Introduction: in the Event | 3 Broke with Patterns of the Past and Produced Original Institutional Orders
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Victor Turner and Contemporary Cultural Performance, Graham St
Victor Turner and Contemporary Cultural Performance, Graham St. John, (ed) 2008 New York and Oxford: Berghahn Books. £47.50 hbk ix + 358 pages ISBN 978-1-84545-462-3 Victor Witter Turner (1920 – 1983), working with his wife Edith Turner, was an anthropologist deeply concerned with ritual both in tribal communities and in the contemporary developed world. His early fieldwork in African villages in the 1950s was typical of the career development of field anthropologists at that time. He developed a special interest in rituals, seeing these as social drama in addition to the religious expression of the sacred. He drew on the work of Arnold van Gennep (1960, originally 1908) on rites of passage (viz. birth, marriage, death and sometimes puberty initiation), translated into English in 1960: Turner focused on the concept of limen, ‘threshold’ and the term liminality. Van Gennep added pre-liminal separation or isolation from, and post-liminal reincorporation into, one’s community as a threefold schema. The context was tribal and religious, with gods and spirits demanding to be appeased. Turner applied this retrospectively to his own fieldwork, and far beyond van Gennep’s work, developed the concept to embrace all transitions and all rituals everywhere. He bracketed out academic scepticism about tribal religion and focused on how the people experienced the ritual. Ritual as social drama gives it a significant social function, to dispel conflict and schism and to mend quarrels. He then applied this concept to western developed society to explore how conflict is resolved and what replaces ritual in a secular context. -
Tuc Riti Ia I 111 Lb
TUC RITI IA I 111 LB. 11 1 1 %J i \ L» i""^ /^®% P H & ^^^^ ^^^r ^^^y v^—^g Structure and Anti-Structure VICTOR TURNER The Lew/s Hen/y Morgan Lectures | 7966 presented at The University of Rochester, Rochester, New York Cornell Paperbacks Cornell University Press ITHACA, NEW YORK lite.*..- SYMBOL, MYTH, AND RITUAL SERIES General Editor: Victor Turner Raymond Firth, Symbols: Public and Private* Eva Hunt, The Transformation of the Hummingbird: Cultural Roots of a Zinacanlecan Mythical Poem Bennetta Jules-Rosette, African Apostles: Ritual and Conversion in the Church of John Maranke* Sally Falk Moore and Barbara G. Myerhoff, eds., Symbol and Politics in Communal Ideology: Cases and Questions^ Barbara G. Myerhoff, Peyote Hunt: The Sacred Journey of the Huicho'l Indiansj Victor Turner, Dramas, Fields, and Metaphors: Symbolic Action in Human Socielyj Victor Turner, Revelation and Divination in Ndembu Ritual^ Victor Turner, The Ritual Process: Structure and Anti-Structurej Roy Wagner, Lethal Speech: Daribi Myth as Symbolic Obviation *Also available in a Cornell Paperbacks edition. tAvailable from Cornell University Press only in a Cornell Paperbacks edition. To the memory of Allan Holmberg this book is respectfully dedicated. Copyright © ig6g by Victor W. Turner Foreword to Cornell Paperbacks edition copyright © 1977 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information address Cornell University Press, 124 Roberts Place, Ithaca, New York 14850. First published ig6g by Aldine Publishing Company. First published, Cornell Paperbacks, 1977. -
Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program Alison Cook-Sather Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Education Program Faculty Research and Education Program Scholarship 2006 Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program Alison Cook-Sather Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/edu_pubs Part of the Education Commons Custom Citation Cook-Sather, Alison, “Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program,” Anthropology and Education Quarterly 37 (2006): 110-127. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/edu_pubs/9 For more information, please contact [email protected]. Newly Betwixt and Between: Revising Liminality in Learning to Teach. Anthropology and Education Quarterly 37, 2 (June 2006), 110-127. Alison Cook-Sather Bryn Mawr College, [email protected] Abstract Through an analysis of a contemporary rite of passage—the final stage of teacher preparation— the author develops a new theory of liminality that both builds on and extends Victor Turner’s enduring insights. The analysis focuses on how pre-service teachers in an undergraduate education program engage in a process of identity formation within an asynchronous, non- dimensional liminal space made possible and shaped by email and with the support of experienced mentor teachers. Key Words: liminal, transition, teacher preparation, identity formation, self “Betwixt and between” is a phrase Victor Turner used to capture the essence of his theory of “liminality,” a central feature of the framework he developed in the late 1960s to analyze rites of passage within tribal, sociocultural systems. -
Symbolic Anthropology Symbolic Anthropology Victor Turner (1920
Symbolic Anthropology • Examines symbols & processes by which humans assign meaning. • Addresses fundamental Symbolic anthropology questions about human social life, especially through myth & ritual. ANTH 348/Ideas of Culture • Culture does not exist apart from individuals. • It is found in interpretations of events & things around them. Symbolic Anthropology Victor Turner (1920-1983) • Studied with Max Gluckman @ Manchester University. • Culture is a system of meaning deciphered by • Taught at: interpreting key symbols & rituals. • Stanford University • Anthropology is an interpretive not scientific • Cornell University • University of Chicago endeavor . • University of Virginia. • 2 dominant trends in symbolic anthropology • Publications include: • Schism & Continuity in an African Society (1957) represented by work of British anthropologist • The Forest of Symbols: Aspects of Ndembu Ritual (1967) Victor Turner & American anthropologist • The Drums of Affliction: A Study of Religious Processes Among the Ndembu of Zambia Clifford Geertz. (1968) • The Ritual Process: Structure & Anti-Structure (1969). • Dramas, Fields, & Metaphors (1974) • Revelation & Divination in Ndembu Ritual (1975) Social Drama Social drama • • Early work on village-level social processes among the For Turner, social dramas have four main phases: Ndembu people of Zambia 1. Breach –rupture in social relations. examination of demographics & economics. 2. Crisis – cannot be handled by normal strategies. • Later shift to analysis of ritual & symbolism. 3. Redressive action – seeks to remedy the initial problem, • Turner introduced idea of social drama redress and re-establish • "public episodes of tensional irruption*” 4. Reintegration or schism – return to status quo or an • “units of aharmonic or disharmonic process, arising in conflict situations.” alteration in social arrangements. • They represent windows into social organization & values . -
History, Anthropology and the Study of Communities: Some Problems in Macfarlane's Proposal
C. J. Calhoun History, anthropology and the study of communities: some problems in Macfarlanes proposal' In a recent paper, Alan Macfarlane advertises a new approach to the study of communities in which 'a combination of the anthropological techniques and the historical material could be extremely fruitful'.2 Unfortunately, he fails to make clear just what the approach he advocates is, and with what problems and phenomena it is intended to deal. He thus exacerbates rather than solves the methodological and conceptual problems which face social historians who would study community. The present paper is primarily polemical in intention. It is in agreement that community can be the object of coherent and productive study by historians and social scientists, working together and/or drawing on the products of each other's labours. It argues, however, that Macfarlane's conceptual apparatus is seriously problematic, and does not constitute a coherent approach. I have outlined elsewhere what I consider to be such a coherent approach.3 It makes community a comparative and historical variable. Macfarlane dismisses the concept as meaningless at the beginning of his paper, but then finds it necessary to reintroduce it in quotation marks in the latter part - without ever defining it. He introduces several potentially useful anthropological concepts, but vitiates their value by both a misleading treatment and the implication that they are replacements for, rather than supplements to, the concept of community. In the following I attempt to give a more accurate background to and interpretation of these concepts, and to correct several logical and methodological errors in Macfarlane's presentation. -
Liminal to Liminoid in Play, Flow, and Ritual: an Essay in Comparative
LIMINAL TO LIMINOID, IN PLAY, FLOW, AND RITUAL: AN ESSAY IN COMPARATIVE SYMBOLOGY by Victor Turner First I will describe what 1 mean by "comparative symbology" and how, in a broad way, it differs from such disciplines as "semiotics" (or "semiology") and "symbolic anthropology," which are also concerned with the study of such terms as symbols, signs, signals, significations, icons, signifiers, signi- fied~,sign-vehicles, and so on. Here, I want to discuss some of the types of sociocultural processes and settings in which new symbols, verbal and non- verbal, tend to be generated. This will lead me into a comparison of "liminal" and "liminoid" phenomena, terms which 1 will consider shortly. According to Josiah Webster's lexicographical progeny, the people who produced the second College edition of Webster's New World Dictionary, "symbology" is "the study or interpretation of symbols"; it is also "repre- sentation or expression by means of symbols." The term "comparative" merely means that this branch of study involves comparison as a method, as does, for example, comparative linguistics. Comparative symbology is narrower than "semiotics" or "semiology" (to use Saussure's and Roland Barthes's terms), and wider than "symbolic anthropology" in range and scope of data and problems. "Semiotics" is "a general theory of signs and symbols, especially, the analysis of the nature and relationship of signs in language, usually including three branches, syntactics, semantics, and pragmatics." 1) Syntactics: The formal relationships of signs and symbols to one an- other apart from their users or external reference; the organization and relationship of groups, phrases, clauses, sentences, and sentence structure. -
01 Young JOHN ARUNDEL B
Vol. 29, Complimentary special issue, 2011 Communications to the authors should be addressed to them c/o Cambridge Anthropologtj, in memory of John Barnes Department of Social Anthropology, Free School Lane, Cambridge CB23RF. CONTENTS Articles: Introduction Susan Drucker-Brown 1 John Arundel Barnes (1918 - 2010) EDITORS: Michael Young 4 Susan Drucker-Brown John Barnes - an appreciation Geoffrey Hawthorn Paul Henley 13 Retrait Lignager - some thoughts on an old European familial Production assistant: Bobbie Coe institution Ray Abrahams 16 The snowball state and the perils of oblivion Harri Englund 30 Across the fields: John Barnes in Cambridge Geoffrey Hawthorn 35 IT Sociology in Cambridge: an inaugural lecture J.A. Barnes 45 Cambridge Anthropalagt): Cumulative Index 61 ISSN 0305-7674 4 John Arundel Barnes (1918 - 2010) 5 Medal (1959); he was a Fellow of Churchill College, Cambridge, and an JOHN ARUNDEL BARNES (1918 - 2010)1 Honorary Life Member of the Australian Anthropology Society. The son of a piano-tuner, John Barnes was born in Reading, Berkshire, into what he called 'a lower middle class kin network'. He MICHAEL YOUNG won a scholarship to Christ's Hospital (a public school founded by Edward VI in 1552), and went up to Cambridge on a St John's College scholarship to do the Mathematics Tripos, taking courses in anthropology during his final year and graduating with a B.A. in 1939. Humping my drum, modesty subtitled 'a memoir' in lowercase, which He joked about his choice of anthropology as an option: it was John Barnes wrote towards the end of his long and well-travelled life, is advertised as explaining the meaning of civilisation and the origin of an engaging ramble up and down the years, from his birth in Reading, culture; he thought he would like to find out about that, 'but I never did' Berkshire, to his encroaching blindness in 2007 in a Cambridgeshire (Hiatt 1996: 4-15). -
Cultural and Generic Hybridity in the Fiction of Mary Yukari Waters by Rania Samir Youssef
Asian American Literature: Discourses and Pedagogies 3 (2012) 27-38. Betwixt and Between Past and Present: Cultural and Generic Hybridity in the Fiction of Mary Yukari Waters By Rania Samir Youssef A Klee painting named ‘Angelus Novus’ shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise: it has caught his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress. Walter Benjamin 1968, 260 Humanity is increasingly turning back to its history, and in the process it contemplates, compares and adjusts whatever is offered by bygone generations and civilizations. As a result of the huge technology in science in general and in communication technology in particular, humanity is opening up to new cultures and is forever coming up with hybrid offspring, both physical and aesthetic, on an unprecedented scale. That is why cultural hybridity features strongly in contemporary American fiction, especially after the United States has emerged as the hegemonic capitalist power that attracts people from every corner of the world yielding a growing diversity and a rich cultural vigor. -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Ambitious obligations : Pentecostalism, social life, and political economy on the Zambian Copperbelt Permalink https://escholarship.org/uc/item/7jt6190j Author Haynes, Naomi Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Ambitious Obligations: Pentecostalism, Social Life, and Political Economy on the Zambian Copperbelt A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Anthropology by Naomi Haynes Committee in charge: Professor Joel Robbins, Chair Professor Suzanne Brenner Professor Robert Cancel Professor Thomas Csordas Professor Jeremy Prestholdt Professor Rijk van Dijk 2012 The dissertation of Naomi Haynes is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San Diego 2012 iii ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright Naomi Haynes, -
Isaac Schapera: a Bibliography
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. Pula: Botswana Journal of African Studies, vo1.12, nos.1 & 2 (1998) Isaac Schapera: a bibliography Suzette Heald Department of Sociology, University of Botswana, Abstract The extraordinary record of published scholarship by Isaac Schapera stretches from 1923 right up to date, with publications forthcoming in 1999. This bibliography covers almost two hundred titles. His main subject of interest up to 1930 was the Khoesan of South Africa. Thereafter he published on the Tswana of Botswana, beginning with studies of Kgatla society and literature, and moving into general Tswana law and society by the time of his classic Handbookof Tswana Law and Custom in 1938, commissioned by the Bechuanaland Protectorate colonial administration. In the 1940s he produced many studies of Tswana land tenure and history, including unpublished official reports. From the 1950s he definitively edited 19th century source materials on the Tswana, notably the unpublished papers of David Livingstone, and continued producing his own original studies at a prodigious rate into the 1970s. Important latter studies have been in the field of indigenous law and government, many in the Journalof African Law,founded in his honour. Introduction This bibliography has been compiled to honour Isaac Schapera, born 23rd June 1905, and to introduce new generations of scholars to the full range of his work by providing an updated and accessible listing. -
And Others Africa South Of
DOCUMENT RESUME ED C50 000 48 SO 001 213 AUTHOR Duignan, Peter; And Others TITLE Africa South of the Sahara: A Bibliography for Undergraduate Libraries. INSTITUTION National Council of Associations for International Studies, Pittsburgh, Pa.; New York State Education Dept., Albany. SPONS AGENCY Office of Education (DREW), Washington, D.C. REPORT NO OPUB-12 BUREAU NO BR-5-0931 PUE LATE 71 NCTE 127p. AVAILABLE FROM Foreign Area Materials Center, 11 West 42nd Street, New York, New York ($8.95) EDRS PRICE EDRS Price MF-$0.65 HC-$E.58 DESCRIPTORS African Culture, African History, Area Studies, Bibliographies, Higher Education, *Library Collections, Library Materials, *Library Material Selection, *Social Sciences, *Undergraduate Study IDENTIFIERS *Africa, ESEA Title 4 ABSIRACI Library collections are generally ill equipped tc effectively sin:port foreign area students. This bibliography, one of a series on "neglected" foreign areas, attempts to provide guidelines for libraries in meeting these resources needs. Selection of entries was made according to the following guidelines: 1)few works in languages other than English; 2)emphasis on books published in the last 25 years, except for classica works; 3)few government documents; and, 4)an attempt to balance source books and secondary works, while covering all disciplines. Arrangement of entries is by broad geographic category, with subsections based on type of publication (bibliography, reference bcck, journal, general book) and subject area (history and archaeology, philosophy and religion, art and architecture etc.). Each entry is graded as to its degree of necessity for undergraduate collections, from books that should be purchased whether or not any courses on the area are taught, tc books necessary for an undergraduate area studies program. -
Transatlantica, 1 | 2019 “I Am a Freak of Nature”: Tourette’S and the Grotesque in Jonathan Lethem’S M
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2019 Gone With the Wind after Gone With the Wind “I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s Motherless Brooklyn Pascale Antolin Electronic version URL: https://journals.openedition.org/transatlantica/13941 DOI: 10.4000/transatlantica.13941 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Pascale Antolin, ““I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s Motherless Brooklyn”, Transatlantica [Online], 1 | 2019, Online since 17 July 2020, connection on 03 May 2021. URL: http://journals.openedition.org/transatlantica/13941 ; DOI: https://doi.org/10.4000/ transatlantica.13941 This text was automatically generated on 3 May 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s M... 1 “I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s Motherless Brooklyn Pascale Antolin Certain essential aspects of the world are accessible only to laughter. (Bakhtin, Rabelais 66) 1 “‘Accusatony! Excusebaloney! Funnymonopoly!’ I squeezed my eyes shut to interrupt the seizure of language” (MB1 175). This short passage provides a significant sample of how the hero narrator’s Tourette’s syndrome manifests itself in Jonathan Lethem’s 1999 detective novel, Motherless Brooklyn. “The distinctiveness” of the narrative lies in the “proliferation of Lionel’s verbal tics” (Fleissner 390). While Tourette’s provokes Lionel Essrog’s linguistic outbursts, it breaks and intrudes upon the narrative, introducing dramatic nonsense into the text—even more dramatic when italics are used and the portmanteau words stand out on the page.