
In 1993, he was sent by the government to the Moscow State Conservatory, where he studied under the world famous conductor Gennadi Rozhdestvensky. He has conducted and produced CD recordings with many famous Russian orchestras. In 1997, he obtained his PhD and held his graduation concert in the Grand Hall of the Moscow State Conservatory.
In recent years, Zhang Guoyong has been invited to conduct concerts in the US, France, Germany, Russia, Korea, Japan, Hong Kong, Macau and Taiwan. ̡́ʍଽ Biographies 15
ɤঢ়ࠑ ϐɾᏛؿɤঢ়ࠑcϬ̢ʨል༦ɁcɊɍٽԞϬ ᖚነ࣎वࣟ፣Յc1983α˞ଔιᐜϣޘΪᎵڏั Ƀɻ̕ࠑᅥነᐰӡc1988αଓพ܃˱Ƀɻ̕ჱ ኪͨዟࡗe ȹߎcԮτऋПؿޮڴcತڋעؿঢ়ࠑdɻᐰਂྡྷ Εؒਝ྇ያਝᐰᅥˈᑩdᑩਝჱ܃Ɉeͱ ځ1997αਝᑺכᑩ˵ᒚ̡ᗴਝᖚຝᏵᆉcԎˈ ਝᐰᅥɣᑩɐ࿂Յঢ়࿘ᙷ χແ௶؝ɣᆉcιݯ ᑩԑᐾፒ̒Ɋα˞ԞࠖϽᏵϊࣦ࿘ؿɻਝᖚࡼe ؿ෮ɣСӘঢ়ࠑވ˖2001α5˂cΕ̎ᜪၤԔᙷ ၤɍɣӘঢ়ࠑ ʱͣጻఀdҧსےȻgЦթͳ˚ҧᙬψcα6˂ɌΕຑ ঢ়ʥ˺Ԉּ̎ඝৈe ҧᙬψdᇥᇦʩɁdؐѴϝԓɁ́dෙܢ˳ɊΛαԞcؿჱ ʥ˱ݤؿᓤ೩cˮӷ༌༧ʥ˞پ˺dټgෙँ ټᖓdএ٦ɤdʮ ਝdؒਝdᄨਝdෙΔСd෮ɣСdϹऒˑd˱ࢬɣdዌݘdˀ̯ʥಋዌ̎೩Δe
Ma Mei Soprano Since her early childhood Ma Mei has shown a great promise for singing, and was admitted into the Anhui Arts School when she was only 13. In 1983 she attended China’s Central Conservatory of Music, and in 1988 she joined the Central Opera as a soloist. Ma has won a number of international competitions including prizes at Toulouse and Marseille, as well as the Second Prize in a vocal competition held by the China Central TV. A highlight of her career came in 1997 when she became the first Chinese singer to win the First Prize – the Judy George Grand Prize – at the Miami International Opera Competition. In May 2001, Ma appeared in Turandot in Taiwan with the renowned Italian tenor Martin Nucci. In June, she joined Pavarotti, Domingo and Carreras in a gala concert at the Forbidden City in Beijing. Ma has performed in many operas including La Boheme, Madama Butterfly, Otello, La Traviata, The Marriage of Figaro, Eugene Onegin, Carmen and many other works. She has made frequent appearances in the US, France, Germany, Austria, Spain, Canada, Australia, Japan, Hong Kong, Macau and Taiwan. 18
ᕍᖐؿෙᖓe
ᕍiᜑࠗಋᅥ়ᚹᐰ Ԃኮٟ ᕍ
ࡄࡄࢬԷБ2005αࠗಋᖚຝผؿς͌Ί௰cȹᘨܰɐ˸ς͌ͫ൴ ࠇcɎ˸ˈ༖Ⴆᕌଏcᇼ႓႓Бؿؒe۾
cඑ۾Ͳࠍeɐ˸۾cɖֲٲӀ፟eᎶ႓cࠑᅥผؿς͌ˈ༖τˤ ঢ়hɎ˸˞෮ɣСᖚςݯ۾ɐടΊؿӘঢ়ࠑാᅪሁcᗒ۹ވ˖ɻȿΛࠖ ༖ࢧϦ৽ᚹe҈Ѵશcɖȹց˿˞ࠗಋᚹଠˮؿᐰkˈ܁cફ˚
जړടΊӘঢ়ࠑؿɁވ˖ͫς͌ɻஈΛܰʱͣጻఀdҧსঢ়d˺Ԉּ೩ ς͌cȹԒᑹܰˢࠨɍঢ়ผؿ̦ς͌c˿ЯԮʍଽȹɎፕእԒࠇ ᒨς͌ؿଉͅj
ܨؿղɻؿఖؿےഠځؿc҈ˮؿȹʻς͌ፕϬۖഠԓؿჱྦྷ ԑcܰ˺Ԉּ1990αᖓࠑᅥผɐؿˮςcɖܰˢΕɍঢ়ࠑᅥผ ੜؿςɥcϤ˘ςɥɖॶ˨ͫࢄ͐۾௩ᚭࠖҕੱֲڈؿς͌e҈ ؿࠑϳeّ ਿ Interview 19
ෞෞcৈभΡፕϬჱ൰ҦᕉɡcϊჱܰɊȾ˖෮ɣСᄘྡྷ˚ຮჱ ɾۂАɾȹcࠑᅥᄘɊʗ৽ᚹeჱҡܰ҈ˮωΛؿАٲؿˤ ȹe
ּ̠˺ᖓؿɀྭჱɸӯcჱੱՅϬೕ́Ε෮ɣС̿˺סɐᎻፕϬഠޮ cјˌɻکԈΪΔʿؿȹͧੱ࣐iȹΊࡗΕˮɻጷԯծeȹྭҢ ؿӘঢ়ࠑാᅪሁɾȹcٻȿʻჱ̌ɐ၀کዖؿӘ˚ӯ˺̛ෙΕɐ̎ ๑eܮʃޚΕᎻჱᇰޯɻڷ܅৽Ɂؿੱcᄺڷςɻ˨ȿభ
ଊٲూᖒҶؿէϳcɌܫᏬᙡܰౝ̛ۖჱμ˺ɻؿɺυᆵcܱͮ ˺ෲɁμྦྷכҶࣴکɎಲ൧ᙢݸؿభჱֲؿ՜༜eӘ˚ӯΕ߳ͷܧᅘ cܱڋيؿΑኙcˮȹݒรԯؿാᅪሁeႩႩશӮɣઠਦؿረྰcʨ ؿԷԞcˢ૯ੱԷimmଏၹؿጱлעᕷcȹ༞ดؿͮᇃད͐㠥ቭͮ כcҐႦ॓࿂ઌcᚉˮᗫؿӸҥࢀႜmmᔔఒؿੱጪผגใܹؿኟ e˖܃ѧؿࠑᅥѼβɻcԚࠖാᅪሁ̷ඨ cٽጪӮޚଊˮБؿᖚࠓࣟऋᒨzz˞ҕੱֲᎻჱֲٲͫς͌ѧͲ ɖɊʗୀcభჱϳؿٲcڋɈcঢ়ࠑרੱᎻჱֲؿ֢˨ ঢ়cԅფΕ۾ሌძࠤӘঢ়ࠑʮτቤɈmmᎶ႓cБᖐؿჱፕݒ ˮ෮ɣС̵ؿࣂ࠰ɌτЄʶՙj
ᑢᑢБؿe҈ؿࠑᅥผɐๅௐȿΡడࠖࢬգԈ̵cȹܰΐݯ҈౦जነ Әঢ়ވ˖௩ᚭԒ৽Ɂؿςc̊̔ᘆᖚςɖܰʌڈ෮ɣСc יcᜑɣࡼᅗࣂ܃ࠑผؿϷ২ؒeΕ˨ዃ̌ʼʝ߲༗ؿჱς͌ɾ ?ຒԈؿԓ̡ྟ˸ࢌcᛢᛢʪඈcɺΡලيɎԅԒɣ௩ɣభcԞԷඈͮᏬᙡd
ؿɐࣵჱܞࠗಋဳ֞ᅥ྆ܰԓݘ߲ଞΊؿᅥ྆ɾȹcϤኪͨܰωࠑᅥผ Бᆃ੪ɺ༦ؿϢᏌcྦྷᅚؿੜੜᐲܰڬڭ࠹ᖚᐢဟਜ਼ਝٽ cȹցτԴΕోؿՇбjʹ
ጙኍcᅥ྆ؿྡྷɈˋๅΕਝʑdԓݘܰڈcॶࠗಋဳ֞ᅥ྆Аܰ cᖚذݠᙺΕɻਝࠑᅥၦ̎ɐؿࠇ߬Ɂܰڭࡼਜ਼ਝܞȹݚؿeԞϬɐࣵؿ ࡼɾȹcҡܞჱωΛdᔔఒؿܞαԞʑΔٶร૯cɖܰ ܞτ᎖ۖeᅥ྆ڈԞϬɐࣵჱcАΛαcڭࠇ߬ؿܰc҈ਜ਼ਝ ፮eړΡˈ҈ؿᔶᐮcֶّ႓ܰࠑᅥผؿᔶ 20 ਿ Interview
Wei Song: The Most Beautiful Sounds for Hong Kong
Xing Xiaofang Wei Song
I’ve just received the programme for your 2005 Hong Kong Arts Festival concert. My first thought was that the first half of the programme is rather weighty, but the second half is lighter and sweeter. Was this intentional?
Absolutely. What I should say is that the programme for this concert is rather representative and also very comprehensive. The first half is very classical and focuses on several world-renowned tenor arias which involve a high degree of difficulty. The second half consists mainly of Italian art songs; the melodies are more pleasing to the ear. What I want to do is to present the Hong Kong audience with the most beautiful sounds of song!
Many of these tunes are signature tunes of Pavarotti, Domingo and Carreras; some are ‘must sing’ items at the concerts of The Three Tenors. Could you tell us why you chose these particular tunes?
What you say is true. I open my recital with È la solita storia from Cilea’s L’Arlesiana and Carreras opened with this at his 1990 Rome concert; it is also frequently sung in Three Tenors concerts. I really like this strongly lyrical tune, and it also allows full tonal expression to the performer’s voice.
Mamma, quel vino! comes from Cavalleria Rusticana, a work representative of 19th Century Italian verismo opera. The music is very pleasant and this work is one that I perform most often.
Vesti la giubba is from Act Two of Leoncavallo’s I Pagliacci, which was based on a true story of adulterous love and murder that took place in Calabria when an actor with a travelling troupe stabs his wife as part of the on-stage action. Before the end of the first act, the tenor in the role of Canio, who is aflame with jealousy over his wife, sings one of the most exciting tenor arias in opera history. The aria is filled with tragic and moving emotion; anger and anguish interact in dramatic tension.
E lucevan le stelle is an extraordinary segment from Puccini’s Tosca. It describes a night scene and also conveys a sense of a tragic fate involving the innocent sacrifice of life exacted by a tyrannical power. On the eve of his execution by ਿ Interview 21
firing squad, the male lead is flooded by memories of his beloved Tosca. He sings a most beautiful aria. In the distance is the cathedral; the skies are clear and the stars are shining. A pale light heralds the arrival of dawn as, full of emotion, he sings “… Oh, soft kisses, tender caresses, while I, trembling, unveiled her and revealed her beauty…” in the most perfect unity of emotion and music that has brought this aria down through the generations.
In fact, this programme brings out all the special characteristics of your art – performance that perfectly amalgamates the lyrical with the dramatic to convey the persuasive power of emotion and drama. Your high notes are remarkable, your performance exquisite, and it is especially attractive when the singing is tinged with tragic overtones. What I mean to say is that the classic opera excerpts you have chosen are highly deserving of appreciation. That being so, what did you have in mind when you chose the Italian art song selections?
Thank you for your kind words. I’ve chosen several Neopolitan folk songs; one, because I once studied in Italy and am very fond of these beautiful, moving songs, and two, because I like it that art songs are expected at any recital given by a tenor. After so many opera tunes with their historical and cultural baggage, these songs allow us to leave behind grand comedy and tragedy and walk into the bright sunshine and verdant landscape of the Apennines peninsula. Basking in sunshine, that’s not bad, is it?
The Hong Kong Philharmonic is the most reputed in Asia, and the conductor this time is Zhang Guoyong, the Artistic Director and President of the Shanghai Opera House. You and he have a long working relationship. With such strong partners this time, you must feel you hold a winning hand.
That’s right. I’m happy to be able to work with the Hong Kong Philharmonic. It’s an orchestra that’s first rate in China and in Asia. Zhang Guoyong from Shanghai is an important personality on China’s music platforms. His artistic learning is deep, and he has conducted more operas in China than anyone else. He’s one of the most experienced conductors. But even more important, both of us come from the Shanghai Opera House and have had numerous opportunities to work together. We have a good mutual understanding. The orchestra and the conductor are like my two wings; or maybe they constitute ‘double indemnity’ for the concert.
English translation: Pan Shih 22 ຝ͌ Programme
ဍ ՜༜ؿɈ൴ѵςۤ
ԑܨఖؿ ځഠۖ ؿղےഠځፕϬ
ححౝ̛ۖ ҈ጱෲؿ ፕϬԙ̛ gਥਥ
˺̛ ෞෞcৈभΡ ፕϬ൰Ҧᕉɡ
ᖓ ޮɐᎻ̿˺סഠ ፕϬɸӯ
˺̛ ൰Ҧᕉɡංۗς
ౝ̛ۖ ԈෙcԈෙ ɀࠇcፕϬμ˺
ɤঢ়ࠑ
z ɻͤࢠɊʄʗᘸ z
ౝ̛ۖ ਅწ gഠޫංۗς
ౝ̛ۖ ܱͮᏬᙡ ፕϬμ˺
Ᏺᇼᚹڎ ɩǧऋ ፕϬᇫᇧ
ဍແ ᇼПѿত҈
ဍແݤ ߲ʶɁ˺
ہہౝ̛ۖ Ɂࠨ̉҈ ፕϬؐѴϝԓɁ
ɤঢ়ࠑ
ဍແ ࠇᓊᘣᇘμ
ɬӹ ຝ͌ Programme 23
Giuseppe Verdi Overture to La Forza del Destino
Francesco Cilea È la solita storia from L’Arlesiana
Giacomo Puccini O mio babbino caro from Gianni Schicchi
Soprano Ma Mei
Pietro Mascagni Mamma, quel vino from Cavalleria Rusticana
Ruggero Leoncavallo Vesti la giubba from I Pagliacci
Pietro Mascagni Intermezzo from Cavalleria Rusticana
Giacomo Puccini Mario, Mario Duet from Tosca
Soprano Ma Mei
– 15 minute interval –
Giacomo Puccini Intermezzo from Manon Lescaut
Giacomo Puccini E lucevan le stelle from Tosca
Johann Strauss Jr Mein Herr Marquis from Die Fledermaus
Ernesto de Curtis Non ti scordar di me
Salvatore Cardillo Core’ngrato
Giacomo Puccini Mi chiamano Mimi from La Bohème
Soprano Ma Mei
Ernesto de Curtis Torna a Surriento
Luigi Denza Funiculì funiculà ീ Lyrics 27
È la solita storia da L’ Arlesiana Francesco Cilea (1866-1950)
È la solita storia del pastore… Il povero ragazzo voleva raccontarla, e s’addormì. C’è nel sonno l’oblio. Come l’invidio! Anch'io vorrei dormir così, nel sonno almeno l’oblio trovar! La pace sol cercando io vò: vorrei poter tutto scordar. Ma ogni sforzo è vano... Davanti ho sempre di lei il dolce sembiante! La pace tolta è sempre a me! Perché degg’io tanto penar? Lei sempre mi parla al cor... Fatale vision, mi lascia! Mi fai tanto male! Ahimè!
ԑܨఖؿ ؿղےഠځፕϬ 1950-1866ځഠۖ
ԑcܨϠɁؿدఖؿ ᾳ̯ˢԞጱϬ߸႓c˿ੴˢဣ㠥ȿeڇᄵؿ˿ cभ˥Ɂຯᄮkڳ㛾Ґȹʘѿྒ ѴશॶɃྒ൰cᆦॶΕྒ㛾Ґȹʘፘѿkڈɖ҈ ȹʶ̋ྟ፷̡cҐԅ֡ԑѿতͮk ᐢܰ߬ˮଊଏၹؿᐻkکЎȹʘܰಳcΕ҈ଡ ʶɻؿྟ፷̷Ⴉᔴȿ҈kݯʇფ҈߬Շҗዱj ᐢΉ㠥҈ؿʶ႓e ᗙߎ՜ʲᘨᔴ҈cПᜑ҈ՇߗcՇҗዱk It's the Same Old Story from L’ Arlesiana Francesco Cilea (1866-1950)
It’s the same old story of the shepherd... The poor boy wanted to tell it, but fell asleep. In such slumber there is oblivion. How I envy him! I also wish to sleep like this, to find, at least, oblivion in sleep! I only want to find peace: I wish I could forget everything. Yet all effort is futile… I still see her sweet face before me! Peace has left me forever! Why do I have to suffer so much pain? She always speaks to my heart! Fatal vision, leave me alone! You wound me so much! Alas! 28 ീ Lyrics
O mio babbino caro da Gianni Schicchi Giacomo Puccini (1858-1924)
O mio babbino caro, mi piace, è bello, bello; vo’andare in Porta Rossa a comprar l’anello! Sì, sì, ci voglio andare! e se l’amassi indarno, andrei sul Ponte Vecchio, ma per buttarmi in Arno! Mi struggo e mi tormento! O Dio, vorrei morir!... Babbo, pietà, pietà! Babbo, pietà, pietà!
ححጱෲؿ҈ ፕϬჱ༆̛ gਥਥ ౝ̛ۖ1858-1924 cححk҈ጱෲؿ ᕰᚮc҈भෲˢcژαߜڇԅ cൕȹྦྷ҇kپᗙˢԷᖓᔁ kܰcᜑ҈˾бk Бߗᑹɺᗙ೮Ꮆc҈గԷۤКኽɐc ᐣӸҙɃ،ˋ㛾k҈ΛߕcΛʶႶkkʨ࡚k҈ྟᗙϋ˾k c҈ᎸұБkححc҈ᎸұБkحح
Oh My Dear Daddy from Gianni Schicchi Giacomo Puccini (1858-1924)
Oh my dear daddy, I love him, he is so handsome; I want to go to the Porta Rossa to buy the ring! Yes, yes, I want to go there! And if my love were in vain, I would go to the Ponte Vecchio, and throw myself in the Arno River! I fret and suffer torments! Oh God, I would rather die! Daddy, have pity, have pity! ീ Lyrics 29
Mamma, quel vino da Cavalleria Rusticana Pietro Mascagni (1863-1945) Mamma! Mamma, quel vino è generoso, e certo oggi troppi bicchieri ne ho traccannat… vado fuori all’aperto. Ma prima voglio che mi benedite come quel giorno che partii soldato. E poi…mamma…sentite… S’io… non tornassi… s’io non tornassi, voi dovrete fate da madre a Santa, ch’io le avea giurato di condurla all’altare. Voi dovrete fate da madre a Santa, s’io non tornassi. Lucia: (Perchè parli così, figliolo mio?) Oh! Nulla! È il vino che m’ha suggerito! M’ha suggerito il vino! Per me pregate Iddio! Per me pregate Iddio! Un bacio, mamma, un altro bacio, un altro bacio! Addio! S’io non tornassi, fate da madre a Santa, un bacio, mamma, addio! ෞෞcৈभΡ ፕϬ൰Ҧᕉɡ ˺̛1863-1945 ༞cڰτ۾ෞෞcෞෞcৈΡc cԷ̔ࠍӶӶeפ༞cʌ౩c҈௦τᒨทك҈ Мԅᅚeپˮکᇼ҈ूါcӷ҈ؿᗙશcగཫ҈ cෞෞcᚹ҈႓cߗੱؗᛰʝc҈ߗɺΑࡼc܃࡛cಳ ᖬc߬ιጱቡcړБȹց߬೮Ꮆcˤ҈๑ᚋࣚ྇ෑc҈౦Аˮ Бȹց߬೮Ꮆc๑ᚋΡࣚ྇ෑc҈ߗɺᓊࡼe ԫjۦᚉὉԓiݯʇფᅚ႓cጱෲؿ ࡛cӀῪcܰৈᜑ҈႓Ԓሶc ߈Ӱkݯ҈˾ާұɐ۴cݯ҈˾ާұɐ۴k܃ৈܰ л҈ȹɎбcෞෞcʹл҈ȹɎcʹл҈ȹɎcʹӮਈk ȹց߬೮ᎶcΡΡΔ๑ᚋࣚ྇ෑcл҈бcෞෞcʹӮਈk Mother, That Wine is Full-bodied from Cavalleria Rusticana Pietro Mascagni (1863-1945) Mother! Mother, that wine is full-bodied, and in truth I gulped down much of it. I must go out for some fresh air. But first I’d like you to bless me like that day when I went off to be a soldier. And then…mother…listen…If I might not come back, if I might not come back you must be a mother to Santuzza, whom I swore to lead to the altar. You must be a mother to Santuzza, if I might not come back. Lucia: (My son, why do you talk in this way?) Oh, nothing, it must be the wine, it must be the wine! Pray to God for me, pray to God for me! One kiss, mother, one more kiss, one more kiss! Farewell! If I might not come back, you must be a mother to Santuzza, one kiss, mother, farewell! ീ Lyrics 31
Vesti la giubba da I Pagliacci Ruggero Leoncavallo (1857-1919)
Recitar! Mentre preso dal delirio non so più quel che dico e quel che faccio! Eppur è d’uopo... sforzati! Bah! Se’ tu forse un uom? Tu se’ Pagliaccio! Vesti la giubba e la faccia infarina. La gente paga e rider vuole qua. E se Arlecchin t’invola Colombina, ridi, Pagliaccio... e ognun applaudirà! Tramuta in lazzi lo spasmo ed il pianto; in una smorfia il singhiozzo e’l dolor...Ah! Ridi, Pagliaccio, sul tuo amore infranto! Ridi del duol che t'avvelena il cor!
ޮɐᎻ ፕϬɩɸ ᖓ1857-1919̿˺סഠ kޚڋ˾ᅚ܉ᅚɟc܉༞ك߬ɐc҈ው৽߬ೕӔcɺ ॐᐻkcɁ࡚ॶᅚjБܰɩɸk̦ڳЎ҈ ޮɐᎻc॑ቮ˾߈ባe Ɂࠨ˟൵cܰݯȿൕॐe Ӷȿޫ࠷ˈcॐбcɩɸcɣࡼღᐰ̉Ρkټഠځ ॐcҘȹৠᐻԞઋၰضҐБؿଡ૫ߕ БؿߕసkॐбcɩɸcॐБवؿෲੱcॐБؿ૫cְ࡚Бʶȿk
On with the Costume from I Pagliacci Ruggero Leoncavallo (1857-1919)
To act! While seized with delirium I do not know what I’m saying or what I’m doing! Yet it is necessary to force yourself! Bah! Are you not a man? You’re a jester! Put on the costume and whiten your face. People pay to laugh at you. And if Harlequin steals Columbine from you, laugh, jester, and everyone will applaud! Turn your agony and tears into jest; your sobs and grief into a funny face, ... Ah! Laugh, jester, over your shattered love. Laugh at the pain that is poisoning your heart! 34 ീ Lyrics Mario, Mario da Tosca Giacomo Puccini (1858-1924)
C:Cavaradossi T:Tosca
C:Presto! Grazie! Presto! T:Mario! Mario! Mario! C:Son qui! T:Perchè chiuso? C:Lo vuole il Sagrestano... T:A chi parlavi? C:A te! T:Altre parole bisbigliavi. Ov’è?... C:Chi ? T:Colei!...Quella donna!... Ho udito i lesti passi e un fruscìo di vesti... C:Sogni! T:Lo neghi? C:Lo neg o e t’amo! T:Oh! innanzi la Madonna. No, Mario mio, lascia pria che la preghi, che l’infiorì... Ora stammi a sentir...stasera canto, ma è spettacolo breve. Tu m’aspetti sull’ uscio della scena e alla tua villa andiam soli, soletti. C:Stassera ?!... T:È luna piena ed il notturno effluvio floreal... inebria il cor. Non sei contento? C:Tanto! T:Tornalo a dir! C:Tanto! T:Lo dici male, lo dici male: non la sospiri la nostra casetta che tutta ascosa nel verde ci aspetta? Nido a noi sacro, ignoto al mondo inter, pien d’amore e di mister?... Al tuo fianco sentire per le silenziose stellate ombre, salir le voci delle cose!... Dai boschi dai roveti, dall’arse erbe, dall’imo dei franti sepolcreti odorosi di timo, la notte escon bisbigli di minuscoli amori e perfidi consigli che ammolliscono i cuori. Fiorite, o campi immensi, palpitate aure marine, nel lunare albor, ah...piovete voluttà, volte stellate! Arde in Tosca un folle amor! C:Ah!...M’avvinci ne’ tuoi lacci, mia sirena, T:Arde a Tosca nel sangue il folle amor!... C:mia sirena, verrò! T:O mio amore! C:Or lasciami al lavoro. T:Mi discacci? C:Urge l’opra, lo sai! T:Vado, vado!... Chi è quella donna bionda lassù? ീ Lyrics 35
C:La Maddalena. Ti piace? T:È troppo bella! C:Prezioso elogio. T:Ridi? Quegli occhi cilestrini già li vidi... C:Ce n’è tanti pel mondo!... T:Aspetta...Aspetta...È l’Attavanti!,... C:Brava!... T:La vedi? T'ama? Tu l’ami? Tu l’ami?... C:Fu puro caso... T:Quei passi e quel bisbiglio... Ah!...Qui stava pur ora!... C:Vien via! T:....Ah! la civetta! A me, a me! C:La vidi ieri, ma fu puro caso... A pregar qui venne...non visto la ritrassi... T:Giura! C:Giuro! T:Come mi guarda fiso! C:Vien via... T:Di me, beffarda, ride. C:Follia! T:Ah, quegli occhi!... C:Quale occhio al mondo può star di paro all’ardente occhio...tuo nero?... È qui che l'esser mio, che l’esser mio s’affisa intero... Occhio all’amor soave, all’ira fiero... Qual altro al mondo può star di paro all’occhio tuo nero?... T:Oh, come la sai bene l’arte di farti amare! Ma....falle gli occhi neri!... C:Mia gelosa! T:Sì, lo sento...ti tormento senza posa. C:Mia gelosa! T:Certa sono del perdono, C:Mia gelosa! T:Certa sono del perdono se tu guardi al mio dolor! C:Mia Tosca idolatrata, ogni cosa in te mi piace; T:Certa sono del perdono se tu guardi al mio dolor! C:l’ira audace e lo spasimo d’amor! T:Dilla ancora la parola che consola...dilla ancora! C:Mia vita, amante inquieta, dirò sempre: «Floria, t'amo!» Ah! l’alma acquieta, sempre «t’amo!» ti dirò! T:Dio! quante peccata! M’hai tutta spettinata. C:Or va, lasciami! T:Tu fino a stassera stai fermo al lavoro. E mi prometti; sia caso o fortuna, sia treccia bionda o bruna, a pregar non verrà donna nessuna? C:Lo giuro, amore!... Va! T:Quanto m’affretti! C:Ancora? T:No, perdona!... C:Davanti alla Madonna? T:È tanto buona! Ma falle gli occhi neri!... ീ Lyrics 37
ԈෙcԈෙ ፕϬμ˺ ౝ̛ۖ1858-1924 i˺ᅊּΛϹ˺ μiμ˺
˺i҄kᑢᑢe҄k μiԈෙkԈෙkԈෙk ˺i҈Εԫe ݯʇფᔧɐȿjپμi e܆iԅܰᔁКСդؿ෮˺ μiࡄɷ།ሂ႓j ˺i།Бтk μiɺkɺk҈ᚹԷτɁГᐰ႓eΕ࡚j ˺iሂj ؿҳҳᐰkרؿ຺үᐰcᚹԷϸڔ܈μiтkԅɤɁтk҈ᚹԷ ˺iԅБΕ২ྒтk μiБЯႏj ˺iಳЯႏe҈ෲБe eکμikగΕັ̴Сԓ། ɺc҈ؿԈෙeͱᜑ҈ᖅйԎᘆɐᒠ٦e e۾ᚹ㠥iʌય҈߬cЎς͌ Εၦ̎Ƀɟ೩҈c҈ࠨȹԫ˾БؿПྎc̋τ҈ࠨe ˺iʌયj μiʌય˂ɾէc٦ࠗሶɁcБɺঢ়ጙලj ˺iঢ়ጙรȿk μiʹ႓ȹ༧e ˺iঢ়ጙรȿk μiБɟɺྦྷʶkɟɺྦྷʶk ɻd፷፷೩㠥҈ࠨؿɩ۰ලj׳Бɺ˾҈ࠨؿɩ۰ĶĶԅᒔᇖ ༞ؿोĶĶ˨ෲੱؿुोɩ۰ලjكɺ˾҈ࠨؿັΔdӀɁ kΕБӸࣀcᚹ㠥ᐰࠑΕ૯ࡿɻ ፭㠥ܱͮᚊcܱͮౚმؿᄧɥk dᙠ˃ᒮʠc׳ኹ ৡউɐʠcੋؿྋ͒㛾ʠc င㠥ϛԈࠗؿ۷ࠗcԅܰէؿГႍcേ႓㠥ɺသؿܹੱdɺྡྷؿᗮ йc႑߬சʝБؿʶcʵ႖Бؿʶe ᒠ٦dᄤᒏؿউࡈdᘽ༦ؿࣵࠓdၵ͉˂ϳɎؿࣵࠓdΕܱͮᚶຫ ɎcᑹτΣӔᅸؿ્શk ෲˌΕμ˺ʶɻዝዖk ॶীˮБؿʨᖓΔ၉mm܉ik҈ؿɩѝ၀k҈˺ μiμ˺ɰෲೕӔȿk ˺iɩѝ၀c҈ʌયగԞk c҈ؿෲɁkЎଊΕᜑ҈෦̳ԑбe μiБႢ҈Ӷj Λԑੱ২e۾༞c҈ᑹτكiБ˺ ቡɤɥܰሂjټμiԅ҈Ӷȿeԅ iܰݟʶࠎࠍؿुɤeБ௩ᚭලj˺ ȿkڋμiʪ ˺i༦ᆉe 38 ീ Lyrics
Ӯ༦eکμiБᑹॐkိʨᔂϳؿଡ҈ iʨᔂϳଡؿɁΛ㠥ՙk˺ μi೩ȹɎmm೩ȹɎmmԅܰΪෑɓແk ˺i̳ܰk μiБӮ༦jෲБjБෲɺෲjෲɺෲj ࡄΡ҈ᅁव ຺үᐰdГႍᐰmm ĶĶࡄɷΕ㛾k ༦Ԟk Է୮जੱkಲ࢛k ˺i҈ܲʨຆ̝ޜԷmmԞ㛾ާᖅmm ҈గmmࢡࢡΔmmҐೋɎԞe μiೕ႑k ˺i҈ೕ႑k μiӛ㠥҈cଡुფਠҺk ˺iӶбk μi჻ѹ҈dॐ҈k ˺iПතȿk μimmԅᔶଡk iБ૯ੱؿඣଡc˖ɐ࡚τˈɐؿjБؿଡ၇ວ㠥҈c˺ ɻዖؿᔶଡcБ૯ੱؿඣଡc˖ɐ࡚τˈɐˌ܅Ѝˋؿᔶଡdੱܹ ؿj ɤɁkۃμiࡘcБभผ Ўᗙؿଡܰඣϳk ˺iμ˺Όሷȿk ༞c҈߬җዱБcɺᒾҗዱБeكμiྦྷc҈ ˺iμ˺Όሷȿe ༞҈ؿߕeكμiЎٛցБผࡈᇸ҈e߬ܰБ ˺iμ˺Όሷȿe ࢀdБؿᆅੱk܅Бܰ҈ؿ৫ཫcμ˺cБؿȹʘ҈௩ᚭiБؿ ༞҈ؿߕeكμi҈ٛցБผࡈᇸ҈c߬ܰБ ʹ႓ȹ༧cԅԒൎʶmmʹ႓тk i҈ؿ՜࣓d҈ؿ࠺ࡼd҈ؿʶӥc˺ ҈ȹցผ႓iμ˺c҈ෲБe ɣ˿Ϊʶбc ҈ȹցผ႓i҈ෲБe ѹᐘȿeێБҐ҈ؿቡޜμiʨтkभܰຬ༦k ˺iБȹց߬Ӷਈk ԷʌયeقμiԅБ২̳ԑбc ቡdඣቡcಲሃֶ̝Գ෮ΪખcɺผτɤɁԞާټᖬcಲሃړБผ ᖅj ˺i҈ೕ႑eӶбk j܈μiБݯʇფණფ ˺iБɌԞਈk μiɺcࡈᇸ҈c eکiΕັ̴Сԓ།˺ μiܰფΡkЎᗙؿଡܰඣϳk
ɻᘭiሲኮѻ ീ Lyrics 39 Mario, Mario from Tosca Giacomo Puccini (1858-1924) C:Cavaradossi T:Tosca C:Hurry! Thanks! Hurry! T:Mario! Mario! Mario! C:I’m here. T:Why was the door locked? C:That was Sacristan’s wish. T:To whom were you talking? C:To you! T:No, no, I heard whispering. Where is she? C:Who? T:She! That woman! I heard quick steps and the rustle of clothes! C:You’re dreaming! T:You deny it? C:I do, and I love you. T:Oh! In front of the Madonna. No, my Mario, first let me pray and offer the flowers. Now listen: tonight I am singing, but the programme is brief. Wait for me at the stage entrance, and we will go to your villa alone, just us. C:Tonight? T:It is the time of the full moon and the heart is drunk with the nightly fragrance of the flowers. You are not happy? C:Very much! T:Say it again. C:Very much! T:You do not mean it! You do not mean it! Do you not yearn for our little house, that is waiting for us, hidden in the grove? Sacred to us, unknown to anyone, filled with love and mystery? Oh, to listen at your side to the voices of the night as they rise through the starlit, star-flecked shadows! From the woods, the thickets, from the dry grass, from the depths of shattered tombs scented with thyme, the night whispers of endless loves and faithless counsels to soften and seduce hearts. Flower, O vast meadows, Flutter, sea breezes, sea breezes in the pale moonlight Ah, rain down desire, starry canopies! Madness of love burns in Tosca! C:Ah, my siren, I am bound in your ciols… T:In Tosca’s blood the madness of loves burns! C:My siren, I will come! T:Oh my love! C:But now leave me to my work. T:You dismiss me? C:My work is pressing, you know it. T:I am going. Who is that blonde woman there? C:The Magdalen. Do you like her? T:She is too beautiful! C:That’s praise indeed. T:You laugh? I have seen those sky-blue eyes before. ീ Lyrics 41
C:They are so many in the world! T:Wait... wait... It’s the Attavanti! C:Brava! T:Do you see her? She loves you? Do you love her? Do you love her? By pure chance Those footsteps and that whispering… Ah…She was here just now! Come here! Ah, the shameless flirt! And to me! C:By pure chance I saw her yesterday… She came here to pray… And I, unnoticed, painted her. T:Swear! C:I swear! T:How intently she stares at me! C:Please go now! T:She taunts and mocks me. C:What foolishness! T:Ah, those eyes! C:What eyes in the world can compare with your ardent dark eyes? It is in them that my whole being fastens, eyes soft with love, and rich with anger… What eyes in the world can compare with your ardent dark eyes? T:Oh, how well you know the art of capturing women’s hearts! But let her eyes be black ones! C:My jealous Tosca! T:Yes, I feel it, I torment you unceasingly. C:My jealous Tosca. T:Yet I’m certain you would forgive me. If you knew my grief. C:My Jealous Tosca. You are my idol, Tosca, All things in you delight me: your storming anger and your pulsing love! T:I’m certain you would forgive me if you knew my grief. Say again those consoling words… Say them again! C:My life, my troubled one, my beloved, I shall always say: ‘I love you, Floria’. Set your uneasy heart at rest, I shall always say: ‘I love you’. T:God! What a sin! You have ruffled my hair. C:Now you must leave me! T:You stay at your work until this evening. And will you promise that, blond locks or black, by chance or otherwise, no woman will come here to pray? C:I swear it, beloved. Go now! T:How do you hurry me along? C:Come, again? T:No, forgive me! C:In front of the Madonna T:She is so good! But let her eyes be black ones!
ÐɻͤࢠɊʄʗᘸ 15 minute intervalÐ 42 ീ Lyrics
E lucevan le stelle da Tosca Giacomo Puccini (1858-1924)
E lucevan le stelle ed olezzava la terra, stridea l’uscio dell’orto, e un passo sfiorava la rena. Entrava ella, fragrante, mi cadea fra le braccia. Oh! dolci baci, o languide carezze, mentr’io fremente le belle forme disciogliea dai veli! Svani per sempre il sogno mio d’amore... L’ora è fuggita e muoio disperato!... e muoio disperato! E non ho amato mai tanto la vita, tanto la vita!
ܱͮᏬᙡ ፕϬμ˺ ౝ̛ۖ1858-1924
ᕷ㠥ܱͮcɣΔɐౙೕ㠥ٟࠗcيʨ ೕˮᐰᚊcܰӶΕ٦්ؿ༏ɐeپ٦් eגʘҙ൬҈ᕤ܈ጱෲؿɁԫԞȿc cҐႦ॓࿂ઌcᚉˮᗫؿӸҥࢀႜkגଏၹؿጱлใܹؿኟ ෲੱྒϊ̷Ⴉࣱ༪cࣂංΕࠔլc ੀશΔᙢݸc҈ੀશΔᙢݸk҈ Ӏᅚᆅෲ҈ؿ́՜cᆅෲ́՜k҈
The Stars Were Gleaming from Tosca Giacomo Puccini (1858-1924)
And the stars were gleaming, and the earth was fragrant, the garden gate creaked, and a footstep skimmed over the sand. She entered, fragrant, and fell into my arms. Oh soft kisses, tender caresses, while I, trembling, unveiled her and revealed her beauty! Vanished forever is my dream of love. The time has fled, and I die in despair! and I die in despair, and I die in despair. And never before have I loved life so much, so much. ീ Lyrics 43
Mein Herr Marquis from Die Fledermaus Johann Strauss Jr (1825-1899) Mein Herr Marquis, ein Mann wie Sie Sollt’ besser das verstehn, Darum rate ich, ja genauer sich Die Leute anzusehen! Die Hand ist doch wohl gar zo fein, ha ha ha. Dies Füsschen so zierlich und klein, ha ha ha. Die Sprache, die ich führe Die Taille, die Tournüre, Dergleichen finden Sie Bei einer Zofe nie! Gestehn müssen Sie fürwahr, sehr komisch dieser Irrtum war! Ja, sehr komisch, hahaha, ist die Sache, ha ha ha. Drum verzeihn Sie, hahaha, wenn ich lache, ha ha ha! Ja, sehr komisch, hahaha, ist die Sache, ha ha ha! Sehr komisch, Herr Marquis, sind Sie! Mit dem Profil im griech’ chen Stil Beschenkte mich Natur: Wenn nicht dies Gesicht schon genügend spricht, so sehn Sie die Figur! Schaun durch die Lorgnette Sie dann, ah, Sich diese Toilette nur an, ah Mir scheint wohl, die Liebe Macht Ihre Augen trube, der schönen Zofe Bild Hat ganz Ihr Herz erfüllt! Nun sehen Sie sie überall, sehr komisch ist fürwahr der Fall! Ja, sehr komisch, ha ha ha, ist die Sache, ha ha ha Drum verzeihn Sie, ha ha ha, wenn ich lache, ha ha ha! Ja, sehr komisch, ha ha ha, ist die Sache, ha ha ha, etc.
Ᏺᇼᚹڎ ፕϬᇫᇧ ɩǧऋ1825-1899 eעᏲБᇼᚹcБؿቇዃ૯cˈПɁҡ၀ڎ ߬ୀʶeٯ߬ըᗮБcБߗᜮྦɁcП҈ ɺ༦ɍɨeٽᇘԫټ̽ʹԫܰԅფୀc ҈ᇹ΅Є೩ዀણc҈ᐾ˅Є೩৽Ɂe ԞБɺɺֻႏcБ፟႒ॐϋɁeޜȹʘcΕБɤཪӸɐᗒҒఖc kۄۄۄk҈ߗೕॐcۄۄۄkྡྷΕࡌcۄۄۄ፟႒c kۄۄۄkྡྷΕࡌcۄۄۄk፟႒cۄۄۄᇼБࡈᇸc ᏲɣɁभࡌeڎБ eێʨᎳХ҈cιݯɣɁèѴᖘ Σ҈ؿᐻcᗒԚБ৽ʶcӸҥΛ়Ɂc ሌ॓ࠓ㢦eଡᗂcԞ݁ٽᐾԅ҄ ˮБؿଡुcෲؿߕҗᙂeޜ҈ ؿɤཪѼോcЌኣБؿʶeБؿଡ㛾̋τcБ൬ȿਜࡨॐϋɁeڋԅ kۄۄۄkᇼБࡈᇸcۄۄۄk҈ߗೕॐcۄۄۄkྡྷΕࡌcۄۄۄ፟႒c kۄۄۄkྡྷΕࡌcۄۄۄ፟႒c 44 ീ Lyrics
My Dear Marquis from The Bat Johann Strauss Jr (1825-1899)
My dear Marquis, a man like you should better understand that, therefore, I advise you to look more closely at people! This hand is surely far too fine, ha ha ha. This foot so dainty and small, ha ha ha. The manner of speaking which I have, my waist, my bustle, These would never be found on a lady’s maid! You really must admit, this mistake was very comical! Yes, very comical, ha ha ha, is this matter, ha ha ha. So pardon me, ha ha ha, if I laugh, ha ha ha! Yes, very comical, ha ha ha, is this matter, ha ha ha!
You are very comical, Marquis! With this profile in Grecian style being a gift of nature; if this face doesn’t say enough, just look at my figure! Just look through your lorgnette, ah, at this outfit, ah, it seems to me that love has clouded your eyes, the image of your chambermaid has quite filled your heart! Now you see her everywhere, this is truly a very comic situation! Yes very comical, ha ha ha, is this matter, ha ha ha, so pardon me , ha ha ha, if I laugh, ha ha ha! Yes very comical, ha ha ha, is this matter, ha ha ha, etc. ീ Lyrics 45
Non ti scordar di me Ernesto de Curtis (1865-1917)
Partirono le rondine dal mio paese freddo senza sole. Cercando primavere di viole, nidi d’amore e di felicità. La mia piccola rondine parti, senza lasciarmi un bacio, senza un addio partí... Non ti scordar di me... la vita mia legata è a te. Lo t’amo sempre più nel sogno mio rimani tu. Non ti scordar di me... la vita mia legata è a te. C’e sempre un nido nel mio cor per te, non ti scordar di me! non ti scordar di me!
ᇼБПѿȿ҈ ဍແ1865-1917
ʿࠔሰcᔴОdӀτඈͮؿࡼ්cڲዘɥΉ ʨcෲੱؿᓊ਼֗ါؿeܬఖҒ˨ᖓᙬؿ˾ ɩ̝ؿɩዘɥɰࠔሰcӀ҈जɎጱлc҈ ɖӀ႓ᐰʹӮeᇼБПѿȿ҈c டeޚؿ́՜Б၇҈ ҈̷ҐБෲᛞc ΕྒɻБޚӮeᇼБПѿȿ҈c c֨܆டcΕ҈ؿʶ㛾ҐБޚؿ́՜Б၇҈ ᇼБПѿȿ҈kᇼБПѿȿ҈k
Do Not Forget Me Ernesto de Curtis (1865-1917)
The swallows flew away from my cold and sunless land, in search of spring and violets, nests of love and happiness. My little swallow flew away, without leaving me a kiss, with no farewell she left... Do not forget me... My life is bound up in you. I love you more and more, my dreams are always of you. Do not forget me… my life is bound up in you. There is always a nest in my heart for you, Do not forget me! Do not forget me! ീ Lyrics 47
Core 'ngrato Salvatore Cardillo (1874-1947) Catarì, Catarì, pecchè me dice sti parole amare, pecchè me parle e’o core me turmiente, Catarì? Nun te scurdà ca t’aggio date’o core, Catarì, nun te scurdà! Catarì, Catarì, ché vene a dicere stu parlà ca me dà spaseme? Tu nun’ nce pienze a stu dulore mio, tu nun’nce pienze, tu nun te ne cure. Catarì, Catarì, tu nun’o saie cànfin’inta na chiesa, io so tra sulo e aggio priato a Dio Catarì? E l’aggio ditto purea’o cunfessore I’sto a suffri pe’ chella là! Sto a suffri, sto a suffri, nun se po’ credere, sto a suffri tutte li strazie! E’o cunfessore che personna santa, m’ha ditto: “Figlio mio, o lassala, lascia sta’.” Core, core ’ngrato, t’aie pigliato’a vita mia, tutt’è passato e nun’nce pienze chiù! tutt’è passato e nun’nce pienze chiù! ߲ʶɁ (ဍແݤ (1874-1947˺ ෑᗫc˺ෑᗫcݯʇფБྦྷ҈႓Ԓՙj˺ ݯʇფԚ҈ʶ㛾ߕᗒՇc˺ෑᗫj Бѿȿ҈ҐኬʶᘆБc˺ෑᗫcБѿতk ˺ෑᗫc˺ෑᗫcБᑹ߬႓ʇფjҰ̏ԶΕ҈ʶ㛾c ຮeૃڌБɺผԷ҈Εߕdభ؆cБɺผԷ҈cБɰ߇ ༞҈Ӷ൬ઠਦ㛾cكෑᗫc˺ෑᗫcБԎɺ˺ ᕤ㠥Ҷؿʶੱާұɐ۴j Ήԅुˎત႓҈ؿߕɺ֗cΐݯБk҈ ܰБcԚ҈ߕe ኬʨభ؆cԚ҈ʶcୄˀོࢠk Ўुˎ͂ˢใؿႍࣩcˢΉ҈႓༞i҄Ґȹʘѿতe c߲ʶؿɁ࡚kБͲѿȿ֡ˀؿੱᇷc ߲ʶؿɁ࡚cБҐ҈ׇૃk߲ʶؿɁ࡚cБҐ҈ׇૃk Ungrateful Heart Salvatore Cardillo (1874-1947) Catari, Catari, why do you address me only with bitter words? Why do you speak only to torment my heart, Catari? Do not forget that I have given you my heart, Catari, don’t forget it! Catari, Catari, why do you make me suffer agonies? You never think of my pain, you never think of it, you don’t care. Catari, Catari, do you know I bring my prayers to God in church? And I recount my confession to the priest: I am suffering from such a great love! I am suffering, I suffer from not knowing your love, I suffer a sorrow that tortures my soul! And the confessor spoke to me: “My son, forget it, forget it!” Ungrateful heart, you took possession of my life, and now it's over, you no longer think of me. And now it's over, you no longer think of me. 48 ീ Lyrics
Mi chiamano Mimi da La Bohème Giacomo Puccini (1858-1924) Sì. Mi chiamano Mimi, ma il mio nome è Lucia, La storia mia è breve. A tela o a seta ricamo in casa e fuori. Son tranquilla e lieta ed è mio svago far gigli e rose. Mi piaccion quelle cose che han sì dolce malia, che parlano d’amor, di primavere, che parlano di sogni e di chimere. quelle cose che han nome poesia, lei m’intende? Mi chiamano Mimi, il perchè non so. Sola, mi fo il pranzo da me stessa. Non vado sempre a messa, ma prego assai il Signor. Vivo sola, soletta, là in una bianca cameretta: guardo sui tetti e in cielo. Ma quando vien lo sgelo il primo sole è mio. Il primo bacio dell’aprile è mio! Il primo sole è mio! Germoglia in un vaso una rosa. Foglia a foglia l’aspiro! Così gentil è il profumo d’un fior. Ma i fior ch’io faccio, ahime! I fior ch’io faccio, ahimè, non hanno odore! Altro di me non le saprei narrare: sono la sua vicina che la vien fuori d’ora a importunare.
ہہɁࠨ̉҈ ፕϬؐѴϝԓɁ ౝ̛ۖ1858-1924 c҈ؿΊΥܰᚉὉԓcہہcɁࠨ̉҈ ўeجᓯ௰cȹৌৌȹᇃᇃᓵˮϛ٦۾˖ؿӸ҈ ပၤϛ٦cعݠ̡፷҄cኬʨగ㡋㠥́ ௩ᚭԅԒτ㠥ᚓɈؿϹc ʨcూᖒԅթќؿ˦ྊྒʲeܬఊؿעΉ҈㟌߸ෲੱ j͉ע˿ੱೋ෮Λფ৽Ɂʶ֞cБ
ݯʇფeكcɺہہɁࠨ̉҈ Ұˀվվ௰௰cዟϬ́ݠc҈ ᒖɺ˾২ᎴᅊcЎΉुާᖅe eيგͮമ۹cΕ҈ԅ͉ϳɩָං㛾cንତશʨ
ˬɰသܬᙡcඈͮᗫ๑Ɂංc ʠؿʪඈΛᏬᙡkٱʨȹଏၹؿጱлΛใธkܬ ပҐ҈ԞஷЂcΛფٟࠗΛᄓ᜔cعɻ ၁cЎ҈ᓵˮؿ٦ԫcۿיȹψψфߡ્ ᓵؿ٦ԫɺผτٟࠗᘽౙk҈ ҈ᑹॶ႓ʇფc ҈ܰБሱֈcಳԞԷ̨ᒹБe ീ Lyrics 49
They Call Me Mimi from La Bohème Giacomo Puccini (1858-1924)
Yes, they call me Mimi, but my real name is Lucia. My story is brief. I embroider silk or satin at home or outside. I am peaceful and happy, and my pastime is making lilies and roses. I like all things that have gentle magic, that talk of love, of spring, that talk of dreams and of fancies the things that have poetic names Do you understand me?
They call me Mimi, I don’t know why. I live all by myself and I eat all alone. I do not always go to mass, but I always pray to God. I stay all alone, in my tiny white room. I look upon the roofs and the sky.
But when spring comes, the sun’s first ray is mine. April’s first kiss is mine! The sun’s first ray is mine. A rose blossoms in my vase. I breathe its perfume, petal by petal. So sweet is the flower’s perfume. But the flowers I make, alas, the flowers I make, alas, have no scent. What else can I say? I am your neighbour, who comes unexpectedly disturbing you. 50 ീ Lyrics
Torna a Surriento Ernesto de Curtis (1865-1917) Vide’o mare quant’è bello! Spira tantu sentimento, comme tu a chi tiene mente, ca scetato’o faie sunnà. Guarda, gua’chistu ciardino; siente, sie’ sti sciure arance: nu profumo accussì fino dinto’o core se ne va... Vide’o mare de Surriento, che tesoro tene’nfunno; chi ha girato tutto’o munno nun I’ha visto comm’a ccà. Guarda attuorno sti Serene, ca te guardano’ncantate, e te vonno tantu bene... Te vulessero vasà. E tu dice: “I’parto, addio! ” T’alluntane da stu core... da sta terra de I’ammore... tiene’o core’e nun turna? Ma nun me lassà, nun darme stu turmiento! Torna a Surriento, famme campà!
ࠇᓊᘣᇘμ ဍແ1865-1917 ԅ࣯ࣵႦႦጠcʶɻውಲࠉʲc။ᗫࠓͮ˥Ɂु֡cѽ֣ҶሶɃྒ൰eޜ Εɬգɐcٽඡcၹ݂ټ්ȹːޜ ԅᘣᇘμؿࣵݗcޜ ඨԞȹؿٟࠗcʶɻ˨ඈͮe ֛ࣵᘤၫಲသᗸᔀcಲሃሂӶ༧ʨcɖᗒҐ̚ፘѿe ԅͥؿ࣯ؐcɁேΕࠖਜ਼શcˢࠨᗙΕБӸࣀcႦᐰݯБeޜ ЎܰБΉ҈႓iʹӮe ϊႩᔴ҈ؿӸࣀcᔴБ˿ෲؿࡼ൰c̷ႩजΕႩʿe ᇼПׇૃ҈cɺ߬ʹԚ҈భඬc ࠇᓊᘣᇘμcΑԷ҈Ӹࣀk Come Back to Sorrento Ernesto de Curtis (1865-1917) See how beautiful the sea is! Inspiring many sentiments, like you, to the man who thinks of you. You make him dream while he is awake. Look at this garden, smell this orange blossom; a scent so sweet, it winds around the heart. See the sea of Sorrento, hiding treasures beneath the waves; the man who has travelled the world over, has seen nothing like it. Look at these sirens around you, they look at you with enchantment, and they love you so much, they wish to kiss you. And you say: “I am leaving, farewell!” You’re going away from this heart, from this land of love? Have you the heart never to return? But do not leave me, Don’t make me suffer! Come back to Sorrento, let me live! ീ Lyrics 51
Funiculì funiculà Luigi Denza (1846-1922)
Aissera, Nanninè, me ne sagliette, Tu Saie addò? Tu Saie addò? Addò, sto core ngrato chiù di spiete, farme non può, farme non può, addò, Ilo fuoco coce, ma si fuie. Te lassa stà, te lassa stà, E non, te corre appriesso, non te struje, sulo a guardà, sulo a guardà.
Ne jammo: da la terra a la montagna. No passo nc’e; no passo nc’e; Se vede Francia, proceta la Spagna, eio veco a te, eio veco a te, tirate co Ili fune, nuitto nfatto, ncielo se va. ncielo se va; Se va Comm’a Ilo viento a l’antrasatto, guè, saglie sa, guè, saglie sa.
* Jammo Jammo ncoppa, jammo jà, jammo jammo ncoppa, jammo jà funiculì, funiculà funiculì funiculà ncoppa, jammo jà funiculì funicular.
* repeat ɬӹ 1846-1922
ȿ࡚j˾҈كढ़ෑcܲէБ Бѿੱ߲ຮؿΔʿk܍ʹȿԅɺ˾ ˾ȿʶΕዖɾ୮h ЎΣБᔴПcగᜑБ˾k ɺʹ།㠥БcɺʹҢጉБc̋શБȹଡk
ɐ༏cɐ༏cɐ༏cఒ̛̀Сఒּ̛̀k˘ ɬ຺Էᚧcɺ͂Ӷ༏k ӮБkޜӮБkޜᙬϹd෮ɣСdϹऒˑmmသνଡ֛kؒ ɐcɐඔቈcɐඔቈkقɐc࠘ࠓق
* ˘ɐ༏cɐ༏cร㞒c˘ɐ༏e ˘ɐ༏cɐ༏c ร㞒c˘ɐ༏e ఒ̛̀Сఒּ̛̀c ఒ̛̀Сఒּ̛̀k ร㞒c˘ɐ༏cఒ̛̀Сఒּ̛̀k
* ࠇ c෮ɣСʼʥɻʼീͅࡼొԜעऋПഽ ീ Lyrics 53
Funiculi Funicula Luigi Denza (1846-1922)
Do you know where I went to this evening, Nanetta? To where your ungrateful heart can’t be spiteful to me any more! To where the fire burns, but if you run away, it lets you go! And it doesn’t run after you, doesn’t tire you, just by a look.
Let’s go, let’s go, let’s go, funiculi, funicula! From the ground to the mountain, there is no step. You can see France, Procida and Spain. I see you! I see you! Pulled by a rope, we go, like the wind, upon the sky, go up, go up!
* Let’s go, let’s go, to the top, let’s go. Let’s go, let’s go, to the top, let’s go. funiculi, funicula, funiculi, funicula, to the top, let’s go, funiculi, funicula.
* repeat
Unless otherwise specified, Italian and Chinese lyrics are provided by the artist ᅥ྆ιࡗ Orchestra Members 55
ର Piccolo ɩ໔ Trumpets ࡼᇘ Linda Stuckey ˺ּК Jonathan Clarkeܪ ϴᗿ Stuart Essenhigh ᔶᓫဳ Oboes ജ༠ᄨ Douglas Waterston ඡ፤ Huang Zheng ໔ Trombonesٽ ᇛ Sarah Bowmanړ ঢ়ฦ Gao Yang ࠏඏᅥ Jarod Vermette ࠏɈթ Maciek Walicki ߜਝဳ Cor Anglais ໔ Bass Tromboneٽঢ়ฦ Gao Yang Гࠑ ᇛ Sarah Bowman ̠৺ऋ Denson Paul Pollardړ
௰ᓫဳ Clarinets ɣ໔ Tuba ̌Ϊी Andrew Simon ݇ Paul Luxenberg ̌ࡼ John Schertle ᓯʼ Michael Campbell ցࠑར Timpani ᕡᅥ܆ James Boznos ࠌEሁ௰ᓫဳ E-flat Clarinet ̌ࡼ John Schertle Ꮎᅥኂ Percussion ̌ɓঢ় Adrian Stefanescu Гࠑ௰ᓫဳ Bass Clarinet ષ৩ജ Raymond Leung Wai-wa ᓯʼ Michael Campbell ߈ૠᎵ Sophia Woo Shuk-fai
ʱဳ Bassoons ሉೄ Harp Kam Shui ̌ਥ༞ Christopher Sideniusټ ңࣽɬ Vance Lee ੌी Adam Treverton Jones
Гࠑʱဳ Contra Bassoon ੌी Adam Treverton Jones
໔ Horns ࠏோК Mark Vines ՚ౣͦ Chow Chi-chung ɿݤᇛ May Van Norman ңʭ፲ Homer Lee Siu-lam ࠖ Principal ɭᕱൔɥ Takako Kawase Хଉࠖ Assistant Principal 56 ᅥ྆ιࡗ Orchestra Members
ࠗಋဳ֞ᅥ྆ Hong Kong Philharmonic Orchestra ᖚᐢဟ࠹ᐢܞ Artistic Director and Chief Conductor ϴ۹g㞢ജऋ Edo de Waart Conductor Laureateܞڥࣔ ϴᄨ David Atherton ࠖܞ Principal Conductor ඡɣᄨ Samuel Wong
ȹɩొೄ First Violins ɻొೄ Violas Concertmaster ඡᒤ৩ Huang Hung-wei ٽ྆ Ӟ Dennis Kim Jin-soo ညӱԙᓱ Kaori Wilsonނټ First Associate ᖓഓ Alice Rosen ٽȹ৹྆ Concertmaster ႡbΧ Zhao Yu ส Leung Kin-fung ஹੜ Chan Shing-keungۺષ Second Associate ੌѩ৩ Cui Hongwei ٽɀ৹྆ Fan Yan Concertmaster ߑb Wong Sze-hang ݙԗɓ Ethan Heath ܆˔ Li Ming עThird Associate ቭ ٽɍ৹྆ Concertmaster ࢄଈ Luk Chin-kau Pak Ming עχၳ Bei Zhu ͉b ࡸb⋳ Sun Bin ೡ͓ Cheng Li Rachael Mellado ɣొೄ Cellos ٮᗫ ሲɾણ Cheng Chi-man ᎏɈԿ Richard Bamping ՚͓ Chow Lap-chung Ѩϴਟ Eric Sung ˉbജ Mao Hua ፳b Timothy Frank Ⴉ Cheung Ming-yuenעଔਝ Mao Yiguo ਜ਼ڣ ࠵bᘂ Ni Lan ஹֱз Chen Yi-chun ͉bށ Pak Ling ᗐΪ Anna Kwan Ton-an ς࿑ Tina Qu Chang ңႼᘡ Li Ming-lu ඡֱཽ Christine Wong Kar-yee ࡸ࣮൬ Patrick Sohn Tae-jin Yalin Song ׳ਜ਼bѴ Zhang Xi Ѩԓ Erik Williams ׳՚ᙂࠔ Zhou Tengfei ϴᇯ Єᄮਝͤ Scott Homer (on Sabbatical Leave) Гࠑɣొೄ Double Basses րɩᑞ Eddie Zong Xiaoqian ɀɩొೄ Second Violins ۚᙀԞ Jiang Xinlai ߑȻ Fan Ting ඟ࿖ Feng Rong ષʼ☚ Leslie Ryang Moon-sun Сԓ Samuel Ferrer ɥ Tomoko Tanaka Mao ஈι Hui Yu-singكɻ̈́ڣ ༠ཬ George Lomdaridze׳ ͎ࠗ Miyaka Suzuki˃༻ William Davidson ߑᎼК Jonathan Van Dyke ڌᎼ৩ ңཽ༞ Ricardo de Mello ᑃܳ Xue Yu Gallant Ho Ka-chun ژЄཽ ର Flutesٽ ᓯѩ༞ Russell Kan Wang-to ѳਝต Mo Kwok-fai ̌ᄨಿ Megan Sterling ጻʨሓ Sarah Nordlund ݀ˬ Donna Orbovich ࡼᇘ Linda Stuckeyܪ Martin Poon Ting-leung ڋᅾѸ ҵb࿖ Shen Rong ҵဗ Yana Tsanova ፫Χ Alisa Yan Yuqing ஹߜͤ Daniel Chan Tsz-ying (on Sabbatical Leave) ᖳХིٞ߮Patron’s Club ผࡗ Gold Membersټ ผࡗ Platinum Membersټ͉ ಲΊˊ Anonymous ᚋ༅ႺϷ Coutts Bank ผ C C Wu Cultural & Education ષᛷСጙพτࠉʔ̇ Henry G Leong Estates Ltdټඑιʼʝઠөਥ͢ Foundation Fund তඡࡣτࠉʔ̇ Hutchison Whampoa Ltd 㟱එ྆ E2-Capital Group ֱඑ྆ Jardines Matheson Ltdټ ෙᄤй Ogilvy & Mather Asia Pacific ཽԈઁٖτࠉʔ̇ Kerry Holdings Ltd ଓۤผ߮ԑ৻ֺ KPMG Ⴚผࡗ Silver Members Ⱦᄤᚁ༏ʔ̇ Kowloon-Canton Ⴛผࡗ Bronze Members RailwayCorporation ఒᄨͬพτࠉʔ̇ Fontana Enterprises Ltd ɐࣵਆพႺϷ Shanghai Commercial Bank Ltd ෬சࠗಋτࠉʔ̇ Microsoft Hong Kong Ltd The Swire Group Charitable Trust ټপਥڌʪ̀එ྆෯ഁ ነི́߮ࢶХɁ Student Ticket Scheme Donors ᆉ Platinum Award The Helena May The Helena Mayټ͉ ಲΊˊ Anonymous ߈͓́ͱ́ Mr Maurice Hoo ผ C C Wu Cultural & Education Ms Caroline Hu Ms Caroline Huټඑιʼʝઠөਥ͢ Foundation Fund Ms Hu Shu Ms Hu Shu ٦࿏ႺϷ Citigroup Mrs Dorothy Hung Mrs Dorothy Hung 㟱ᔔ HSBC Ms Teresa Hung Chi Wah Ms Teresa Hung Chi Wah ณҙ༅τࠉʔ̇ Welcome Group Investment Limited ʬ˥ജɤɡ Ms Hung Ling Wahٴ ผ Zegna Culture Foundation ਝᘷ߹ʼʝɻʶ The International Centre ofټ٠ᙬʼʝਥ Sakyamunis Culture Ltd ͱ́ Mr Paul R Jacksonڌᝃ͏ᆉ Diamond Award ષࡼͱ́ʩɁ Mr & Mrs Alan Leong Mr David G Jeaffreson Mr David G Jeaffreson བ࢟ࠑᅥɻʶ Joyin Piano Music Centre ᆉ Gold Award Ms Joelle Kabbaj Ms Joelle Kabbajټ ಲΊˊ Anonymous Kambo Manufacturing Co Ltd Kambo Manufacturing Co Ltd Bloomsbury Books Ltd Bloomsbury Books Ltd Mr Ko Ying Mr Ko Ying Sir Kenneth Fung Ping Fan Sir Kenneth Fung Ping Fan Mr Kelvin Koo Mr Kelvin Koo Foundation Trust Foundation Trust Mr Irving Koo Yee Yin Mr Irving Koo Yee Yin Mr & Mrs Lester Kwok Mr & Mrs Lester Kwok Ⱦ᎘ᐢਆผ Kowloon Chamber of Commerce ષਝᚬͱ́ʩɁ Mr & Mrs Lincoln Leong ᗐʼႚͱ́ Mr Johnny Kuan Ms Nam Kit Ho Ms Nam Kit Ho Ms Anna Kwok On Nar Ms Anna Kwok On Nar ͱ́ Kwok Shiu Mingעͱ́ Mr Stephen Suen Ͱעࡸ ࡸ̷ሣͱ́ʥܪဈᄨɤɡ Mr Stephen Sun & Ms Edith Shih Mr Lam Kiu Sum Mr Lam Kiu Sum ҧ࿘ਥͱ́ Mr To Wing Kee Mr Edmund Law Kai Chung Mr Edmund Law Kai Chung Mr & Mrs Percy Weatherall Mr & Mrs Percy Weatherall ңኹ࿘ͱ́ Dr Ernest Lee Shu Wing ̷ϼႺϷ Wing Hang Bank ңᄫણɤɡ Ms Mary Lee ͨᚪзͱ́ Mr David Yam ң࢟ɤɡ Ms Myron Lee ່ጷፓɡ Dr M T Geoffrey Yeh ң৩ࢯͱ́ Mr Alex Li Wai Chun Ⴚᆉ Silver Award Ms Ester Li Ms Ester Li ಲΊˊ (2) Anonymous (2) ңᎶ̞ͱ́ Mr Li Ying Chor ᅩඈВͱ́ʩɁ Susan & Bernard Auyang Miss Beatrice Lin Miss Beatrice Lin ᒉਮֱɤɡ Ms Josephine Chung Mr & Mrs Craig Lindsay Mr & Mrs Craig Lindsay Epico Trading Co Ltd Epico Trading Co Ltd Mr William Littlewood Mr William Littlewood ʿਝ֦ͱ́ Mr Bill Fong K C Mr Frederick Lochovsky Mr Frederick Lochovsky George and Paulette Ho George and Paulette Ho ཽˡͱ́ Mr Christopher J Lucas Mr & Mrs David Lin Mr & Mrs David Lin Mr John Lui Mr John Lui ୣ৩᎘ͱ́ʩɁ Mr & Mrs Vernon Moore Ms Yvonne Lui Yan Yan Ms Yvonne Lui Yan Yan Mr and Ms Frank & Ellen Proctor Mr and Ms Frank & Ellen Proctor Mr Andrew Ma Mr Andrew Ma Mr & Mrs John & Anthea Strickland Mr & Mrs John & Anthea Strickland Mr Mark Machin Mr Mark Machin ோָ࣊ Mackie Study Ltdځ Mr & Mrs Stephen Tan Mr & Mrs Stephen Tan Mr Wong Kong Chiu Mr Wong Kong Chiu Mr Mak Fai Shing Mr Mak Fai Shing Mr Michael Mak Hoi Hung Mr Michael Mak Hoi Hung Ⴛᆉ Bronze Award Mak Ko Kee Building Contractor Ltd Mak Ko Kee Building Contractor Ltd ಲΊˊ (18) Anonymous (18) Mr John Malpas Mr John Malpas Sir David Akers-Jones Sir David Akers-Jones Maplewood Education Services Maplewood Education Services ਂⴷᘚͱ́ Mr Au Son Yiu Mr Michael McClellan Mr Michael McClellan Ms Gael Black Ms Gael Black Ms Olivia Mo Siu Wai Ms Olivia Mo Siu Wai Ms Caroline Calvey Ms Caroline Calvey ୣяନͱ́ Mr Mok Kwun Cheung ஹᅥ́ͱ́ Mr Samuel Chan Lok Sang Dr & Mrs Sam Nariman Dr & Mrs Sam Nariman ஹᄨᗎͱ́ Mr Chan Tak Ken Mr Kellogg Ngai Mr Kellogg Ngai Ms Chan Wan Tung Ms Chan Wan Tung Mr David Owens Mr David Owens ஹ፷შɩմ Ms Liat Chen Mrs Platt and Friends Mrs Platt and Friends Mr & Mrs Ann & Paul Chen Mr & Mrs Ann & Paul Chen ᅾཽʼɤɡ Dr Belinda Poon K M Ms Vina Cheng Ms Vina Cheng Ms Poon Lai Chuen Ms Poon Lai Chuen ͱ́ Mr Cheung Kam Cheong Mr Neil F Pryde Mr Neil F Prydeןਜ਼፦ Mr Andrew Chin W S Mr Andrew Chin W S Radiant Tech Worldwide Limited Radiant Tech Worldwide Limited Ms Tabitha Chiu Shui Man Ms Tabitha Chiu Shui Man Security Systems (Far East) Ltd Security Systems (Far East) Ltd Ms Gillian Choa Ms Gillian Choa Mr So Kin Man Mr So Kin Man Mrs Maisie N Choa Mrs Maisie N Choa Dr Tai Yau Ting Dr Tai Yau Ting ʨͨͱ́ Mr Alex Chong Ms Francis Tang Wai Man Ms Francis Tang Wai Man Ms Grace Chou Ai-Ling Ms Grace Chou Ai-Ling ࡌౡਫ਼ͱ́ʩɁ Mr & Mrs Jim K P Tong Ms Christina Chow Mei Ling Ms Christina Chow Mei Ling Ms Tsang Wai Yu Ms Tsang Wai Yu ՚ݰജͱ́ Mr Chow Ping Wah ޫཋɥτࠉʔ̇ Vogue Electronics Co Ltd ʼʝ༅τࠉʔ̇ Cultural Strategies Ltd Ms Linda Wang Ms Linda Wang Mr Steven Davidson Mr Steven Davidson Mr Ian Wingfield Mr Ian Wingfield Mr Philip Dykes Mr Philip Dykes Ms Christine Wong Ms Christine Wong Ms Lucille Evans Ms Lucille Evans Ms Elsa Wong Yuen Mee Ms Elsa Wong Yuen Mee ፳ዷᎨͱ́ Mr Fok Wing Huen Ms Mariam Wong Ms Mariam Wong Ms Fong Siu Man Ms Fong Siu Man Ms Wong Mei Sin Ms Wong Mei Sin Mr Kenneth H C Fung Mr Kenneth H C Fung ඡȽᐊͱ́ Mr Wong Nai Hay ͱ́ Mr Fung Shiu Lam ඡ̷ੜᔢ́ʥඡਫ਼Ᏺᔢ́ Dr Wong Wing Keung & Dr Wong Ban Cho׳ඟͰ Ms Susan Gordon Ms Susan Gordon ˩Ѻऒ Xiong Di Ban Mr and Mrs A R Hamilton Mr and Mrs A R Hamilton ЕᄨႼͱ́ Mr Desmond Yu Dr Anthony Keith Harris Dr Anthony Keith Harris Еԯନͱ́ʩɁ Mr & Mrs Joseph K C Yu ʻܛʥԾХ6XSSRUWDQG&RRSHUDWLRQ
ఆӕݎఆ 1971 design workshop ਝᖚിሃࡼԾผࠗಋʗผ International Association of 89268 89268 Theatre Critics (HK) ਝ Ion GlobalסAcorn Design Ltd Acorn Design Ltd ϴ ʔ̇ Air France ࠗಋ෮ɣСਆผ Italian Chamber of Commerce inيਝॾؒ ඡౣ᎘ Alvin Wong Hong Kong Ancha Vista Ancha Vista ࠗಋ෮ɣСʼʝԾผ The Italian Cultural Society of Hong Kong Kent Fok@tn PEACOCK ֦ە൙உ߮ A-Plus Design ፳ ኵСᄤйτࠉʔ̇ Avanny Advertising Co Ltd Ⱦ᎘ᐢਆผ Kowloon Chamber of Commerce Bloomsbury Books Ltd Bloomsbury Books Ltd Ⱦ᎘ৈ֙ Kowloon Hotel Hong Kong ჱ Kwai Tsing TheatreڇBMG Hong Kong Ltd BMG Hong Kong Ltd ಶဳଉ Brand HK Management Office ࠗಋ࣍Ѹৈ֙ Langham Hotel Hong Kongۂࠗಋ ʔ̇ Lufthansa German AirlinesيߜਝʼʝԾผ British Council ᄨਝଡ଼ॾ ʔ̇ Cathay Pacific Airways Ltd ʒਝৈ֙ Luk Kwok Hotel Hong Kongيਝ࣮ॾ ோָ࣊ Mackie Studyځ CCDCၦᑰɻʶ CCDC Dance Centre ࠗಋɻജᐢਆผ The Chinese General Chamber The Mammals The Mammals of Commerce ˿Ѧᖓࠗಋৈ֙ The Marco Polo Hong Kong Hotel ༠ࠑᅥτࠉʔ̇ Master Music Ltdע Chocolate Rain Jewelery & Design Chocolate Rain Jewelery & Design එ྆ Maxim’s Caterers LtdۂೄϷ Collin Music Co Ltd ʶࠕ׳ཽ Consulate General of Brazil in Consulate General of Brazil in Mission Production Company Mission Production Company Hong Kong and Macau Hong Kong and Macau Morn Creations Ltd Morn Creations Ltd ਝࠗಋᐢეԑᎂ Consulate General of France in Δᚁʔ̇ MTR Corporationؒ Hong Kong Naxos Digital Services Ltd Naxos Digital Services Ltd ᐲผ New Territories Association྆مވ෮ɣСეԑᎂ Consulate General of Italy in Hong Kong ณ Consulate General of Mexico in Consulate General of Mexico in of Societies Hong Kong Hong Kong Norwegian Representative Office Norwegian Representative Office ᙬͳਝࠗಋეԑᎂ Consulate General of Poland in The Panic The Panicؐ Hong Kong ݇ೄϷ Parsons Music Ltd Consulate General of the Russian Կම༠τࠉʔ̇ Patsville Company Ltd پᖓᐲԄࠗಋ࠹ዌڜ ɻʶ Paul’s Ballet Supplies Centreۂຐ٢ᑂၦ͂ړ ᐢეԑᎂ Federation in Hong Kong and MacauਂܧऋПϷ Ϲऒˑეԑᎂ Consulate General of Spain ˸ࢌৈ֙ The Peninsula Hong Kong Consulate General of Consulate General of Planet Yoga by Master Kamal Planet Yoga by Master Kamal Switzerland – Hong Kong Switzerland – Hong Kong PMC Connection (Hong Kong) PMC Connection (Hong Kong) ༞ผ߮ԑ৻ֺ PricewaterhouseCoopers̷ڻCreative Café Creative Café ᖓМ Danone Imported Waters Danone Imported Waters ࠗಋཋ̎̒̎ Radio 4, Radio Television Hong Kong (Asia) Pte Ltd (Asia) Pte Ltd ঠᄨ Ray Yuen ࠗಋɣነ့߮ዀޫነӡ Department of Computer Science, Ricky Music Factory Ricky Music Factory The University of Hong Kong ᗫཽৈ֙ The Ritz-Carlton Hong Kong ͏ত Emboss Rococo Classic Ltd Rococo Classic Ltd ϛˤː EMI Group Hong Kong Ltd ࢸۤ˔ਝജɣԚᎂ Royal Norwegian Embassy, Beijing ᄨਦτࠉʔ̇ Eureka Digital Ltd ҳ̈́ɣผਦ Sha Tin Town Hall ᖚᐌผ Fringe Club ɐࣵਆพႺϷ Shanghai Commercial Bank German Consulate General – German Consulate General – ɐࣵᐢผ Shanghai Fraternity Association HK Ltd ːτࠉʔ̇ Shun Cheong Record Co Ltdןڌ Hong Kong Hong Kong ጙඑ྆ Shun Hing Groupڌ ᅥᗗೄϷ Happy Sound Music Ltd ᜪౡਝႝᎂ Harbour View International House Ⴚዀ࿚τࠉʔ̇ Sil-Metropole Organisation Ltd Hi Fiࠑᚊτࠉʔ̇ Hi Fi Review Ltd Simply Art Simply Art Sole Cultural Goods ۂ༠ࠗಋτࠉʔ̇ HK Ticketing ΉˀʼʝӪ҄ ̵ܧԑ৻ѫ Home Affairs Bureau ࠗಋϹऒˑਆผ Spanish Chamber of Commerce in உ߮ Hon Design & Associates Hong Kong ࠗಋᖚነ The Hong Kong Academy for ܱʱК Starbucks Coffee ԑ৻ֺ Stevenson, Wong & Co܁Performing Arts ̌ແʼ́ඡ ࠗಋᖚɻʶ Hong Kong Arts Centre ɐෲᅥ Sunrise Music ࠗಋ྇࣊ʼԮτࠉʔ̇ Hong Kong Book Centre Ltd ӻᇰ྇࣊τࠉʔ̇ Swindon Book Company Ltd พਆผ The Hong Kong Chamber of Team and Concepts Ltd Team and Concepts Ltdͬێࠗಋɻɩ Small and Medium Business Ltd ཋ഼ᄤᅌτࠉʔ̇ Television Broadcasts Ltd ࠗಋᅸήਆผ Hong Kong Chiu Chow Chamber of ࣂˤ൪˰ TIME Commerce Ltd СೄϷ Tom Lee Music Company Ltd ,ᎂ University Museum and Art Galleryذࠗಋɣผਦ Hong Kong City Hall ࠗಋɣነ ࠗಋʼʝɻʶ Hong Kong Cultural Centre The University of Hong Kong τࠉʔ̇ Hong Kong Dragon Airlines Ltd ଈːτࠉʔ̇ Universal Music Ltdيಋ᎘ॾ ཋਕ၉ URBTIX̟ے ਯɤᐲԾ൬ผ Hong Kong Federation of WomenވࠗಋΈ ࠗಋઠөነ The Hong Kong Institute of Education ജढ़ːτࠉʔ̇ Warner Music Hong Kong The Hong Kong Japanese Club The Hong Kong Japanese Club ̷ϼႺϷ Wing Hang Bank Ltd YMCA of Hong Kong ڇαผಋڇࠗಋʔͳ྇࣊ᎂ Hong Kong Public Libraries ࠗಋਥઠ ࠗಋːʔ̇ Hong Kong Records Zenith Designing & Printing Zenith Designing & Printing ࠗಋჱ྆ Hong Kong Repertory Theatre Services Ltd Services Ltd Zonta Club of Hong Kong مࠗಋࣁ༝ೕࢄѫ Hong Kong Tourism Board ࠗಋᄨ ŗ Zonta Club of Hong Kongŗمೕࢄѫ Hong Kong Trade Development Council ࠗಋᄨמࠗಋൗ Zonta Club of Hong Kong East مতཋτࠉʔ̇ Hutchison Telecommunications ࠗಋᄨ Zonta Club of Kowloon مHong Kong) Ltd Ⱦ᎘ᄨ) Zonta Club of the New Territories مᄨވਝਆพዀኂɻਝࠗಋτࠉʔ̇ IBM China / Hong Kong Ltd ณ Zonta Club of Victoria مณၘ୮ Information Services Department ၐΛСԓᄨ֚ܧ ᖳХɁ Patron ল৻ʥဳଉկࡗผ Finance and Management Committee ւ 7KH&KLHI([HFXWLYH ˚ &KDLUPDQٽܧϷ ᚬͱ́ Mr Billy Li܆ജͱ́ The Honourable Tung Chee-hwa ңۺ໎
Honorary Life President ৹˚ 9LFH&KDLUPDQ ٽႩΊᙷผ̷ ൫ʩᏲɡ Sir Run Run Shaw, CBE ஈˡʆͱ́ Mr Rafael Hui, GBS, JPٷ
ਨϷկࡗผ Executive Committee կࡗ 0HPEHUV ˚ &KDLUPDQ ષ৩ሑͱ́ Mr Wayne Leung ңพᄤͱ́ Mr Charles Y K Lee, GBS, JP ષਝሣͱ́ Mr Nelson Leong
৹˚ 9LFH&KDLUPDQ ೕࢄկࡗผ Development Committee ஈˡʆͱ́ Mr Rafael Hui, GBS, JP ˚ &KDLUPDQ ષ৩ሑͱ́ Mr Wayne Leung ຮ৻̇ +RQRUDU\7UHDVXUHU ң܆ᚬͱ́ Mr Billy Li ৹˚ 9LFH&KDLUPDQ ଞౣʼɡ Dr Allan Zeman, GBS, JP կࡗ 0HPEHUV ષ❽ϡݿɤɡ Mrs Leong Yu-san ષ৩ሑͱ́ Mr Wayne Leung ಝˈ༠ͱ́ Mr Peter Thompson, SBS, OBE, LLD, JP կࡗ 0HPEHUV ଞౣʼɡ Dr Allan Zeman, GBS, JP ࠏֱཽɤɡ Mrs Clara Weatherall ሲҁΪɤɡ Mrs Mariana Cheng, BBS, JP ሲҁΪɤɡ Mrs Mariana Cheng, BBS, JP ࠏֱཽɤɡ Mrs Clara Weatherall ҧΪɤɡ Mrs Igna Dedeu ࡧԙଉͱ́ Mr Ronald Arculli, GBS, JP ͉ဦშɤɡ Ms Deborah Biber Χ߱ɤɡ Ms Teresa Hong ᔿᗫ́ɤɡ Ms Alexandria J Albers ɤɡ Ms Peggy Liuਜ਼ई́ͱ́ Mr Timothy Cheung ྱဦ
ᚋਐ Honorary Solicitor܁ຝ͌կࡗผ Programme Committee Ίᙷؒ ԑ৻ֺ Stevenson, Wong & Co܁ &KDLUPDQ ̌ແʼ́ඡ˚ ஈˡʆͱ́ Mr Rafael Hui, GBS, JP ผ Hong Kong Arts Festival Trustټࠗಋᖚຝਥ ৹˚ 9LFH&KDLUPDQ ˚ &KDLUPDQ ያౡʼઠ Prof Lo King-man, MBE, JP ፳ᕼͱ́ Mr Angus H Forsyth
կࡗ 0HPEHUV կࡗ 0HPEHUV ɣᇯઠ Prof David Gwilt, MBE ஹ༠ʼͱ́ Mr Darwin Chen, SBS, ISO ౦ዃႚͱ́ Mr Nicholas James ષଽ࿘ʩɁ Mrs Mona Leong, BBS, MBE, JP ɡ Dr Joanna C Lee ஹीዉͱ́ Mr John C C Chan, GBS, JPң̳ ષਝሣͱ́ Mr Nelson Leong ஈˡʆͱ́ Mr Rafael Hui, GBS, JP ሣͱ́ Mr Fredric Maoژˉ ᖭ࿘Ԅͱ́ Mr Tam Wing-pong, JP ᚋਐ $GYLVRUV ࠏֱཽɤɡ Mrs Clara Weatherall ᎏᆣͱ́ Mr Martin Barrow, GBS, CBE, JP 㠐ɤɡ Ms Yao Jue ݰϐͱ́ Mr Thomas Kwok, JPۢ ͢ˀ๑ͱ́ Mr Daniel Ng ңਝᗸɡ Dr The Hon David K P Li, GBS, JP ષଽ࿘ʩɁ Mrs Mona Leong, BBS, MBE, JP ਝຝ͌ᚋਐ ,QWHUQDWLRQDO3URJUDPPH&RQVXOWDQW gܪɈͱ́ Mr Joseph Seelig ࣏ᅕ $XGLWRU ༞ผ߮ᅢ PricewaterhouseCoopers̷ڻᖓМ
Δэ Address: ࠗಋᜪˠಋᜪ༞ɀ໔ࠗಋᖚɻʶɊɀᅢ 12th Floor, Hong Kong Arts Centre, 2 Harbour Road, Wanchai, Hong Kong ཋ Telephone: 2824 3555 ඨभ Fax: 2824 3798 / 2824 3722 ၉ࠒ Website: http://www.hk.artsfestival.org ཋ൯ Email: [email protected] ᓻࡗ Staff ᓻࡗ Staff (contract) Ϸܧᐢဟ ([HFXWLYH'LUHFWRU ຝ͌ Programme ଉ /RJLVWLFV0DQDJHUۿঢ়ᄨᓤ Douglas Gautier અ ነ֦ Elvis Kingټ ຝ͌ Programme ႇАଉ 3URGXFWLRQ0DQDJHUV ຝ͌ᐢဟ 3URJUDPPH'LUHFWRU ̝ۢ̽ Tiffany Yiu ષు☜ Grace Lang ષᜮ Roy Leung ຝ͌ଉ 3URJUDPPH0DQDJHUV ̔ࢄᘐ 2XWUHDFK&RRUGLQDWRU Andrew Chan ڭᘣਝඔ So Kwok-wan ஹҁ ՚⌿ Mio Margarit Chow ̔ࢄХଉ 2XWUHDFK$VVLVWDQW ჳϐ૯ Eva Lau ຝ͌ᘐ 3URJUDPPH&RRUGLQDWRU ຝ͌Хଉ 3URJUDPPH$VVLVWDQW ່৪༻൬࠳ͤ Linda Yip (on study leave) ңણต Christina Lee ອଉຝ͌ᘐ $FWLQJ3URJUDPPH&RRUGLQDWRU Ҍᘐ 7HFKQLFDO&RRUGLQDWRUV ፠Ї Eddy Zee ஹ⍱ജ Billy Chan ሲᅳშ Cat Cheng ઐᄤ Marketing ඟ֗Σ Rufina Fung̟ Nancy Lam׳ ଉ 0DUNHWLQJ0DQDJHU̟ ሲֆ࿘ Katy Cheng ңཽᗸ Kathy Lee ષᘚੜ Gary Leung Хଉ̟ଉ $VVLVWDQW0DUNHWLQJ0DQDJHUV ࠑᚊᘐ 6RXQG&RRUGLQDWRU ՚ֱ Alexia Chow ஹ৪ Joey Chan ॐ࣠ Chris Lam׳ Publication خಌ༠ᑞ Andy Yau ˮ ᇁፎ (GLWRU ೕࢄ Development χ㠒ෲ Daisy Chu ೕࢄଉ 'HYHORSPHQW0DQDJHU ߜʼᇁፎ (QJOLVK(GLWRU ஈዷඓ Angela Hui Mya Kirwan Mya Kirwan Хଉᇁፎ $VVLVWDQW(GLWRU Хଉೕࢄଉ $VVLVWDQW'HYHORSPHQW0DQDJHU ඡฑΪ John Wong ஹ᜔ᙀ Eunice Chan ̟ઐᄤ Marketing ผ߮ Accounts Хଉ̟ଉ $VVLVWDQW0DUNHWLQJ0DQDJHU ผ߮ $FFRXQWDQW ЄయᎩ Agatha Ho ࣨუށ June Yun ̟˚ͨ 0DUNHWLQJ2IILFHU ฦዤ Michelle Yeung ผ߮ʼࡗ $FFRXQWV&OHUN ৻Хଉ 7LFNHWLQJ$VVLVWDQW Bonia Wong ඡਝෲ ோுജ Ada Mak ৻˚ͨ &XVWRPHU6HUYLFHV2IILFHUVרAdministration ۪ʸ ܧϷ Ϸܧो࣊ ([HFXWLYH6HFUHWDU\ ᘣϤ Alfee So Wu Kai-yin ۽χ༠⍖ Carmen Chu ͢ԙ ႚ Pang Leoژధ ज़ो࣊ 5HFHSWLRQLVW-XQLRU6HFUHWDU\ ೕࢄ Developmentٱࡗþۿઅ ң Virginia Li Хଉೕࢄଉ $VVLVWDQW'HYHORSPHQW0DQDJHU ೡણֱ Michelle Ching ፒʔ۩Хଉ 2IILFH$VVLVWDQW Administration ܧTony Cheng Ϸ ټሲ ፒʔ۩Хଉ 2IILFH$VVLVWDQW Dicky Chan ̵ژஹ
ࠗಋᖚຝԾผτࠉʔ̇ Published by Hong Kong Arts Festival Society Limited ֻͿ Printed by A.Plus Design خˮ ̯˰ʑࢀc̰ஈ˿cɺᔝ༗e Reproduction in whole or in part without written permission is strictly prohibited. AyE^7j|6 Ayf }31,3~//+ z~.+0*~3 {13 231,3~//+ *+5~-.4x 2.+~4+ ,1 51 ```RWYRS\^]UT]^X_SZR[\V
Fd\Sa`s d\Sa1f= d\SaM`S OghW\b P[XTgeX- DG ?h_gheT_ ?XageX ?baVXeg DT__- CeTaW P[XTgeX- 5{M=Z1f= DG ?h_gheT_ ?XageX DG ?h_gheT_ ?XageX A5{M=Z`S ?baVXeg DT__- DG ?\gl DT__ P[XTgeX- DG ?\gl DT__ E x} e GJI x~ ce`] FKQ ]5Y=S`S B de]] ce`] F ceab x* 1Kt`.
U EHP :1. n29,6<.8> 6/ k4.82,* e yw F ceab de]] 1OU:8~s+Tp= h EQM BTm\_ OTl L\Tab NXV\gT_ yx
T DNM e yy A ceab :
GJI hY:9. H\_T @bjaf y{ de]] ,\[5{WWfN de]]
FKQ RX\ ObaZ j\g[ DGLK y| de]] ce`] COL >_ s 9Z:3vJv[DqrfN =VTS\Zu s KI8xL87S> HX\Y KiX =aWfaXf TaW g[X k33 {1*: z1*501*2 s*?? y} de]] JbejXZ\Ta ?[T`UXe KeV[XfgeT ce`] de]] EHP :
GJI P[X IbmTeg NXdh\X` xw de]] IY`T52-XN de]]
FKQ P[X >_\aW >blf bY =_TUT`T `:-lq/p xx ce`] de]] >eTm\_\Ta Ch\gTe MhTegXg COL :M>9bcy\N _e`]\ ?b`cTZa\T =gXeUT__Xggb de]] ~}Kq/p xy ce`]
EHP SfTrX MhTegXg xz de]] YHvSbJ@FF
EQM @\iTaT; Ihf\V\Taf TaW LbXgf bY NT]fg[Ta de]] \iws+Tp= x{ NTV[X_ ?[XhaZ L\Tab NXV\gT_ DNM x| FQJ A ceab M?rfN x} AafX`U_X =ag\cbWXf GJI x~ de]] ce`] F ceab
FKQ -`:H[vYCxLfN de]] LbaV[b OTaV[Xm HTg\a FTmm >TaW ce`] F ceab x>wV`N
x* COL :MhY|\`S =^.BU+> _e`]\ >T__Xg JTV\baT_ WX AfcTpT F ceab HT PebccT x+ ce`] EHP s.9A9 l.:? ce`] F `e]]\ yw F ceab EQM w` 1f xLf y j{1fS`y SYw5 BDxM=ZTp= /jAzA P[fg^iW` UW`_f T/pSS`S ET/pSw`S =hW\gbe\h`- O[T P\a Pbja DT__ 18012 ,Mdz-YxLfR