THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN AND THE INTERESTS OF ORGA.\'ISTS

Sixty. third Year, No. 11 - Wllole No. 755 OCTOBER, 1972 Subscr;ptioru $4.00 a year - 40 cents d co/11

Reed Organs in the Floyd C. Miles Collection of Musical Instruments

By James H. Richards

It seems almost axiomatic that col­ lectors of musical materials arc seldom musicians. or, indeed, arc not associ­ atcd wilh music in any other way than through the collections they build. This has been true, (or inslance, of shcct music colleclon, slich otS Harry Dichler, Frances G. Spencer, and H:lrry Driscoll. whose huge assemblage of musical Americana later became a part of the New York Public Library. Such is also Interior of the Miles Collection of Musical In,trumenh, showing a number of the reed the case with Floyd C. MiI~, whose col· organ).. lC(:lion of musical AmeriClna of a dif· ferent son comprises onc of the more prominenl attractions of the city of to the smallest varieties inlelll..led to be 10lle produclion, Ihe forms in which Eureka Springs, Arkansas. Currently plaCed on a table or even held in the reed organs were built arc almost be­ shown commercially as Miles Mountain lap. With one exception. a Trayser yond reckoning. Thc work of numerous Musical Muscum, the Collection was harmonium built in Stuttgart. Germany, firms is represented. from that or rela­ I. Aeolian archeslr.lle, ca. 1895. hegun as :I. hobby by its owner, whose these instruments are all of American til'cly obscure makers, to inslruments by aClil'itll'S in real estate and other local manufacture; the earliest dates from such well·known companies a5 Estcy business \'cntures were rar rcmoved ca. 1835, while the latest was built ca. and Mason and Hamlin. In the present from any musiClI considerations. Dat­ 1900. No 11\'0 arc exactly alite, re·af· study, the organs oC the Collection have ing frolll 1955. the collection began rinning the truism that, in spite of been placed in fivc groups according with a Wilcox and While self-playing their basic similarity in the manner of (ConlirlUed, page 6) reed org:1O. Miles' interest was only whetlcd, howc\·cr. and the organ was soon joined by a Coinola nickelodeon. lufonnatlon painstaldngly acquired by word of mouth, correspondence, and personal search led to the procurement of other instruments: and today. con­ taining literally thousands of items. the Collection stands as a monument 10 ils owner's industry and far-ranging II. Rocking melodeon of unknown origin. efforts in a Held which he has made Not. the short key", espc

IV. Small free-tlonding inshumenl by N. I . Jewett. V. (left) Melodeon built by Peloubet, Pel'on & Ca., New Ya'L VI. (right' Two-manual melodeon manufactured by o.orge A. "tnce. Consultants and the Art of Organ Building THE DIAPASON There b: prob.,bt), no other ~rson morc detrimental Co the an of organ build. E_IW."" ... 1000 ing than the so-called "organ consultant!' In Euro~, these people are called. "organ expt'rts," and the same might apply to organ building in Engl:and and the Continent, alchou8h the citcunulanct'S \onry 10 some d~ (7racfnnark ,.,",ned.., U. S. PDf.,., 0II1c.) An "orgmusical instrument. This means he must learn SubacrlplloR pric•• ' •• 80 • , .... Itt _- 5OI11ething about otg3n Inwic and how it is to be played. Then he must learn New Choral Mu.k 2-3 cane•• Sm,Ie CO,"" .0 cmll. Bac. how that music is to sound. He must lram the skill of "Dicing pipes, or setting H.w Rec:ord1av. 3. 20 ..umber. mor. '''on 'we ,• .,.. old. 15 them, and laying them OUI on windchl!lts. He must also 10m how 10 tune and cen". Fa,..',. aub.crlplloru ""'" .. Orqan Musk 20 "aid in Unl,.d S,.,.. ,.... or aM rqulate the instrumenL Furthermore, he must learn how to do all this so that Orqan Recitals: LondoD. ED91cmd ."..,..,.,.,., "'... eef. it is pleasing to the cye o[ the beholder. The degree with which he performs by L. reDkiDs 21 all these things is thc degree whh which he is held as an artist b)' those who LETI'ERS TO THE EDITOR 21 must play and listen to his instruments. The longel'ity or his instruments will Adce,''-'n, rG'•• on appUcodon. leU others o[ his craftsmanship. CALENDAR 22·23 Rou'ine il • .,.. 10, publicollon ,,"ut b. It is no wondu, then, that organ builders (good onl!l, at 1('"35t) take great pride ORGAN RECITAL PROGRAMS 24·25 in their instruments:. They will spare nothing to make a nne and lasting product, rec.'ced no' lo'er ,h,," ,h. lOa. 01 ,II. and they will care to make it a work o[ arL CLASSIFIED ADVERnSEMENTS 21·27 mo",h 10 auure 'rumion In ,h. '.. u. lor ,II. n.rl mon'h. For ,.d'al ,ff&. Docs the "organ consultant" go through this same proccs.s, and does he han ,ram. emd ""mill", cOP,. til. clo .. the same skill and artistry as the organ buildu? Wc wish that ",'c could say yes, All .ubscriben arc u'lcd to amd in, dal. '- ,h. S'h. MaI.riab lor ,e_ but the answer must be mon assurtdly in the ncgath'e - with the glaring excep­ changa o( addl'Cll promptly ta the "'no Mould' reoch ,he oilic. '" ,h. tion or a hand[ul o( men throughout the Western part of the world ollice o[ The Dillpuoa. Chaa.1~ h •. Most orpn consultantt ha\'e IcartK'd what little they know rrom books, a mUlt reach u! be(OTe the: 15th of the "quickie" coune taken at some school, a smattering o( experience working for month preceding t.he datc or tbe short periods with an org2n builder or two, and (inaU)' by the trial and enOf' fint issue 10 be mailed 10 the new Second-clo.u "..,::e poHl ell CII,. method. And ret, the consultant ortrn has the po,,'!!r to determine the Sloplist, addrCII. The DilipascHl cannot pro- r4,0. m., """ ., addUtonoJ m"ulftl olfic•• la.... d rh. DIopcua .. the scaling, the la)'out, and the phyliQI l0(2tion of the instrumenL He J1lO5t • ide duplicate cor,ies mbKd because mo"''''" o[ a .ubsaiber'! ailure to noli[y. Oflice of publlcalion, .34 South WPkM often docs so, knowing that the results wilt not. have his "name-plate" on it to Auen.... ChieD,D, IR. 8060S tell the world who ~'3S responsible for the result.. The organ builder who had to excOlte his design mwt take the public responsibility. do a little im'estigating about organ buildcrs without a conmitanL Intelli. It is precisely bcallUsc there is lillie responsibility n:quired o[ the organ con­ gent people will, of course, consult the advice o( those whom they know and sultant that he can, and often dOC!l, get way with 50 much. trust, and we arc not suggesting thai this Ihould not be done. But such seeking Certain things are ob"iOlts here. First, the organ oonsultant or organ expert, o[ ad"ice and inn.'Stigation :.bout an organ builders work can be done wetl by i[ he is to design organs in detail, should know as much about thc art o[ organ anyone who is inlercstrd. When one disco\'Crs an organ builder whose work he building as the organ builder himsell ]( he himseU cannot build one. then he is likes and respects, then the job o( designing and building the organ should be not qualined to design an instrumenL It is an a((ront to the organ builder to done by the builder - his way. ask him to build JOlUcthing which is designed by a person ""ho is 1t.'S5 qualified It is \'er), much the saIDe as commissioning a work o[ art such as a painting than himseU. Secondly, there ought to be a standard set for organ consultants or a piece of smlpture. One nnds an artist whom one likes, and one then com. to be certined by a prora~ional organization, 50 that those who arc to hire: such missions him to build thi! or that piece or art. One docs not go get someone a person might have some: "'ay of knowing that at least the basic .kil.. ha,'e else to design it for the artist to necute. 1£ one did, a sanctuary to hide [ronl bern learned by the penon purporting to be an "experL" Thirdly, every organ the irate artist would necd to be round, and r.:ather qUickly. that is designed by a consultant should hal'C a name-plate braring his name: as So it is with the art o[ organ building, When one buys an irutrumcnt, one ,,'~n as the builder's, so that organists and othen will know who was actually wilt hopcfull)' be asking ror and gf!uing a work o[ art. The artist it the: organ responsible (or the design as well as the cxt.'CUtion. builder, and there is no n·a.son to hire a g~bclweeu. ,Ve always recommend to But most or all, ,,'e: think that there. is little nttd ror oq;an consultants as We someone who asks us thai organ consultants be mostly dismissed. We know that k~' thrm toda)'. We Ihink lhat Ihere is a gTeat nt't.'d (or more Pft»p1c: to be the recommendalion is a welcome one to thc organ buUder, and we know that trained and educ:attd. 35 skilled organ historians and theoriticiilll5, so Ihat lOme the orxan as OIn artistic instrument is uhim::»:tely better Kn'cd wbrn the: organ intercllangc between these people and organ builders (the "practilionen") will builder is left to his own cralt, skill, and artistic ability. produce more cross fcrliliz!uion than we now hal'C. But, when it comts 10 dedb'1l. ing and building org:ms, we think that the organ builder is the most qualified and the best person to do the job. It is wasteful financially, and leu than dC!'iirow New Choral Music unskilled allmtcur choir. to the art o( organ building to hire a consultanL Furthermore, lOme o[ the \'Cry The Christmas Grab Bag From Peer International Corp., New best organ builders wholll we know personally will refuse to build an organ that \'ork: is designed b)' one o( these non-otg'.J.n.builder colisuitants. Those who would From Carl Fischer Inc., New York: J:rcdcric Coossen's Radie for mixed wanl one of these cluality builders to build their instrument would ha\'e to One or the most exciting new Christ· chorus • •1 ca ppella (#22U -4 , 25tt) is an· approach the organ builder dirt.'Ctly, without a consullant, in order to n:cein mas anthems al'ailable this ),e:lT is a other good choice or a short anthem for hi! Kn'iccs. setting of John Donllf! 's poem. Nntivilie the amalcur choir. but it is in a more Perhaps our modem wa)' o[ lire has produced our penchant for ha\'ing a (or mixed mices SSAT.h b)' Kennf!lh modern vcin. Declamatory in style, it is middle·man around in .uch cirmmstanccs. Competiti\'C bidding procedure iii leighton (CMiiM, ·11¥) . The British essentially 2,\'Oiced with the men dou· almost the nonnal route for a customer to (ol1ow in buying an expensh'c prod­ composer exhibits his usual [inc crafts· bling women. Most or the harmony is manship in this a cappella sctting which madc lip o( open "ths. 5th!, and octa\,es, ucL Bca.use it is, the customer sometimes reels lhe need for an expert to .hield and the rhythm is clouded with trip· him (rom the manufacturcr. Sillce: \I.'C also lh'e in a day o( 5pCdaliution and uses modal melodic and harmonic ma­ terials. l\cronling to the structure of l ~ t s and s)'nco~atioR!l, It is a gusty sct. mau production, it is nonual for the layman 10 think that onc must be a ,~. the poem. musical seclions elllploying tlUg of (he Latm text, no English (I"aIlS­ cia list in organ dnign in order for it to be done properly (thc engineering idea), contrapuntal imilation arc altt:rnated latioll being gh'en, and it is also no wonder that he will not trust the factory to produce his prod­ Wilh sc<: tjons or choral declamation. uct adcquOitely on i.ts own. T he short antJlcm could c:uily be From OHiristers Guild, D;al1as, Texas: But organs arc not quite like that, for a simple factol)' product \I.'on't do the Il'anu."t.l by 01 good ;lIualcur choir. and ,\ slightly slid. but ne\'crtJlelC$ pleasing carol by Robert j, Powell for job, even ror Ihe DfK311 builder. The organ bUilder rt"C)uirt."5 a high amount of il stlrel), is a good OI lIdition to the ch urch choir seasonal repertory. tu:ble unison \'Dices and piano, So Smnll artistic abililY, and no amount or middle-men will change thaL Good organs are: A Boy (A-123, So,:). will imerl"5t those built by men who SUmp them with their personaUty, and the instrument con­ From Art Maslers Studios Inc., Minnea· who are continually looking for good tainl ~ the soul or the builders C'.J.r. Thc factol)' model contains tbe personalit), polis: material for beginning ),outh choirs. It o[ the production line, and the lioul o[ the factory itseJ£. Robert Leaf has set Wesley's Ad,'ent is a simple traditional s«:uing with a Lest we think th:" things arc different in Europe, where standards ha\'e been text, Ccmlt~, Thou LOPig-Expecled ]ejuj. pleasing melody and well·written :Ie. set [or "organ experts" who are appointed by the stale to design aud consult on in .111 c££eclh'c and short anthem (AMS companimenl. aboost cnry instrUmetU, we am report here that organ builders there complain 196 , 35 ~ . There is a simplc organ ac­ From Oxford Uninnity Press, New much the same as oun do hcre. They are frcquently at odds ,,·ith the consuItan4 companiment and a ,'cry Simple melody for violin or othcr instrument against York: are forced to comprolllise more than the healthy amount (bC£ore losing their As usual, the British still exccll at own integrity), and they ha\'c to takc rull rl!lponsibmt)· for the mistakes and thc cas) choral parts whid. run ror the most pan in parallel thirds. The har· the setting of Christmas carols. :lnd failures o[ th~ expert's work. mOil)' is traditional wilhout being rull they continue to produce splendid ar. It ""ould be a rar beuer approach for organists and those " 'ho bu)' organs to of cliches. It Is a good piece for the (Contirllled ntxt pagt)

2 DIAPASON (Continued from page !!) llh'g Out Your BelIJ (SSATD a cappel· haunting diatonic melod)" the interior SOlllcthing :tixllit Ihc bmincss of st3.ging rangchlcnlS akin to the lr.:lditioni11 wilh· la, GMC 2518, 35¢) at hand dnring lhis, o;(.'Ctiun is in 3 pan tallon, a play. The pillY ilself is an cngaging oul rehashing the s;unc m.llerial ad in­ his celebration year, It is crahcd (inely, SIOl)' and :.hnost faif)··I3.le in charnclcr. finitum. john Gardner, who has worked hased on English-style £olk melody with From Hope Publishing Co. Carol It is Ihe music that gets into a liute with the pop idiom frequently (with· au accornpanimcllt which mixC5 Hith Sirram, 111.: hit of tmuhle with the wort. fOT the Ollt doing it che3ply, as so many others eelltury and Viclnriall Ilarlnonies. Wallt SOIllC swillging pop tunes with lIIusical lil)le dncs not quite know what do) • prO\·jde.1 A Christmas Hymn le!l.ts suit:lhlc for thc church sen ice? it W;IIUS In he. Thc music treads a thin (SATB, organ: X2l5. oJ5¢) in the pop From Thcodore Presser Co., Bryll Mawr, Rich3.nl ,hery and nonald Mal':ih's line hctwl.'Cn light opera, broad\\'3.y idiom. The text is the hymn for First 11a.: popular collection of hymns hot alld ~how, tr:ulitional Christma!l carol style, Vespers of Christl1lOls Day. and the text I'Js Mar)' H'e,1l Thro"~1l a Wood carols cool has now hl'ell arranged imo ami a sort of "chllrchy" style COlli ilion is in both Latin 3110 English. The har­ (Soln \nice, SSAA a c.'ppcll3., 312·,10925, The Choir Si"gs H},,,ws Hot alHl Corob to "ktori:tll h}lUlIochorales) , it will iutcrc5t 1I0w (SATU, organ, X:.!22, iO~. It is sensitive manlier. The 3ltOS divide fre· of lhe 15th ccntury text. on I)' Ihose who follow European church longcr than the usu:ll carol, and requircs qucutly to provide a richer teXline, and music and have opportunity for choral a choir that can handle syncopated thc simplicit)' o£ the piece works to Fnnu Harold Flamlller, Inc., Delaware PCI fonllance in a forcib~ language. The rh)' thms cleanly at :l f:lst tempo, It is good cffcct. Water Gap, Pol.: \"ur);. is rcminiscent or thc style of Dist· a ijoyful sctling of thc anonymous 15th A fuJl·blown IIImiClI pl:ty comes to ler and Pcpping; it uses mooal harmony, rt:ntur.y tcxt whkh mixes English with From n. 'V. Gmy PublicatiON, New us this year frolll Flammer. It is, called :lnd also a certain amount o( [he col ­ I.lItin. :\n excl'lIent t:lwl for 2'p.lft York: Once Upon a C/Hi~ lmctS. The libretto ored melodic style or the Distlcr.Pcp· trdJles with! org:m ill Alasdair Hamil. Tlm:I! Carols lor CI,r;llmas by Ron­ hy Marbn ReUke is based Olt the story ping school. It is in 15 short 1II0ve ~ ton's Good CIIt~er. Suslained chords ald Arnatt (CM R 3213, 35ft) arc inchul· "Where Lo\'e Is. God Is Also" by Len lIIent~ . :lIId the Inulitional chorale mcl· (buill on ·1 tho 5ths and oclaves with cd under OIlC cm·cr, They 3re all in tra· Tolstoy. The music is by Ob·cn An· (Hlies arc used with thcir texLs. There added 2mh) Lie down a rhythmic os· ditiunal settings. :uul will be enjoyed dren's Hatch. The ·J5·minulc work is .Ire aim IWo instrument:11 p:utor:tles, till3.to of mcloc.liCllJy disjunct material by choin who like the style or Britten's designed to be dunc n·ithill thc an'rage in thc itccolllpaniment, and the d:mcing CI!remouy. The thtt.'C Qrols arc: Rork· church facility, but it docs rL'quirc a FI'DJil COIICflrdia Publishing Rouse, SL melody ot the chor3.1 parts opens witll jug (2 SSA choirs, a oppclla), Sans slage arc3. With lIals and scrim and Louis: .111 imil:tlh'e alillouncemcilt built Oil Doy Carol (SSA a ClppcUa) , anll nal,,· :ult."lualc spacc ror a mcdium sizc cast, Man)' churches wallt 10 ha\'e the con· Jc'ars of :1 !ith. It hi an excellent setting lolow (Sop. solo, SSA 3. cappella). and also spccial lighting. The work is grl.,;atiolls particip:ue in singing. and nf a mellic",d English u:xt. Finally, A quiet, but rich selling u( Slup, My SCOled for 2 baritOlH.'S, 2 suprauus, a therefore Healey Will3.n's Tt! DeUln Johll Rultcr also usc, lin:ly dance Savicur, Sleep by Rohert J. Powell mezzo soprano or aho. 2 tClIurs, aud a l.all(lrli/ou for congregation 3.nd organ rh)thms in his From EMt to ff't:sl (SATJI a cappella. CMf{ 3259, !lOt) Oil ­ boy soprano or aho, wilh an SATn is ;111 appropriatc selling. It is printed (SATU a cappella, X22j. :J!it) . Thcre is S(} prU\ idcs :t uadition:lI,st)le setting to choir and piallo accolllpanimcnt. The in nrgan .!core (9i·5083, $1.50) and con· ';Ollie IIIhell meter, illld solo slrophes Ihe repertory. Various \'oiccs dh'ide to score 31!d libretto ha\'c becu c,reh\Jly gl'cgatiunal score (!)i-508~). Since this ;Iltenintc with

New Recordings Johann Gottlrird "'ahhcr: Six Con· elsewhere UII rccon.lmgs. ami nc wei· SWl'clinck; Tlds Is llll! llt:Cord of Jolin. certos for Organ, Alter Italian 1\[allen. come il here. The organ pl3.ys ani) a Gibhons; Is God lor Us, Schiilz: Tile I"lnyed by E. Power Uiggs on the Silo minor role, Ihis being mostly instm· Lorcl tUm not sullt:r th)' fool to be 'Marcd' Dupre Organ 'Vorks: Dupre bermann organ in the Calhedral, Frei· mental tnll5ic. mfmetl rrom Catllata 71. nach; Latlilatt: in the 20's. Vol. ll, Rollin Smhh play. herg, It Germany. Columbia l\I 31205. 1J",,,inum from Yt:s/,t:rae Solt:nnel dt: ing the M611er organ at St. George's Mr. Uib'&S here cOlltinut.'S his excellent 2·' Historic Organs in 8 Countries r;rmlessorc, Mozart; ,uetlli"/u I Hear Church, New York City. Program: serics on historic organs or Europe with CO'fcring 7 centuries or Music by 2·1 tI'I! FII/I Ceil!stinl Choir. Crotch: 0 ·three Preludes and Fugllt!S, 0/1. 7; 1'o.ri· the transcriptions by Walther of Con· Compos~rs. E. I'owcr niggs. organisl, lIeart Sll{,du~d wit/. Gr;t:V;n~, Brahms; nt;on.f' on a Noll: 15 Antil,"ons,' Suilt: ccrtHs lIy Albilloni, Genlili. \,i\'aldi, Columbia MG 31207. I'erb'UII cam from J'o.nge Lingull. Ko· DrelOf'lne; Scllt!no in F minor; Lamt:n· TaglicLLi, and Torelli. As in Mr. niggs' '1 his two-record set is a short COnt· d;ill'; Makt: a }o)'/ul Noise, M3.thias; 10; Finale, Noel X ( Daquin ' Dupr~). other recordings, the sollno is clcar and pilat ion o( pieces Tcle:lsed previously :nul For 'rliiJ Cault:, Friedcll. Rcperloire 'Recording Society. the prcscnce excellcnt. H is r.laying fol · un Mr. Biggs n 'Cl'nt serics called "The This rccording excellently conve.ys the Following the issuing of Vol. I of this lows the score closely. and lis rLogi stnl' lIisloric Organ! of Europe" comprising ",nhitious musical program th3.t 1135 3.J ~ series some months :ago (beforc M. Du· tions arc cOlIscrvath'c1y to thc authentic 10 LI's. Work!li b)' nach, Ihlxtehude, ways been fostcrt'd at one of Chicago's pre's dcalh) Ihe second \'ohllne adds the side. The organ is a £inc one, being onc C:lha nillcs, Clcrambault. eouperin, Dun· largest churches. The recording is f3.jth~ remaining mmic which " 'as writtcn by of thc best prcsen:ctJ of the Saxun Sil , stahle, Frescohaldi, Handel. I-Iaydu, Lc flll to the sound ofl (he rooIQ (which the 1113..sler and pcrfonncd in the 1920's. hermanns. Hut nowhere ill thc I.'XICU· nioguc. I.eoninus, Mozatt, I'asqnini, Pcp· is excecdingl), dry), bllt manages to, Rollin Smith's articlc on the subject sive jacket liner notes regarding the ping, Purcell, Raison. Schein, Soler, hring good pre.scncc to the sound from tlle Junc" 19i1 issue of THE DIA· organ is there any IIII.:ntion o£ who did Swnley. Valente, Walther and Zipoli through the cngineering of SCOIl }Iol· I'ASON is induded in the surplementary the restoration, or how much restora· arc played on historic organs in Cer· lard. All of the music is done: with, notes, as i!l tht: stoplist 0 the organ tion (ic., changing) Ims been done to many, France (Alsace), Swil1crland, I ~chnicnl care, and expresses tIlC profC'!. used ror these Ipcr(ormanccs. The re· the organ. The picces arc dclightrul in England, I-Iolhmd, Spn.ill, Italy and I\US' SiOllalilJ lII il1\'Oll'cd in the program at cordings testify 10 Ihe excellent quali­ thelllsch'es, even if they 3rc more can· tria. The organs du 110t 311 ha\'c the Fourth Chmch, and cspcCJally of its fications of ~rr. Smith to supply us scnalh'c and less daring 3nd frce tran­ s.nne amount of authentic 50und to choirmastcr, Morgan Simmons. All lof with such 3. document. The playing is scriptions tJl3n those of Bach on halian Ihem, some heing more ahered in "mod· the music is approached consistently superb ,in all wa)'s, e\'en when the tempi models. ern" restoration than others, and one from one interprctive viewpoint. and are slightly f3.st and breathtaking (as in The Magniricl'1Il 1\Ir. Handel, Vol 2. ilia), also quibble alld disagree will, Mr. OIlC conld wish for mure nc..'XibUity and the Variations Oil a Noel). Dut his reg· E. flower Biggs plal·iug the Great l'ack· Higgs' interpretatiol\!Ii £rom a historic \arielY, both from the lIIusiQl 3.ntl tIlc istraliolls .lIft: alllhcmic, and he cares ington, England organ by Richard and stylistic perspt.'Lth'e. HUl 1I0where me.,1 viewpoint. It would help sudl to rollow Dupre's dirL"Ctions in the score "ridge (IH9) , The Ro)al l'hilhannonic else on records dOL'S onc h3.\'c the op' wieldy varying types of. music it it as mudl as po~.. ible. Such a list of works Orc1u!."i lfil conducted In' Charlcs Groves. portunil)' 10 hear all UICSC organs 111 didn't aU sound the same. lilut we wish ' as is prL'SL'utL'tI here provitJ('5 any play· Columbia M 31200. lirogr.un: Mo.rlial such good recordings, technically speak­ lhat many other churchcs (who shoultJ) would ha\c C\'ell half of tillS pro£c..'SSion . cr ','jlh a lcchnica.1 challense, for Ou· Sympl.ony /rom "/Jelslultzar;" Marclu~J illg, with ITHuic that rightrull)' belongs OIl apl,roach in their music. Our chflrch pr~ was indecd 3. virtuoso, and he did I olld 2 Irom "Flo ritln tll~ ; " OIJt:Tlure to lhem heing played dearl}- .lIId in a 1l0~ ,sparc his works of diHiculL pas· Irolll "1'olnrluo;" Largo Irolll "/I Par· forthright lJ1allller. Mr. lliggs continues lUlISIC would he ITIllch better Ihan il is, In werc it so. sagt."S, .For thi'l reason, Rollin Smith's ,/dUO i,1 F~sln:" Allegro Irom "II Paslor bring U!Ii the must \alllabic rl.'(()nled playing i~ all the morc 10 be \alued, doculllentation Oil Amcrican l ' et:Unlill~s Fido;" More": D~ad March from "Saul,'" The Wicks Organ Concert SCriN, Vol for there is scarcel), a passagc where March Irom "E:.io;" Marcl. Irorn "Sci· o£ these glorious instrlllltcnis and their I, Series Nine. Dr. D:lvid N, johnsoll he solJnus a.s j£ hc is laboring or un· piorle;" Ea.sstJCoglia Iram "Rodrigo;" music. For those who (:llIllllt ap'unl tn cqual to Ihe challcnge. The sound of Marches I and 2 Irom "judtU Macra· buy the whole series, this two n 'cc",1 playing the Wicks Studio organ, High· the ,9rb'Ufl is solllewhat harsh and bae,lS:" Chorus fTorn "A/duo. ... "Hert: set will fill the bill man'dulIsly \\elL land, Illinois. Wicks 832 W·3352. 1'f(J' scrc"rn-jI1r ill .the uppcrwork, in. full or~ aft: tht: Heauell$ all joyfull;" March gram: Ill!gitming Im/,rCt1isntion for tht: gan regl~ tr3tJOIlS, but otherwlsc ade· Irom "Ddt: lor St. Cecelia's Day:" Musie at Fonrlh Church. The Morn· Orgmli~ t (narration and eX311ipkos hy qna~e ' sLylislically for Illt: ' music in· Chorus ITOm "Athalia," "TI,e Gods, ing Choir o£ Fourth PrCSh)ICrhlll nr. john ~ on ) ; l'rort:s.JI·onal ;n E'I'n f,' ml\'ed lu;re. Marcel Dupre wrotc o[ the Church, Chicago. Ill.: Morgan Simons, Thet: Wt: Adore; 0 Sons mul Daugllters,' tvho chosen bless;"gs sh ~d; " March Fa;red [..n rcl }t:sus; Lord Ket:p Us Stead­ rirstl \'~Iullle of thcse recordings th3.t Irom organist and choirmasler: 1\1:11)' Sim· "Ri,laldo." Iml; Womlrous love; J'ol,mtary in D · it was "n. magnHicent tribute." We are 1II0ns, organ accompanist. (A\'ailahle A" in the first recording rel~3.Sed un· from Fourth Presb) teri:1II Church, Chi· Ilat; 0111 hylJavid N. Johnson. .s ure that he would say the same about der this title. the music hcre is delight· cago). Program: Llt:/,Uer Jew, wir sind Therc call be no mort! authoritative Volume II, wcre he slilI with us to· ful and pleasing. Such a large amount IIier (organ), Bach: All Hail tilt: Power clut:umcnt uf 3. composer's work than d3.Y. Cungratulations 10 Rollin Smith o£ IhmJel's incidcntal mllsic from the 01 Jt:sus Name (h)lnn with descant by his OWI1 playing of his works. Side 2 of for this 'Good work. or3.lor;os 3nd opcrns is hard 10 find Williams); Yenite, cxstlltemw Domino, (Continued. pnge 20)

OcrOBER" 1972 3 INTRODUCTION Arnolt Schlick (ca. I 460-ca.1 525) hourdon. Gh'cn that the harmonic co· incidence is nearly always totally main· The manuscript o£ thi!Ci work by Homage to the Emperor Charles V ta in!... I. there are c., s..'S (for examplc, Amah Schlick is prcscn'ed in the in \'ersets 5. 6, and 8 of the Gnllde Arcllirl;o dj Slalo (Sczionc tcdcsca N. Ten Versets for Organ IJci geuitrix) where the more animated 105) :H Trent. Italy. I wish 10 express or ornamented of thc two lines oC par· my deep gratitude to its director, Sig· allel inten,.. ls seems to lJe a commen­ nor Dr. Albino Caselli, who willingly Transcribed by M. S. Kastner & M. Querol Gavalda tary 011 the other line, becausc Schlick provided photocopies of this precious prefers to move the more animated line manuscript and authorized their use for around the harmonics of the other, tllis publication. A special tribute of measure by measure. recognition is due Senor Dr. D. Miguel Fray Tomas de Santa Maria (ca. I 5 I 5-ca.1 570) For amateur composers of counter­ Querol Gavaldli. my colleague at the point, :I. more detailed analysis would Sp:mish Inslitllte of Musicology. for Five Pieces for Clavier beller explain the subtleties of thi! his friendly collaboration in the technique linked 50 dosely to the faux· tnnscription of Schlick', versets. Fi­ hourdon and its {orebear.s. as noted nally. the untiring kindness of Mon­ Transcribed by M. S. Kastner above. But let us limit ourselves 10 signor Higinio Anglb. direclor of that pointing out the much more important Institute, was a constant help. With an Introduction by M. S. Kastner fact that thesc versets o{ Schlick, in a The first complete printing of this nascent and primitive {orin o[ the polyp Ili1I little known work by Schlick, phonic variation, lead directly to the this edition reproducc! the entire mu­ Augment.d with two Salve Regina: One by Cabezon (unpll blis!1.dl, Fnbortlo"e5 1It1 n05 and the FabordGfus sical text transcribed in modem nota­ the ath.r by 5chlidr: glolndos of Spanish and POUUguC5e or­ tion. All the vcrsetJ have undergone a hranisLs of lhe {ir.lt haH of the six­ reduction of rhythmic valu", each or· ltocnth century. ln the cantus linnus iginal breve corresponding to a semi­ A. Boileau a.rnalConi, Prowenla 2115 y 2117, Barcelona \ encts o{ Schlick, we see the forebean bre,'e in modem notation. ,Ve preferred and antecedents of the Faborclones not to reduce further the rhythmic val· glosad05 of the Spanish. 11 is precisely ties, as it did not seem absolutely neces­ Translated by Raymond Mabry the Spanish who sharc with Schlick a sary_ Any reduction to still smaller liking (or this form o{ the varialion values was especially avoided, because which is round in au entirely diUercnt it makes the last verset, that of ten Till_ t'IIIIIIII. 1I II publl, httl _Ith phase in France, England, Italy and the 111M pf'ftllul.1I .f Mlnarl. voices, more condensed. and obstructs 5&11111" K ..tncr . elsewhere. As we shall $Ce, the example not only the clarity o{ the engraving am! precedents of Schlick were known but also the reading. The {inal verser ill the Peninsula at a \'cry early period. has also been feprooucetl di IllIrtilUrn, companh,~1 b)' the d!.-dicatory epistle the music:tl genre belonging to the It is more than possible that Schlick's so that one c:tn more easily follow the which rl'ads as £oIlO\\'s. sphere of thc motus TC(tuS J or the example had impelled organists of thc mice le .. ding. Although pilCh at the canon. The musical notation of this generation of Cabczon aud o{ Tom:is time o{ Schlick w .. s different than pitch To Ihe Very Rtmereml Prince tmd work shows that Schlick aspired to a dc Santa Maria to create and develop totl .. y. we did not bcJie" e it wise to reputation bc),ond the horders o{ his nil/lOP of Trent, S;r Bernard, my gra· FafJordone5 glosadosl the chorale-van­ transpose this lIlusic, (or the simplc citms I.eml: I, AnlO/t Schlick, organist country. and that he wishcd to make ation,S and the variation on a cantus reason that the pitch of older organs lor lilt: Pnil"ine COllrt, oller my humble himself casily understood in the opin­ rirmlls placed suctablature (as of the Di/ t: retlcia, tJlis last system re­ interpreter. the key in which Schlick t;em o/1I1e most grncio ll s an d mosl pow­ he usually did for the notation of his sulted in realizations o{ an astonishing wrote this music soumis well .,,1 er/III Priuce tim' Lord. Sir Cllarles, te) board music) which certainly was perfcction and mre beauty. such as the modern pitch, We had no ft.·ason /loman and Hispanic K;ng, etc. From not the more propitious \'ehide with IJi/ererfoas sabre el Canto del entlnl· to scorn the luminous C major o£ the nil classes, from tile Ilighe51 10 the most which 10 make himself known in the lr. ro by Antonio de Cabclon or the last two verscts. as it corresponds with low I)', each ill Ids OW II way oilers in international worM of music. }(lbordolles of Tom;\ .s de Santa Maria. the p itch and the key now in lISC, The jjlecial /JTa;se ntld honar to the crowned The work includes eight pieces on miSSing chromatic accidentals which we Hy way of comparison and iIlustra­ Killg alld the reiglling hend5 and prince the sequence Galld~ Dei ge!litrix qll~m had to supply are placed abuve ur be· lioll of the emlution which these forms electors, ns legal co· regents a/ tile Holy circllrnslant obsterlCum vIce convm­ undcrwent, in this edition Schlick's low the notcs. HO\\'e\'er, we always Romnn Empire, sometlling flew, gay. prefer to maintain a discretionary po­ centes angeli gloria", D~o. In. th~ first \'erseu are followed by three Fnux­ curious, nnll art/Ill, t .lt/eavor;n, to six versds the cantus hrmus IS 10 the bllurdons of Tom;\s de Santa Maria. sition concerning semilall;; sulJh.td ­ tcnor also sen'ing as the bass in verset lec';. As regards the alWOl)S debatahle flr;ng forth sometlli"g tml,~ard-ol, as The [irst manifests a very primitive tlUI lD 6. In'versets i and 8, the cantus finnus qucstion o{ accitientOils in instrumcntal "olle doul1t/eS.! wanls '0 lie last form which the Castilian Dominican lIe su,1. 'f/UlJ, lvill, cOlllmon Ilopt, I is in the 5Opl'3no (discantus) .. :r~ese no longer desired to employ in the art music 3t the beginning of the 16th ab o l/ave lI.ought to join in tile game. eight versels arc followed by a blclOmm ccntur)', we OltlOpted the principle of and a solemn finale for ten ,'oices on of the keyboard music, The other two AItI.ollglI not the /HJu essor 0/ a genius afe much more progressive realizations. examining accitJentals while using a non· equal 10 Hleh general /Jlt'flsllre and per. the plainsong Ascendo ad patrem meum tcmpered clavichord. lts soft :md gen­ especially the last, which is exquisitely haps destined to bring forth somedliug ct /Jatrem vellrum, Dewn, meum d tle sonority leads to results quite di{­ composed. Following these we have Imworlh)'. 'lte gentle art of music (to De",n vestrum, AlIdlljn, According to rerent (rom those of a tempered grand the composer, six of these voices are added a Fugue {or two voices by Santa piano's excessively resonant 3ggrt'S.Sh'e­ w/tich I haue dedicated my whale life) Maria which is e'.luivalent to the ef· p05JeSSe5, tftuertlldess, glory and power to bc performcd on the manuals and IICSS . T he modern piano is 1I0t at all {cets of juxtaposition in Schlick's 1Ji­ suitcd to this music. lIe/are all ottler orIs {ns tile righlfully four on the pedals, llelicve in BOt!lIJiU5, Pinto. and JUarsiUo ci"ium and also throws a little light Schlick had alre3d)' compo5C.'d three: 011 certain coincidences between the The d isco,'ery o{ this vcry intcrest­ Ficino and tlleir idens) , 115 sweel and ,'er!tCts on Da pacem for his Tnlllalilre ing monument of Cermall organ mllsic two,\'oiced keyboard works of Schlick lovely sOlmds imlJue all kinds u/ peo· of 1512, each time placing the cantus :md the Spanish, And, 3S a sample o{ 01 Ihe [irst quarter of the 16th ccn­ pic. from children 10 'he aged, with lirmus in a different voiel". Therefore, lUT)' is due to the ftoscarch of the Spanish taste in animated figuration. deligltl. courage, atl easing of tI,eir wor­ these ,'ersets constitute a fifst or initial we further iucl,nde a brief study in hOilian musicologist. I'rnressof Renato ries and work, and a fe/reslll1lent of germ o{ the chorale·variation and the Lunclli. Published in 19,19 in Acta eighth notes (T3"ido tie Corc1lens). lheir spirit and so ul. T here/ore, gra­ pol ) p~lonic \'ariation, ~'his system. of MllJ ico tc~ica (Volume XXI) . his admir ~ also by Santa Maria. All tllese pieces. datu Lord, 1 belhought mysel/ tit assignmg the antus flnnus to \'Olces included in the second part o{ his able study. "Colllributi trenti aile re­ this occasion 0/ genernl rejoicing IU of di{ferent pilCh in stlccessil'c vcrsets, lalioni musicali era l'ltalia c la Gel'­ trcatise Arl tie tfiner Fmtla.lia (Vallado­ sc.u', /ar YGu r Lordship IU a speciul o{ not confining it exc1l1sh'ely to the lid , 1563) were transcrihed (ront the mani!l nel Rinaschuento," describes this cotmo;ueur 0/ millie (t o which aspell tellor, is enlarged e,'en lUorc in thc manuscript, reproduces Schlick's dedi­ CUP) preserved at the Library of thc I 1I0W 111 m "'y IlIImille s/l;r;l) and lor C;atulc D~i ge,utr;,\', thereb), gil'ing us catory epistle, and provides SO llie mu· t.' III\'cfsity o{ narcdona. the 1IOIIO r 0/ the MOlher of Gad, SOlli e :1 ~l'ries o{ eight "crsels Oil the same sical excerpts transcribed ill modern music bllsed Ofl n IJCrJe 0/ tile proJlJ Cf' We do not ~now the reaSOlls which 1 tlll'lIIe which actually rellfCsellts eight notation. In addition, Mr. Lunelli sefJ"elfce 0/ tlte Mnry ,\lass lI.al (I be­ "ariatinI1S. As the composer stated in It'd thc "old \'eteran," as lUasler Ar· points out its imparlance in m31lers lieve) is new nurl 1fC1le, heard be/ore. his dedicalor)' epistle. not onl), did he nolt called himseH toward the end o{ concerning musical relations oct ween 'r"is melody I have 5et eig'" limes) stlhe to procure a di{fcrent counter· 1[12(1, to choose a themc for his homage Germany !lnd hOlly in this epoch. In eaclt time in n tI'/fere" t wa)', each with point lor each \'crscl hut also to demo to Charles V that is part o{ the se­ our opinion, howe,er. the inlcrest tI dif/ererl t coutllerpoint, eacll selti"g omtrate another rule o£ contrapuntal I)uence o{ the third Christmas Mass, .. roused by this work of Schlick greatl), blUed on ils own newly inve1l 1ed rules composition each time. It is mainl)' a il ltaching to it the antiphon o{ the excet.'tls the bounds o{ Gcnn:m·ltali:m wliiclt certainly may be rued 10 set d ulactic work in which the composer /leued;rllls ad I.audes. "In Ascensiollc musical relations, smce it also concerns n"y ellOra' work. T o tliis J Iw ue added wished to show how one can rationall), DOl1lilli." This curious mixture appears Spain and the Netherla11lls. It was {or a II etU selling lor tell voices o/ Ihe ella"t employ plainsong in the {orms of ley­ w hale been chosen a little by chance. the Emperor Chark'S V' that the mastcr ,\5Cendo ad l'atrcl11, wlliell J cml huard music. Takcn as 1I work cmnpmcd uriginating perhaps {rolll thc fact that (rom f{eidclberg intended his cycle o{ prove 10 sight ilrld ear may lIe pla)'ed ncar the end of his cart..'Cf, in a figura· Ihc already aged composer had nothing "cncts. Schlick sent a counterpoint and com­ V at Aix·la·Chapellc in 1520. to Ber­ lIals, I havt! not laiwred lor lhur The composer tlclights in cmploying positioll on plainsong, Or must Ulle see l1ard Clesio, Prince.Uishop of Trent, ac· praise ami g/or')' ill all this, bUl tliat .1 kind of writing which largcly resorts in the melody Ascendo nd Palr~'" an I migllt give thoSt! Ilighly trai1led in to voice leading in parallel iutefTals: allegorical allusion wishing to 410dly music something more arl/ul and 5U­ e,g,. Disc:tntlls and Basslls at the tenth: tlte clevation of Charles V 10 tl .! ( :{'r­ Ra)'mond Mabry, a gradunte of the periar in musical cxcrcilc (which, 1 or two d muhancons parallelhims which lIlall Empire? " 'hatever the ca~ may CurtIS J"slitute 0/ Mwic, a/lo holds believe, cm. never be per/ect) , ;tI lhe counterpoint oue with the other: c.g., he, the last "erset of ten \'oices ,. o;pccially lhe Mastu 0/ Mlls;c in organ atul Mas­ hope Illal they might eX/lerietlce aC­ Tenor cantus firm us and Discantus in possesses the solelUn romp becoming lr:r 0/ Lillrary Scieffce degru5 from Itl ­ com/Jlishmellt mul progress, lhereby sixths against V:lgalls· and Basslls in ::I religious ceremony 0 coronation. On " ifma Urliver5it)'. Hi5 orga n studies have also leami", somelMllg use/ul from il. thirds; or Altus, Tenor cantus {innus this occasion, it is quile possible that bUll wl'l/l Alexamler McCurdy and )'our fJritlccly Grnce may (I humbly and Vagans in sixths and thirds against in tum both Sdllick and Bretlcmcn C/yfle Holloway_ Organ;sl·Clw;rmauer pray, sllQll) nccepl tltis /rolll )'Ollr Jliscantlls and Uassus in tenths: or else played tJlC organ at Aix-la.ChapelJc. One al Immanual EPiscoJ}(I1 Church in lI'iI_ Grace's old veteran and cOlfnt me among thirds against thirds. or thirtls against can c,'en suppose that Schlick perfonned m;nglon, Del. ( 1960-62) ami al O.e Sec· )'01" Princely Grace's leroanU. thillis and sixths, All these give rise this work in the course of the cere. oml Pre5byterintl Church ;u Ric/uno.ld, Iu dh'crse combinations having their monies, in the presence o{ thc Emper­ I'fl . (1962.6i), he ;s currtmtJy the As­ The music is writtcn in note.s on origin in the technique oC Iwwi.Oour· or, his master the P31atine Elcctor, sisla"t Head 0/ the Fine Arls Depart. fh'c·line sta\'CS drawn according to the don and in c.Ulon without rests, that is Urcdemers, and other Dutch and prob­ mertl of the A tlmlta, Georgia PulJiic nceds o{ lhe composition (partly ' 0 say, it fOfm of '::;I:lon where all the ably Spanish musicians also. Library', The Iralulntiort 0/ articles and d';,.ttJTIaitltura :lI1d partly di parllturn) n.ir.es entcr a. (hl! S'Hile time. At Nevertheless, the majority of tJlese books relatcd to French aUtI GUmn" .lIld in accordance, at that lime, with times nnl,. h. ~ ven tcmplcd to speak o{ \'erscts reveal a solemn, austere and organ literature has been a favorite the proper pruCl~ lurc for composing a juxtapos:tion o{ two lines in dialogue, slightly thick music which at first /Jrojecl 0/ long.standing. counterpoint excn:i5(.'S and with that for illSpirc'd lIy formations like the faux- sight seems d<."Stitute of that sonorous " DIAPASON beatlty. and that suppleness and ele­ cdgemel1t of the indisputablc existence league Schlick. Charles V also took .mrles of Schlicki3n tradition Antonio gance of lines found in the admirable of these honds betwecn the two schools? Bredcmers 10 Spain and, in 1520, to aU( his brother juan found at Heidel­ instrumental texture of the Tall/altare Lct us cite at random the morc salient England, where thc Dutch organist herg must ha\c impressed them "h'idly, a( t!i 12. However, we ... re of the opin· e"ents iu a slightl), condensed sllne)'. g.l\C a hanquct (or the lUusicians of It is heyond doubt Ihat the former pu· ion that the style of ,5(:hlick as an old without inserting the corresponding the English Ropt Ch3pcl of Henry pil of Schlicl.;. Pal3tine Count Frbi~ric. millt, slightly dry but quilltc.."S5Cntial and archival documcnts as proof. Due (0 \'IIt, Thanks to these trips, organists and the two Cahcl6n brothers had long vigorous, stripped of all dccorath'c lack of space hcre, the latter will be were able to es:change observations with exchanges of opinion on organ music. figuration or mere embellishing. draws produced in another publication to ap· (orcign colleagucs the), met. The playing and ke),hoard music of An· its real raison d'ctrc. its lire and its pear .soon. Other than Bredcmers, the Emperor, tonio dc Cabez6n greatly pleased the plasticity. [rom the sonorous girts of As is known, Arnolt Schlick was organ· himo;clf an amateur passionately fond Palatine Count and his wife. To be (he German organ. For lack of instru­ ist at the Court of Heidelberg. His p3' of kc)'board music, may have commu· sure, in Cabez611 the Count found suf· ments providctl with two manuals, an tron :lOd master until 1508 was Philippe nicated somc dClails o( the art of fitienl strong aHinides with the brilliant entirely (]C\'c)opcd pedal·board, and a du l'aI3til1al. followed b)' his son, l.ouis Schlick 10 Spanish organists and espe­ art or his master Schlic),;, Be th:lt as it din'nil)' o[ Slops o( bold timbre, Eng­ V, after the former's death. In 15·1-1 cially to Antonio dc C3bezon, whom ma)" in tokcn o[ gratitude and admira· lish and Italian orgall music of thb Count Louis was succeeded by his thc Monarch must havc known since tinn, P31atine COUllt FrCdcric made a period werc forced to seck their \·ilal­ brotllcr. Frederic 11, who was bom in August 152!, at Palencia. Dredelllers, \'cry singular present to tlle Spanish it}', color, dynamism. and finally their 1482, These three Palatine Counts !tad as wdl as Ch3rles V. could ha\·e intro­ organist. He offercd him the skull and st)'lc through a writing based largely on a grcat lo\'e for music. an art assid ~ duced Schlick's compositions in Sp3in. other relics of Saint Laura who, accord­ animated £iguralions and .. display lIolIsl}, cultivaled at the Court of Heidel Howe\'cr, Ict us not (orget that a cit)' ing to a piOU!i tradition, was one of the of virtuosity for a single kc)'board. In ocrg. Schlick. on his pout. as one can like Uurgos (so lin\:ctI 10 the art o( 11.000 "irgins martyred OIiCC upon a contr:t5( to this, German organ music dcduce hom the prefaces to his publi­ Ca~ilian organists anti to the origins of tilne at Cologne. Cabcz6n look these permitted a simpler and less flowery cations of 1511 and 1512, was "ery 3t­ Cahez6n) also lIIaintained many dose relics. which were dear to him. to the writing, since it shared in Schlickian tached to the reigning family of the cultural tics wilh thc towns of westcrn p3rish church in the town of his birth. principles concerning the building and Palatinate. Everything persuades us to Cermany. thanks to its wool COllllllcrce Castdllo de Matajudios near Castro­ disposition of organs. Its sc\'ere lines be1ic\'e that the sons of thc Palatinc and printing establishments. This docs jeriz, wherc the), arc still to be found in the rcliquary of the altar dediCited or iLS chains of contradistinctive intcr4 Count. Louis alld Frederic, studied mu­ not exclude thc possibilil}' that somc· ,'als arc constantl), nourishcd by con­ sic and the playing of ke)'oo3HI instru· onc rrom th3l country could ha\'e sent 10 Saint Laura. This also throws a liule lrasts of a sonorous rolor produud by ment, witll Schlick - just as the fw COpil'S of Schlick's works primed in light on the religiolls spirit and lI\ysti­ two manuals ami the pedals. The man­ lure emperor. Charlcs V o( Habsbourg, Ma)'cnce to the booksellcrs of Ihugos, cal tendcncics or Cabez6n. There mllst ual differences iIIuminale the partJ in his youth studicd in the Ncther­ It is also ,'cry possible th3t the great ha\'c heCI! analo~ics between. the spiri­ which counterpoint one with the other. lands \\'lIh his organist, Henri Brede· bihliophile, Hernando de Col6n, ac· tual and UHler hfe of thc bhnd SChlick Schlick's manner of organ playing is mers. while later, his son, I'hilippc II, quired in Cermany thc collections of and that of the blind Cabez6n. Thc to lIIuch more cOlulra".~d and litl~ar than studied with Antonio de Cabezon and Sdllick printed by Petcr Schaffer which cunlemphui\,e art of both give ri~e that of the Italians or the English of Fr.mcisco dc SolO, wcre lost in a subsequent period. just the humble and dedicated atlllusphere ur ;t s)'nax3rion.' the same period. Thc Palatine Connt I:rcdcric II W;L~ ;IS were a numbcr of other volumes In 15·10. the Emperor Charles V .\11111 ' All eight \'Crscl" nn GtJlld~ Dri ilho\'e all a great music 10\ cr, Uesides, that werc (onnerly part of the Bibli· throughout his life he wa" one of the otheque Culombine of Seville, Thanks IImncd a colloquy on religious questions genitrix and thc J\icinium on Ascendo between Catholics and Protcstants that lid Palrem demand the opposition and bcst friends of Charlc!' V. belongin .. 10 the collcctor spirit of Col6n, many 10 that circle rcstricted to pcrson~ Spanish musicians werc 3ble 10 famili­ WilS held in Haguenau, While there contrast existing hetwccn two manuals perhaps he was once more rcmimlt:d of lOsscSr.'ling stops of different timbre, The who enjo)'ed the grl'atest confidencc arize themselves with the entire contents and iutllnacy in thc sen icc of Hahs­ of a. series of wmks published b)' I'et­ the master of Hcidelberg. bccnue the ItCauty o[ this music demands a care· org;;tns which Jak, Uilluug built for till' fully chosen registration in accordance bourg. In his youth l:rt'(leric oftell ruCCI and ,\ttaillgllant. The publica­ m3de long sojonrns in Flemish coun­ tions of Schlick may haH.' shared Ihe chOir of ule church of S3int George with the sonorous structure of the or­ Were examined and appro\'ed by Ar­ gan recommended by Schlick. Concern­ tries with l~rince Charlcs. where Jle same (ortllnc. participated in the intcllectual and uolt Schlick in 1502 and ' 1510. ing the pedal. it is a question of in­ Thc prcsence of the Gennan organist Given the numerous close conlact~, dividual preference whether, for ex­ arlistic lifc which de,'eluped in that johanncs Br(iggemann or Hrugman Burgundian rcsidence. In many dctails the honds of kinship, and the friendl), ample, in the fint verset one plalS the (Brig8l11ao or Brumao, according to rclations that existed among Charles V. cantus finnus I,edalil~r and the bass Charles and Frederic received the same the phonetics of thc Portugucse regis­ 53me I'ala,tine Count FrCduic, Philippe II. manua1il~r or vice \ersa; or whether education, and both sharcd the trar) at 'he COllrt of King Jean III o( taste for kcyboard music. Charles V Sehhc\:, Brooelllcn, and C3bezon, and In the second ,'crset one pl3ccs the tenor I'ortug31 is another C\'enl which seems also hetwccn thc latter and Tomi'\s ,Ie and the vagans in the pedal and the rcachc:U his majority on january &, to have contributed considerabl)' to the 1515 m Brussels. Great festivities werc 53"ta Maria. it is entirely natural that bass in the Hauptwerk manual or the introduction and propagation of certain these channels produced mUltiple mllsi. opposite, because both werc feasible on hcld after this event, in thc course of lU(!tillods of ttallnhenane organists in which :l duel betwccn P31atinc Count cal exchanges. Howe\'er. we 110 longer the: organs rroposed by Schlick in his the Peninsula, Extant documents sub­ can sta!e precisely the facts or eXilct S/JU:gl!l (15 I) and both concur with t-rCdcri,c an~ Charles ~e Lannoy was held stantiate his acti\'it}' as organist or the to deCide If the prlnccs were dfemi­ proportion of their significance. Ne\'er. the dcgree of dcxterity in technical R~)'~l Chapcl, ~\' ~lere hc eujoyed a \'ery lhdess, thc natllrc of these relations and perfonnancc attained by the "old \'1::'­ n3ted b) their 100'e for music. The priVileged POSltlOIi frolll 1545 until Palatine Count defendcd music and de. n",lual s)'mpathit'S pt.-rmit liS to under­ eran." Since lIc also mcnlions in his 15il, Ole YC3r of his death, Howcver. sland completcly why Schlic),;, near the manded the se\'cre rules of the:: G ... rrnan e\'erything jndicates th3t he was rc­ writings playing thrl'e "oices in the end o( his 1i£e. W3S incitcd to wntrib­ tournament !or, this du~l. ~\lthongh cch·ed therc at an earlicr dale. During pedal, onc can conjccture in verset 4 Ulc on~ of his compositions for the wounded. Fredcnc left \'Iclorlons· his that century, lIIusical exchaul?cs between whether the bass or thc cantus finnus horse perished. • mronatlOll of Charles V at Aix·la·Cha­ "sandwiched" bctwl"Cn the aho and the t~e Port~lgucsc ~nd ~panlSh Chapel pelle in 1520, C\'eJl Olollgh this mon­ vagaRs belongs in the pedal. Verse15 There is strong c\'ideJlce which leads "ere particularly mtellSn'e, '\'as he thc arch ne,er was his patron. liS (0 bclic\'e that on one or more oc­ SOli of Hans Bri.iggcmauu, the wood 3, 5, 6, 8. and 9 can be played on two Onc I1ccd only to comparc Schlick's manu3ls without pedal. For ,'crsel 10 casions Schlick accompanied Frederic to sclilplUr oorn at Husum who. frum \'ersets ror Gnude Dei genllrix with the Urusscls and to Malines. As is known 1515 to 1521, crcalro the rerroos for Schlick. proposes six miccs for the ,:nlm~do,!es llaflG4 )' glosados of the lords at the time of the Renaissanc~ the, cillhedral at Schleswjg. previously manuals and fuur (the basses) for the Spanish III order to discovcr the thread pcdal, an excellent and feasible study wcre f~nd of distinguishing themselvcs destined for thc church at Bordcshohl1? o[ thc dcvelopment and thc course (Uk, juhannes llrilggemalln, the highly es­ of quadruple petialillg and chordsl Thc and "rmg among their equals with their en .b)' fructifications. The teChnique, cut and shape of shoes in Schlick's epoch orgalllsts, Moreover. in the preface tecmed org-.mist at the Court or Lisbon Ob\'IOusly descended (rom thc lllotuS to his Schlick acknowledgcs \\ho c\·en ocC'J.llle Chcvalier de I'H3bit evidently rendercd the pl3ying of Tablature rectus and the fauxhollrdon, appears chords on the pedal easier than those tlmt he made vcr)' sucCCMful toUfS de Saint Jacques, surely scT\'ed as a more 3rchaic with S4::hlick tJlan with through tJle Netherlands and German)' connecting link between the Gennan or our day. especially the nat·lu:cled Cabc:z6n, but also more compact with and that he was beard at the time or and lbenan schools. However it is also boots of man)' country organists. It t,he former than with thc latter, beClUse goes witllout s3)'ing that the mastcr the Diet of Wonns (1495).6 Thus, possiblc th3t this Genn.:m organist was Schlick could rely upon organs having conceivcd this ,'ersct realized on tlle Charles V and BredelUers would ha"c a relative o( the UruIIl3nll brothcrs two ,lIIanuals and pedal. whercas the 1,lein jl!u or that which the Dutch call had a .su£ficicntly carly opportunity to oftcn mcntioned by H. j. Moser in his Spalllsh could not surpass the limits of Muhwerk. According to the kind com­ ap~reclate thc art of the organist of Friil"n~iSler der dculschen OrgdJumst trallsp.arcncy permitted by the organs HCldelberg, . Nc\'ertheless, this was not munication from Dr. M. A. Vente, the and in his Paul Hol'uu'",er. Conrad of a s,l1Igle. without pt'tlal which the sole direct contact among UICse lIrumOlnn was organist of the cathedral 1T1an~al expert on Dutch organs, the latter cor· prc,\alled III their cOlllltr).. 1>cspite this, people. As stated previousl)" by Madamc at Spire until 1526. Heinrich Bnllnann responds to tllC French term gTfUId It IS true that Spain was then one o( ollvrnge. That is to say. in this case, Yvonne Rokseth following her im'csti. was organist of the cathedml al May­ the rare .countries that possessed a fcw encc until 1544. a combination or a coupling of stops ~tions, "Schlick had pla)'ed scveral org-olns with two m31H131s and complete ¥iviflg the manu31s and the pedal an tl!ne~. before the Emperor, who esteemed Let us also mention that the Empcr. pt'C..Ial ·boards which permiucd a per ~ ldentical sonority_ Thus, in case o( co­ hUll. (d, La Mtlsique d'Orgue, p. 176)_ or's godson, COllllt Charles I of Zollcrn fon~allcc of the complcx works of incident notes between hands and These events occurred chleay during and (ounder of the Musiques de Cour Schhck as perfcct as that afforded by feet. thc doublings may be dispensed the _ wurse of the $Ojourns of Charles at Sigmaringcl1, was educatcd at the Ge~lIIan org;ans, . Pcrh3ps Ihis fan ex­ with. thereby relieving the pedal part ~ m GC"!Iany a~d espcciaU)' at the Spanish Court bcl\\'cen about 1&28 and plaills why cenam o( Schlick's methods considcrably. Allhough it raises prob­ time of hiS meetmgs wilh tlle Court 1534. uy entrusting the music:ll educa­ were acclimatized more easily in Spain lems which arc nc\'cr commonplace, this of the )'alatinatc. Schlick probably also tion of this young nobleman to the carc than in Italy or in .England. However, majestic and sumptuous verset opens played .the organ for tlle Te DCllm sung of_ Cabcz6n, the Emperor surely had in as rcgards thc fauxbourdon, Schlick to today's organists a whole range of Immediately after the election of the mmd the analo~ies eXisting between the S3nta .Maria, and Cabez6n rcsembl~ attractive possibilities for sonorous re3li· Emperor at Frankfort june 26,28 latter and Schlick, foreseeing that Ca­ each other more thall any of thc three lation, provided they arc not CXttS· 1519 (albeit in thc absence of th~ bez6n's teaching would be desirablc masters resemble Rcd(ord, Tallis, or sivcly intent on an entirely dry ph.ilo­ elect. who was staying in 83rcclona anti in ",ccord with that found in Ger­ Andrea. Gabrieli. Let us likewisc recall logical interpretation. at tllat momcnt) whien the Palatine many in the surroundings of his pupil's lh,: J>Cn~ant (or pol)'phollic keyboard As stated earlier, certain methods. Count, accompanicd bl his musicians, home situated not too far from Heidel­ wntlng 10 five, six, sc\'en or even more de"e1opments, and stylistic features of attended. ~hc clergy 0 the town madc berg. ,"Dices that was common to Schlick and Sfanish organisu of thc first half the followmg notcs in reference to to such Spanish composers as Luys Al­ thc occasion. ,~ccolOpanl'illg Philippc II on his o the 16th ccntury indicate relations ,,'ISlt to Ita y, Germany. Luxembourg berto, Fern:1ndez J'alero, Cabcz6n, and with the art of Schlick, from which And wilen tillS was Imblu:Jy an­ and the Netherlands, Antonio de Ca­ \~enegas de H~nestroS3., The latter pub~ they ap~r to h3ve drawn part of UC1I11Ud, abcxd 22 'rllml,e'~rJ 0/ 'lie bez6n visiled Heidcll>e:rg in 154.9, where hshed a.n entire "olulllc of pi«es for their Origin, Notwithstanding any styl· Prllnlinl! COlfnt am' tile Margrave 0/ he was p~rlicularly well received b)' the sc\'en. eight or tcn "oices. O'n the con. istic . unity r.0inted out among all JJ~nllfll!"l)Urg Mew '"eir trumflets a"tI (ormer pupil of Schlic),;, Palatine Count trary •. tl~c French and Italians surpassed orgamS15 at tie oULSet of that century. pIpes, TIl~" '"ey sang thl! Te Dellm Frederic. In 1535, the latter (:Jl 3ge 53) thc hnllt of nve, voices onl)' for a few Cabcz6n and Santa Maria (to mention InudumllS ami plaYl!d the orgall. Tilen marriC!d thc 1-1 year old princess Doro­ chords of pl"Cludlal chalacter or for oc­ ouly two summits of the Ibcrian sdlool) till! Prince Electors we," I,elore ,lie tll<.~ of Denmark, daughlcr of 1s3helle cOJsiollal lilting in, speak (rom time to timc a musical allar ntlll /itled "I} uelml! the llif!.h al who was a sister of Charles V, More­ Let us also mention that a piecc language that is highly analogous to tar, tu/'l!J"e th~)' Temai,,~d UlIlil tile O\'er. this union between the house of such as Ihc /Jt:n~dictlu~ actually Ol ricer­ that o( Schlid, which provokes our clla", W4S t!ru/~d. Habsbourg ;Ind that of the I~alatinat care for organ contained in the Tabla. conjecture of a particularly close con­ Henri Hl"etiemers, the org3nist of was (amrro by the Emperor himself. AI­ ,,,rl! o( &;hlick, pOSSCMCS affinities which nection. What Iflcn were thc historic Charles V. also travek'tl in Gennany in thouSh Cabc16n h3d quite a series of lcad to ~lent!ls and pieces on liturgical events and the naturc of the inter· 1512 and in 1521. This consequently re­ compositions to his credit 3S late as themes III flcercarc form slldl as the national rclations permitting acknow.- sulted III new encounterJ with his col· 1549, it goes without saying that the ex- (Cotltitlucd, page 19)

OCTOBER, 1972 5 (Continued /1'01" page 1) Bartlett, known to date from 1835. organs" becausc or their frequent usc of the answers. The record or the vast to sire. range. and mode of operation; Another example by C. H. Packard is in smaller places of worship. and were majority of firms now defunct is an uns is ror purposes of collveniencc only in the Crosby Brown Collection of the generally de\'oid o[ the garish carved obscnre and bewildering maze: of com­ and d()('.S not ncccss.uily reflect the or· Metropolitan !\Iuseum of Arl.3 and mirrored tops that were a stock pany mergers and scpouations far be· der of the instrumenu themselves in A short·keyboard typc in its own free­ reature of many home instruments. The )'ond the scope of the paper. the Collection. Since it is obviously im­ standing case: is one built by N. B. pfLoscnt 5rK!cimen was built by Estey, The m3.ttcr of dating presents a some­ posdblc to dcal with C3ch instrument Jewett of Chicago, Cd. 1835 (Illustration one or the pioneer makers or stich in­ what firmer field of operations. A few individually. examples n:prcscntati\'c of IV). 'I his innrument apparently rep· struments. and olle or the rew Hrms instruments contain labels bearing the each group will be described separ:lIC­ rescllts an early, somewhat lentatl\·c at­ still in existence today (IIIustr.J:tion date: o[ manuracture. or the dates or Iy. tempt to construct such an instrument; "II). The organ shown dates from ca. certain testing procedures pcrronned ill A category which might be thought the top portion is almost identical to 188:-;. has two seL~ or rectI!';. and an the factory prior to shipment. Da\es of of little interest to ::my but the nriC$L that of Ihe rocking melodeon in IIlustra· FFF·r" manual compa.o;s; 1he ornate lOp later repairs are sometimes found, often musical amateur consists of automatical­ tion n, even to the number and length founel on most home mstnnnents is insidc tIle windchcst or on the bac);., ly operated instruments. These range of keys. Two methods of pumping are absent. of the keys. While not indicative o[ the in size and complexity from the large emplo)ed, neither quite satis(actory in The fifth group of reed organs in date of origin, such dates at leut as-. Aeolian Orchcslrcllc. whit ils numerous contrast to Llle: two· treadle system com· the Miles Collection is the smallest in sure the instrument's existence at a. stops playable either by a perforated lIIonly emplo)'ed later: ule lateral bar numher, hut consists of the most im· given time. Palent dates may be used. paper roll or its own keyboard, to at the rront mOlY be operated vertically posing examplcs. Intended to rill the but in re"erse (ashion. indicating the diminutive reed "organs" intended to hy Iland, or the feet may be used on same role as a small pipe organ. these impossibility of the organ's manu(ac· be placed on a table and operated by the single tre:ullc attached to the bar ha\'e two manuals and pedals. and ex· lure prior to the date of thc patent. a pegged roller. Thou~h considerably hy a leather strap_ The instrument is ternally resemble their sister instru· OccaSIOnally dates on cards or newI· less wmmon than their sisler instru­ fumished with a single pump. point. ments. The mOit onUtanding o[ these papers used as shims or linings 1n the ment, the player piano, instruments of ing to an aWnity Wilh the true mel. is a "Liszt organ" built by Mason and interior offcr added clues, Serial num· this type once comprised a large por· odeons, Hamlin, one of the earliest makers hen arc not uncommon in (he better cion oE the output of reed organ malo.· Instruments of the melodeon type of high qnality ke)board reed instru· instruments, though certainly not as ers. The Orchcstrelle, of which the Col· comprise a third group to be found ments in the United States, and one usual as in pianos. These numbers ar~ lection has two examples, was an in­ in tile Collcction. These are character· which was OIcth'e in bringing ahout comparable to the plate numbers of strument of some pretensions; as ils ized by nat, shallow. rectangular cast.'S. some of those de,·elopments which dis· printed material! and may be used in name implies, it was intended to afFord supported eithcr by lyre-shaped up· tinguish (he American organ from the a similar manner, As is the ClSC with a fairly wide variety of tonal efFects rights at each end, or four legs, some­ harmonium.s It was Emmons Hamlin. plate numOOrs, howe\'cr. they arc of (Illustration 1). In some examples. what in the manner of a squOirc piano. in pOlrtncrship with Henry Mason, son limited value unless a definite date added variety DC tone was brought about They generally 1H'l\'c only one or two o[ Lowell 3.nd brother of 'Villiam MOl' can 00 assigned to them. Fortunalcly.. by the utiliz.:uion of brass pipes or res­ sets of reeds. wilh a minimum o( tonal son, the piani~, who rirst produced a source exists which purports to do on:Uors filled to the individual reeds conlrols, One peculiarity is the utiliza' reed orgaU!l lIsing voiced reeds. A!i this. however ralteringly: Micl,el's Or· of certain stops.t Provided with a single tion o[ a large: single PUIllP, gil'ing risc Arthur Locsser notes. the "I i521 organ" grrn AtltU contains the names o( a large 58 key DIllnua), the Orchestretle was to an undulating quality of tone: be· was not inapproprIatel)' named, "in numher or reed organ makers. with lists pumped by the player's (eet. In a day cause o[ the lack of the equalizing cr· "jew of that maste:r's capacity ror com· of d;ated serial numbers in a few cases. before magnetic tape and stert.'Ophonic fect prO\'ided by the usual two found hining interest in no" c:1 tonal sensuali. as well as other pertinent material. sound systems. such instruments were on larger instruments, This single pump tics with his religions :lspirations,"7 al­ Though rich in photogrur.hs anti as­ thought to be o( value in providing is operated by the right pedal of a pair though it was by no 111e:ms Ihe only suredly a step in the rig It direction. the un initialed with 3. "musical educa­ suspended on a lyre.$haped appendage larue reed organ of wide 10n3.1 range the book is (ar [rom definitive; most tion." In retrospect, it is difficult to beneath the CoIse; the lefl rdal oper· huilt. Story and Clark exhibited a three entries contain little information, and understand how ulis was to be. since ates a swe)). The cxtema similarity manual and pedal instntment 3.t the some give none at all. Then, too, the the instrument's most obvious feature 10 a small square piano is striking. and ChiClgo "Torld's Fair in 1893,8 and the photographs, though one: of the most e(£ecti\,c1y removed the stimulus to mas· since these Instruments were: produced Vocalion. as exhibited by its inventor. valuable aspects of the book, arc jum. ter the keybo;ard oneself. Howe\·er. "IOU­ during the period when such pianos James Raillie Hamilton at the Interna­ bled together without regard to the sieal education" in this context was in· were quite popular. it seems reasonahle tional I",'entions Exhibition in London type or manufacturer of the instru· tended to mean something other th;an to speculate that this rescmblance was in 1885. also had three manualJ; and men15 they depict. All of this is mere­ keyboard mastery, .md the advent of deliberately $Ought after. e'·cn to the pedals. with a total or fourteen stopS.9 ly to point up the need for further this machine and others like it marked point o[ providing the instrument with In contrast, the Canection's "Liszt or· research in thll area of American or­ the close of the period in which. if a lCM than satisractory air supply. An gan" has a total or ele,'co stops dis· ganology (if a pun may be pennittcd). aile wouk! have music. he must pro· attracth·e example of this type is a tributed between two manuals and The Miles Collection, while rar from duce it himself or have access to others melodeon built by Peloubct. llelton. &: peda1. with three: on the pedal. Here embracing all the rorms in which the who could. This is renC<:U.-d in a tcsti· Co. of New York (Jlluslration V). Jt the makers had an opportunit\· fO ap· reed organ wns producrd, nevertheless 1110nial comprising part of advertising has the: usual single sct of reeds but is proximate the pipe-organ registration olfen a. wide variety of instrumenll ror contained in the June 1895 issue of provided with a tremulant. a feature of the day, and the manner in which further study and comparison. M'ms~'s Mrrgrr~ine. Aber hearin~ the not often found in these instruments. this was accomplishcd is indicath'e of instrument. which he had previously Charvier and Alexander Peloubet may the period's concept or proper tonal NOTES supposed 10 00 only a "mere mcrh~n· have been acti\'c in some Clpacity as design, as well as the limitations or the IH. F. Milne, TII# R,#tI 0,,0": lis Dui,,, ical in\"enlion," Sebastian 8ach Mills early as 1812. but the date o[ their as· free reed. Only rour of the cleven m3n· anti Const,,,elion (London ~ Publisho:d al the 1930 ), illfonns reader that "the Aeolian should sociation with Pelton is obscure. The lIill stops are higher than unison pitch. Office of Musical Opinion, p. 140. be a wonderrul music educator; the in­ present instrument bc."ars on irs wind· and of thc.o;e. three: arc snme variety of tGeorge Bernard Shaw, How '0 B,cor/u ~ troduction or such :1.0 instrument into chest the serial number 3689 and a New Musical Cri,ic, o:d. by Dan II. ullnnce (New rour·foot nute. The other. a two-foot York: Hill and Wanl, 1961) . p. 227. The the homes or the people would do marc York City address. J\nother exam pic of Eolian Harp on the Swell. extends up· tesdmonW was one of the favuritc advertising than any olle thinff to cultivate a love the melodeon type deviates from the ward only 10 e above middle c_ Pitches techniques or the 19th «nhuy. While thOlIt for and appreciation o[ the highest usual foml in Lllat it has two manuals above this arc impractical because of quo:ed here are genuine, olhen were leu so; grades of music ...... a somewhat and four dr.nv·stops (llustration VI). the extremely smaH size o( the reeds, and names often mallered Iiulc at Ions AI" sanguinary prediction in view o[ subse­ The usual single-pump hlowing appa­ the almo.5t hair·like tongues of which they lOunded impressive. An advertiaeznenl for Mason and lIamlin on the back of an quent de\·elopments. Mills (1839.1898), raLUS is retained, however. and it is sig­ arc smceptible to stoppage by tiny o( American IODI shecl daled 18Gf cont;a.iru testi­ a New York organist and pian}st ,?f nificant that none the controls actu· specks of dirt and dust drawn in monials by Louis Moreau Goltschnlk; "More British descent, was not alone m I11S ate speaking stops, This instrument is through the stop nlve!;. Then too. Than Two Hundred Eminent Orpnisuui estimate or Ihe Ordlcstrelle: none other the work of George A. Prince of Buf­ these small reed, are easily overblo""n, Thomas Hastinpi 1'11, Ncw York ObuFv#r; than George Beruanl Shaw rccogni~cd (alo. New York, and dates from ISG9 ..' their tongues drawing into the Teed CCOf'Bc F. Root; alld one IreDIICIU. apparently its utility;:! No matter how genume It has not been restored and is unpla)" rr;amcs to such 3.n extent as to become none other than dlc ICCOnU-ccntury cllUrch these critics' accolades may have been. able. inoperalh'c. Free reeds at this pitch arc (ache... A testimonial in the March 1870 u.uc of Mtuual Tim,J b cvt:n mon: cla'-nte: the rive-to·sc,·en-hundroo dollar price With the (ourth anll largest group. ~nerally weak ••md holes bort.'(1 in Iheir quoted in the ad\'ertising probably d­ we approach instruments which most You .. piccoJo is 10 luvdy - and the nule frames to minimize overblowing do is - Wdl, Orphcus had a good nutd I). {cctivdy barred it from the homes o[ readily conform to Ihe popular image nothing to remedy this defect. The Co)· and d.-cw his wifc oul of J lades with its any but the well·to·do. o( the reed organ. These arc housed in lection's "Liszt organ" (Illustration tones, but I'm indined 10 think he milht Another group o[ organs represented substantial ClSCS and arc fumislll~d with V11l) presents the e:xlema1 appearance lia\'c drawn hu out of the othu place to in the Collection is characterized by keyboards or 61 keys. though exalllpies of a small tracker pipe organ. the sub· lislen to Mason and Hamlin'•. short keyboards. Apparently intended with 75 are: not unusual. The five·oc· stantial facade of show pipes risintt to Quoted in Percy A. Scholes, Ti,. Ittirror 0/ ta\·e keyboards commonly extend from Mwic (2 vDb·,; London: Novello and Com· to meet the demands of porlability, a height of 8'2" above the floor. These pany and Oxford Univenity I'ns., 19-17 ), some were cven prm'ided with collapsi­ FFF to f", though comp:wes of CC to "pipes" 3.re of solid wood, the interior 11.812. ble cascs. Often of an early date. these c" " the standard pipe·organ range, mechanism not e\'en mUng the case 'N, E. Michel, Michel's O'IQ" Alw (Pico instruments were supplied with two arc frequent.s A characteristic feature below them completely. Riverl, California: N. E. Michel, 1!169), I'P. sets o[ reeds at the most, though one is the dh'ided keyboard. making possi· 'Vith this last instrument. the de· 46,47. was more: common. Some were intended ble contrasting rcgistration on the upper tJbid., p. 118, scription of representative organs in the relic ,ystem of pitch nolalion wed here to be held in Ihe lap or placed on a and lower sections and allowing an ef­ Conection is completed. A rew words fect analogous to limited two· manual utililcs lower case " c" to indicate "mi.ldle c". table. pumping being accomplished by may be in order. however, concernin~ 'Marcusc'. asscrtion is fabe, that, aside: from manipUlating the whole body of the perrormance. The division generally the method used in pursuing this proj· differcll(;d in application of wind, the har­ instrument in a \·ertical 1IIotion: hence comes between Band c on "C" instru· eet. The goal has been to compile an nlOnium and the American orpn are identical. the tenn "rocking lIIelodeon." This t}'pe ment5, and between E and F on "F" annotated catalog of the orp:ans in the Sec Sibyl Marc~, MlIJical lr"""m,,,ts, a has no reservoir. and equalization o[ instruments, although a certain amount Collection. Me;asurements of each in· Comprelt'Mve Didjolla,., (Garden Cit)', New wind depends on tJle skil1 of the pla)'er of latitude exists in this respect. Sev· stnlment were taken. as well as photo. York: Doubleday, Inc. 1964), p. H. For a in manipulating che bellows. The Col· crOll sets of recds arc provided, and a detailed account of the diaimilarity betwccn graphs and notes on ranges. registra· die two irulNmellts. ICc Milne op. ci,. lection contains cwo instruments or this stop mechanism to control them. It tions, interior mechanisms, case fca­ ma), 00 re-slated here, what has been 'Archur Loesse .., M,". H'On:'II "",, I'ituttlJ type. One has a normal kcyboard of forty· tUres, and finishC'5. Places of origin. (New York: Simon aoo SchUler, I~). the experience or many, thOit the num· nine short keys, while the othcr is fur· manur:lctu~rs. lind dates. where avail· p.51!). nished with tWO rows of bUllons :n· ocr of drawknobs is b)' no means in­ able. have: been QrC£ully nOled. EoIch '''Story and Clark Org;lllll." TIt~ p"rclItJSe,'s dicllh·C' of the tonal resources of these ranged in the $:llUe fashion as the instrument was examin~ as thorongh· C"U. ,,, ,Ir. Alruic J"d.JI,ieJ (New York: The black and white keys of thc keyboard oll,o-ans, Duplexing was employed frecly, ly as circumstances al1owed, and e\'ery Mus;e Trades. UJ71), p. 66. particularly in less expcnsh'e instru· 'G'OD,'J Didi!)"",., oJ Alusic a"d MIIJiti ...s, (lIIuslrations 11 &: Ill). Though noth· cHart was made to gain as milch in­ 51h ed. by Eric Biom. IX, 3-4, ing is known of tJle first instrument, ments. and the: surest way to deter· fonnalion as possible rrom the organs the: second in the work o[ Charles Aus· mine the nllmher o[ sets o[ reeds in themselves. Data concerning internal tin, the eldest of :I. ramily o[ Concord, a gh'ell example Is to open it and features is sometimes sketchy because N. H., rct.'tl organ makers. Concord look. of the inaccessibility o[ certain instm· Mr. Richards has laught Jor a mun· seems to hale atlJ':l.cled numerous mak· J\S in this class of instruments as a ments and the lack or time and room Ilcr of )'cars 011 tlte /nculty 0/ the Hny· ers o[ keyboard reed instruments duro whole. this type was built in many for a more thorough disassembly. In· lor U"iversity School of lUllSic, Wnco, ing the middle and latter 19th ccn· grades and sizes. ranging [rom one and formation concerning the \·3.ri01l5 finns Tc_,.., where he was also librarian of tl,e tury: these included Charles E. Austin, onc·half set.s of reeds (Scars. Roebuck which produced these instruments is .'ilu~"cer Collettion of American musie. C. C. Mitdlell, David M. Dearborn ofrered one in 1002 ror twenty·two dol· necessarily brief: even those few still He is currer"')' mllsic coordinator for (cst. 1844), and David B. Bartlctt (also lars) to well· constructed organs of sc\'en in existcnce. caught in the crush of the Bosque Coun/)' (Texas) Publie est. 1844). The keyed example, which or eight sets or reeds comparable to the prC5ent business matters, arc often un· ScllOms and is pUTSuitJg a doctorate in bears no date or other marking. ap· hest class o[ European harmoniums. willing to reply to the: queries of the musicology at North Texas Stale Uni­ pears identical with one built by D. B. These were often designated "chapel researcher, if, indeed, they are aware versity.

6 DIAPASON 14th ANNUAL FORT WAYNE interested in entcring the recital field. Further informalion regardlllg thc COli ' COMPETITION ANNOUNCED and to give them the opportunity of lest may be oblained (rom Mrs. Quin. appearing in recital with establishcd ney. artists. The 14th Annual National Organ The Religious Arts program :1t the Playing Com~tilion sponsored by the Fort Wayne church is under the tlirc£' First Presbyterian Church, Fort \\ ayne. tion of LloytJ Pinkctlon. minister or Indiana. will be hcld on M:m::h 10. 1975. Inusic; Jack Ruhl. o~aniSl and theater Thc competition will be open to all or­ manager; and Dcnnis Bechtelheimer. g;Jnists who ha\'c not rcached their 35th theater director. The Rev. Gl.'{ugc R. hirthday by that date. Mather is scnior pastor of the church. Interestcd conlcstanLs will he required Complclc details of thc compcli~ion 10 submit a tapc recording no laler than as well as entry blanks lUay be rccel~' etl I:cbruary Ii of 1973, to be entered in hy writing to: National Org:1U Playlllg thc preliminary judging. A major work Competition. First Presbyterian Church. of tflc Baroquc or pre· Baroque period. 300 West Waync Street. Fort Wayne. a work by a composer of thc Romantic Indiana 46802. period. and a work by a contemporary composer will be requifl.'d compositions CCWO ANNOUNCES 1973 10 bc submitted. A panel of judges will GRUENSTEIN CONTEST choose no more than eight finalists co compete in Fort "rayne on March 10. A separatc panel of prominent IIIlIsicians The 19i2 Cruenstcin Memorial Or· will do the final judging. gan Conlest for Young Women. spon­ sored hy the Chicago Club o( Women The winllcr will receive a cash prize Organists. will he held on Ma)' 20, 1972 Ladd Thomas has b.. n appointed chair­ of $500 and will also ar.rear 3!!i 'onc of at :1 p,m. in thc First Prcsh)'lcrian Anthony C. Furnivall has be.n appointed (h'c artists on thc churc I s recit.al series, Church. E\'anston. Illinois. Fout contest (Whtant organist and ctloirmost.r of the man of thll organ dllpartmen. at the Uni· presenting a. recital on ,\pril 10, The versity of SouthI8rn California. The Uninr· finalists will be sclCC:lcd (rom those au· Walkington Cathedral, succeeding Rob.rt lirst runner·up will rcccin a Clish ditioning hy tape reoording, Tole who hat .eligned 10 becoMe orgonilt sily, located in Los Angele.. oUerl the award of $.500. Tra\'el subsidy up to Mu,S, MMus. and DMA degree. with mo· All women organists not reaching tlle and c.hoirmolter of Christ Churm, Green· $100 each will be gh'cn to thc remain· agc of 30 ycars by Ma)' 15. 1975 al:C wich. Conn. A nolive of London, England. iors in various area. of music incilKting ing finalists. organ. Mr. Thomas i. a graduot. of Occi· eligiblc to enler the wnll'St. An apph­ Mr. Furnivoll began to study piano at age Ovcr the past 13 p.'3rs conlestants she and has concentrated on the organ since dental CoU.g. in Los Angeles where he cation and registration fcc of 55 must representing \>innaJly C\'cry' st:He of thc was a ,tud.nt of Clarence Mader. He holds bc receh'cd before March I . 19i3 b)' he wal fourteen. He attended Chrilt's HOI' Union as well as sc\'cral provinccs of pital (0 «hool in Sussex founded by Edward a master', d.gre. in theology from the Mrs. Hazel Quinncy. 1518 E. 59th 51 .• Canada ilnd rorcign countriClO havc par­ Chicago, Illinois 61657. anti a tape re VI in 1553) and Magdelen Colleg. at Ox­ Schaal of Theology in Claremont. California. ticipated in thc competition. Last yeal"s cording of Bach's "Dorian" Toccata lord, receiving his AB in music in 1971. In addition to b.lng on th. foculty at the competition was won by Fred Cram ann 1II1ISt bc submittcd for the preliminary While at Oxford. Mr. Furnivall continued University of South.rn California for the or Spanawa\·. WashinglOn. a senior or· competition. Tapes Inust be recei\ cd no private studies with Bernard Rose and Egan post several yean. he halo been in charge gan major at S)Tacuse University. New later lhan March 10 by Mrs. Glenda E lez. His major extracurricular activities of the organ program at the California York. Second placc was awarded to Roh. Mossman, Box 4. Russell. Illinois 600i5, were on extension of his musical studies - State University at La. Angeles since 1967, ert Batcs of Oetroit. Michigan. Finalists in thc competition will he no· compoling. conducting and arranging music has taught at the School of Theology at Thc annual Music Series of Fint tified by March ,!H. 197.5, and they must for student productions. For the post year Claremont, Pomona College and has con· Presbytcrian Church, Fort Waync. is appear in person in the (juab; on May FurnivaJl has been Organist and Chairmas· ducted workshop. at the University of Puget now in its 17th )'car. Since the installa· 20. ter of Sf. Paul', Church, Wedfield. NJ. Be· Sound in Washington. Hi, ,tuden.. have tion of thc as·r.mk Aeolian·Skinner or· Thc first prizc willner or the compe for. coming to the cathedral, he arranged. won numerous local and Far·Western reo gan in 1957 most of the world's great tition will rcccin! a public recilal date scored and conducted the work! premiere of gional A,G.O. competitians. Mr. Thomas cur· organists h.l\·c performed there at least during the cluh's 19i:1·;.a sca.wn in the a rock opera in Weloffiekl. rently is chairman of the Far·Western RIt­ once. Mall}' choral organiu tions of this Chicago arca, and the SI50 cash prizc gion of the A.G,O. Th. First United Metho· cOllntry ha" c also beell on the series in· will be presented 10 thc ""inner at thai TilE ORCAN LITER.\TURE FOUND/\ ­ dist Church. Glenda!e. Colirornia i. ",ned cluding the R.oger Wagnl... Choralc. St. lime. Second prize for Ihe (ontest is TION, BlOI i ntr~. Man. 02184. hu iUlt iuued by Mr. Thomas as or90ni... He is organist Olaf Choir. Westminstcr Choir, and the a $50 cash prize. a new addend. lilt #68 10 their uttnli,-.: ca'al~"e of boob on orgall hiltory. construe· fot" the Pasadena Symphony and has done Cregg Smith Singers. The annual rom· Thc final competition at First PrC!!' tion and delisn. both fon:isn and domeltic. consulting and architectural work on anum· petition was cstablisJled in 1959 as an b),lcrian Church will he on the 5·man· It h a"ailablc frt"e: frnln Ihe flltlndatinn upon ber of west coOlt organs. Incentivc for young organists who werc ual Austin organ in thc church's chapel. 1f'f11l1'S1 .

OCTOBER, 1972 7 LONG TRADITION IN perlect hall lur 50 ~'earJ. PITTSBURGH ENDED Koch tdb how 1m ItJIlter received a leller 01 cOflgrtJ/ulaticJrJJ Irom CtJrnegic at ti,e 1,()()(JtI. recital ir. 1914, and again The following itcm r(.1f-lrding the or· Irom h;J u,;/e at the 2.000'11 perJormance vall and wt.'ckly rceilal series held in ill 1938. Koch received IliJ OWII leller the Xnrth Side Carnegie Hall. Pius· Irom the Canleg;e lamily ill 1007 wiler, Imrgh. l'eIHIS} h ·:miil. wali recently car· the ruita/of IJit 'he !I.UOO 111l1r., c..s tnl,· 1it.'C1 ill Ihe AUJ;II!11 I.!l in ue of 'rI,e lis/,it,g it as 'he oldeJI orgall recital "iuJfmf'gh I~""JJ , \\'c arc sure that il I' rn~ral/l ;" 'he ce u",,,·, \\ ill he uf inlel' e~ 1 10 IIInliV readers . ,th Inr Q,f Korh is rourertled, tlfere .\', Srrlr H rr " F" rls ,\1usiral T rnrlilion ;.f flO (1lhcr hall i" Ihe r;I)'_ or Ihe emm · A,{ "It~ Nort" Sirle taecUtt "earJ com. If")' IIlal could do jlUlice Iu the ()rgnll . /111'1;011, om' 01 II,,. city's oldt!'s i lind "Tltt're i.f 110 qrrt'J/itm allolll ii, the ge"tle,d trmlWo"s ;J Ilti"g /mclred cnr,.· organ JOlweb 1'1',\1 i" tI,nl magnilicent full)' ;"'0 crntCJ. hall," Koch Jaid. -rife Iw r:e mill resonant E. M . Skim,er "Olll ell that o/~u Jlagc, there is a orgall, wlticl, Iws j!Tnced tlrt! Jillge 01 remarkl1ble combinatioll 0/ a well·de­ l,fmlegie Mll'sic Hall in the North Side signed orga" a"d a haU 01 pcrlec.t Immrh 01 Cnmegie I.ilmrry Jirlce 1925, nrollJt;cs." i.f going into Jtornge, Koch lias kept the organ i" perlect Nicolas Kynaston, one at England', fore· A"d ttlt'll, it S{oeJ II,e o/deJI Ilrogram play;"g co flditioll, but he added it most organ recitalish and recording artists, of orgall ru;lalJ in the (ountr)" cover· U'ould CUJI al leaJI .$20,000 10 move it will make his first American conc.rt tour hlg afmm l IJ celltury. and rebuild it, during the 1973·7-4 ",ason under the man· Rellollaliolt I'lmu lor tI,e lIall call lor ogement of Arts Image. Th. 30.year·old Ihe olfl jllJlrll mell' 10 vacate tIll! 'stage performer has devoted himself eJildusiv.ly to IfJ make Toom lor Ihe cit}"j renewcd recital and recording work ,ince leovin9 his il/lueJt in loolliglUs mltl greaJI!.pain/. post as organist of London', Westminster Or. O. A. Flenlrap, organ bui!der fro", So, Jllbducd Slmda)' nl'emoon u ci· Cathtdrol in the spring of losl year. He Holland wi.! h.lp Salem College celebrate IlJb, allrruJe,1 fJY a .small group of Initt,· has perform. d frequently at the Royal fes­ ib 200th anniversary. He will be on the Iu' /Jtllrom, will be replaud by tiyal and A'bert Hall. in london, through­ college', Winllvn·$alem compu& hom Oct. the j/cmriJhiIJg Saturtln)'.nil{h'.al.c;gllt out England and Europe. and h. now has 27 10 29 at the North Carolina Mudc crowds IIlfft go ;" lor "'Uell livt!fier fare. \ ~.,. ~. . ~Jt.~. .;. ~ -. more comMercial recordingl to his credit Teacher's Convention. Or. Flentrop will T he city ad,'ertiJed the relic lor Jale . ., ,, than any ather 8rjlish organist in the last 6 speak on " Some Thoughb About Organ ill rlatirmal Imde jo urnals, bUI bids .' years. He ha l made 14 recordings on sl .. Restoration" and " Contemporary Organ De· lI'ere JO low it IIffJ rlecitled 10 keep the labels since 1967, and on. of them has signing:' and h. will be available for d i&· orgnrl - al least lor a wllile. ranked as the third best selling record In cUnion, oft.r eDCh ledure. Orle "lIm (Illered the city $400 lex the danicol mu,ic field in England. Mr. An'on Heiller, concert arlbt, and··profeuor­ the A rulrew Canlegie gilt, now valfl ed Kynoston was appointed organist at West· nl $70,000. Or, lie Jaid, the city could of organ at the Vienna Mu&ic Con&ervatory, ~( minster Cathedral at the age of 20. and will o!so be on the campus for th. celebra· lUi)' him $2,500 to cnrt it awa),. during his decode of service there h. or· lions, He will give two master das",s, the -rhe recitals IJegali i" 1890, on ope,,· gonized a recital series which has become first on Oct. 28 which will feature Bach's illl{ of Camegie MlIlic Hall, arid were a significant port of london mUlical life. "Orgelbiichlein," and the second on Cd, 29 pla)'ed 0" the lirJt 01 Jt!VertJl hundred Paul Morel hal been appointed director He was born in 1941 and received his first which will be on the Preludes and Fugues organs A"drew Cnrrregic waJ 10 donate of music at St. Andrew's Presbyterian piano lesson from his mother. who was also In E minor, F.,harp minor, and G minor, 10 U.S. cit;eJ. Church, Perth, Ontario, Canada. He leaves a violinist. His father was on Anglican priest. and the Fontalio on "Wie Schon leuch,et der The pOJI 01 municipal orgtJniJl was a similar podUon at All Saints' Westboro At age 9 he began 6 yean at the West· Margenstern" by Bu.tehude. Prof. Heiller created at 'lie Jame time as tile ru;ItJu (Anglican) Parish in OHowa, Ontarla. Mr. minster Cathedral Choir School where he will aiM! p'oy on organ concert on Oct. 27 llegan, and part 01 lu's job also WllS 10 Morel is a musicology senior at Carleton became head chorister. Organ lessons were on the Flentrop organ in Shirley Recital attract world·lamous vo(aliJtJ and mu· University, Ottowa, under John Churchill, begun under George Molcolm and Maxwell Hall; the program including works by Bruhn1, .""arlS to ~rlor", . Or. William Amtmann, and Alan Gillmor. fernie. and continued under Fernando Ger· Bach, Hindemith, and Reger. I'nul Koch, lite current orgRlI;JI tJnd mani and Rolph Oowne.. Whil. a studen' DAVID A. WEHR, anislanl professor of The master clos.ses and recilal are open mRlI 10 af Germani in Siena, ih. Kynaltan ..ned tile lig/.tb.g lIardl!$1 leu" the InlUte. a1 usl~m Kcntucky Uni..-cnily, Rich· 'A everyone. Further Informatton may be ;,u/r"IIIellt Offt 01 mothlndLs. in',cr;ted mond. Ky., Itu !Jecp JeJednJ for hi. levenlh as argonht of San Rocco Church in Rome. obtained by writing John S. Mueller, Solem til l' post Irom Ills lather, Cruper, who annual award by tl,~ American Socitly or Mr. Kynauon now Jives with his wil. In College, Winlton.Solem. N.C. 27108. prt'mled rm~r Ihe nlmmt acOt u tically Cnmpostn, AulhDn and Publishcn. Matdstone, Kent, England.

HEN COMPETITO RS pay us Ihe compliment of copying one of our products, it olten W confuses our customers. They find it difficult to decide which is better, the orig­ inal or the cheaper copy_ Here, then, are some questions you can ask the competition when you specify a stop-action magnet.

o Are contacts solid silver alloy, or just plating that wears off in time to cause poor electrical connections? o Is the hinge pin solid to take a beating without falling out, or is it only tubular? o Are all parts and sub-assembl ies American-made, or will you have to tolerate delays in service and delivery? o Is there a special plastic sleeve on the armature to el iminate noise? o Is a wiring guide supplied, or must you resort to "trial-and-error" installation? o Is the magnet available with or without engraved keys, or must they be pur­ chased elsewhere?

Answers to these questions should enable you to make an intelligent buying decision. But, in case someone tells you that those features make no differeuce in performance, ask them this very simple question:

DO YOU GIVE-AND STAND BEHIND-A FIVE-YEAR GUARANTEE ON MATERIALS AND WORKMANSHIP? "Actually, both magnets pictUred are Reisner C3's, but it takes a sharp eye to detect the differences between a C3 and a cheaper copy. Constructed of heavy-guag. nickle-plated steel, the C3 is available THE d ~tW'l in 28 and 40-ohm coils (special resistances to tfJ}. MFG_ CO- order), or without coils for manual operation. 6J(VV' J;WVVl j'I"~ INC_ Bracket angles are 15°, 19°, 32°, or straight armature for tilting tablets_ P. O. Box 71, Hagerstown, Maryland 21740, phone 301-733-2650

8 DIAPASON Alo),sillS ChUI'ch, Detroit, Michigan. I Thc new il1l1lruIQellt will ha,'e mechan· ical key action, clcctriClI stop action. and a solid state combination action.

GREAT Prindp;alll h. Roluil6te B h. Octave of h. Ijlllntadena of h . Hlocklliitc :! It. Ten. I ~ h . Mi"turc IV I'll h . Zirnbd V, h . Trumpet 8 h. Trcrnillalli SWELL G~cc:kt 8 ft. Saliciollal 8 ft. ~Ieste 8 h. l'rincilJal " h. Blockflote of h, Quint I ~ (t. Octave 1 ft. Duldan 16 ft. Krummilwn 16 ft. Trt'lIIu\ant SuLlun l(j It. INCORPORATED George Ritchie has been appointed 01- l'nnt'ipalflOle 8 It, sistont profes.sar of OIgan and music history KuppcUlOte " ft. Hage"iown. Maryland 217~0 Phone 301 - 733-'XXJO at tne School of Mlffic. Uniyersity of Neb­ l'US4Iune 16 h. raUta, Uncoln. He hold, the BA arKl MiAus degrees from th. Uniy.rsity of RedlarKls wher. his study was with Leslie Spelman 4th INTERNATIONAL BOYCHOIR Fourteenth Annual and Raymond Bo.,.. After teaching for a FESTIVAL ANNOUNCED year at Grace!and College. Lamoni. Iowa, NATIONAL ORGAN PLAYING COMPETITION he studied organ on a German Government The Fourth International no)'choir &pOnsor'" by grant in 1964·65 with Helmut Walcha in ]:t.-sLival will be held next Dcc. 28·Jan. THE FIRST PRESBYTERIAN CHURCH MUSIC SERIES Frankfurt. Germany. In 1967 he received I in Saltillo, Mexico, accon..ling to Ed­ the SMM degree, summa cum laude, from Fort Wayne, Indiana g-.u 'Y. Wyatt, president or .he Americas Union Seminary. studying argon with Robert Boychoir Federation. Counclls"illc, Pa. Baker and V.rnan O.Tar. He is a candidate Open to any organist who has nat reached The host choir will be the Singing his 35th birthday by March 10. 1973 for the OMu. d.gree at Indiana University Boys of Saltillo, under the direction or where his studies haye been supported by RodoIro Torres. ,\cconunodationll will Deadline for recei ... inl tape r.cordinls for preliminary auditions: Feb. 5. 1973 a National Defense Education Act Fellow· be provided ror a maximum or 200 boy Final competition date: March 10. 1973 ship and his organ study has been with lIingers £rom American and Canadian Clyde Holloway, For the past three years boYli' choirll. bo),choir directon, accom­ Firs. Prb.: $500 plus an appearance on April 10, 1973. as recitalist he has been chapel organllt at Duke Univer­ panistll, and chaperones. Thc maximum on the 1972.. 73 Fin. 'resbyterian Churm Music Series sity, Durham, North Carolina. number o[ perl5011S who may enroll from SHand 'rize: $300 anyone choir will lle 30. Charter bUll service will be a\'ailable rrom the San for detaUs and application blanks write: Kney to Build Antonio. Texas airport 10 Saltillo on NATIONAL ORGAN .LAYING COMPaniON for Detroit Church Thursday. D~c. 28, rClurnin~ on Mon· FIRST .IESaYTERIAN CHURCH lIay. Jan. 1. Chaperone sen'tce will be 300 wm WAYNE STREET provillcd ror bo)'5 arriving unaccompan· FORT WAYNE. INDIANA 46802 Gabriel Kncy &: Co. of Lontlon, On­ led by an aduh at San Antonio Airport. lario, Canada. h:l\'e been a"'ardetl the Wyall said that any boy lingers or 1972-73 Series: Ja:k Ruhl; Rog.r WaDner Chorale; Chris' Church Cathedral Choir. contract 10 build a 2-m::mual and ped.:l1 boys' choirs are eligible to participatc Indklnapolis; Competition Winn ...; Robert Ander",n. mcdlanical action instrument for SI. in the festh'aJ. Aeolian-Skinne, organ of 88 ronks

....

We would like to take this opportunity of thanking all those people 'Who have written to w; and to 'Whom we've not yet been able to reply, 'With their inquiries and good wishes cuncerning oor new company. We wry much appreciate your interest, and look forward to cuntinuing to 'Work with yoo all in the cause of fine organs.

LAWRENCE PHE-lPS AND ASSOCIATES, Mont-Saint-Hilaire, Quebec, Box 28 - -

OCTOBER, 1972 9 Schantz to Build for Laurinburg, N.C. Church

The Schantz Organ Co., Orrville, A FRANCK FI RST Ohio has received a contract (rom Laur­ inburg Presbyterian Church. Laurin­ burg. North Carolina for a 3·manual organ to be installed late in 19i2. The Great division is to be exposed on each The premier recording of the Saint Meinrad Archabbey organ, side of the chancel with the Swell en­ closed in a shallow chamber on the one of the truly beautiful organs of the country. Spacious, four­ right side and the t'nclosed Choir in an channel "QUAD" recording faithfully reproduces the glorious expression box in the chambt'r on the left side. The unt'nclosed Pedal will be sound of this magnificent instrument and is fully compatible in the right chamber also. Fr. John E. and playable on standard stereo and mono equipment. Williams. associate professor of organ at Saint Andrew's Presbyterian College A "tour-de-force" of Franck's organ works including Piece amI organist of the church. prepared the specifications with Mr. Alfred E. Heroique, Priere, Pastorale, and Final. Lunsford o( the Schantz Organ Com­ pany.

GREAT J'rincil,al 8 h. 61 pip" Geclackt 8 It. 61 pi,." Octave 4 h. 61 pip6 Nachthorn 4 ft. 61 pipes SIII,er Ocla\"e 2 It. 61 pipes Mixlu~ IV 244 pipes Troml.rle 8 h. 61 pipc5 Chimrs 25 bell, SWELL Fillte a chcminre 16 ft. 12 pipes Ncw Wilhelm Tracker Fillte a cheminre 8 h. 61 pipes Viole de Gambe 8 h. 61 pipes to Montpelier, Vermont Viole Crleste 8 h. (TC) 49 pipes Karl Wilhelm. organ builder o( St. I'rest:mt 4 h. 61 pipes Flllte a clu'llIinre 4 ft. 12 pil'es Hyacinthe, Quebl'C. Canada. has built Uoublette 2 h. 61 ,.i,.es and installed a new mechanical action I'lein Jell III 183 pil'es organ at Christ Churcb, Episcopal, TromllClle 8 ft . 61 pipros Montpelier. Vermont. The organ com· lIautboi, -I ft. 61 pipes prises 2 manuals and pedal and con· Trrmulant sislS of 19 stops. Both tile key and stop CHOIR actions arc lIlt'chanical. and the organ Boroun 8 ft . 61 pipes is encased in planed. natural. solid Flallio Dolce 8 ft. 61 "ipes white oak. The instrument is located Flaulo Crlelle 8 ft. ITC) -19 l'iJtt·~ KOPJ,elfloele -I ft. 61 pipes in the geographical center of the Nasal 2% ft . 61 pipes church's length. The design was the l'rinciJIaI :! ft. 61 pipes \\Ork of Mr. Wilhelm in consultatiun B1ockllode :! ft. 61 pip" with John Russell. organist of the Ten 1~ ft. 61 pipes church, and the Rev. David \V. Brown. Scharf III 183 pipes rector. Voicing and tonal finishing was Dulzian 8 h . 61 pipes done by Christoph Linde o( the Wil· Tremulant Cymhalstern helm rirm, A ul.-dication recital was Trollll't'le 8 ft. Iii 1'lpt'S played on June 4 by Mr. Russell. Bern· ard Lagace of Montreal played a recital I'EDAL Resultant 32 ft. on May 7 for the Vermont Chapter I'rincipal 16 ft. 32 pilH.'S A.G.O. BrulllllIbass 16 h. 32 IlilJCS Flute a cheminec 16 h . (Swell) HAUPTWERK Octa\'e 8 ft. 12 pipes I'rinlipal 8 ft. 56 pipes Flute a cheminee 8 ft. (Swell) RClhrf16te 8 ft. 56 pip6 Super Oct:I\"C ... it. 12 pipcs OctaY ... ft. 56 pipes Flute a chemince -I ft. {Swell; KOI.prlfliite -4 ft. 56 pipcs Mixture III 96 pi"es Naz.ard 2~ ft. 56 pipes I'osaune Hi ft . 32 ,lifICS Waldnote 2 ft. 56 pipes Trompete 8 ft. 12 I.ipcs Mixtllr IV IY, ft. 22-1 pipes Dlllzian -I ft . (Choir) Trompele 8 ft. 56 pipes BRUSTWERK lIC1bgrdackt 8 ft. 56 ,.ipes Michael Murray, one of America's brilliant young organists ALLEN ANNOUNCES Rohrflote -I It. 56 pipes NEW INSTALLATIONS "rinripal ::! ft. 56 pillCS and a pupil of Marcel Dupre, made his European debut in Leiden, Quinte 1 ~ ft . 56 pipcs Sesquiaitern II 78 I.ipes Holland last summer the week before these recordings were The Allt'n Organ Company has re· Zimbrl II-III }t\ ft. 150 pil'es made, drawing raVe notices from the Dutch critics. In January, cently installed new instruments utiliz· Regal 8 ft. 56 pipes ing Allen's new digital computor tone Trcmulant Mr. Murray will give recitals in Stockholm, Amsterdam, Paris, generation system in the rollowing PEDAL Suhh.:ass 16 h. 30 pipes London, Berlin, Bern, Barcelona, Strasbourg, Cleveland, and churches and schools: Odfellflule 8 ft. 30 pipes The Memorial Chapel (U.s. Army). CllOrnl Ban -I ft. 30 pipes New Haven. Furt Myers. Va. (3·manual); Fagott 16 ft. 30 pipes Memorial Church o( our Father Mr. Murray is represented by International Concert Admini­ (Episcopal) , l:oxburg. Pa. (2 ·manual); NEW YORK CITY stratie, Von Boshuizenstraat 549, Amsterdam 11, Netherlands. First United Methodist Church. Los Alamos. N.M. (2·manual); CHAPTER OPENS SEASON the new Roman Catholic Church. WITH SERIOUS PROGRAM Vernon Conn. (2'lI1anllal); Temple Beth EI. Allentown. Pa. (2· ------manual) ; The New York City Chapter A.G.O. St. Andrew's Evangelical Lutheran opened its 1972·73 season with a very Church, Easton. Pa. (2 manual); heavy program provided by the East An ADVENT limited edition recording available from: Faith Presbyterian Church. Wilming· Snowshoe Troupe. direct from its re­ ton. Del.; ccnt successful tour in BaWnland. Hud· ORGAN RECORDS the new Fine Arts Center Auditorium. son Bay, and points north on the dog­ Sioux Falls College, South Dakota; sled trail. The very serious program was 23366 Commerce Park Rd. entitled "Who \\'ired the Motor Switch Southlands College. Wimbledon. Eng· to the Crescendo Pedal?", and (eatured land (2·manual); Cleveland, Ohio 44122 "Eine kleine kampische Konzert." 'Yorks Calvary Baptist Church. New York included on the program were the pre· City. N.Y. (a·manual custom); miere of "Sick Transport" by R. Fooli­ The "Amphitorium·'. Bob Jones Vni. schiano (or tape and sundry (introduc. Please send . . __ .. _ Michael Murray Franck records to: \'ersity. Greenville. S.C. (a·manual cus· ing a new. young conductor. protege tom) ; of the (amous Leo Burnstone): Bach's St. Thomas Episcopal Church, Hous· Cantata #224.X, the only X·rated can· tin. Texas (3·manual in the chancel. tata in existence. in a manuscript edi­ smaller instrument in gallery); tion recently hi·jacked from the Zeller and Simsbury United Methodist Schwartze Katzc Museum in Rhinebed.:. Church. Hartrord. Conn. (a·manual). E. Germany: a musicological romp. Address ______..._ ...... __ . ______. ______. __ ..... ______.._ tracing the history o( the folksong "Die In addition. the Allen company has drci blinden Mice" with Prof. Johann installed a gigantic solid·state microcir­ R. \Veber lecturing; a newly discovered cuit capture combination action in the Clty______Slate_ _ ... __ Zip _ _. __ _ quarlet of G. F. Handel; the incom· large organ at the U.s. Military Acad· parable duo of Fraulein Packer, piano­ emy Chapel. West Point, N.Y. forte and Monsieur de la Barnyard. or­ gan beater (under the exclusive man· Price: $4.98 each plus SO¢ postage and handling. TilE ALAMO CHAPTER AGO. Texas. has el«tctl the following officen: Madolyn Doug­ agement of Muzack. Ltd.); and finally. We pay postage and handling if payment accompanies order. las Sw~aringen, dean; G~rgc Gregory. lub­ last but not least, a "surprize." The dean and program chairman; Cathy Owen, Sept. 24 event at Central Presbyterian secret.:ary; and Mn. Melvin Rossman, treasurer. Church was indeed a "gala opening:'

10 DIAPASON NEW MUSIC FOR ORGAN AND INSTRUMENTS

THE PRAISE OF CHRISTMAS Edited by Paul Thomas Volume 1-97-5050-$3.00 Volume 11-97-5085-$3.00 For two treble instruments, organ or harpsichord, and bass instrument. Also suitable for general use. NEW ORGAN MUSIC George Markey hg, been ,eleded a. an 12 ORGAN CAROLS FOR CHRISTMAS " Out-tanding Educator in Ame,ica" and his biography will appear in the 1972 edition By Hermann Schroeder of that publication. He is aha listed in the Blue 8aak. th. Dictionary oJ Internotianol Bruce I . Ste¥e"s hal been oward.d a Dan­ No. 97-5017 -$3.00 Btography. and Who'. Who in Mulic (Eng. ish M:mhull Memorial Fvnd G,ont 'or ten Based on the same carols that Hermann Schroeder arranged land). During masl of hil prafeslianal Iif• • months' study in Copenhagen, Denmark duro Or. Mork.y has lIlGin.uined three separo.e ing the currenl academic year. He wat be for choir and instruments. careen In music. He began concertizing in ,tudying with Finn Vider,., Mr. Sklven., a 1950 under the management of Bernard R. nali¥e of Roanoke, Va .• recei"'ed his early LaBerge. His concerts are now under the schooling in Richmond. His early organ SUITE FROM DROTININGHOLMS-MUSIQUE management of his personal repre",ntali¥e, teachers were Charles Cooke and Gron¥i1Ie Jane Page Markey. H. has played concerts Munson . He holds the BA degree from the Johan Helmich Roman. Arranged for organ by University of Richmond where h. ,tudied throughout the U.S. . England. and in Eu­ S. Drummond Wolff rope, and h. has mode a total of ten lP with Suzanne KIdd. He was awarded a recordings In America and Germany, as Woodrow Wilson fellowship for graduate No. 97-5106-$2.75 dudy at Ihe University of Illinois, and re­ well as tapes lor th. West Ge,man Na· From the orchestral suite of music composed for the marriage lional Radio and the Belgium National Radio. ceived the MM degree in organ performance As a church musician. he has se,..,ed ",'I­ and lilerature from thai school in 1970. He festivities at DroUningholms Castle, Sweden, in 1744. eral prominent churches in the Philadelphia i, currently a candldot. for the OMA de­ and New York ar.Ol, and at present. is th. gree at the Univetlity of 11111'01, wh.,e he diredor of music at All Souls Unitarian has studied with J.,ald Hamilton. Mr. Church, New York City. Stenn. wo. thi,d place winner in the no­ As an .dur::ator, h. hal taught at th. tional organ playing comp.litN,n in los Eastern Baptist Seminary, Philadelphia; the Angeles in 1971. He has h.ld church pasi. Episcopal Ar::odemy for Boy., Ch'erbrook; tions In Champaign and Urbana. Illinois. Peabody ConYl'Vatary of Musk. Baltimore; Westminster Choi, Colleg.. P,inr::eton (now Bcckcrath Builds for in his twenty.third ynr as prolnsor of or· Columbus, Ohio Church gon), and th. Guilmon' Organ School. New York City. where h. b beginning his ninth The First Congrcgation2l Church. year as diredar of the school. This year, Columbus. Ohio, has rcctntly had a Dr. Morlcey will conclud an open perform­ new !I·manual. 72 ·rank pipe organ in­ C!!!~!?la ance class the first Saturday morning of stalled in the rear gallc.ry of the spa­ 3'se SOUTH .J(H£ASOH A\'lMJE each month, where profenional organists cious nco-gothic building, The instna· SAINT l OUtS, MISSOURI ei3118 may play pr.pared repertoire for r::onst,ue. ment wa:i designed and built by Rudolf li'Ie criticism. and a new compasition suit­ mn Beckerath of Hamburg. 'Vest Ger­ able far churr::h or concert use will be Illany. The 4·year project included a performed each month. complete acoustietl refurbishing of the -IO·year old church. An all cork ceiling was replaced with I ~ .. plywood strips. and all walls were resurfaccd and paint. IM.R/mA BACH SOCIETY cd. The musiC:lI sound In the room has HOLDS 50th ANNUAL MEETING taken on a hilherto unknown vibrancy. The new instrument h:u mechanical The 50th 3nnual meeting of the 1\(3r· key action. electriQI stop action with iella, Ohio, Bach Societ)· was held july a Clpture type rombin31ion action. The 30 at Chdcr TCtT3Ce, the home of the manual comr,ass is 56 notes. the pedal I:.te Thmnas H. Cisler. founder of the !l2 notes. Jo III Schader is the director liOCiety. The progTam was announced of music of the church. in lr.lditional milnner with chorales GREAT pla}'Ctl hy a brass choir. conducted by Quinlatlena 16 It. Dale Holshu. To open die program. Principal 8 fc . all prcscnt joined in :iinging NolV SpidlOle 8 ft. Tlulnk fl'e All O.'T God. accompanied Ocla\'e 4 It. by the brass choir. lIohlnole 4 h . From the organ music o( Bach. pre­ N ~Ja t :! ~ II. sentations included: Lord jesus Cllrist. Qcta\'e ! h . Tierce I ),; It. De Prese,,' Now, played by Roberta Mixture VI Overmyer: Can:ona I'n D mitIOr. played CymbeilU by David Schelat; We All Deliroe in TrornpeUe 8 h . One Cod. played by Maril,'n j. Spannh Trumpet B It. Schramm: In Cod. My Fail/I I II God, Spanisb Trumpet 4 It. and the Toccata in D mitior. played by SWELL Mary E. McBride. Boroun Hi h. Rohrnote 8 It, From the MUjica' Ol/ering, the can· Violnote 8 h. onic fugue was played by "tilly j. An ~ CeleJte 8 ft. tal, Amy Hill, H. Courtney jones. Viola" ft. N3ncy Staton, and Clyburn R. Yoho. Flute OctAviante -I It. From the C:lntalas and oratorios. pre· Flachnolc 2 It. Cornet III 2?i + IJS + 1.1 /7 ft. scnbtiom; in the sequence of the Chris· Mixlure V tian churt:h year given by choir and Duldan 16 It. instnlmenlalisls inc Iud e d: Awake, Oboe 8 It. St. MIchael's Church Awake!; Come, Redeemer 0/ Our Race; Mwctle" h. the Cllristm4J Oratorio; the MagnilictU I'OsrrlV Orland Park, IIl1nol. in D; Ti,e Sages 01 Sheba; How Brig"" Gcdaekt 8 fe. It. /1 Sll i tu~s tile Morning Star.' jeJw, My QuintAdena 8 Principal" Ic. DelDrJed Saviour,' Come. Let Us Go Up Robrfl31c ... II. 10 )ertualem; the Passion According 10 Octave 2 It. St. Mauhew; the Passion According to Qwnte 1~ It. St. Jolin; the Mtus in n minor,' the SilflaCe 1 It. Easter Oratorio; Cllrist Lay in Death's Sesquialterfl II FIFTEEN RANKS Dark Prison; Hold in A.llectiorl jejw Scharf IV-VI ellrist; the A.scension Oralorio,' a Light Cromome 8 It. Everlosting; The Heavens Declare the PEDAL Principal 16 ft. Glory of God. Subbals 16 ft. The tradition31 closing number:i oC OctAve 8 ft. the program. in observa.nce of the an­ Robrwedackt 8 It. nivers.try of Bach's death, were his Octave .. ft. WICKS ORGAN COMPANY IHighland, Illinois 62249 melody Come, Sweet Death, played on Nachtborn 2 It. the solo flute by H. Courtney Jones. Basszink III 5~ + :3~ + 2.2/7 (. , Mixture VI Pipe Organ Craftsmen Since 1906 3nd Bach', l35t composition, played by Posaune 16 II. Lillian E. Cisler, the chorale prelude Trumpet 8 h . Be/ore 1'11'1 Tllrone I Now A/lPear. Trumpet" It.

OCTOBER, 1972 11 he found st'\'c:ral times, besides ¢, also secular compositions. puhlished in 3/1, 3, and 3/2. In Claudio Mendo parts two and three, C3, ¢3 and 3 oc­ How Time Was Notated (1 533-1604 ) and Andrea Gabrieli cur scveral times. Prob1bly Swcelinck (about 1515-1586), whose works, how­ nOlated his work on two lincs, as did In Early Keyboard Music, Part I evcr, were published by Giovanni Ga­ the English Virginalists and also the bricli, C is very rare, :md ncarl}' Italians. Various innl1ence~ from both c\'erything is notated under t. G. Za.r­ countries could have ~tilHulated him. During the last 20 years the Eng­ by Th. van Huijstee lino ( 1517-1590), an important theo­ rist in Venice, was against the usage lish have outdone us by excellent new of a large number of symbols. editions of their historic music: the (Fin' publish"' In He' Orgel, monthly magazine of the Dutch Society of Orgonist., The oldest Italian orgait composer, se ries A/usica fJrita",,;ca, which now Aprg 1971. Reprlnt.d Ity p.,,,,ission of the auth.r. Tran,lated by Dr. Alfrecl Ro.onb.,.o" Girolamo Cavazzoni (about 1450- contains 27 volumc., . Two or them Frankfurt alMaln, W•• t Germany.) 1560), shows few "fossils" in his or­ present the works of Sweclinck's con­ gan music, printed in 1517. temporary John Bull (1563·1628). III Let us go back to Dach and follow the first part, mostly organ mU ll ic, the mr: thod of justifying all authentic sym­ The author \\'35 requested to write for example. The chorale prelude "0 the line leading to France. Fmncois an article explaining the meaning of Lamm Gottes unschuldig" (from the Couperin (1668·1733) notates special bols from the sources with great ex­ the old time symbols which are still Leipzig Chomle Preludes, 5.656) is symbols in his Alesse Ii l'Usage des actitude is not yet employed; in the to be found at the beginning of mu­ an example. Here we find 3/2, 9/4, Couvents: besides 3 also 2. It is the second part, mostly secu);,r music - sical scores as, for example, in prc­ 3/2j an older version ha, 3/2, 9/8, familiar 4/4 measure. Nicolas de Grig­ organ music not excluded - this is done. The editor, Thurston Dart, ob­ Bach music. It did not seem possible whereas the bass is noted 3/2. ny (1672-1703) has C, ¢, 3, 2/3, 3/4, serves here, ". . . plenty of evidcnce to carry out this commiso;ion in a few Bach's way of placing bars, as we 6/4, 6/8 and 12/8. Louis Couperin words: its background is formed by (1626-1661 ) e,·en shows that thcre is no coherent tradi­ do it nowadays to render the meter tion, O\'ert or hidden, relating the the whole problem of how to inter­ intelligible is not always consistent. pret and how to exprc.ls the notion tempi of the various time-signatures Our mod~m notes do not indicate ~; one with aonther." This might be of lime, a notion of hasic importance definite spaces of time. nor is this and a prett), for all music; all this cannot be ex­ right for Bull's works, but in genernl done by bars. Only the \'ague expres­ pie<:c of his, although quire short it is surely not true. Later we shall plained in a few pages. I shall tTy to sions, still rarely used by Dach (Largo, Piece de trois sorles de A'/oIl Vt mClltJ. present Ill}' material with the utmost see this in the course of this article. Vivace, etc.) gh·c u~ some knowledge pages 91 and 92 in Alan Curtis' edi­ accurnC}'. I shall IHudly be able to J ncidenlally I found II different about the duration of certain notes, tion for Heugel), shows ¢, 3/2 and offer new disco\'cries or personal 3, "time-signatures" in Dull. and those who want to interpret these for the last two measures C. The In the K eyboard A.fusic of William ideas; this article will be simpl}' a expressions must be familiar with the survey of that which cverYbne· could many works of the still-older 1. Cham­ Brrd (1542·1623), the second part 01 tradition, maihly because sometimes, pion de Chambonnicres (1602·1672) find out for himself. besides the notion of time they allude which is still to be edited, six arc to show few old symbols, whereas the be found, not counting those generally A few old time symbols (the C and to certain feelings (Grave, ~Iolto Hymes and Verse's sur Ie " 'Iagnificat alia breve symbol ¢) are still familiar Adagio). Only the metronome made used still today. A good deal of the by Jean Titelouze (1563.1633) have music of Byrd, Bull, and the other to us in spite of the fact that, already time-notation in music possible with­ the symbols C, ¢, 3 and in 1619 (in the S}'nlagma Musicum), Virginalists was pub!ished in the well­ out any ambiguity; or perhaps, more known Fitzwilliam Virginal Book, Michael Praetorius wrote about his exactly, the metronome made it pos­ teacher, "Giovanni Gabrieli (1557- sible agaill. as we shall sec. (In his ct>3. whose modern "translation" (from 1612 ) noted the ¢ symbol everywhere In the works of these French com· 1899) shows modem symbols every­ second string quartet Bartok marks where, in place of the old symbols. in all his concertos, symponics, can­ metronome instmctions in 84 placcs; posers, as also in Frobcrger and the zone, and sonatas with or without Italians, the end of a piece in triple \Ve now think that not everything is he wants his fifth quartet to last 27 correct in this edition. texts, so that until now in all his minutes and 39 seconds! ) time is sometimes notated C. Here a music I never found the C sign." final ritenuto is expressed by the no­ The stillolder English keyboard If we go b.. ,ck in time from Bach tation; the player should then not music, collected in the Afullincr Boo1.:, Other late-medie\'31 or Renaissanre and move to the South. to Johann symbols aTC completely unfamiliar to make au additional ritardando or his about 1560 (Alusica Britannica. Vol­ rachelbel ( 1653.1 706), we find only own! ume I) as well as the liturgical Early \l! nO\\'j wh ich contemporary player is Ihe symbols C and ¢, and the fre­ ahle to read an org.m tabulature Let us go back to Bach for a last Tudor Orlin. Music by John Redford quently used 3/4 ,9/8, etc., at least in and Tr. Preston from the first half which Bach used in his time? There­ the four parts of his organ works, time, and to the north-west. No man­ fore most of the music composed be­ uscript by Buxtehude (1637.1707) has of the 16th century shows very few edited by Karl Matthaci {Bacrenreit­ time symbols. for 1700 is published in a more-or­ er}. None of Pachelbel's autographs heen preserved. Part of his organ less good "translalion." Sometimes the works arc only known from second­ There is a connecting line from Eng­ remain, but contemporary printed hllld and the Netherlands to Italy and original notation is marked, with or copies of his wurks still exist. or third-hand letter tabulatures of a without explanatiOlls. later copyist. Different from Bach, the probably to Spain, as well. Antonio Froln the works of Johann Jacob de Cabezon ( 1510·1566) must have The first thill/.! I had to do was tn manyfold usage of 3/2 measure strikes Froberger (1616-1667 ) there remain l1S. ~Iany of Buxtehude's works con­ visited the Netherlands. Severnl timc.'\: investigate what could still be found excellent manuscripts, which were his influence has been the object of concerning time symhols in music sist of a number of sections. for ex­ ('umpletcly reprinted about 1900. Se\,­ rcsearch. A short time after his death generally known tod~r; bu~ complete­ ample the aile in E minor: C (prelude t:ral times Frohergcr uses the symbol ,md fugue), 3/2 (fugue), C (toccata), his organ works were printed luxuri­ ness was not Ill}' aim, neuher when 3, and :llso 9/3j whenevcr a section writing ahout composers, nor ahout 12/8 (fugue), C (coda). This piece ously and presented in a special num­ under 12/8 is followed uy aile in 4/4 bcr lalmlature. Today they arc trnn~ their works. is number 9, Book I I, of the Hedar 1 was interested ill getting he puts 8112 as an instruction to re­ scribed in three parts of Obras de a preliminary impression. edition. Strauhe published it in Alte sume the former meter. As for using Musica and in La A'lusica en la Cortc There is little difficult}' in under­ Meister I with a lot of Italian terms, harlincs, the editor Guido Adler ob­ which, however, are Strauhe's, not tic Carlos V. I found few Renaissance standing time notation in DOlch's m~l­ seT\'es that it was done most arbitrar­ Buxtehude's. time symbols there; in fact, the mcter sic. TIl€' ~ )' mhol'i arc well-known still ily, lJut that these old-fashioned ways Samuel Scheidt (1587-1654) edited uf the music is rather simple, with today: C, 3/4, 12/8, etc. No symbol show that Froberger was a student of nearl}' everything his organ works in a magnificent way; t . unknown to U'i will be found in the Frescobaldi in Rome. A general view of all this gives us according 10 Italian usage he wrote nine Peters \'oIUIllI!S nor in the organ Ihe impression that lhe usc of the old, music published in the Neue Bach Nearly all lhe music composed by his scores in "open score" with a spe­ Frescobaldi ( 1583·1&13 ) was printed cial line for each voice; therefore the late-medieval and Renaissance time Ausgabe. Number 19 from the Orgel­ symbols, the so-called mensurnl sym­ during his lifctime, certain r.ieces more Gennans called it Tablilatura Nova, buechlein, "Herr Gatt, nun sehleuss bols in keyboard mwic, is concentmted den Himmel aur' is well known; most­ than oncc. Now lhrough t Ie editorial He notates rhythms under ¢3, ¢6/4 work of Pierre Pidoux who prepared about the year 1600, and lhat they ly Bach notated his organ music 011 and ¢i barlines are not used regularly. the five-volume edition recently print­ existed above all in England and cen­ two lines; here he wrote C 24/16 on The Choralbearbeitungen by Hein­ ed in America for lhe scries Cor/JUs tral Italy. Of course, material is far the upper and C 1218 on the lower rich Scheidemann from Hamburg too scanty to draw a conclusion or to line; the b~ss forms triplets against the 0/ Early K fl ybDard Alusic we have all the keyboard music lransmitted by (1 596·1663) have only the notations search for the reasons, but it is an op­ soprano and alto, :md where they ?rc C and 3/2. Today we have the works portunity to develop more interest III notated in duplets they arc, accordmg manuscript as well. Thus we have all of Frescobaldi's keyboard works at of Jan P. Sweelinek, ( 1562·1621 ), these symbols, above all for their use to the usage of those days, to be teacher of both Scheidt ., nd Scheide­ to the practicing performer. adapted to the shorter rhythm of the our disposal. Pidoux indicates all au­ thentic time symbols without tramlat­ mann, in a model edition in three (To be continued) bass. (In Hermann Keller's edition parts; a t last a Dutch 1(onumenta they arc quite well printed in the ing or explaining them. I counted 21. ?... [any of them give us the impression Musicae! It is an enormous short­ right places, better than in Peters). coming that we don't know any au­ T. Van Huijstee was born in 1905 [Ed. Note: The alignment is also ex­ of fossils from a time extremely long ago: thentic print or manuscript of Swce­ in A msterdam, wll ere lie studied at cellent in Riemenschneider's edition linck's keyboard music; nearly evcry­ till! Conservatory and geology and of the Orgclbuechlein.J The notation 03/1, ¢3/Z thing is rcconstructed from frequently­ geography at ti,e University. He has of the soprano and aha under the C dubious sources of a much later time. and so on. The worked as n geologist (from whence symbol upon a .s pecial upper line, The works do not show many Renais­ his interest in ff/o ssils" ) and. since howe\'cr, is an addition of the 19th first aim of this artide is to provide sance symbols, and the question is some explanation of all this. I!H5, he has also taught at the Amsler­ century; it is easier to play it this how far this is the result of the copy­ dam Gymnasium. During the last 20 way. Equally in tbe work of G. M. Tra· ists' work or of the northern halian years his main avocation has been 'Ve know a good deal of Bach's baci (about 1575.16f7) several Re· innuence under the leadership of Zar­ music; he plays organ and harpsichord, organ works only from manuscripts naissance symbols are to be found. linD? In the first part of Ihe Swee­ and has published various articles made by other people after his deathi The fact that the older composers linck works, the Fantasies and Tocca­ about Bach and early keybord music part of what Bach ~otated hi".'s~lf can from northern h Ol ly used quite a tas, we find works notnted in the si"ce 1958. be reconstructed with great difficulty; smaller number of symbols must not sources exclusively under the ¢ sym­ be overlooked. Dut Pmctorius, whom Part Two 0/ this article deals with part not at all. bol. The editor, Gustav Leonhardt, ti,e theory of proportion in early mu­ In Bach it mrely occurs that a work I quoted concerning Gabrieli, is not publishcd all of them with the C sym­ sic; part three provides a practical is divided into seveml sections, each perfectly right: in the two parts of bol; all the details are explaincd and application 0/ these abstract ideas to with a time notation of its owni this Composizioni per Organa, edited by justified with great exactitude. In the the Cento Partite sopra Passacaglia is unlike Buxtehude and the Italians, S. Dalla Libera, the C symbol W3! to sources of the choral works and the by Frescobaldi.

12 DIAPASON New Appointments zmioll that has won the acclaim of cnues and the musical public through­ 'William Be5t has resigned his posi. out the country and also in Europe dOll as organist and music director of ,lIId RU~'ii:l, Dr. Moe ",as prc\'iously di· Monulllental Church. Chicago. 111 .• to reclor of chor.d acth iti~ at the Vni­ hecome the otg;mist or the l'n'Sbylcrian \crsil)' of Iowa, Iowa City. where hc Church, Weslern Springs, Illinois. a built an imprc..'5Si\'c choral s)'stcm and Chicago suhurb. Mr. Best conlilHtl'S as a lal"boc department of choral conductin~ at both the undergraduate and graduate ;111 instructor in the music d epartment JOHANN SEBASTIAN BACH uf Kennedy.King Cullt'gc, Chicago. le\'els in the School of Music. I'le was Complete Organ Works In Nine Volumes also choirmaster at Gloria Dei Lutheran Gwilym J. Rcnm has been ap(loillll..'d Church in ,O\,'a Cit)'. each volume: $3.50 urganisl and lIIa~ilcr of the choiristcrs 240 - Volume I at 51. l'aul'5 C:tlhcdral. London. On· Clmrln Huddlrston Hcaton has Ut.'C1I Pouocaglla and Fugue (c); Postoro!e IF); lario, Canada. He It' ilHS Ihe pusition 01 appointcd otgani5t ami choirmaster or 6 Trio Sonatas (Eb. e, d. e, C. G) orgnnisl.chnirmaslcr at 51. Peter's East Liberty Presbyterian Church, Pitts· 2'" Volume II Church, Urock\"iJlc. Outario. buq;-h, I'a. to succeed Donald Kettering. Fantasy and Fugue (g) (Great): 9 Preludes and Fugues: ~[ary Grenier S.... licky, organist. has who retired earlier this year. Dr. Hea­ C (Weimar); G (Greal); A; f; c (Great); C (Leip~ig); 111.'1.' 11 lI:uncd chairman of Ihe depart. ton kavcs the position or organist and a (Great); e (Wedge or Scissors); b (Greol) IItt'nl of music at I-Ioward County choirmaster at Second Presbyterian 242 - Vaillma III Junior Coth.'gc. Hil? Spring, Tcx:l.S. Mrs. Church. 51. Louis, Mis.souri. Dr. He;)' Fantasy ond Fugue (c); 6 Pnlude. and Fug~.: Eb (St. Anna Skalicky is beginnmg her ri£ih year at lon, who received his J)SM degree from ar Trinity); d (Violin Fugue); g; C; a; a (Calhedral, Little, or Ihe rolkogc where she leaches organ. the School or Sacred Music. Union Night Watchman); 3 Toccatas and Fugues: F; d (Dorion); C piano. music literature. and elementary TheologiC"J.1 Seminary. New York City. 2"3 - Volume IV lIIusic education, She also sen LOS as or­ 1\'as also n-gional repn'Sentative ror the Canzona (d); 2 Fantasias (G, e). 4 Fugues: c (Legrenzi or ganist of the First United Methodist Aeolian,Skinner Organ Company in St. Double Fugue); g (Little or Folksong); b (on a theme by Church, Big Spring_ Louis. Coralli); c; Praeludium (a); .. Preludes and Fugues: C (Trumpet); GI 0; c (Afnsladt): Toccata and Fugue Cd ); 1rio (d) George Edward Damp has been ap­ 244 - Volume V poinll'd \'isiting instructor in orb'"3n at Wl'Stminstrr Choir Collc..ogr. Prince­ 56 Short Chorale Preludes; 5 Canonic Vafialions on "Vom Himmel Oberlin Conscr\'iltory of Music, Ober· ton, N.J. has announced the rollowing lin, Ohio for the JoaI1 sellll'Ster. 1972_ new appointments to the teaching facul· hach"; 7 Charole Preludes; Chorale Vorlatlons ani "Christ, der I'le is replacing Carth Peacock during t}'; Loulsc Cheadle, director of the pre­ du bisl der helle Tog" (7 Panitas), " 0 Gatt, du frommer Go"" his sabbatical leave, Mr. Damp is a can· paratory department; William Dalglish. (9 Partitas). "Se; gegrueuef Josu guetig" (11 Variations) didate for the DMA dl'grcc at Eastman a~,~ istant proressor or mllsic history: 245 - Volume VI: 34 Chorale P,eludes School of Music wherc he is a slIIdcnt William "a)'s, assistant prorcs.sor of or­ Chorales A to J, inciudiltQ: Clavieruehun9 III. NOi, 7 to 1lo of Rnsse1l Saunders. gan; John S. C. Kemp, associate prorl'S­ 1610 21; 18 Greo' Chorales. HOi. l. 5,1210 16; Schuebler sor or church music and head of the dt... Cholales, No.5 Edmund Shay has accepted a tcach­ artlllcnt: Helen Kemp. asmciate pro­ 246 - Volume VII : 29 Chorale Preludes ing position in oflP,n and theory at r.c..'SSor o[ church music; JUdith Nicosia, Chorales K to Z, including: Clavieruebung III. Nos. 1 to 6. Columbia College. Columbia, South instructor of mice; and Dean Wilder. 12 to 15; 18 Great Chorales. Nos. 1". 2,4.6 to 11, 17, 18; Carolina_ For the past three ),ears Dr. associate prorl."S50r of \'oice and hc-ad Schuebler Chorale •• NOI. , to 4. 6; No. 60: Wir glauhen all an Shay has held onc-)ear sabbatical·leave or the department, einen Gott (The Giani Fugue or The Credo) positions at the Consenatm), or Music 247 - VolUMe VIII of the Unh'ersity of the PaCific in Cali· Allabreve (D): 4 Coneerlif G, 0, C (all after Vivaldi); C. fornia; at Pembroke State Unh'ersity, R.C.C.O. TO HOLD ORGAN Fontasy (Cl; 2 Fugue.: C (Hexochord); g: 3 Preludes (C. C, G); North Carolina; and at Beloit College, PLAYING COMPETITION 8 Short Preludes and Fugues (C. d. e, F, G, g. a, Bb) Wisconsin. He is presently preparing 2067 - Volume IX an article on baroque organ articulation A Short Harmonic labyrinth (cl; Aria (F); 14 Chorale Preludes; The RO)'al Canadian College of Or· and a new edition of Coupcrin's organ Fantasia in G (5th Concerto); Fantasia can imitaziane (b); masses. g;mist5 will hold an International Com· FanlCtSy and Fugue (a); 2 Fugues: G (Fugue ,\ 10 gigue); GJ petition in Organ Playing on May 101 · Rich:ud FOrTest WoDtls has been ap­ Partilo (Chorale Variations on "Ach, was soli Kh Suend.r mamen'11 pointed orb'"3nist and choinnasler of St. 16, 19i.!l in London, Ontario, Canadil. Contestants must not be past their Padaluereitium Igh 3 Trial: GJ G (Telemonn), c John the Diline Episcopal Church, I-Iouslon, Texas. He was rormerly pro­ twenty-scventh birthday b)' Jan. I, 197~ C. F. PETERS COIIPOIIATION in order to enter the contest. The first fessor o[ church music .tt the Episcopal 373 Park A,'enue South New York, N. Y. 10016 prize winner will be :J.warucd $1000.00 Theological Seminary of the Southwest, (212) 686~n47 Austin. Texas, where he was also dean and the second prize winner will be of the summer school of church music awarded $500.00. Another special prize anti liturgics. A grnduate of the Schola of $150,00 will be a"'arded by ;) CanOl' Cantorum. Paris, France, he studied dian mllSic publisher ror the best per· fonnance of a published Canadian work. with Nadia Boulanger. Jean Langlais. Competitors selected by a pOInd of and Andre Marchal. Sincc returning (0 the U.S .• he has concertizcd extellsh'ely. lIIusicians rrom among those applying and submittinp tapes of their pla)'ing, In Houston. Mr_ \\'ood~ wi1l direct a will pIa}' off III two rounds. The first multi·choir program, cnudllct ~ ·niCt.'S of round piece, nach's C various typ<.'5 of IUnsic. and will play Trio SmJata in is compulsory. The rinal rouud for all services. mi"or, pieces will he of the competitor's choice. Maribel . Mei,scl has . bc:cn apI)ointed subject to th ' tOlUpCliliolt regulations. hy the UllIvemty of M Iclug:.m Sc 1001 of The competition Will be held on the Music :15 fl,'5carch associate in charge 4·manual Gabriel }tnc)' mcchanical Ole· or cataloguing the Stearns Col1cction of tion orpn in Aeolian Town Hall, Lon· Musical Instrumcnts. The school has re· don. Ontario. cch'cd a $12,500 grallt to begin the ala· Regulations and rOmlS of application loguing o[ the world ramou:I' instrument may be obtained from the R.C,C.O. collection. Miss Mcisel recch'ed her UA Genera.l Secretary, 232 Aldercrest Road. drgree rrom Oberlin Colll'ge, ami the Toronto 14, Ontario, Canada. Infonna UMus degree from the American Con­ tion other than forms of application sen':llory of Music, Chicago. Shc earned and regulations may be obtained rrom her M~IIIS degree ill 19i1 rrom West Vir· C. D. Cameron, Competitions Chairman, ginia Uni\"c:'Bi t)·. As a student of musi­ Chalmers United Church, 212 BarTje cology in Denmark. she served nS guide Sireet, Kingston, OntJrio. Canada K11 "Interpretive intelli.ence" Uclean and flexible" :lIId custodian of the Carl Claudius Mu­ 31(3. -The Daily Camera, Boulder, Colo. -The Miami Herald sic Inunnllent Collection in Copenha· gcn from 1967 to 1970, She has been THE SERGE KOUSS£VITS}{Y MUSIC working since thell with Philip BeH. fQ NOATION in the Libnry 01 Congress hat rnrtepiano ma .... er and instrument re· awarded IIranls to M!v~n composen (one ~torer located in HattIe Ground, Indiana, Amt'rican and six forcillo) to wrile new works The Steams CoHection is one of the clf chaulbu and symphonic. musk. The com· IlO5en include Bruno MMi~ma, Joji Yuua. rour largest of sllch collections in thc Earle Brown, frnnci. Mirollio. Thea Mu.­ U.S. !!lravt'. Zsolt Durko, and Theodore Antoniou. The fOllnd.:llion has also announced a special Harriet Simons has been appointcd commiuioning project under which 6 com· director or chorusc.."S at the State Unin:r. posen will each wrile a l:u'!!l~lCale piec::e or sit)· of New Yor~ at Buffalo. For the chambt'r music 10 he prcmiuM by the Cham· prc\'ious three }'ears, she had been di­ her Musk. Sociely or Lincoln CC!nter. New rector of the ChOnlK>S at Oberlin Con­ Y ork, The projrc:l, to cdd,rale lhe! lOtb I&n· sen':uory of Music. Oberlin, Ohio, Pre­ nivenary of Ihe foundalion, has commiuioned violls to that she was conductor of the wor'" from composcn Barbara Kolb. Earl Kim , Stanley Silverman, Friedrich Ccrba, rcsth':ll chorus or the Slate University Karel lIwa. , and Tiberiu Olah. Cullcge at Fredonia. New York. She holds the UME degree in "oice frOID H. WINTHROP MARTIN. oTKani., and Drnke University, the MM dl-gTee in choirmu ler of fint En!li.h Lutheran ChuR: h, "a revelation!" "a formidable talent" choral conuucting and the DMus degree Syracuu', N.Y.- is the nc\Io' p~idC!nl Gr tile -Robeson lan, Lumberton, N.C. -News & Courier, Charleston, S.C. in opera rontlnuing hom Indi:ma Uni. Arthur Van W. EltillBC! Musk. Guild in 5yn· cusc. Mr. Martin, who is :;II sraduate of BOI# PLUS OUTSTANDING EUROPEAN ARTISTS \'ersity. Dr. Simons has appeared as Ion U, ud Uf\inn Theolosial Seminary, is prcparer or the chorus under such con­ currently :I. canditbte [or Ihe MusEd degree ductors as Lukas Foss, Pierre Boulel. at Syraeu.e U., and he hal r«ently b~n ter· Rohert Shaw :md Pablo Casals. tified by New York State 4S a public scltool music tucher_ Ilauid Moe.'. well known composer .. lid choral conductor. has been ap­ CHARLES BENBOW. ,oun!!l American or­ pnill, has been invited by the U.S, In[or· pOinll'd director of the ChOrtlSl'S at malion Service to play organ rttitals in Ber­ Oberlin Conservatory of Music. Oberlin, lin, Duueldorf, Colosne. Darmstadt, Nurem­ @.~~,ttt!!!!!ge~l Ohio. As sudl he will become din:ctor bers. and Karlsruhe. Wdt Gennany durin, PHILLIP TRUCKENBROD, Director of the famed Oberlin Choir. an organi- the month of October.

OCTOBER, 1972 13 What is the nOflllal We would be hard pressed to find an exact answer every care is taken in the construction, we find to that question, but the organ pictured above that time takes its toll. gives us an indication. And 82 years is trying on anything. Commissioned in 1885, the organ was installed Even on a Casavant, we must admit. in 1890 and has been in constant use since then. We do take pride in this longevity, but it We do not mean to imply that it has never re­ takes more than pride. quired any repairs during these 82 years. First and foremost, it takes skill. The kind of Although first quality materials are used, and skill that's handed down from father to son. lifespan of an organ?

It takes innovation. In 1895,'we invented the years. We've lived this long by producing long­ adjustable combinations. Every year, some inno­ lived organs. vation has presented itself, to be incorporated If you would like to see our instruments in the or, (after muchltrial) rejected. making drop us a line. The right material is critical. To this end, we Casavant Freres Ltee, St-Hyacinthe, Quebec, cast, roll and form our own metal for the pipes, dry Canada. all our wood, and triple check any mechanisms. Casavant has been in business for over 140 Casavant Freres Ltee Michael MorMICo, a native Brooklynite and restdent of Boy Ridge. N.Y., ent.ring his senior year at Monnes College of Music, Is the newly appoInted organill and music di­ rector at LafayeHe Avenue Presbyterian Church, Brooklyn. New York. He has been David lowe hat b.en appointed organist summer organist there for the past 3 yean. of the Fint Baptist Church, Huntsville, Ala· LafoyeH. Avenue Presbyterian Church ~ bama. He moves there from a similar pod­ cently celebrated its 1"15th annlvenary, and lion at First Baptist Church, Atlanta, Georgia. during the past century the church has had His new duties will Include ploying for all a number of distinguished arganisfl: John the WlNic.l, accompanying five chain, and HyaH Brewer (0 founder of the A.G.O.) organizing and directing handbell chain served 50 yean; Marion Clayton Magary, and Instrumental ensembl.s. A total of a .... r MEMBER APOBA 25 years; John Rodgers; lilian Corpenterl 600 people are in ... olved in the church's and Arthur A. Phillips are among th4!ltn. Mr. musical progrotrl. Mr. lowe is a graduale Monaco began his piono ond organ dudy of Howard Poyne (oUege whl "e h. Iludied with Aida BruloChl. During his lime 0' Monnes with Euel Belcher, Jr., and he received the College. Mr. Monaco has studied with Edgar master's degr.e from the University OIf leaas THE REUTER ORGAN COMPANY at Auttin where he Ifudied with E. William BOX 486 AK Hilliar_ He was recently heard in a concert at St. Paul't Chapel, Columbia University, Doty. He wos winner of the Fort Worth, LAWRENCE, KANSAS 66044 Teaas, A.G.O. Chapter's 1967 organ playing TelEPHONE (913) 843-2622 with the Mann.s College Orchettro. H. has composed for the organ and for abae. competition. MASON ANNIVERSARY New Frobenius Organ FESTIVAL CATCHES ON to Canlbridge, Mass. Many notices ha\'c been received The First Church in Cambridge, £roltt churches that cclebrated thc 100th rt.£ass., Congrcg::ltional has a ncw organ anuh·cn:ary o £ the death of Lowell Ma­ built by Th. Frobenius & ~nner, organ wn on Aug. 11 by including lUany of builder of Copenhagcn. Denmark. It is his hymns in their Sunday scn'ices on the £irst Frohcnius instrument to be l\Ug. 15. Among Ihelll werc: installed in the U.s. The mechanical Thc Unitcd Methodist Church, Viro· action instrument is encased wilh each qua, Wis.; Rick Edd:.son, organi51 and division in separate housings. and thc choirmaster. Mr. Erickson also played console is detached. First Church Con­ his o\\'n improvisations on two Mason gregational is thc oldest church in Cam· hpnns, and another by Jack C. Goode bridge, :md mcmbers of the congrega­ fur the senice. SCHLICKER tion took p3rt in thc inall):;uT:lIion o£ Arlington Hills United Methodist nearby Harvard University in 16!7. The Church, St. Paul, Minn.: Rich:nd manual com paS! is 61 notes, the pedal Grc(.'lIe, music director. 32 notes. St. ,\lIdrew's Chency Memorial Church for excellence of design, the finest of quality materials, and the 1I0VEDV,\RK (u'C£onned Episcopal). Chicago, Ill.: C. I'arnmf'r 16 (t. Gordon WederlZ. organist and choir Prinup:tl 8 It. director. hlghe" order of craftsmanship in mechanical and eiectric action FlOte B It. Sccond Presbyterian Church. Fori Okuve of It. Smith, Ark.: 1\£1'5. James H. GriUhh, pipe organs. Gf'mshanl 4 h . choir director; Alice Louise Davies, or­ Oku\'e 2 h. M. Mixtur tv gomisl. Pastor Lyndon Jackson also Zimbcl III ga'·c a comprchcnsivc sketch o[ Mason's Trompeh: 8 h. lirc in the service. Buffalo, New York 14217 Trom(M:h: of fl. (f'n dum:tde) Salcm United Church oC Christ. Cin­ POstTIV cinnati. Ohio; Dwight Moorhead, or­ Rohrflote 8 ft . ganist·director. 1530 Military Road Principal of h. The Great V 311 c y Presbyterian Blockflote 4 It. Church, Mah'crn, }Ia.: Roger W. Wisch. Nasat 2% ft. meicr. director o£ music. Mr. lIollUiule :! ft . Wisch. brochure available membor APOBA Tf'tz IYJ h. meier played scllings o£ Mason hymns Quinl!: IV, Ie _ by dcCou, Goode, and ningham £or the Oitta\'!: 1 ft . sCI'\icc. Scharf IV Thc Church o£ the Mcdiator, Bronx, Rf'!al 16 h . (f'n chamacif') Ncw York City: Emil K. Han'cy. organ­ SVELLVARK ist and choir dircctor. The Rc\'. Waller BorduR 8 h . Viola 8 h . I... Edelman. rector u£ the church, read Cele-see 8 h. a \'i~ncue on Mason which was prc. BDq SiOOeRS l'rinzipJlI of fc . parcd by Mr. HOtf\·cy. pocor20 Qllinlade .. ft. STAnCOlllGE. fASTSTlIOUDS8URG. PfNNSYLVmlA 18301 Thc Community Prcsbytcrhm Church, Oku\'!: :! ft. ,\,·cllal, Cali£.: Voris Ycarolll, music di. Scharff IV Fa!ott 16 It. rector. The service included a biograph­ K. BERNARD SCHADE. FOUNDER AND MUSICAL DIRECTOR Trompele 8 ft. ical skctch of Mason, and was complcte­ Olloe 8 ft . Iy a musical service. the mcditation be­ PEDAL ing mOtde up o£ six hYlllns by Mason, Untel"S:lu 32 h . as were the prelude and pm tludc o£ the A MUST FOR EVERY ORGANIST Prinzi..... ' ICi h . scnlce. Doris Ycarollt also used lhis as THE DIAPASON Subban 16 h. :m oppurtunity to introduce Ihe con. Okt.alle 8 fl. Slliuflotc 8 h. gn'gation to the man)' indices in the Send THE DIAPASON far . __ .. _ ... __ year(s) to Nadlthorn of h. hack o£ the hYlllnbook. Choralbass " + :! it. Frcmont Presbyterian Church, Sacr:J.­ IlintersOlI~ IV mento, Cali£.: Frcderic W. Errctt, organ­ Name ._. Enclosed is $ ... _.... ___ I'osaune 16 h. Trompele 8 h. ist. Mr. Errctt played works by Elmore and Bingham on Mason hpnm, C\'cn ($4 p.r year-do not tend cash) TilE TWIN CITIES CIIAl'1'ER AGO. though the scnicc did not inchu]c Minneapolis.St. Paul, Minn.. enrolled 70 JJCW Mason hymns. Street THE DIAPASON memben in the ~hapler during the course or last year. Plans for this yeu include a weekly THE RICHMOND, V ,\., CHAPTER AGO noontime recital .eries by members, organ has elected the followins: officers for du:: 1972- City 434 South Wabash Ave. crawls, woruhops for beginning chon::h organ­ 73 year: R. Thomq Grilfen, dean; E. Carl ists and organ te:u:hers, a trip '0 meet with a f.·recrruan, tub-dean; Elhel Baars, secretary; Zlp ____ nf'ist.ilOrinll' chapter, a lecture on the harpsi­ Edw.ud G. Kidd, treasurer; Elizabeth S. Ed:­ State Chicago, III. 60605 cllOm and ill Wet in the church, an evening iX'1'lJ , rqutl;ilr; Rchccc:a Thompson, lilmuian to elIplOl~ churt-h arr.hitedu~ and iu allm lind hislorian; lind Martha Van de POnICCie on music:. and a "chestaut ai,bL" and Dallid L. Wheeler, auditon • ., 16 DIAPASON Enahler 8 (t. 61 pilles Enahler Celeste 8 ft. (TC) 49 pipes Principal 4 It. 61 pipes Since 1780 Koppelfloete 4 ft . 61 pipes Octa\'e 2 ft. 61 pipes Quinle 1~ It. 61 pipes Zymbd 111 183 pipes Krummhom 8 ft . 61 pipes \Valeker Organs Tremulant ANTIPIIONAL Bordun 8 ft. 61 pipes See our 59 rank organ installed in the Fine Arts Building, Principal 4 It. 61 pipes University of Wyoming. Laramie, Wyoming Ocla\'e 2 It. 61 pipes Mixture III 183 pipes Chimes IGreatl Represented by: Festival Trumpet 8 ft. IGrcatl PEDAL Melvin W. Dunn Bernard Cavelier Untersau 32 It. 12 pipes 407 B Street 2519 Sheridan Drive Principal 16 It. 32 pipes Salt LJke City, Utah 84103 Tonawanda, New York 14150 Brummbass 16 £to 32 pipes Gedackt 16 ft. (Choir) Telephone: (801) 364-5948 Telephone (716) 838-2509 Gemshorn 16 ft. ~ Great) Octave 8 h. 3! pipes excellent estimates - also complete services Floetenbass 8 h. 32 pipes Gedackt 8 ft. (Choir) Gemshom 8 ft. (Great) E. F. WALCKER & CIE, ORGELBAU Choralbass 4 ft. 32 pipes Nachthorn 4 ft. 32 pipes 714 Ludwigsburg Postfach 1148 Nachthom 2 h. 12 pipes Mixture III 96 pipes West Germany Posaune 16 ft. 32 pipes Contre IIautbois 16 h. (Swell) Central Michigan U. Trompcte 8 rt. 12 pipes Hautbois 8 ft. (Swell) Gets Kney Organ Klarine 4 It. 12 pipes Schalmei 4 ft. ' 2 pipes Gabriel Kney 3: Co. of London, On¥ t.nio. Canada. have built a 2·maRual and pedal organ for Central Michigan 3-Manual Allen to University. Mount Pleasant. Michigan_ Peoria, TIlinois The instrument is designed as a prac­ tice instrument as well as a studio tcaching instrument, and the spccifica­ A custom Allen instrument, utilizing lion was drawn tip by Mary LOll Rob­ digital computor tone generation, has inson, head o[ the organ department been instal1ed in Crace Preshyterian .. 'Can interpretation be taught via the printed page?' We are pleased to at the school. in consultation with Ga­ Church, Peoria, Illinois. The specifica­ report that strong evidence for an affirmative answer to this question Is briel Kncy. The organ has mechanical tion, designed by organist John R. Day provided in Professor Hilty's new Principles," key and stop action. in consultation \\,' ilh Allen Company -Wesley Vos The Diapason representatives, include a 3·manual "Principles of Organ Playing should be studied by all organists. advanced MANUAL I drawknob coRsole and capture type as well 85 beginning. and teachers as well as students:' Gedeckt 8 ft. combination action. -Karen McKinney Worship and Arts Praestant 4- ft. 81ockflote 2 it. GREAT Cloth $9.50 Paperback $7.50 SinJa,l e I V, It. Quintatnn 16 ft. Mixtur III 1 (t. Principal 8 h . MANUAL II Dulciana 8 It, Order from your dealer or Quintadena 8 It. Hohmotc 8 h. Rohrflolc 4 ft. Octave 4 h. PRUETT PUBLISHING COMPANY Ten I~ ft. Spitdlote oJ (t, Prinzipal 1 ft. Quinte 2~ ft. P. o. Box 1560 Boulder Colorado 80302 Krumhonl 8 ft. SUperoctil\"C 2 ft. Tremulant Waldnole 2 ft. PEDAL Fourniturc tV Subbass 16 {L Mixtu~ III Gemshorn 8 ft. Posaune 16 £to Koppclflote " (I. 5chalmd 8 ft. Trumpet 8 ft, "CHURCH MUSIC Celeste Tuning Harpsichords Trcmulant Vibrato (Flutes) INTERESTS" AGENCY Knoxville Church to Get SWELL GCIl15horn 8 ft. New Schantz Organ Salidon:!1 8 ft. Groeckt 8 [t. Clavichords Spitzprincipal 4 ft. "A unique adventure to The First Baptist Church. Knoxville. Rohrflole -I h. pre.ent quality church Nazard 2~ h. Tennessee has signed a contract with music 10 the layman, and the Schantz Organ Company for a new Flachflote 2 £I, 4-manual organ. The installation will Sirnote I U. to b. of service to the Sesquiahera II church-at-large." be in a shallow chamber across the Plcin Jrll III front of the church. The present organ COlltre Tromllr ne 16 ft . is a Hook &: Hastings with a 4-manual Trumpette 8 h. Schantz console which will be used for Hauthois 8 ft. ARTIST ASSOCIATES: the new organ. Pipes from the present Clairon .. h , instrument will be used for the Anti­ Alt.-rabies, 1 -2~ 3-I Rainer Lille phonal organ as will the 16' Open Celesle Tuning Chill Wood which will be capped to provide Percussion Richard Waggoner the 32' Untcrsatz. All other pipes and Tremulant actions will he entirely new. Mr. Carl CHOIR David Fienen llerry is minister of music, and Mrs. Quintadcn 16 ft. Marion Pickle is the organist of the Principal 8 ft . large church. Negotiations for Schantz Viole 8 ft. John Thomas Erzlihler 8 ft. were handled by Mr. Alfred E. Luns­ Flule I1annoniqlle 8 h. ford. Installation will be made in Feb­ Octave 4 fL Recital., workshop., hymn ruary of 1973. Flute A FU5eau 4 fl . Nasal 2~ It. Sperrhake fe.Uvals, choir festivals, GREAT Doublette 2 ft. con.uhing ..rvke., clinics, Gemshorn 16 fl. 61 pipes Blockflole 2 It. Principal 8 ft. 61 pipes Tcn: l Y.s ft. Harpsichords convention., lecture., etc. Bordun 8 it. 61 pipes Sirnole 1 h. Gemshorn 8 ft. 12 pipes Mixture III Octave 4 fl. 61 pipes Mixtu~ IV Rohrflode .. ft. 6) pipes Fagott 16 ft. 2801 Colt.ge Super Octave 2 ft. 61 pipes Krummhom 8 ft. Alterablcs 1-2-3-4 Passau IW. -Germany Stevens Point Mb;tu~ IV 244 pipes Scharf III 183 pipes Percussion Wiscon.in 54481 Festival Trumpet 8 ft. 61 pipes ClUff Tremulant Box 532 Phone (715) 344-U80 SWELL Vibrato (Flutes) Flute a. cheminee 8 It. 61 pipes PEDAL Viole de GRmbe 8 ft. 61 pipes Contrcball 32 ft. Viole Celeste 8 ft. (TC) 49 pipes Untenatz 32 h. Prestant" ft. 61 pipes I'rinclpal IGt £t, Bourdon 4 ft. 61 pipes Subball 16 ft. STEINER CANNARSA Nazard 2~ ft. 61 pipes Lieblich Gedeckt 16 It. Flute a bee 2 It. 61 pipes Oetave 8 ft. Tierce lY.s h. 61 pipes Gcdeckt 8 ft. , .. :'.' ORGANS Plein Jeu IV 244 pipes Quintadcn 8 fL ORGANS Cont~ Hautbois 16 ft. 61 pipes Choralbass 4 ft. Incorporated INC. Trompetle 8 ft. 61 pipes Flute Ouvene .. ft. ~ NEW ' SELECTIVE Hautbois B ft. 12 pipes HeUnote 2 ft. Claimn .. ft. 61 pipes Mixture IV '~ ORGANS REBUILDING Tremulant Scharf IV r.:.~' P.O. BOX 238 1138 Garvin Place CHOIR ContTa Fagon 32 ft. f.'; _ Hollidaysburg, Pa. 16648 Gedackt 16 It. 12 pipes Posaune 16 ft. Louisville, Kentucky 40203 Diapason Conique 8 It. 61 pipes Trompete 8 IL 814-695-1613 Gedackt 8 IL 61 pipes Schalmei

OCTOBER, 1972 17 Geckekc 8 h. (Swell ) Gemshom 8 h. (Ofta!) Principal 4 It. 32 PillO N:aebthorn " h . (Choi r) Mixlure III 96 Ilil ~ ' Conlra Fagol 32 It . (pr~parffi) :!Io ,,'nte1y'I/JCet the 9JUtdtC Posaun~ 16 It. 32 pipes F:1Mot 16 h. (Sw~lI) Krunuuhorn .. ft. (Choir) 0/ de t/m1Jl()/)cta/ com!torJe?0 de jtiano ld ilU!lOU & Bumliu (WORLD'S FINEST PIANO) Visit Altenburg's ... since 1847 .•. dedicated to music and selling only those instruments that are traditionally accepted as the finest Thornell Klug hoI. been appointed fun·tim. in tone and quality. Select from : minillar of music 01 the first United Malho­ MASON &. HAMLIN' KNABE dbl Church, Elgin, Illinois. located in a SOHMER' EVERETT rapidly expanding suburban location, the GEORGE STECK' church of 2.800 members cantinues a strong KAWAI musical tradition. H. will be in charge of 5 choirs, Instrumental groups. and all or­ RODGERS and gan duties. Mr. Klug received the BMut de" HAMIIOND ORGANS gree in argon 'rom Lawrence University where he was a student of La Vah" MOIJlCh. Altenburg, unsurpassed During the past summer received hi. MM he Stephen Hamilton has occepted a foculty showcase of these great degree in chun:h .."lie from Northwestern position at Virginia Intermont College, Bris· instruments, is without Unive~ity wher& h& was a ltudent of Grigg 101. Virginia. whe,. h. will be teoching or· Fountain. He hal h&ld positions previous to equal in variety, price and gon and theory. Mr. Hamilton received his this in West Chicago. Green W IS.f personal customer satisfaction. II I.; Bay, bachelor's and moster', degrees Tn applied and Wellington, Kansos. organ from Southern Illinois University Por Information re.. antl", an, 0' the maplflunt .tand.rd or cultom deslped where he wos a scholorship .tudent of Mari· ."cen O.... anl. call collect or .rUe to Mr. OUo A. Altenbur.. or Mr. William Wrenn. Lare:e Austin Organ anne Webb. He wo. e'ected to Phi Kappa Lambda. and '1'101 sel.cted to appear in the for Lansdale, Penna. 1972 editian of "Ouhtandlng Young Men of America." 'n addition to hi, teaching The Fint naptist Church of l.3mdale. duties. Mr. Hamilton will pursue an «live concert schedule. I'a .• ha ~ rcr.ently ordered a new .!·man· lIal organ from Austin Organs. Inc. In 1956 the congregation built an exten· Reuter Installs in sive new church :md educational build· Louisville, Kentucky in~ and a sm311 ,!t ·rank organ was in· stalled at that time. The new Amtin of Authorized Rodger. Representative for New Jerull and New York Citu 44 ranks and 49 stops will he using the A new Reuter organ has rccently been prescnt organ spaces at each side or installed in Our S:.vior Lutheran the choir lort. but the organ will be ex· Church. Louisville, KentUCky. The or· tended (onyard through enlarged open· gan is a 2·manu:1I instrument of 28 ings to locate the Great and the Pedal rank.'" and it is situ;ucd in a (ree·stand· in free·st anding posilions. A number ing manner in an arca 10 the right of of sto~ arc being preparw for future lhe elmnce1. The contemporary church installation. The desi~n of the new or· huilding was designed by Mr. Stow ~IHJ(Clr Jfoln was worked ant hy Austin Organs. Chapman o( the Design Environment CANTATAS FOR A TRADITIONAL CHRISTMAS rnc. in consultation with the organ Group Architects o( Louisville. and committee of the church. Mr. lV. S. close cooperation between the organ Chrislmas Oralorio' SATB Camil Van Hulse Delp. Jr. was the chairman of the com· huilder and architect resulted in a close Modern and Classic blend in a significanl selling of Ihe mittee. assisted hy Howard Tussey. integration of the org:ln into the design Chrislmas slory. May be dramalized effectively. Soli, Nar- former organist of the church. and Mr. of the room. Tonal finishing of the new ralar and combined Jr & Sr Choirs. Complete vocal score, $1 .50 William L. 'Veil. cUlTent organist. instrument was done by Franklin Milch· Charles L. Neill of Austin handled the ell, vice president and tonal director King and The Slar' SA Noble Coin design :lOtI contract negotiations. of the Reuter finn. Mr. Robert C. Choir or Chorus. Easy and melodious. Vocal Score, $0.60 Heinze is organist of the church. King 01 Kings' SATB Daniel Protheroe GREAT G~msh orn 16 h. 61 pipes GREAT Joyous selling of Scriptiral texl; Christmas hymns. Nol Principal 8 h. 61 pil)CS Principal 8 ft. 61 pip~, difficull. SAT.B. salas. Vocal Scare, $0.90 Bourdon 8 £t o 61 pipes Spilzfliile 8 £to 61 pipes (upressive) G~mshom 8 h . 12 pipes ·R~"'#/ 01&h,II,o,i0I1 Irom P"bliJA,r oral)'. Gemshom 8 ft. 61 pipes (expressive) 'Twos In The Moon of Winlertime Camil Van Hulse Octave 4 ft. 61 pipes Octave 4 ft. 61 pipes Waldniite 4 h. 61 pipes KoppelIliitc" It. 61 pipes (expressive) Differenl and challenging, for Jr & Sr Choirs. Poem, Jesous 5upf'rocta\'e 2 h. 61 pipes F i rt~entb 2 fl. 61 pil'es Ahalania in English Iranslalian. Vocal Score, $0.75 Fournilure IV 244 pipes Foumiture In 183 pipes Bells Krummhom II ft . 61 pipes (cxJlress.sive) Send for an A.pprovcl Selection. SWELL Chimes • • • Geded .t 16 re. 61 111,lC:S SWELL GeiR~1I 8 h . 61 pipes Rohrlliile 8 It. 61 pipe. H. T. FitzSimons Company, Inc. Viola dOl Gamba 8 h . 61 pil)CS Viola da Gamba 8 ft. 61 pipes Voilt Celeste 8 ft . 49 pipes Viol" Celeste 8 fl. (TC) 49 pil)CS 615 N. LaSalle St. D,p'. D Chicago, III. 60610 Flauto Dolce 8 ft. (flrf'parw) Spitzprindpal 4 ft. 61 pipes Flute Celeste 8 fl . (TC) 49 pipes Hohmiilc 4 ft. 61 pipe. Roln"Rededtt 8 h . 12 pipes Nasard 2;.s ft. 61 pip~s Principal" H. 61 pilles Blockniilc 2 h. 61 pipet Koppetniite .. ft . 61 Ilip ~ s Tierce IY, h. 61 pilles N::aZo'lrd 2~ h . (prep:uetl) TrOlnpctte 8 ft. 61 pipes Bloc: kniile 2 ft. 61 pillO Oboe 8 ft. 61 I.ipes Lecture-Recitals: Tierce IY, h . (prep:arcd) T re molo Jllein Jell III 183 Ilipc:s I'EDAL Fasot 16 ft. Gl pipes PrillCip~ 1 16 It. 32 l"peI French Organ Music under Trompelte 8 It. iii pipes Bourdon 16 It. 56 pipes English Horn 8 h . (plTpared) Robrgedeckl 16 h . 12 pille' (Swell) Rohrschalmei .. h. 61 pipes Louis XIV (1665-1715) Ocl.:&\· ~ 8 ft. 32 pipes Tr~mulant Bourdon 8 ft. The North German Organ CHOIR Rohrfliile 8 h . (Swell) Nason.!!t'deckt 8 ft. 61 pipes Choral Bass .. It. 32 pipes School Spilzf1iile 8 fl. 61 pipes Bourdon" ft. Emhler 8 It. 61 pipes Mi:JI:lure III 96 pipes Contemporary Trends in Enahler C~leJte 8 ft. 49 pip~s Bombarde 16 ft. 56 pipes Spiuprincipal .. h. 61 pipes Bombarde 8 ft. German Organ Music NOIC hlllom 4 ft. 61 pipes Clarion " ft. Principal 2 II. 61 pipn 5uquiah~nt II 122 Ilipn STEINER ORGANS. INC., Louisville, Ky., Larigot I ~ h. 61 l>ipn have installed an J8·nnk, 2·manual orsan in C)'mb:al II 122 pipe. Ihe Finl Christian Ch"rch of Sh~lbyville, Ken· Krummhorn 8 ft . 61 pipes tucky. The oillan was dtdielled in recital on Tromp~te 8 It. 29 pipes ( l'edal) J uly 16 by Robert Kinlner, minister or music J'£DAL at C~nC ral Christian Church. Lexinglon, Ken ~ RClultant 32 h. lucky. MARILOU KRATZENSTEIN Contrabass 32 ft. (prepared) Contragedeclt 32 U. (prepared) CARL F. MUELLER hu jw t passed bis Write: 3718 Dumbarlon Street Principal 16 It. 32 pipes 80th birthday. The wdl known anthem com· Houston, Texas 77025 G~mshom 16 fe . (Greal) poser, who has aver ~ published composi. Cededt 16 ft. (Swell) tioJU to his credit, now liva in Lakewood. PriAcipal 8 It. 32 pipa New Jenq. and he continua 10 c:ompate.

18 DIAPASON (Continued trom /Jdge 5) tIn 1495 the Diet of Worms was held by l:.m­ peror Maximilian 1 and was dcvoted to the K)"ric5 of Cabewn. for example. In COli­ problem of the Ewi!c Landfritck. NUNC DIMITTIS cciving his riccrcare Benedictu.s, it is lSynuarion - A short narnti\'e of the life possible that Schlick drew upon the of a taint or an e;JIpotition of a fcast included same Dutch source (the Instrumental in the MtMio" and read in the rcli!iO\U ser­ Fanlns;as of Josquin dH Pres) used by vices of the wtern Onhodo. Church; also a lilW"Jical book conlaillinl luch I\UTativcs, - Willacrt for his ricercari and by Cabe- Wtb-fler', Tl4i"i Ntw In'.ntd,ioul Die,iD,IIJr)'. 160 for some of his tientos. LAURA LOUISE BENDER Miss Bender was a Fellow of the Lasl bUl not least. is not the man­ ACKNOWLEDGEMENTS A.C.O.. and ahe was long an aelive IIcr in which Schlick paraphrased Maria Mi.ss Laufa Luuise Dentler. long an member of the Fortnightl)' Music Club Inri found agilin (to a certain degree) Tile '"HIJ14'Or wi./,tJ '0 Ad;nowltJtt 'lit ;acl h'c organist and leacher in Clc\·c · of Cleveland and the Ohio Music in Cabcl6n's paraphr.lSc of D'o" vietll I",ciotu auu'Ance 01 Dr, 11anJ T uclrl", Pro­ land, Ohio, died Aug. 26, 19i2 at the Teacher's Association, and also of Mu ala7 Here amI there in these works is I,JI.r 01 Ailuicolon II' Indian A Ulliutuj,y, wlro Eliza Jennings Home, Ctc\'l,~ land . She Phi Epsilon musical sorority. 'rllJUlD'td 'he ,/i/liclll, IGllz-ttnhuy Gt rman found an c1:ulicity and fluidity of was 84 yeaTS old. Miss Bender opened studios in Clc\·e· lines and (onlOUrs that are similar. One 'U' 01 Sdlicl'J J,Ji~AltJry ,,,if"e. anrl 'h' 01 flif COUt4111e Miu 1rtlle Ferlrl"n, ,usa 01 Born in Stellbclwillc. Ohio, Miss land in 1922 and remained there for nt.'t.'ti only play one aheT the other to moominl'on. whose n."ulioru Aidtrl ,II. lintU Bender moved at an carl)' age to Brad­ the rest of her tife. She was organist in get a clear Idea of these ,,£fioilies. Some ",.pan,';on 01 ,h. manJUtrip'. Alor, r,cen"1, dock. Pa., where she was educ:tted in several churches in Cleveland. also at stylistic rC!iCmblanccs also exist between Mr. AI. S. KaJ'ner red file rruJNfUCri", 4nrl the public schools. Later, she gr:uJuatcd the Temple on the Heights and the Schlick.'s Salve Regina (and other r,plieJ '0 ,ev"N q",Jliaru 0/ ddAiI in • Id,,, from the Bea\ er Collegc CotlSCf\'alory Euclid Avenue Temple for 20 years. hymns) and pieces of the same genre '0 'he tr.NM4,or. Thtu Addi,ioNJ Allri torree· of Music. Heal·er. Pa., with the BMus She became organist of St. Peter's Epis­ by Cabcz6n. It is also curious that the ,ioru 4re con'ai"ed in 'he ,,~, lU i' .Ppttffl Ia,rt, 4nd 'hI' 'raml.'or wulltJ '0 txp,eJJ IIu and MM degrccs. She studied organ copal Church. Lakewood. Ohio in 1940 Tabula'",. etlielle,. Lobgejang urrd Lid­ inJtbltJntJl '0 'he .w,hor lor mAlin, /louibl, with Edwin Arthur J\.raft. and also with and served until her retirement in Jan­ lein of Schlick, as well as the Spanish ,Ir,i, j"tlwJion. Marcel Dupre in Paris, France. uary of 1966. LibroJ de cilra. include works for eta­ \'ier and for lute, as well as for vihuela, whereas German orpn tablatures gen­ erally were not used for the music of thal instrument. If SchHck did not find a notable echo in Germany where the more brilliant and less introverted stylc of the school of Hofhaimer was preferred, his posi­ tion none the less remains secure. His influence radiated as far as the interior of the Peninsula, traces of which arc \'isible in the :nt of organists of the generation of Antonio de Cabezon. In "iew of these facu, one regrets all the more that there arc no extant keyboard compositions of Henri Bredemers. A composition by that Dutch composer would perhaps re\'cal innuenccs result­ ing from his encounters with Schlick and Cabczon and an intermediate sty­ listic position betwccn German and Spaniard. This is an exciting chapter on the relations occurring in European key­ OOard nn!:;ic during the period of the immense empire of Charles". a friend of Schlick. master and pallon of BfI..'tIc· men :uuJ of CabcWn. and a slmp:Hhi­ zcr with Fray Tom:is. Let us hope that successive investigations and sllu.1ics will throw a still clearer light on the role of Schlick in the advent of the soaring of Spanish and Portuguese keyboard music in the first half of the 16th cen­ IUry,

Autumn 1954 Marcario Santiago Kastner The Spanish Institute of Musicology

NOTES lMr. Lunelli aho quotes the plainlon! mclodin al used by Schlick. ach:&rlcs V (15O().1558). called Charln QUill', .on of Philippe Ie Beau and Jeanne la Foil.:. Kin! of Spain (a. Charles I) 151G-15SG: Holy Roman Emperor (1519-1.556). Ills lisantie cIo­ maim, Spain and its coloniel, flanders, Alii· tria. Germany, made him a natun.l enemy or the FA'och llin,.. Ambitious, aspiring to a univenal monardty, he maintalncci a lInll­ Sle wilh Fnncois 1 tor mOh! than 30 }"e :J n , marked by Ihc (ollowing I:\'enl.l: vklory m.~r the FA'nch in the balllc of La Dicoque (1 522) and of I'av;c (1 525), forcing upon the king Ule truty 01 Abdrid ( 1526) ; new hostilities, marked by the takin! of Rome (1527); the peace of Cambrai (1529): a vain allempl ,n invade the Provence; the truce at Nice ( 1 ~ 38 I ; the defeat of Ccmoln (15-14 ) . Aher the deOlth of Francois I, Charles Via)' .iege to Meu 11555) and silned the truce of Vaucdles 1(556) , Elsewhere, the Eloperor had to strus­ lie against the Turks (1532 ), lead an Cllpedi­ tion against Tuni. (1535) and Algiers (1541), when: he failed, and acknow1edle freedom of con.cience for the Lutherans of Gennany (Au!sbourg asn:cment. 1555). Undeceived, he abdicated in 1555 ud ISSG and retired to the momutcry at Yuste, Spain where he died in 1558. - Nowue4w Pe,j, LA,olUu JlA(otUI rectus - parallel motion. 'Vapns - an added part which can be in­ troduced either amons dH: lower or the hisher pub. tChonie-voui.tion - canhd fitmus or pW,,­ chant in dICHOtic-variation.

THE TEM'LE CONN WITH ELECTRONIC PIPES. Clevelanel, Ohio 44106 An age old principle with a r------· new concept. I CONNORGAN DAVID From the smallest chapel to I 616 Enterprise Drive, Oalt Brook, Illinois 60521 the largest cathedral- I Please send infonnation on: a model for every need. I o 2 manual Conn organ o 3 m

OCTOBER, 1972 19 (Corlt;nued Irom page 3) cluded for these transcriptions trom CHARLonE WILLIAM Ihis record is therefore valuable in this Handel. Charpentier, and Purcell. fl.'Spcct. All of them consen'ath'c in C. F. Peters once again emphasizes Orgontst Fluti.t st)'lc. and pallcrned after earlier mod­ the contemporary scene. Xa\'ier Ben· THE ATKINSON DUO els in organ literature, the works arc guerel's Cresct!ru/o ($2,00) is a fi\'e· RRST PRESBmRIAN CHURCH ARMY AND NAVY ACADEMY displayed well on the Wicks studio or­ minute continuuus crL'SCelldo using an OCEANSIDE, CALIFORNIA CARLSBAD, CALIFORNIA ~:tn . Side olle will bc a valuable docu­ adarled (though easily decipherable) BOX 785, CARLSBAD, CA 92008 • 7141729·2990 ment of Dr. johnson's approach 10 im­ staf notation, Helmut Uorncfcld's prm isalion, and, although we think CllOralvors}1icit! 1930/iO (S!J.OO) is an (and Dr. Johnson would probably interesting collection of 31 lJOrs/,idc ab'Tcc) thill olle side of a recording is composed ()\ er a 40 year span ;11111 pre· all too silllplifi('d a vchicle to learn such \'inu ~ ly 3\'aihlhle only in manuscript. ARTHUR C. BECKER, Mus D., A.A.G.O. a vast subject. this recording nc\'crthc­ Each piece is t'!ated. and thnse concenll'd less gi\'es a C3J)sulc view of his method. with stylistic dc\'cInpments in 20th cen· DE PAUL UNIVERSITY The method 15 reduced here to 6 easy tury German organ music will be add· steps (or the imprm'isor. and each step ing this collection to their lists of pub. ST. VINCENTS CHURCH, CHICAGO entails learning clements o( traditional lished source matcrial. Timbres by harmony and melodic (diatonic) struc­ Klaus Hashagen (no price listed) is a lIlre. Ster. 6 encourages the improvisor fairly aleatoric piece exploiting tone In "deve op a contemporary style." By clusters and approximate staff notation. Edward D. "nyman, SMD Warren L Berryman, SMD inference, we could then say that this Written in 1967, it lasts 8'45" and re· method has to do with leaching im­ quires one or two registration assistants. prOVisation as a non-contemporary Pierre Revel's Siti/onieUa ($4.00) is a BERRYMAN style. One foHows the style of one's three.mo\'ement, chromatic work full of Organlst-Chotrma,te, Head, Organ.church Music Dept. predecessors and then he is ready "to flurry and signifying little. Finally, Car· explore the 20th Century, searching for 10 Scmini's Fafltas;tJ ($3.00) is a nco­ WESTMINSTER PRESBYTERIAN CHURCH BALDWIN.WALLACE COmOE his own personal idiom among the my­ modal. technically challengmg essay in Minneapolis Berea, Ohio riad new sounds of the present day." the romantic vein. It requires a large Without demeaning Dr. Johnson (for organ. There arc some intriguing tem· we \'alue his efforts in this subject), po and rhythmic transformations. Margaret Melvin we would question this approach which New (rom Theodore PrC5~r Co. is sees 18th and 19th century harmonic Noel Gocmanne's T riptych ($1.25). AI· idiom and diatonic melodic struCLlln.'S so new (rom Presser is Vincent Pcrsich· DICKINSON as "conventional," and understands cui's Parable ($2.50) which was com· University of Loui.vlli. "modern" or "contemporary" music to missioned by tJle Dallas Chapter, AGO, louisville Bach Society contain ideas whidl break the "co",'cn· and premiered by David Craighead at tinnal" patterns established therein. Cal""" (pIKo,.1 St. Fronci.-In .. th ..fl.ld. Episcopal the 19i2 com'eUllon. Although we did Rather than such a \'iew, in which the not have the opportunity to hear that cOlllempomry composer (imprm'isor) is performance, the impression persists working at breaking com'entional pat­ after half a dozen careful readings that lerns, we view the contemporary com· far too much of the overblown rhetoric poser as one who works creatively with of an election year has found its way WAYNE FISHER dil/erent cO'lVe'ltions, (crmtemportJry into this composition. Duration is said conventiotu), It would follow that the to be about 14 minutes. and technical College-Conservalory of Music task o( improvisation is to learn the demands are high. It will be interesting craft and the skill of whate\'er conven­ to watch for additional performances University of Cincinnati tional malerials are involved in con­ in the recital pages. A third item from temporary music. The improviser must Presser is Richard purvis' Fivt! Baro· be a masler o( contemporary conven­ quists ($2.00). consisting of arrange­ tion. A historical \'jew o( improvisation ments from Arne, nach, Dandrieu, and would then deal with many com'en· Rameau. l:inally, a\'ailable from Presser DAVID HEWLETT tions, for they have changed regularly is Franz Schmidt's 'Two Orgarl Piues throughout the ages. \Ve wonder from his oratorio, Das Buell mit s;t!ben MARSHALL BUSH (along with many music educators) if Siegeln composed in 1937 ($3.10). The it might not be prudent to teadt con· first is a passacaglia with chromatically Th. Con ••rvatory of MUlic temporary musical stnlctures, materials, at Christ Church, rising entries of the theme, and the Fitchburg, Mall. 01420 and com'entions lirsl, and then lead second is a chromatic fugue. back through the historical? One thing \Ve arc pleased to report a new com­ ..·UII ...... IIIIIIIIIIIII ... 1I111II1I1I1I1II1II1I1I1I111II1I1I1I1I1I1I1I1II1I1I1I11I1I1I1I1I1I1I1II1111111111111111111111111111111111111111 ~ is ccrtain, howe\'er: impro\'isation will be position by Gerhard Wuensch: Suite lor as good as the improviser, as creative as Trum/Jt!l atld Organ, appearing as item B the improviser is as a composer, and as 4 in the Wilshire Presbyterian Organ "C adept as he is in handling his materials Series and published by Westcrn ]nter­ I ~OHN HOLTZ T at the instrument. And we feel tJlat the national Music, Inc" 2859 Holt Ave" A Faculty: HARn COLLEGE, University of Hartford improvisor is totally in the creative role; Los Angeles, Cal. 90034 for $4.50. Be­ L he is not just a manipulator of cliches, fore rushing off an order, howe\'er, it I Organist: CENTER CONGREGATIONAL CHURCH, Hartford ]t is good to have such a recording as will be wise to double·check the avail· :.•• UIllIllIIllIlIII...... IIIIUIUIllIllIlIllIllIllIlIIlIIIllIlIlIllIllIllIllIllIlIIlIlIllIllIllIllIlIo&I1I1I1I1I1I11111111111111111111111111r:: this one, for without it one seldom gets ability of a B·flat trumpet player with a chance to raise such questions as we both endumnce and ensemble sense. ha\'e raised here. Nor are the questions The four movements are Allabreve, raised in schools as often as they Perpetuum mobile, Dirge, and Rondo. should be. Indeed, improvisation as an The trumpet part is included, -WV art is seldom taught to organists in this country at all. Perhaps this is the most valuable contribution of Dr. Johnson's Zimmer Installs Two work, and we hope that the discussion Tracker ()rgans on the subject will continue from there. -RS W. Zimmer &: Sons, Inc. o[ Charlotte, ()rgan Music N.C. ha\'e completed installation of two MARILYN MASON mechanical action organs in Asheville, CHAIRMAN, DEPARIMENT Of ORGAN North Carolina. Dr. Arthur P. Lawrence UNIVERSITY OF MICHIGAN A considerable miscellany of new mu· o[ the Unh'ersity of Notre Dame was sic has been amassed over the summer, ANN ARBOR consultant (or Grace Episcopal Church. and as usual both domestic and (oreign The only available space in the dlUrch "MI.. MalOn phtyed with au.f.rity anti r ...rve, clemonlfrat;ng anew publishers arc well represented. was a wall o( the chancel area, (rom Ite, extraordinary faelllty •••" De. Moin •• Regilte" Odob.r 5, 1964 Associated (Bote &: Bock) has sent which a ton o[ stone was removed to R u dol ( Kelterborn's Monumt!rlWm make an opening for the facade. The composed in 1971 (no price listed). console is reversed to allow the organ· Standard and experimental types of no­ ist (ull view with choir and clergy. tation arc combined. Much reliance for effect is placed on stop changes in sus· HAUPTWERK GEORGE MARKEY tained .fitches and chords. A large or· Gedackt 8 ft. 56 pipes Records Markey Enterprises 201·762-7674 gan an reverberant acoustics are musts Principal'" ft. 56 pipes for a successful realization. Blockflihe 2 ft. 56 pipes Recitals 42 Maplewood Avenue Broadman sends two new releases. Mixtur III 168 pipes Don Hustad's Sacred Harp lor ti,e Or­ BRUSTWERK Instruction Maplewood, N.J. 07040 RohrUote 8 ft. 56 pipes gan ($2.50) includes plain arrange· SpilUlOte ... ft. 56 pipes ments of eight tunes from the 1844 l'rinzipal 2 ft. 56 pipes Sacred Harp, and Gordon Young's Nasat IV, re. 56 pipt's Jubilate ($2.50) confinns our previous Schalmei 8 ft. 56 pipes LARRY PALMER impressions of his st}'le. PEDAL Organ - Harpsichord Lt!nten Elegy on 'PaJSion CllOrale' by Subbau 16 (t. 32 pipes Page C. Long a. Fischer, $1.00) has Gt'mshom 8 ft. 32 pipt'l Southern Methodist University some intcresting hannonic effccts, but Choralba" .. h. 32 Ilillt'$ pcdal points arc over-used. A Triptych Miss Marilyn Keiser, organist and Dallas, Texas 75222 01 PraISe and ThtJflksgiving is the cum­ choinnaster of All Souls Parish. Ashe· bersome title for Frank Speller's set of \'ille (Biltmore) was consultant (or the three pieces on Dix, St. GL'Orgc'S 'Vind. I·manual organ at St. GilL'S Chapel, sol', and St. Denio a. Fischer, $2.(0). Deerfield Eiscopal Home, which was al· Oswald G. Counterpoint and (orms arc perhaps a so recently completed. Each stop is D. M. A. little old.fashioned, but tJlCSC are solid· lIivided into bass and treble between e ly made pieces which will create a £inc and f. effect i( suggested registrations and dy­ RAGATZ MANUAL namics are obscn'ed. Gcdackt 8 ft. 56 pipes P,afeuor of Organ From l-l, W. Gray mmes David Pizar· Gt!mshorn 8 ft. +t pipes INDIANA UNIVERSITY ro's Trumpet Trilogy lor Organ ($2.00). SpilUlore ... It. 56 pipes Pans for optional trumpets in C arc in· Principal 2 ft. 56 pipt's

20, DIAPASON WILLIAM C. TEAGUE (Shreveport, Recital Reviews I....a.) al Westminster Abbey, London, England, Aug. 24: Prelude a"d Fugu BJ0RN BOYSEN at Westmirutrr ;11 lJ millDr, BWV 544, J. S. Bach•; Abbey, London, England, Aug. 17: Chorale Prelude on "Drop, drop slow Drt:i TOFutllcken, opus 22, Chorale Prd · lears," Vincent Pcrsichcui; AUeluyas, utle 1m " Wit: scll a" [cflchtet der Mor· Simon P re ~ ton ; The Spirulu from Sui Ie ~c,u 'c rtJ: ' Niels ,,'. Cadc; I'relude and /lrdmwc. M. Dupre; I"troducliml, Pas Fuglle ill E-/ltll major ("51. Aunc', . McMANIS J(/Cf/glir( tl lltl Fug ue, Healy " ' illan. J. S. Ilach; CllO ralfa",m ;n on " I\amlll KANSAS CITY, KANSAS IH'!Uinu Geist, IInr Golt," Franz Tun­ ti er; Pihc IUrn;qltc, Ct.'s.u Franck. He'lring the Wcstminstcl' Abbey re 661M ci tal I.f the American organist William Strangc1r ellotlRh. ulle ~ cldolll IH~ :lts Sc:mdin;l\ ian nrg:lIIisls OIII !ii ilc their na· T e;Jgue was an ilHert'S ting experiencc, ha\'ing he.ml the same inslrumen I th'c pro\'incl'~. ThilL is why the rcdlal playt'd prinr tn that in this Thursda gi\"c~11 by the ~ onn..'giilll org:lll isl Bjprn r UO)'M!n in Westminster Ahhey on ,\u­ ('\'cning sc rit'S by mllch younger mel.. Teague, with an international reputa CHESTER A. RAYMOND, INC• gust 17 w:t!'i somewhat of an c\'cnt. The · Sc:mdinu\ ians ha,'c olle of the rinest liotl of :1 sort, came in, on this ocasion and oldest traditions of organ huilding. a not "cr)' close last. PIPE ORGAN BUILDERS and in the carly 60's there seemed to Bul e\'cn had one uot heard the ),oung he a T<-'S urgencc of pl:l}'crs frolll thL'S(! Nonn'gian Uj~rn Royscn or (he young coulilriC5, hcadc..'tl by the noted Dr. Englishman David nruce,Paplc, th e Rebuilding, Maintena"ce and Additions Finn VillerJJ. Boyscn is himself a prOO' T eague H.'(ital would ha\'c left a curiou s imprt'SSion. for his playing is definitcl tlCI of that 1I100·ement. ha\'ing studk-d y P.O. Box 55 Princeton, N.J. 08540 wilh \,iderJJ. that fa\'O rt"tl by a generation of organ · ists trained mallY years ago and finn Phone: 609·924-0935 The recital. one in a scrll.'S prescntly in (hcir itll-as. The trouble with lhi s in progress at Ihe Ablx:). was madc "schuol" of players is that the cffl.'ct 0 [ doubly interesting hy the p rOb'1'amming their r,laying is much more importan I of SOIllC music rarely. if c\'C!r . heard in than t le Ulusical substance of whOlt Che l' England or America. The Dre; -ron­ play. It is an idea that organists trained ,\/ucke'l, opus 22. of Nielll W , Cade ANDOVER ORGAN COMPANY, INC. Felix Schoenstein nowadays fortunately hold I~" Ere showed the close :ICfinilY uf this Danish 'Iuelltl),. 80.36 Pipe Organ Builders composer Co his mure illustriolls col­ The 03eh " Gunt" II Millor Prdude &Sons M.thVtln. McwachUMtb 01844 league Mendelssohn. Ha"ing roUalmr­ ntH' Flfc"e is not a work which should SAN FRANCISCO, CAUF. alt:d with the former in Ihe leipzig he pla)'ed wi th the aforementioned aUi mocf.rn rnuhankal action (.ew:lndllaus Concerts, Mendelssohn tude. It is, pcrll:l:ps. Ihe grealt.'5t of thc ~c ll n In ha\'c leCt more than a trncc preludes and fugucs; certainly it is an nf h is innnence with Cilile. 1£ we arc enigma , Herman Kellcr notes lhe dim to regard these pieces as typical of ••••••••••••• cult}' in reconciling the architectonic ORGAN.lfA ESPANOLA IM"'''''J JOHN BROMBAUGH & CO. Cade's output. then we ma)' say that structure oC the prelude with iLS ob • he "'as as good a composer as his mcn­ • So one - YES, NO ONE - buDdi Vlau Bft- ,ious emotional content. Mr. Teague .TER Ibl" tbe DEDIC4TED SP.ANIRH BTl. Tracker Orpn Bullde .. tor, for lhe organ, at least. lndeed, hc aimed for the archileclUre and missed .S.\N8, We are IUD VERY COJra'ftlTITK. end. may ha\'c understood his medium a hoth targets. He fart.'tI worsc, howe\'cr • III )'OIIr IpC, Of dniru - J.LL TfJ>U - We 7910 Elk Creek Road lillie better. The works were cOI1\'i nc­ • -III quote &lid MdU,,1 Iwpd.. 70L D. WItWOI in the rugue due to the lack of an cs : IAOOI. Jkp" ...... un. &II IJoot&Ut (kqd ...... Middletown, Ohio 45042 iugly and carnestly plap..>tl lIy Mr. nay. labHshet.l tempo. accclerating to a .r- Anple. Htn. sen; the cIISuing chorale prclmlc of )hOIO [jn i ~h wilh reeds blazing and -'2 Cade·s. as well. looh roar mg. ••••••••••••••••••••••••• ,\ncr :1.11 uplifting performancc of Vinccnt ..ersichctti's chorale prclude the )lach "St. Anllc" prelude and fuguc, on his own setting oC "DroIJ, drop, dow the Non,'cgian unfolded still more ob­ IcarJ" made up the sccond item. AI sally slade warner CLARENCE WATTERS scure organ literature, this time a chor­ though composed in the angular har­ a.a.g.o. ch.m. ale fa n tasy on "~ommt H eiliger Ge;H, monic style lypical oC Penichetti, the RECITALS CHURCH OF lIerr Got,:' by Fr.mz TUnuer. An eclec· picce h:ts :t certain warmth, and Teague 51. John'. Church tic work. lhis selling surely has in· was n~l)()mh' c to it, selecting his regis­ ST. JOHN THE EVANGELIST W. Hortford, Connecticut spired jllst about e\cr }' work in the tration with tastc and playing with Belcon Hill Boo ..... gcnre from Bus tchude to Emsl Pcp· ft.-cling. tn the Simon Preston's A Ile­ ping's. Jts edt'tticism, howc,'er. d id not III)'oJ he once more, howe,'er. g:l"c in dctr:J:Cl from its charm. and it was to the urge to Usc all the organ's re­ DAVID A. played well . sources and wound up sounding pom­ C. GORDON Returning to the Romanlic. Boyscn pous. ended his short programme with a Thc " FilellJe" (fhe Spinners) from Ph.D. stunlling interprewtioll of the Franck the Dupre's SlIile Ilrelotme was subtly WEDERTZ WEHR l!utem K ...lUd

Brooklyn, N.Y . Aug. 17 , 1912 - Letters to the Editor To the Ediwr: I do nol know DouJbr Abnltal1; J have RUSSELL G. WICHMANN HARRY WILKINSON hC\'cr heard him play. And most certainly, I COrl"Cction: In the "Letters to Ihe PIo.o., FAG,O. do 11111 lumw )'ou, But your Kalhing cvalua· Chatham Collelle Editor" co1umns of the September I .... n of hi, ,"ilal at thc rec;:ellt Dotlbs Con­ ST. MARTIN-JN.THUJELDS issue. p. 13. the address and date of vention, which aPI)Carcd in the recent 01,,",,­ Shadyside P... sbylerian Ch.stnu' HIn, PIoUod.lphla SON was. in my opininn, crude. uncalled ror the first letter ~ by Doris Lora) was in· WEST CHESTER STATE COUlGE. PI.. ad"crtently ontltled. IL should have and 10 ~y the very leasl, very dishc:ntening Pittsburllh, Po. 15232 for the younl IlCrrornler who, dcs('litc lOur rcad: "Toledo, Ohio. July 10. 1972 _to stinging crilique, was judged the winner by and wc :lpologizc to Mrs. Lora for mak­ artists whom I believe to be mnre cnm('letent ing her location a m)·stery. in thdr judgements than yourself. l( he played as badly as you Icad DI"PASON DONALD WILLING Notre Dame, Ind" AilS. 15, 1972 - rea~n 10 bdic\'c, then little must be laid JOHN E. WILLIAMS T(I the Editrrr: for thoK who canlC after him. However, I wuula.l like In commend Tilit DI""ASON reou1in, bet ..... een the lines, it wouJd appear St. Ao~ ..wo Protloytorlon Colo...... tty And its slaU for puhlishin! Ihe fine reporting that )'DU are in that group 01 pUNts who IIf C , D",yid lIarri, on the Fourth Interna­ knock anyone even remotdy connrctr:d with laurlnbur, ".uyt.,lan Church N.rth y.... Stat. Unlvtnlty liunal lIarlJSichord Festi,,",1 ;u a fnture of the name Virait Fo:tt;. It mUll have bren terri­ -. Ihe July iuue. Although I do lIot know Mr. bly difficult for you to accept the fact that Lau,tnb.rtI, North Carolina Harri.s. I 'ound his style of writing very in­ Olle of Dr. Fn~ ' s pupils walked away with Ihe 'errlllalive and his wonling very ('Ileasing. He hOllon. did "'hat, to Illy way of thinkinl. Dn enli!ht­ Inste:ld nf encouragins our )'oung perfnrmen ened IlIIuic crilic should do: he rt'(Klned fac­ which wr. of the older generation .hould be tually and :lccurately what he hurd and ob­ doing, you did all )' OU could 10 cut do..... n ~Ir. sen.'cd, :lnd he did 50 in luch a way as to Manhall. If you wcre :I young rnan, rnakl,,! George Y. Wilson barclay wood coni cnnliller.lble light on the IIIIUkat and a linle hradway in Iha. \'cry comprthivc firld, l~fCOS~1 matern ultCkT dis.cuu:nn. I r(lund how I}II you Ihinr. ludl a Itin,iog crilicism INDIANA UNlYWITY Ihllt I was able In gain illSighl illin wllal had IomllW haloc aHrclrd ynlll?' At the very leasl. FIRST BAPTIST CHURCH ;I1:I"all)' Iram('lin-c:1 in nrital. and mlUler it woukl h:wc, taken a liule edge ofl thc Slory ...... Ind. w_ d:uw:s without havillg actually 1M-tIl Illere. The of Ihe Ilour. c::rilicisllt w:u; cOlulruclive and poinlrd nut the I do 1101 admire you lor your callous ap­ I,.." fcalurrs of e:lch participant'. work, At proach 10 the competition. Tult DI"PASON the 10311te: timr, there was a subtle allusion to would do much bellrr wilh an editor wilh a -- the: .horlcomillgs enco:,Jntcrcd. Thus, Ihe n:­ lIule hcart, radlcr Ihan olle 5(1 insensiljve as portilla was nle:lllingful and revcaling, In a youncll. Gary Zwicky time when the review seJ"\'eJ .iml)ly as the VOlin truly. WA-LI-RO critic'l whill"ing post ill all 100 many in­ Abrilyo Brennan (Mn. Basil W.) DMA FAGO .tolnces, I found this ",pore to be in the Th~ EJilOr uplill: Airs. B'~'UI«II' I '1I1u BOY CHOIR bat tradi,KlII (If music critKilm. d«IIJ. Jflr itulJ. 41111 w~ JfI 110' willi (fl 'fI"'· ...... _u .... onIty WAUIN Co MIUD - DllEctOII TIlank ynll. mtn' fill II", J"lilt,. 411t/ crilicis"" II' ~ woulJ. Sillcerdy ),oun, Aowrl'~r. c"",iolt Atr Itol 'I) ""d 10 "'Iff A bt. CIt.~ CIwltt CIt_, _ .. ~ 22, ow. '\rtllur r. La..... n:nce I,,'rca IAr I;ltll. - RS

OCTOBER, 1972 21 Virgil Fox. raulo Lights, Beckman Clar).:; Uni\'ersity of Michigan, Ann Ar­ l\mJ.. California Institute of Tedmol· bor (thru O«:t. Ii) ogy. Pasadena. CA Cherry Rhodcs, for Chicago AGO, St. CALENDAR Paul's United Church of Christ, Chi· 12 October cago, IL 4 pm LatTy King, Trinit)' Church. New York Byron L, Blackmore. Our Sa\'iOUT'S City 12:45 pm Lutheran, La Crosse. WI 4 pm OCTOBER Vaughan Williams Birthday Cc1ebra­ The Musical Oltering by Hach, David tion, Pt. I: College Concert Choir. Po· Herman, U. or Kansas. 1.awrence, KS R 1 2 3 4 5 6 7 cono Roy Singers, Concerto Soloists of put Philadelphia, K. Bernard Schade. dir.: l.add Thomas, Sl. Mark's Episcopal, 13 14 F.ast Stroudsburg State College, P/\ Glendale. CA " pm 8 9 10 11 12 Sonata Conccrt, works by Handel and Gillian Wcir. FI;lI1ders fo·("Sth·al. The 8ach. Margaret B!':Igg, violin, Klaus C:uhcdral, TUlIlay, Ik-Igium 15 16 17 18 19 20 21 Kratzcnstein, harpsichord; Rice V., Houston, TX 8:~0 pm 16 October 22 23 24 25 26 27 28 Maril}n Keiser. wod.shop for Cantull 13 October ACO. Trinity LlIlher.lI1. Canton, 011 Marianne 'Vebb, workshop. \Vcstmins· 29 30 31 Stephan Thur!lon Nelson. Sacred ler Presbyterian, Dayton, OH 9:30 illll Heart Cathedral. Richmond. VA 8:30 Edwilrd TarT and Ccorge Kent, milS­ tcrdas.'1 for organ .1110 Irumpet, Iowa DEADLINE FOR THIS CALENDAR WAS SEPT. 10 Curley, St. Thomas' Episcopal, P~rlo Stale ., A m~, 1,\ 8 pili (thru Oct. Ii) Houston. TX 8 plD Ted J\lau Worth, UreUlertou, WA Frederick Swann, Fint United Metho· Joan Lippincott, m:uterd35.'1, Monnt dist, Palo Alto. CA Allison U., Sack\·illc, N.B., Canada 5 October Robert Canrra, lecture· recital, Colo­ Virgil Fox, Pablo Lights, California Joyce Jones, Northwest Nazarene Col­ rado State U" Fon Collins, CO 8 pm Institute of Technolog}', Pasadena, C(\ "Music of the Mass," works by Bach. 17 October lege. Namp.o., 10 joan Lippincott, Mount Allison U., Mozart, Ramirez; C. Thomas Rhoads, 14 Octobrr dir.; St. Betle's Episcopal, Menlo Park, Sachille, :'\:.11., Canada 60clobcr Frederick Swann, l1lastcrc1ass, First CA 8 pm janice Cavalicr, vocalist, Trinity Carlo Curley, Trinity Lutheran. Bur­ David Britton, Neighborhood Church, United Methodist, Palo Alto, CA Church. New York City 12:·15 plU lington. IA 7:30 pm Pasatlena, CA 8 pm Virgil Fox. Pablo Lights, California Ct.-orge Pro. Cathedral of the Sacred Gillian Weir, harpsichord, New Cas­ Institute of Technology. Pasadena, CA H(':lrt, Newark, NJ 8:30 pm tle Festival, England 9 October Gerrc Hancock. Deer Park United Frcderick Swan. john Stuart J\ntler­ Church. Toronto, Om., Canada MIn, actor; North Christian Church. 7 October Mu~ica Sacra of Nt.'w York. Ccnt.r.ll Gillian Weir. Flanders Fcsth'al, The Cohnuhns, 1:"\ Pn."Shytcrian, Nen' 'Vork City C:IIJu.'tlral, Mons, Rclgimn john Rose, ror Casper AGO, St. Et.ln'ard Tart· anti George Kent, ba­ joyce jonL,,!;, Le\"iston H.s., Lewiston, roque trumpet and organ, Hammond ~Iark's Episcopal, Casper. WY 8 pm II) 15 October I'cter I'lanya\',k)', I:irst Baptist. Van Museum. Gloucester. l\.lA 8:50 pm Ronald Arnall, for Denver AGO, 'S II}S, CJ\ 8 pm Lord Nellon Mass by Haydn, Canlala ilenver, CO Earl Eyrich, Rhode Island College, 21 aud Motet 6 by Bach, Molet, "Nun l'rO\'ltlence, RI 3 pm Virgil Fox, Rc\'cJatioll Lights. San Dil-go College, San lJicgl!, CA lob me;n Su'" by PractoTius; Phyllis 10 OctoM-r Alec \\,,·ton, South Congregation:.1 Bryn-Julson. soprano; 'Vm. \"hitesidcs. Church, New Urilain, CT 10:30 am tenor: Louisvilfe Bach Society. Mch'in Musica Sacra of New York. Central Harold Sto\cr. 51. Thomas Church. 18 October Dickinson, dir.: St. Agnes Catholic Pn.'Shyteriall , New "urk City X'cw \'ork City 5 pm Alhert Russell, South Congregational, Church, Louisville. KY 8 pm Mara Waldman. pianilit, Trinit)' Rradlc)· Hull, Trinity E.piscopal. Syra· :,,\ew llritain, CT Mich:u:l RadulcKu, maslcrd:ns, Iowa Chmdl, New York Cillo 12:45 pm CIISC. N\' :5 pin Hamid Edwanl Wills, St. john's Epis· Slale U. Ames, IA ,\lbcrt Rus!;Cll, St. john's Episcopal, Roben S til art, Trinity Church, copal, Washington. DC 12: 10 pm Joyce Jones, Eastern Oregon College Washington, DC 8:30 pm Swarthmore, I'A 4:80 pm Delhert Dissclhorst, U. of Iowa, Iowa Theatre. Lc Grande. OR john Rose, for Baton Rougc AGO. William Whitehead and Earl Ness, 2- City, 1"\ Gillian Weir, masterclass on 83th and Trinity Episcopal, naton Rouge, LA 8 organ recital. First .. rcllhyterian. Beth· Rice Chamber Orchestra, works by Messiaen; Newcastle Festival, England pili lehel1l, PA i : .!IO pm nach, Beethoven, Uocchcrini. others; Maril)n Keiser, for North Shore ,\GO, Timoth}' L. Zimmerman, SI. joseph ' ~ Rice ., Houston, TX 8: .80 pm 8 October Finit l'resbytcrian, Deerficld,lL 8: 15 pm Cathcdral, Paterson, Nj 4 pm Ted Alan \\'orth, I'ascu, 'VA Carl Starlin. Yalc U., Nc\\' Ha\cn, june Miller, First &: Central Presb)" Rohert i\'ochrcn, romona College. CT 8:30 pm II October terian. Wilmington, DE 4 pm Claremont, CA J\mhon), Newman, All Soul's Unitar­ Edward Tarr

Vemon tie Tllr George Wm. Volkel f.A.G.O., Mu •• Doc., S.M.D, LAWRENCE Church 01 the Ascension SAC. MUS. DOC., F.A.O.O. fifth A.... nue at Tenth St,..t J~MeS LeL~Nb N.w York, N.Y. 10011 ROBINSON First Presby/erian Church The Juilliard School HOl.l.lNa COI.I.IlGIl Union Theological Seminary VIItGINIA COMMONWEALTH UNIVEIt~ITY POMPANO BEACH Recitals Organ and Choral Workshops RICHMOND, VIRGINIA FLORIDA - LUDWIG ALTMAN robert anderson DAVID BOWMAN ETHEL SLEEPER BRETT San FrancllCa 5,.Mpho",. Orch ••tr. SMO FAOO D.M.A. Organist and Recitalisl T.mple Emanu.EI SovtMr. MethocU •• Unlnfllty Alabama Slate University Fi"t Methocll.l ChIIiTh. SacnmCIlIG. Col. c.nFMni. Palac. of th. l.lion of Honor Dalla., texa. 75222 Monlgomery, Alabama

HEINZ ARNOLD John Barry JOHN BULLOUGH f.A.G.O. D.Mu._ WILFRED BRIGGS A.B. M.5.M. Ch.M. ST. LUKE'S CHURCH M.S.. CHoM. FarJeigh Diddn,oll Uni".,ail,. STEPHENS COLLEGE SI. John's in the Village Teaaeck. New Jer.. ,. LONG BEACH, CALIfORNIA IMmor'al Methe.UIt Church COLUMBIA. MO. New York U, N.Y. WhI,. Plain., New York

Wm. G. BLANCHARD ARTHUR CARKEEK EARL CHAMBERLAIN ROBERTA BITGOOD ORGANIST M.S.M. A.A.G.O. POMONA COlLEGE F.T.C.1. Fir., COllgreg,,/ional C/lUrcl. DePauw University Organist CLAREMONT GRADUATE SCHOOL ST. STEPHEN·S CHURCH THE CLAREMONT CHURCH Gobin l\Iemorial Church BA TILE CREEK, MICHIGAN CIa,.IItO", CaUfor"la Gl'ftnc:utJc, Indiana Caha... t Mcnsachusett.

22 DIAPASON hi '>In,!! 'Y .n:o'tolt ,idn,IIJ I aAu I Carlo CurleYI Bethany: Lutht;ran, lean 25 OcloPcr .q,c;' Ill. ,n.,udt,U. '.Ii~H t' ! Andrea Toth. for lia 161O"1\, 8:30 pm :§.;l ' dlt :uicS 7:30 'ffit!. 20U1 .D'lth.. lr St~t:m I',Villle H ~ 'Villiam'! Crosbie" St:'lJohn 'SI Episcopal, AGO, I-irst United M 1 , " Mulih I '111 ~ V1rgirAFc)x1 1 1teVel~fioh ll Ligh15 !' Btitfte " rashington. DC 12: to pm waka, ]N 4 pm J UtJ 5 No.,. ber\ IAnd. 1 C:::larembn~ l College, 1,Glareinon Gillian 'Yeir, St. Peter's Church, Marilyn l\.Iason, First Congregational, David 'Craighead. Christ Church. And- r~rar5[jeld. IlHglanu'= ' .'"U "".11 C4-..l n"h nD"I ole .... eniel)er.. .. Ilo,j)7 111'01' , •• 1 I"~ I ii If. ,II I II La ~rosse, WI . , • over,. ~[A 7:30 pm 40.. q .rlT ,b"bull"i od !en I:jw .ujnu9 II'!J:!!' .,It JI".,;I 1I:~ '" 1 • l\hel!acl Radulescu, First Presb}ter Williamstown Baroque Consort. Wil. I "6 'Ocll ber',ilr./;13 ,.,:., 1 lan, Lmcoln, NE. 4 pm.. Iiams College, 'Villiamstown. MA 8:30 2tl{)(lober.nn .t.b alii "'..... ,~1J".. "'DTI ...,PcPf ,',o.,n. ~qUl,eF.. ~Y I S~hutz, Larry pm I" ,l 1 r Victor.rHiJI, har:psi"honlist, ~ laclPretre .. t;3~~ - ~g ! ~ouJ;rini~y, Ch9rch, ~~~;. 1'a,lmer: fr... St. L:.ukc s ,:Episcopal, Dal- Gerre Hancock, St. Thomas Church, York l Cil~ 12:4.51 pm ~" I I S dtal on Scarlatti: 'Villiarn~g9Uf~ ~il u n lil ,. TX :l. p.~n ~ . Ncw York City 4 pm liamstown. MA 8:30 pm Edward ·iT0.1 I Choral concert, Johnson Mem. United Annu~u~eeti{lgt t A!I]crican ~ ldusico- Joyce Jones. Ephrata. WA I John Rose, St. M~'~EpiscJpa l . Hail­ r cal 'M\'i\M!?~fs. m'! i(ib! u Nov. don Hciglils-;rNJH 'PP'.rt A 1\11 I'~S9f.!~rJr;Y~MIS~'FI~fo'l.~ ~cs. 9 Nonmber • byterian, Cleveland Heights, OH 10:30 Lar;ry King. Trihlty Cbutth. New l ROlbcRr~}~!!tc:.b~~~jh ~~IfP,\'fP's Epis- Novclftbef ') ,11.,..1 11tIJ ,·,A"i' Ii copa, I.e m A • V.I r' • am I~Ulrt!) MnlQ4 IiA York (City ]2:45 pm , Gerre t HahcOckt1 Cathcdratfof ()Christ I: John Schaefer, First Congregational, , WiIIi;llQs~w rt •. "~!"9fl '¥.; Q Co~It, Vic. joyce Jonel, Mor Theatre, Umatilla. the Kina. Atlanta.IGA ".,.,.. t 'M.'" 0 Columbus 'OH,lS:Wm I}f\"Io.n:J ••~ or Hrtt :"'ilir~l ,ViIlHlmS'" College; 'Yil- OR > I ~Jn.J" '1 .1 ••.' ... "0" ...... "n J.. • el ''51 r . r'" "

. "'l';;WH' "' · Z ' t.~i.O JJIH J;;rIJrIlA.~ ('"I"" "111VV II". .. "rot III ~r"olM GEORGE .,ESTEVEZ EARl!. EYRie"... , ... ~G.l;po.l»/.. M u.sic I dQw ~.m:'&ml:.rO vt ,., " Fi~ lJnltirlp h~a.urch Univeislt);,ofIMlcl!lganJ ';rDlrecto~ "",a Ib"Rh6de' lsiiind College Ailnl A:.lia'r,J I CHICAGO"'CHiMriER''CHOIR OtHO ,(.ua:t,tJ.J{, providence

I ':11 : Ii: A\ ". I Harr.y" E. \Jooper i' WA[MP.~~l~:~~IfJt ,,~R.

. ~,HRI~J CHUIICH"M Chairman"Divtslon of Musle & Art I ~gl ~:: ' !l~~~b"a BLOOMFIELD AND GLEN RIDGE. NJ. I Hough'I!.'" ~oIt.g., Houghton, N.Y. 'RALElGa: :Ili~~ ~bLINA I, T~. KimberlJ l rScR~t,ttM1.n7clair, N. J. Houghton W.... yan _ MethodJd. Chu",, ~ . .. .. - - - -, _. - -

lllflJ~ ~'lJ.n 'DEiBERY. fDiSSElHOlfSt~ L ~ . )\~~1~5~ K rv1 Rob rt- .inster ' ENRY . fl.' .b The University of VI ("ill: oJ HI. '!HllltJDMA, nA tniQi rSl',n~ U 'l\!A~~ci'. n l:·rL.u~'Ncirth·':" ea{ol fna ~:.' I fa St• •.n.Pn ,~ U&~dral ft~II Univenitj of!loW.u:rJ.'i Ii \ Firit1'riib-y•• han ,:Churih 1'l-rt'lll"l~ at Gr.; ,,~·;d't t1-t:1t'1<'1.·lt I'Iltt'~ ~n1,..~ ltJ~:;' Iowa City Ih H:'il Iowa II ~Na.hvllle, ~Tenn."" . 37220 ___ ALEXANDER BOGGS d . I ..I e'citals and Master Classes V A,.5 ~:11[ W [fi£l ~laf~nsultation Cathedral of Christ the King R I:Iimwlval'H',9r.l ,merblr!t9cl Chu~~h{'fir. 1.: CONCERT ARTIST ,., , 1!l ~western>.1 ta 'l~I" MicliiganfD University at Kalamazoo

od0BEJi,~ 1972 Yuh Haya"", Bmton. ).fA - Memorial Mwic Hall, Methuen, MA Sept. 6: La Nativ· Recital programs for Inclusion In hE du Seigneur (complete). Meniaen. t ..... pag.s must r.clth THE DIAPASON Organ Recitals within four w •• ks .f p.rformance dal•. Wilbur Held, Columbus, OH - Memorial Music Hall, Medluen, AlA Sept, 13 1 Plein Reeltak Hgaging more than thr.. or­ jeu, FUKUe .ur la trompdlt, Rfcic cle chrotn· ganltts will not b. Included. Th. pro-­ horne. T'~rct en bille (EIEvatw.n). Di, lague .rllm mud Ital. th. dal. and plac. of Elisabeth Baakl', Ha.novcr, \\'. Gl'rm~ny - Sister Myrtle Edmond~. Maryibunt. 01\ sur Ie. grand. Jeu.c. all from Alcue pour In the p.rformanc. as wen 01 the name Slephens College Cha l ~ l. Columbia, MO AUIJ . - Calhedral of St. john the Evan!clilt, Spo­ Couvenls, Couperin: l'relude alld Fugue in IS; all-Bach: Prelude and Fugue in E·nat kane, WA Aug. 5: Solei'll Toccata, S. E. E-nat BWV 552. Nun komm der Heiden of the p.rform.r. BWV' 552, Partita on 0 Gott du fromlDer Rosen; Prelude on a Chant Tlteme. Sr. Max­ Heiland BWV 659, 660, 661, Bach; Choral in CnU BWV 767, Ada,io from TocClita in C dalen Flautch; Recessional on a Solemn he E, Franck; Pieta, Nystedt; Middl~ u ry. Wood; BWV 5GI, Fantasia in G millor BWV 5-12, 3 Missa u t, Sr. M. Terainc Fonder; Solemfl Ren«tions on a n Irish Hymn Tunc, Schwartz; scUingt Wer nur den lichen Gott BWV GU. Prelude, Veni Creator Spiritw, Pecten; 3 Toccata, ~' erby . Briad Jones, Bolton, AlA - Memorial Music 6!l1 . 642. Toccab and Fugue in D minor BWV pi~n ffOln Mass for P.ul.hd, Coupttin; Te Hall, Methuen, MA ,\ug 9: Dallello del Grnn· ~. SoIlt k h mciMm Gou niehl .inKen? RWV Dturu , La Nati~' itE, Lan!lais; Chonl in A duea, Sw~linck ; Prelude and Fugue in C 413. minor, Franr:k. Palll 5. Hcslelink. Farmville, VA - doctoral BWV 547. Bach; AndoInte K 616, Mourl; Son. tr;cital, U. of Colondo, at Whatley Chapel, ata 1. Mendelssohn; Choral in D minflr. Don:rold S. Baber, Dl'troit. All - Church Temple Buell College, Denver Aug. 7: Die Franck; Meli.ma (Org3nbook Il, Albri!ht: Dj­ ol the Auumption, Detroit Aug. 13; POlitlita Sus.an Inpid Ferre, Temple, TX - Fint Kurut der Fu!ue, BWV 1080, j . 5. Bach. vtrtUsement op. 31 11 1, Allqro from Sym. nn Was Gott tUI, P:u:helbel; Concerto 5 in United Methodist, Temple july 22; Notre­ phony 2, Vierne. F. Handr!; Sonata 2. Ml'ndeluohn; Adagio Dame de Paris, France july 30: Allexro vivat"e rrom Sonata 5, Rhd nbe'1lerj I'nlnde on lam from Symphony 5, Widor; Poem or Peace, James HoImu, N_ York, NY - St. Ilaul', 101 needit igneul, Simondl; Variations on A C li anC de ioie. Lan!lais; Impromptu, Viernc; Chapel, Trinity Parish, New York City Sept. Vance Harper jana, Chapel Hill, NO - miahty {ortrus is our God, Raber. PTtlude, Ada!to. ct Chonl Vane . ur lc Veni 27: Toa:ata, Villancico y Fu!a, Ginastera; 51. Peler's Church, Wuhin!ton, NC All!. 27: Creatw, DururtE. Andante in F K 616, Mourt; Variatioru on Partita on Sci lIelfriWtt, Bach ; Sonata 6, Men· Georwe Damp, hh.. t.3.. NY - Sas e Cha pel. There'. not a friend, Thomson; Fint Book of deb.ahn; When jeslll Wept, Vaulhani Dr-elt Comdl U., Ithaca Au,. 6: Prelude in 0 mi­ Jack Fisher, 80$(on. AlA - Memorial Music Orsan Picc:cs, Allqretto gr.u:iozo, AlIcsro River. George Kemmer. nor, Dahill: Bent:dictus·Chromhome en taille, Hall. Methuen, MA AUI. 16: Fantailie in A. commodo, Allq:ro mania!e, Fr;mk Bridxe, Couperin: Toccata, Adagio and Fugue in C Pastonle, Choral in A minor, Grande Pi ~ e BWV 5&1, Bach; Sonata for Orsan (1961 ) , Symphonique, Franck. Gale Raymond Kr.uner, Ann Arbor, MI - Robert Barrow; Movements I, pal Church Seattle PAcific Olun:h or tile Waohington Uni"",a/tu College EplphllDT DALLAS BAPnST CoLLEGE 9Bll9 MinneapolilJ Ptllunesota 55404 Saint Louis, Mo. 63105 98122 DALLAS, TEXAS 75211 DAVID S. HARRIS RICHARD W. UTTERST Church of Our Sovlour Yuko Hayashi ARTHUR P. LAWRENCE Doc. Mu .. Am., A.A.G.o., Ch.M. Akron, Ohio boston M. S. M. Soln. M40ry'. C...... SECOND CONGREGATIONAL CHURCH Organ Tho Unlvonlly of _ De ... new england con ••rvatary N.1n DoIINI, I,",r.n. 465" Rockford, Illinois WILL O. HEADLEE LAYTEN HECKMAN Frederick SCHOOl. OF MUSIC William MacGowan MARRIOTT SYRACUSE UNIVERSITY Holy Trinity Luth.... n Church An Sol ... Chu,d. The Detroit Institute SYRACUSE, :\EW YORK 13210 MInneapolis, Mlnneseta 55401 of Musical Art, Detroit. ,~, Callfornl. Organist, The Detroit Symphony

SAMUEL HILL HAROLD MUELLER WILBUR HELD SL Paul.. Churdl ROSALIND MOHNSEN SM.D., FAG.O. We.tmar College 'AO.O. Ohio State University au""", JWuoll Trinity Epucop.1 Church Trinity Church Carthace COU ... Calvary Melhodist Church Temple Sherith Israel COLUMBUS, OHIO Ken..... , WIxoadD LeMars, Iowa Sua l'.... daco Harry H. Huber CARLENE M. Mus. JOHN HUSTON WILLIAM H. MURRAY Kansas Wesleyan University FIRST PRESBYTERIAN CHURCH NEIHART University Methodist Church TEMPLE EMANU·EL Mut. M. 'AO.O. St. Andrew'. IpfKopal Church SALINA, KANSAS Mey.r anel wo..... n New York City La Grange, III. ICe ..... CIty. Mluourl 64113 d. deane ELUN Kum NORLING JOHN KEN OGASAPIAN hutchison JACOBSON Sofnt Ann.', Church M.Mua. A.A.G.O. SI. 10hn's Episcopal Church portland, oregon M,lsachu""s ~t. ColI.g. Concord, CallIGrnl. New Jeney Low.1I

KIM R. KASLING D.M.A. Organist and Chairman, k.yboard Ofy. Monlcerto Sf ••• ColI.g. william whitehead Monlc.. o, MInn. ...ltats - C"'- - c.._ 2344 center street, bethlehem, pennsylvania , DIAPASON JCln Lanlllliais. Paris, France - Heint Chap­ Sou'" Day, Schubcort ; Toccata and Fu!ue in d . PiU .... urgh, P/\ Sept. 7: Dial~e III quatre o minor, Bach; Rejoio: ye pure in heart, chncun, Boywin: Dblogue Jur lu Ilutes pour SowerhYi Adagio (or Strinp, Barber; Final, l' Elf",:atillll, Dia"",uf! a 2 tailles de crOlnnrne 1-anll'lai.; J'wce IIrroiqll"~', Franck. rt ~ ,bul lIe oornrt pour I. Communion, Organ Recitals Di.l~ue pour )'Asnm Dd, de Gripy; rit« Guy Mnrnnmn, Parn, Fraau - ""n"11 U .• d'Olltue, Cah'ierej rir-ce lIeroiqllt, Fr.mdr.: I'rm:illrnrr. RI AU!ll. 8: Prellull' in C minor, Con,ummatum £It fram L~ 7 Parol~ du Andante: with Variation., Sonatas 2 and 6. ('.hrisl, Touml'mire; Trio, Regina AnlJelonlm, Menllelunhn: I'iece IIcroique, Franck; Vana­ Cloire a Diell au pills hallt ,Ies Cieux, 1m­ tillns on a Theme or Jannequin, Litaniel, ploration 3 pour la Croyance, AlIl'gretto rrom 1\lain; Les chosl's \'isibl~ et invisibles, Mes­ Hommase a Rameall, Canticle rmm Suile siaen; Sc:henctto, Andantino, Marche nup­ Marian R.&I, Boston, MA - Memorial Mu­ liolle, Vierne. John Upb3ltt. New York. NY - 51. Paul'l Folklorique, Poem o( Happineu, Lan!bis. sK: Hall, Methuen, AlA Au,. 30: Paean, CI.altel, Trinity Parisi •• New York City Sept. Lei, hlon; Fupe and Choral, lIont'l~r; TbJ1!e G: Concerto in 0 minor, VinJdi-Bac:b; Sonata R.obert MacDonllld, New York, NY - The Joon Obell, IndqKndeR(ll', MO - The Ri"l'nide Church, New York City Aug. I: In'~ntions, Cor K~; Orrcrtoire in O. Dan· of in F, C.p.E. Bach; Fugue in C minor, W. F. Riverside Church, Nl'w York City July II: drieu; Nun "omlll der Heidl'n Heiland BWV Bach. Sept. 13: Prdude. Fu!ue and Cia-CCORa Tu es Petra, Mulet: Troisieme Fantail~, Lilanie., Choral Dorien, Alain; Tierce en taille, du Mage; Noel Michaud qui causoit 659, Toccata and Fugue in D monor BWV in D minor, I'acbc:lbel; Preludes in E-(lat and Saint-Saens; Choral in E, Franck; Prelude from 565, Bach; Communion and Sorlie from MessC! E .ninor. Kittel; Sonata in F, Perlolesi; ]n­ Suite pour Orgue, Duruflc; Le jardin ,u.pen­ ce grand bruit, Correttej Chol1ll in A minor, Franck; Four VariatiON on a Tone Row, Cor de la Pentec6te, Me:ssiaC!n: Canbbil~, Franck; troduction and Pallacaglia in D minor. Rl'Jer. du, Alain; Scheno-Cats, Langlau; Naiades, Sonata I, Mendelssohn. Final from Symphony 6, Vieme. K~e; Passacaglia and Fugue in C minor. Bach; Jlauacaglia q\la!lli Toccata on BACH, John Skdtoa - Memorial Mwie Hall, Sohla. Me:thuen, MA Au!. 23: M_ du Be Ton, Thom:u O. \\'ehRor, Spokane, WA - C:ub.­ H. W'utthrop Martift. SynC_, NY - St. rdral o( St. John the Evan!elist, Spokane, Emlace Epiw:opal, Lake: Placid, NY Au!. 26: Corrette; Prelude and FUlue in F minor BWV Au,. 19: Tu es Pl'lra, Mulel; Trumpet Tune Allegro moder;alo from Sonata I, Me:ndc:IJlohn: William Port.c:r. New H .. \·m. cr - Mem­ 5].4., Bach; Concerto (or Organ and Piano orial Church. Harvard U., Cambrid!e, MA in G, D. johnsnn; Chant de Mai, Jongen; Flule Solo, Arne; Suite in F, Corelli.Noble: op. 74. Pl'elen; Choral-Imprnvisalion sur Ie Toccata, Wea\'cr; Francaile, Langlais: Prel· AUI, 17: Exuhet codum, Titelowe; Suite on Victimae Patchali, Touml'mire; Partita on Ronde Francaise, Boellmann; Lyrie tnterlude, ude: and Fugue in G, Bach; Prelude for Rosh· Sehr~iner; Chant de Paix, Langlais; Mae:slmo the Flnt Tone. BOY'l n; Liebtter JC1' II, Toccata. Freu dich .ehr, H~iller; Adlg!o and Final in E, Bach. Uashaoab, Bl'rlinski; Toccata (rom Suite op. in C-sharp minor, Vierne-Schreincr; Siciliano hom Symphony 3, Vierne. Ani.ted by I\'ar 5, Dun:t(Jc. (rom Flute Sonata ~, Bach-Snow; TOCC'1ta and D. C. Rhoden, Atheru. GA - Fint Baptist, Sjostrom, pianist. Fugue in D minor, Bach: The Mwical Clocks, Marietta AUI!. 27: Fanrare, Lanl: Sonata in Fnmk B. Sleams. GRICn\'ilte, PA - Zion's .\nita ~"erl Werli~, Ann Arbor, MI - lIardn: Prelude on Rhmymedre, Vauahan D, Scarlatti; I'relude ror O'1lan, Bill Home; ~ntral United ~h:tbodist. Tra~'erse City, MI Rdonned Church, Green"iIIe Au,. 13: Nun Williams; Toccata in F frOIll Symphony 5, I am black but comdy, Dupre; Nun danket AUI. 14: Chant de raix, Lans:lais: Grande \Vidor. all ulld brinlJet Ehr, Wer nur den li~ben komm der Heiden Heiland. j"U mtine: Freude:, Fugue in G minor. Bach; Solo for tlte Flule pitte SymJlhonique, Franck; Vend ponr la GOlt, Drischner: Mu.ic for orsan and trum­ 'ete de la O&Jicace. Messiaen; Variations sllr Thomas McBeth - Trinity College, Wasl •• pet, 2 settingl Now thaftk we all our God, Stop, Ame; Chllrch Sonata. 13, II, IS, K 328, 214, and 336, Mourt: Duo, de Crigny; Varia­ un Noel anlJC'-'in, Litab:e; Prelude et FusuC! illlJton, DC Aug. 20: Variations on M~illen Sleepen awake (2 setunSI) , Rohlig and Bach; lur Ie: nom d'Alain, Ourune. Jc:sUUl lass ielt nicht, Walther; Largo from Lilany, Feldano; Improvllation on a theme tions on a Shape-Nole Hymn, Barher; Scherz­ etlo. Viemt'. Assisted by Itrillg ense:mble. Trio Sonala 5, lIerr j"U Chriu dich lU uns by R. Vaulllhan Williaau. Rhoden. AnilCed Walter Whipple, Los An,;ela. CA - St. ""end, AUe M~nscMn mGuen .terben, Wer nur by David SI~wart, trumpet. Bnte:e B. StI'V1'M - Christ Church Cathe-­ Jaml'l' Episoopal. Lot '\IIKelet AU!. 6: P~I­ tkn lirben Gott, Bach: MagniJiat primi toni, dral, St. Louis, MD AIIIJ. 13: Prelude and Ullt: in E-nal BWV 55~, Kyrie Gou Vlllkr, Buxtehude: Prelude and Faafare on Christ ist Che".,. Rhodl'l, New York, NY - KenJJCdy Center, Washington, DC Sept. 1: L'Orguc i"u!ue in F.shal11 minor, Buxtchude; Ciacona Cluiue aller ""ell Trost, Kyric Golt heiliger en L1ndrn , Kr..ehrnbuehll Song of J'eacc. Lang­ in F minor, Pachelbel; J'rellide and Fu!ue in Geill, BWV 669-670, Bach; Trio Sonata lais; Sonata 3, Mendelssohn; Carillon. Vierne. my.tique Office XXXV, Tournemire; Pour Ie Tombeau de: Colbe:rt, Guillou; Les Corps C minor BWV 546, Bach: Choral in B minor, (1968) , Gllinaldo; Three Prelud~ and FUlJues Franck; Prdude and Fugue on BACH, Lint. 1111. 7, DUlin:. Ann McGluthlin - doctoral recital. Indiana Glorieux, Combat de la Mort et de: 1a Vit, U., Bloontington AuS. 13: ChGr.l1 Sonl, S. S. Aleslial'n; SalJa IV C L~lIardo) , Sala VI (lcaru.). Guillou. Kathleen Thomenon, 51. Louis, MO - Timoth,' L. Zimmerman, PlaiaGcld, NJ - WCliey ; L'Epiphanie Irom L'OllJue Mystique, Cilliu Church C:t.lhedrnl, St. Louis Aug. 6: Cathedral 01 M, joon tbe E"an~li l t , Spokane, Tnutllelllire: Falltasia 011 Wachel a •• f up. 52/ '!, WuI'p.., Riiblara, Wdtcrwald, Wet' Ger­ Dia1os\.le. (Masa for Con\,ents). Coullerin; Toc­ W,\ Aus. '!6: IJf't'lutk, Fu!uc and Chaconn.e, Urgu. m;tny - St. Paul', Lutheran, La Croue, WI cata quarti toni (alltati_, S""~linck , Fantat ia HUiltehutiei R«it de: ' hromhome, Dialo!ue AUI . 13; Prelude and Fugue in E minor BWV and FUIUe in C minor, Bach : Pl'\r;lude and IlIr la tmmpetle frOf;II Mall lor Convents, Gurdon McMillan. Phoenix, AZ - Cathe:­ !H8, Komlnst du lIun BWV 650, Sonata 5 in i"ugu~ in 1'- , Buxtehude; Allesro macslosu '",III Coullerill; Litanies, J'01t1ude for tlut Ortice o( dral "I St. Johll the E\'angelht, Spukline, WA C BWV 529, Bach; Phantasia on Stra' micll Symphonic 3, Vi~rne : Variation.• on a Thellle CUIIII,line, Alain : l'relude and Fugue in E Au!. 12: Gr..nd cllMur dialosue, Gilout; nicht op. 4012, Rl'gl'r; Fantasia on ~I\'C Re­ by Leo So .... erbv. Arnall: Syll1l,hony ill G, Fast minor BWV 548, Badl; Prelude and Fugue Aria con varilUiun~. Martini·. Litany for All , !ina. HeilJer. and Sinist~r, So"'·eru)'. UII BACH, List. FRANK. K. OWEN Robert Shepfer Jack Ossewaarde LooooDi - Iledlalo L. ROBERT SLUSSER Orgenlst .. Chotrma".r MUS. M., A.A.G.O. St. Bartholomew's Church SECOND 'RESlYTEltIAN CHURCH St. Paul's Cathedral h'd.... poU., Intllana "260 LA JOLlA 'RUlYTEltIAN CHURCH New York Lo. Angeles 17, California bcltah LA JOU.A, CALIFORNIA

RICHARD M. PEEK ROBERT SMART Franklin E. Perkins Swarthmore, Pemvylvania Sac. MUL Doc. A.A.G.O. - PIo. D. Trinity EpiIa>pa1 Cburdt ROLLIN SMITH SW2rthmor< Col. Covenant PresbyterIan Church n.. Lo4vo tho .... Coagrqo,*, Il

ARTHUR A. PHILLIPS MYRTLE REGIER ADOLPH STEUTERMAN MOO CIo.M. '.I.U Carl Staplin Mut, Doc., F.A.G.O. Ph.D .. A.A.O.O. _nt HoIy... C..... Drake University Sou.h••• tem of Memphis eII St. Albao. C".. -,"""I C,.... Calvary Episcopal Church South Hatlley, Mo.sachu..... University Christian Church 172-17 St. Alltanl, N.Y. 1104 DES MOINES, tOWA Memphl., Tenne ....

51. John's Cathedral RUSSELL SAUNDERS O"in Clayton Sulhem, II FREDERICK SWANN Jack Edwin Roqen Eostman School of Music Prora.sor at Mudc The Riverside Church Orpnist.CoaductOf New York City Jacksonville, Florida University of Rochester Lincoht UDinnitr. Pa. -- K. BERNARD SCHADE JOHN M. THOMAS - AAGO George Norman Tucker S.M.M. john h. schneider O,•• nld • Direct., MOL Bach. STATE COLLEGE Frame M.-.rI.1 Pr.. brt.,~n Church ShiH: Uniyersity of WJtcOft"" ST. LUKE'S CHORISTERS EAST snOUDSIURG, 'A. Calvary Presbyterian Church SI ...... Point, Witc. 54411 Kalamazoo Workshop. end Lecture, FOUN_ - DIRECTOR n.. Ko4al, C..... I Motfoo4 ruvenide, California "CKURCII MUSIC INTERESTS" AGlIKY BOY CHOIRS

I JOSEPH SCHREIBER EDMUND SHAY WIWAM Th. lap'l.. W. WILLIAM WAGNER Ind.pendent Presbyterlan Chute" RANCIS l.mpIo ColurnitiG Col .... 1I"" ...... Southono C..... ~ cotun.lHa, S. C. VOUMEll I Temp&. Square MT. LEBANON METHODIST CHURCH IIrmlntho .., Ala ...... Recital, Malt.r Clas... ..I,. 17, N.Y. Pitbbursh, PelUllylYUda

Organ Builders and Inc. • Rebuilding FRANK J. SAUTER SONS • Repairing * Phonesl 388·3355 * For Unexcelled Service 4232 West 124th Place PO 7·1203 Alsip, illinois 60658 • Contractual Servicing

OCTOBER, 1972 25 , " zrRfi3SH .' POSITION WANTED H,jRPSICHOIIDS 0: PIANOS ORGANIST wml n ,M. FROM PEA­ VICTOR PIANOS &. ORGANS IS OPEN­ ,INSTANT HARI'SICHORDS NEW body Conservatory Jeep full-time Organb t or ing Ihree Regiol\1I1 organ Jervice cenlen to Zuckermann walnut sllint!1 $7f6;. New walnut Organist/ Choirmaster position in evangelical • en.'ice ~U lI~k H 01 organs, If yon are a n ex­ cia\ich(lrd• .cherry ke)"1 , $724~ Also, used Hub • church which adheres 10 Biblically cnnwn'Ol­ perienced organ Sen.' iceman and want 10 gel bard 2rrnanJ1.llI $2500. Olher ,kiu ,assembled 10 live doctrine. Will locate in Northeastern North Ilrdcl'.( l1irsl cin$' workmansilil'_ Wibon Barry: h~,J R n lt.t h C;l" gf£u nd I floor[], 9f ,tt_ .. !h:.!1J!"lif £ilJw Amcriea, indudm! Ohio land Caoada~ or Flor­ 76 },~f»I1()n St., Andover, Mau. 01810. 61 7/ ida. Excellent rrpertoire nnd rdcn:nc:es. .... Ad­ SeNlce Conccpt,.I"CI;. Now ( VIC Wf s pa~ an ~ a!jo\'eNrav C'iige ~ ~li' i-y , I. I~ ('Cllnrn~ l on 0 11 l.~a le,: 1 475·5_87 , drn:I K..G. THE DIAPASON. rH}~) .d ailtljScrVicc - calb, Scn ~~ rNuliie: lo; ·300. l'I .W:, t • r a 1 FORI 'SALE _ HARPSICHORDS AND ORGAN·'j'UNER·TECIINICIAN WITH 15 !'t1r".*" '!~H.~Jilj!~' f.1,~!.ii!~ ~~!2~ : u ;lg~/~?, ! -?~Z':·~'[, clavlchordi mule ·by, J. C. 'Nf'Ul;ertl anti S, )1!AQ experience. seeks position with a reputable 'rllff u m mel (j ni 'm9u'i bm; dr,')nT J!i:.! Salmthll & SOil lnt!. Fillesl qualily) ftllly "guar­ orp.nitatio~ . Would cOlUider working as build­ anteed. Largest " w:lrction available' from 'Otll' cr-.ervice combination with college. (ull or part :':',,,,,); WAi'iTiD... , ...... "I ...!":. , Mi;CELUNEOUS, .. _. -- " , , ' _" , _ cl""i, ') shuwrooms. :lFilla;,ii"I' Nb:il-;-l~VQiJQbk,' Free' time. Can furnish su1id rderenccs. Send n:­ ...... ~ ••~ .. ,1•• I' ...... ~~ Calalog. j. W.,)f'Allen, .i500'(lGlcJuiay,'t(l.B ri!.tol,1 quiremcnu to J-6, THB DlArAsoH. .. n Va,: 2420.1: .• 7rn/fKi9~96. I ..... ,. " ; • .t" . SABATlIltr IIARPSW'HOR'DS .~ PEDAL Ha..pichordl'lan(l Clavichordf - "in'liIt' reliable' :WANTED:1L'IExPERIENCED .ipiPE ,bR~' __ ...._ n ...... n ,~._.,_ , ' 0#' l ,. , ...... Cl and Ilt'auiUuU, sollndinsb' (rom $895. Brochure t ga'n!;'~rViceman "ror- ·,iiiliiii!.1'repairing"and·1ovl'rJ f,WANTBD ~" BACKIIISSU ES [ THE D,APASON' IORoM.: S~RVICE 1.1EN ·.....!" Il " iE \ VJLL 25i. Str~ LI' $5 ·frtllll rpt. D, IIJ8.t- Hdmf'r. haulirik orBaN in :'Melmpolitan ";New"l York'l 1949 ~nd ~ earliel' j !. TAO ' I 952 :md·' earller. WilH rt,Covcr I Ca.s:I ...a nf • :ihd Sk i nn~r ,1OIicllbdirds/ Vantomkr. B.C .• Canada. . 1 ana. Mull be fiuuillail\vith' el&tric' and,fpiieiil! Ilay ryour price, Ijacob.,:i'881 5 Springfield 20; 1 lirilllary and onset aclions. \,"'rile Ubrid'ss As· malic tlctiolU. Permanent position -fO'i"' nght' Kansas City, Kansas 66103. I' II"/(I IIml'~';t'" ~ i~ \ ~ 1l1~ 7 l S11HJ)I.~}!aJm:;a , ' Rd., p AbiajJtOlll PP. 'POR! 'SALF. ;~l1nARrslcllbRDS:' CLAVt~ party; ~ddrea . K :~" , TH:J?, ~r..AS~)1' . :r ••:nl I ~b ~ ;in&J .. ,,,1.:11:1 '7~ 1<11/, 1.Ihnl.l1. chc.'rdS;)I;Y-~J'N'/ulierf, : wn~ hl'i')n'fiia~,JTf old~rl on n:qtol, Magnarnlisic,r.Sliii!i IWANTED ' PIPE IORGAN' MAN ' TO, 01': ) 1I1;lk~r. Ca~alog5 , SE RVICE; ~mr(tI 00 ',Y04 ~LA6 K 51I0Iq nID, Clem". 06069, erute pipe dept. Be own1 boSs, hamUe rebuilds,'· !!:'ace?'"'"1Ve, s~~ii.! U ~ n Ic:at~e~ \~or.lr..1 reCD~·er. l iJ1 ' inalDllations ... and Krvke1 $200.00,f rent plus mg .IlD ep lllallp ~ ,'IO'ldu;~.s j ~I'UJl$ t ellll~VIJlS" FLEMISH ,HARI'SICIIORD:; 1 CUSTQM $3,000 toolill and inVCnl(iry, NewpOrtl·O rll;a ni,; et~ . W ~I I£ R. 1t-f. ~~~um ~ 5pl1o Bo~ 293, IH6 Productionf PI. .. ., Newport Beach,h· Calif.l built trom ZlIckrnnanf kilS r' \'~J)' reasonablr: L.ewfshu9f,.o, .. L 92660. ' I'" ~a' ~ 1837. ,. priCd!. I Roy 'Crouse, N. Wilkesboro, N .C, ' 1'NfuMA'TICSA1\NU POUCJniO~\RDS lor' 28659', ! ahy make teco\'erro wiii, llo l)'uretlia n~ I1t-islic', Wrile for quotation, Cllllrch Organ CU" 18 SP~RRII"o;E , \1;\RPSICJI(5ol\)s AND \~~IQ II , St .• Edutm) :N/j, ,,0881J.,II

DUH§:n !U~~~N P. O. Box 1165 .gdl D ~ ~JI .yIoH 'Inu.M t'f".fv,b. ttaM ,1( a4It.H diuot ,\\ANUI A( I URlRS or QUALITY ORGA:' C0.'V1P0 MN15

MU~H!:IANS WANiTED Choir ~ 2QaJtYJlOtUlW~¥lU~ ORGANISTS. SINGERS Robes ~ I NSiTR.UMENirALlS:rS GORPORAfION,e3 For Church Musicians' Agency '''' 'Brl~j 1o vJi".vinU erving theJ ,Greate~ New,York, New ulloers ot ersey, Connecticut areas. For Ser­ '!It·~s or employiii'ei1t;wiite;

MONICO ARnSTS ~ '>1 MANAGEMENT Inc. 465 w, 23')s P' ° :scrit~,Ti 2.H N ~~ vtfrU'CiiY?10(ni'A3w Or r=iiii f J21i fj 41'.31i4t bDJt141o!4 b 'lOn) VhtbD~ GriT

I ...... - '" mA'IlBERISHIRE ORGAN °rl COMPANYMAUJII' I .lqmgJ I Zt)MAnt , , 68 .. 50. Boulevard West 5 rin ield M ssach II.>JI J f2HI{; •• t;u•• ;;,u, .. ,...... fl. I 1., ~P,!p c~fqmlJ r 9 ~ov ",n_I •• ,Member:. .. lntemational Society oC Organ Builders ...... ,._- .... ,.. -.... . I .'f. ~ ,\f nyt.lla

... t! b DOIT l~Asgi F.?U~Nt? "i l!JNING nnlhllllt'i(J); _ Il C NRJ,tD 0 6'DI:IRH gC."om I l.~~~.nfl 'l!.l'jr. (""?r: p.lr~1h ••• y KNOXVIllE, TENNESSEE 37901 ."In '. r.,ldenc to rgit; !i ilia'!P~UlJ1lYlco.rrse. WiCie op.n lox 2061 gfli1ioq9i1 • Rebuilding. R.voiclftg - Consu tahon struction fie d with g ood eal'ningi. Makes .xc.l· " I ' ... ~ r~ ~ II R " I!~ II ;l l ~o·tJ. lent "extra" job. Writ. Tuning. MG ntenanc.. .IIU KI ng P.O. Box 2125, Tallohas•••• Fla. 32304 '/)'" • 'III • IA ., JID .. A",.rican.,5chool of~ Piono Tuning e Coftauhanblut:)O,tno:J • 8 '"' vu ZIOn! ,qll 170SCI'TIUe'r Dr.~D·"L bV- Mn,ln Hili. CA .5037 L-______~_ ~======~ CLASSIFIED ADVERTISEMENTS a...if}ed .dn,.... ". ,.... : per word, $.20: mlftlmum chorale, $2.50; NJt number, .ddlttonaJ S1.00. I.,Ne, t. 1Nt_ OlnlNn .he.W It. Nftt C. D Iha DNa,a.Dn, 43. S. W.1toth A"nue. Chlcal., In. 60605.

FOR SALE - PIPE ORGANS FOR SALE - PIPE ORGANS FOR SALE - MISC. FOR SALE - MISC. fOR SALE - 331t MURRAY HARRIS FOR SALE - PAGE THEATRE ORGAN. FOR SALE 4·MANUAL AND PEDAL FOR SALE LARGE 4·MANUAL MOL- pipe orpn Ins consol~. disaAcmbkd, good One: of a kind widl double playe:r action in Iloptab coruole ""ith 17 Qnu pipes. Action for kr console (1928). All in workins order. From condition, $5500. Casavant f-m .. nual 5:!..dr.low­ console: rM M·nole (piano typc) rolb, 2·manul 22 ranu ... nd p~panion in console lip to 40 Amphilhealer, Chaulauq1l2, N.Y. Bcst offrr. knob console t~l. ciccpncumalic, excdk!nt 4-rank wilh Dcapn Harp, Xylo, moe and ranks. 2 Sww silenl blowen. Must be JOld and SoJl 453, Chautauqua, N.Y. 14722. condition, $MOO. Spf:CI on noqUetl. Fint Pres­ Chimes. Sinlle phase blower. Ideal lor rai­ removed from church not laler than Oct. 10, byterian Chun:h, 320 Date Sin-ct, San Diq;o. dence:. Will fit thm 32·inch door and pipes 1972. Best off~r acc:epted. Can be M'e:n and FOR SALE - THREE BOURDONS 16'; Calif. 92101. 714/461·5457. in eight.fool hilh room. Bob McKinnon, 2187 played no\\'. Contact John C. Bauler, Jr., 'wo expression ,hulIen; two enllincs; IWO Or· Southwood Ave., MUlkelOn, Mich. ~!J.HI . 616/ 1632 Courthou$r Rd., Gulfpon, Mi.. 39~01. lJoblos, % HII, :2 HP; molor'leneralor; 2- FOR SALE - WICKS PIPE ORGAN, 2- 755.3022. 601/896-3018 eveninll'. manual console, Wicks; 8' Diapason, 73 pipes; manual. ... ranb. ~If-containcd, unenclosed, 8' tapered Diapason; 8' VDO; 8' Salicional: large scale open tncd pipe work, bold voicing, FOR SALE - 2.MANUAL, 8·RANK PIPE FOR SALE - 2·MANUAL MOLLER CON­ 4' Dulciana; 4' Octave; 8' Gtdrckt; 8' SaJi­ lui table lor small chun:h. teaching studio, organ w/chimcs. 1I0neshoc console. Complete. soles, 4·manual consoles, one Moller .top key, cional b:w, 12 pipes; 8' Oboe baM, hall chapel. Lm than three YCAn old. Vl'!ry attrac­ Iy disnlanded and relIody 10 hc moved. Address one Skinner drawknob i m:mual Itcyboards, two length, 12 pipcs; 8' Diapason bus, UnC·lin tive price if buyer an move. John Carroll, K-4, TJI~ DIAI'ASoH. ... nd thfre manuals, Spencer and Kinetic blow_ Roman moulhs. Hart Rumbolz, 2566 Home­ 8500 Old Spani.h Trail. Tuoon, Am. 85710. e:n from ~ 10 3 HII, Swell "I ... des and en­ stead, Santa Clara, CA 95051. FOR SALE - AEOLIAN RESIDENCE lincs, oUnote chesll, unit and pilm"," chest. FOR SALE USED PIPE ORGANS NOW or-gan. 16 rlu "Ius harp (.f9·note), chimes with pipes. Write Rivi, Inc., 811 Focis 51., FOR SALE - HINNERS WOOD 16' in Itorage in our laclory: 2·manual a·rank (20.note). Also 8' Principal Walker rk with Met ... irie, La. 70005. Double Opcn Diap:!.son &: Major Ftutr. 44 Moller; 2-manual lI.rank Moller; 2-manual chest. In we:cl.::.ly usc. $2000 or best olfc:r. Buyer pipes, chcsts and lOIcks. 5" prNSUN:. $400. 15·rank Casavanl. ThESe orpf\$ will be com· to rc:move. Will di\·ide. Full list on rtquot. FOR SALE - 1938 )'IUDLER·HUNTER W. II. Jost, 751 Old Mill Ro.;ad, Fr.anldin pletely faclory rebulh, in,~ned and guaran· LUlhe:ran Church of Honolulu, 1730 PlInahou cunsole, 2·m:m. &: ped., II slllJl$ and couplen, Lakes, N.J. 07417. leed. M. P. Moller, Inc., Hagenlown, Md. St., Honolulu, 111 96822. $ISO.OO. Moller pcdalboard, 32 kcyl AGO 21i40. 301/733·9000. "'ilh cOlllaCII. $65.00. Slow l"ttd Kinrlic ORGAN REEDS - ONE OR A SET, Mowrn: V. III' 250 cu. ft. at 2.5" pr., $70.00; FOR SALE ~ PIPE ORGA..~; FULL AN­ while Ihe:y lUi. ROC$ler·llunholz Co., 22:00 N. fOR SALE '·MANUAL MOLLER OR· y, HI' 300 cu. h. at 5"" pr., $150.00: t4 III' pn .•9 ran .... All compoMnU. Dbmantkt) lor lOll Gottfried .m 2:'lnanual theatre: style con­ 11th St., Milwauk~, Wis. 53205. sole: (one of a kind in U.s. I. Eleven ranks 613 Cll. It. at .. "" pr., $160.00: J4 UP 425 rll. leODge. Unable eo u&e in new buildi"lI. Speci. h . at 3" pT., $165.00. Slow speed Spencer ficalions available. Contact Norwood ChriJtian chimo and harp Goltfried full combination ac· FOR SALE - E. M. SKINNER 61-NOTE tion. Fur further infonnllltion write K.3, THr. blower, S HP 1500 cu. It. at 10" I.r., $375.00: Church, 2100 Elm Avenut', Cincinnati, Ohio V, III' 1750 RPM 450 cu. fl ....t 3" pr., $90.00. Ilarp. Mint condilion. Best offrr ove:r $500.00. "5212. 513/631-5366. Price nesoeiable. DI'PA.!IOH. MilIler pipes: Gmu Fl. 8', 61 p., 3YJ" pT., Colkil Mfl. Co., 1'.0. 80~ 112:, Buffalo, New $-45.00; fl'. 110m 8', 61 p. 5" pr., $65.00: York 14Z23. FOR SALE - MOLLER 3·5mp CLASSI­ FOR SALE - PLEASE SOMEBODY BUY Tuw. 8', 61 p. 5" pr., $/iS.oo i Vox HlIm. 8', que. EJlpGSed pipework, deQehed coruole. Morton I,il~ organ, 7'l"OI.nk, ,DOd condition, 61 p. 4" IIf., po.OO. Hook &: lIastinp L. FOR SALE - MOLLER TRACKER COM­ $3000.00 in iu pracnt location. Mrs. Wm. E. dirossemble:d, rcle:ather«l, ,tored in home. Ged. 16', 12 II. 3Y'2" pr., $100.00. Write Can­ ponents: 5·r.ank chest, 4·rallk chest, 8' Diapa­ Bruce L. Kauffman, .fiG GClIe A\·e., NW. AI· Pilcher, Jr., 2601 Selwyn Ave., Charlol1e, N.C. lIolna Organs, Inc., Hollid3ysbu'1l, VA 16&18. son, 8' Aeoline, 4' Violin Diapason, 16' Sub­ 28209. buquerque, N.M. 87107. llaSS, 1 liP blower. Best offer on each. R. Wanat, +t3 Atlas Dr., MadilOn, ALl. 3~7$8, l-'OR SALE - SCIIANTZ 2·MANUAL FOR SALE - MORTON ORGAN COM­ IXJllen": 7.slop pat chest: Hann. Trpl. 8': and peilil e1ecero.pneu. action, 8 r.anks. Like FOR SALE - ELECTRONIC ORGANS FOR SALE - -USED IIlpES, CHESTS. new. Available immedialdy. Church has pur­ 61 pipcs; 2·manual, 32·nole pedal coruole; lalliinated mllUen with molor; lood condo consoles, misc. parts. Orgllln Sen·ice. BOll 2061, ch~ 3·manual Schantz for new building. FOR SALE - CONN SPECIAL 3·MAN­ Fint United Methodist Church, 623 Hamilton Knoxville:, Tenn. 37901. May be ~n al: Trinity United Melhodist ual dcctronic tllI~atrc of!r-ln. 'Valnut hone· Church, 2796 Ch:ulestown Rd., New Albany, ,hoe CQnsole and bc-nch. 32 pedab. Model 650 Ave., I'alo Alto, California 94301. Ind. 47150. HOUSEKEEPING SALE - PRODUCTION (51. IY: .yean new. Has cuslom built·in dual O\'erruns, discontinued pam, valve wira, mal' reverb units and 61 wlo manual key relays lor FOR SALE - 2M/7R SMITH THEATRE FOR SALE - 2·MANUAL ORGANS: 3- console and rday. Moller nule, linn,., diapa­ neU, elc. Send SSAE lor lilt. Rrisner Mil., keying cxtemal pipes etc. 1!1Iilt·in Leslie and Box 71, Hagerstown, MD 2l740. stop, 4 .. lop Wicks, 6"101' Moller, 12.,top di· main spcaken. $-4,lKX1. lkn Lodwick, 4671 N. sons, oboe, VOll, stopped nUle, doppd nUle, uct-electric; 1II00 5·,top Kilgen unil chESt, 71 St., Milwauke:r, Wiu;oOlin 53218. swell shades chcsu, chimes and 2·manllal pipes, I"C'SCrvoir, reby. Wrile Rive, Inc., 811 coruol~. 6430 Wcst 28th St., berwyn, III. FOR SALE, EXCHANGE OR TRADE - FDds St., Melairic-, La. 70005. 1iIH02. 312/-HH-8369. 57 Sct:ular Schlllmrrich 2:5·H8 Auto-Brll roll FOR SALE - EVERETT ORGATRON 2· pbyrr scln:lions. Church ideclionl ",anttd. St. lnanllah AGO pedals and lOne Qlbincl. $200. FOR SALE - D·RANK PIPE ORGAN, Luke Uniled Mrlhodisl Church, Enlerprise, F. H. Cooley, SIll Mpunlain Ave., Bound FOR SALE - CONSOLES: 3·MANUAL Reuler CQruoIe 1955, without bla"'~r. Removal Alab;nna 363JO. 8rook, N.J. 0880:5. 201/lS6-0016. Maller, $200. 2·manual Kimball, $75. 2·m.nual at buyu'l upcrue. St. I'dri Luther-lin Chllrch, honcshoc w/55 Ilopkq'S, $200. Br.&nd new 804 Grand. Story City, 10000'a !)(J'H8. Deapn cl... .u·A chilllCS with actton. Addrca FOR SALE - SPENCER BLOWER, 2 FOR SALE - MISC. 1\: · 2 , TII ~ DJ.APA.!IOH. 11.11. 1750 lingle phase. 350 CMF. at 12" Xlent FOR SALE - 2·MANUAL, 7.RANK PIPE condo $G5O 0). P.O . Box 245, Culver Chy, orpn, about 3(1 yean old. 2 1111 OflObla. St. Calif. 90'!30. Andrew·St. Jmeph Church, Brockhunt St., FOR SALE - NEW ORGAN PIPES, 51% FOR SALE - TRACKER MATERIAL. m New OJ'Pn Supply electric actions, 6 and 7- Oakland, Calir. 9-1608. spottrd metal, Mixtures, Sdlar'r., Cymbc-b, Octaves, ~IC. prolnptly ... vailable. Excellent stop draw pull aclions, 2 58·nole palle:t pllil IVORY AND ROSEWOOD DRAWSTOrS, FOR SALE WURLITZER STYLE E AND workmanship. Write 10: Experu on OfToln down lIIclions. Make olfer. Po·Che:dley &: Son, hand engr.avillS, and all sl11all organ pam. Style H thealer pipe nrgaN. Call bdwee:n .5 I'ipes, G~briid~r K5.s, 53 Bonn.Bellc!, West IIlC., 329 North Ellicott Crcc:k Rd., Tonawan­ Thos. Harrison ( Est. 1830), 66 Ada Street, and 6 p.m. EDT. 617/6!J8.7~. Germany. da, N.Y. 14150. London, E.8, England.

Builders of Fine Tracker and DELAWARE Electro·Pneumatic Pipe Organs Inquiries are Cordially Invited ORGAN COMPANY, INC. W. ZiIllIller & Sons a progressive company with traditional ideals INCORPORA.TED designing and building custom pipe organs

252 FILLMORE AVE. TONAWANDA, N. Y. "'ailing Add,... : P. 0, Box 11024. Charlotte, H. C. 282OS1 NATIONS FORD ROAD' CHARLOTTE, N. C.

LOUIS F. MOHR & COMPANY 0 R Sine. 1906 ORGAN ~l~~~o. ROCHE ORGAN G FINEST IN NATURAL PERCUSSION MAINTENANCE A 2899 Valentine A.. eo COMPANY N :JI.. Sgmlolo/ Qua!;lg Solid New York 58, N. Y. Calhedral Chimes Tdephone: SEdgwick 5-5628 bui/de.. of Electric Emcrrcncy Semce Yenly Coaurotcts p JEROME B. MEYER &SONS Attion. Harps - Chimes - BloWUJ Mech.nic.1 Action Organs AMPLIFIED TOWER CHIMES I 2339 SO. AUSTIN ST. &pert Overhauliac Electric Action Orgons p "All 0,,1111 P,op.rl., Mn,.., MILWAUKEE, WIS. 53207 LAKEVILLE M.i,d"i"," E Btlltr AttUit" P.O. BOll: 971 TatmloD, Mall, 02780 CONNECTICUT 06039 5

CWmVE OlIGAN BUILDING fOR ARTlmC MUSICAL RESULTS -1 "Qualif), willt [AI(ffflj AIKIN ASSOCIATES E"",am)"~ Greenwood Organ Company ALL ELECTRIC CHESTS AA ELECTRO PNEUMATIC PEDAL CHESTS CHARLOTTE, NORTH CAROLINA 28205 ~ "THREE GENERATIONS OF ORG~ BUILDING" lax 143 Iraaldyn, 'a, 18813 717·289..4132 That Ja ....ly sou.. . • • TE DECET LAUS af the South C;.rman Baraqua. A Hymnal for the Muddan JULIAN E. BULLEY Reid Organ Co. F. C. DREWS & CO. Rated by c09noseantT a. "cram. d. la New Organs - Rebuilding P.O. lox 363 creme." Prked to a church musician'. ORGAN BUILDERS SINCE 1960 purse .t $5.40 postpaid. Stnt on approval Service (408) 248-3867 NEW WORK FROM $6,000, on adequate identification. ItEIUllT FROM $4,000. SINCE 1906 Address: Oliver S. Beltz, Editor. SonIa Clara, California 801505, Mlddla Vllla"e, N.Y. 1ll7t 1376 Harvard Blvd.-Dayton, Ohio ..5406 III 212·l2'-1213 P.O. Box 325, Loma Unda, Calif. 92354 513·276-2481 - OCTOBER, 1972 27 • • I I I a n Murtagh on~ert Manage.llent

Box 272 Canaan, Connecticut 06018 203-824-7877

NITA AKIN GERRE HANCOCK SPECIAL AVAILABILITIES

Season 1972·73

DONALD McDONALD November only

CLYDE HOLLOWAY after January 1

LADD THOMAS ROIlERT ANDERSON CLYDE HOLLOWAY FREDERICK SWANN lIIidwest & East in March

CATHARINE CROZIER Limilefl Engogements

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ROIIEHT BAKEl!

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European Artists Season 1972·73

MICHAEL RADULESCU ~ Oct.·Nov. '72 JOA LIPPI NCOTT GILLIAN WEIR Nov. '72

KAMIEL D'HOOGHE Jan.·Feb. '73

HEINZ WUNDERLICH Feb. '73

MONlKA HENKJNG Mar.·Apr. '73 RAY FERGUSON DONALD McDONALD JOHN WEAVER MICHAEL SCHNEIDER Feb.·March '73

FRANCIS JACKSON May. '73

JERALD HAMILTON MARILYN MASON