Postgraduate Courses in Journalism Page 1 Detailed Course and Module Descriptions (Cont.)

Total Page:16

File Type:pdf, Size:1020Kb

Postgraduate Courses in Journalism Page 1 Detailed Course and Module Descriptions (Cont.) The University for business and the professions MA Broadcast Journalism/ Television Journalism MA Financial Journalism MA Interactive Journalism MA International Journalism MA Investigative Journalism MA Magazine Journalism MA Newspaper Journalism MA Political Journalism MA Science Journalism Erasmus Mundus Masters: Journalism, Media and Globalisation Po stgra duate cou rses in Jou rnalism Detailed course and module descriptions MA Broadcast GEFFPFG COURSE FEES NFULLPTIMEO:* UK/EU: £L,KEE Jou rnalism/Television INTERNATIONAL: £FK,HEE GEFFPFG COURSE FEES NPARTPTIMEO:* Jou rnalism UK/EU: £J,EEE NBROADCAST ONLYO City University London has been training aspiring broadcast journalists since 1981, and our broadcast training courses are among the best-known and Welcome to the Graduate School of Journalism at City University most highly-regarded in the UK today. London. We hope in these pages to convince you that we offer not only the best journalism courses in Britain but in the world. Alumni from City’s MA Journalism courses are newspaper and magazine editors as well as anchors and reporters on national and global television channels. They work all over the These two MA courses prepare Please refer to this course if your MODULES INCLUDE: world’s media. Here at City you will be taught tested skills and principles as well as the latest you for a first job in radio or interest is primarily in television • Editorial production for TV multi-channel and new media techniques. You will learn from top practitioners in their fields television journalism. Both are journalism of any kind. You (Television MA students only) and have opportunities for internships in a city which is one of the world’s media capitals. accredited by the Broadcast will benefit from state-of-the-art • Editorial production for One London newspaper said that City’s Graduate School enjoys “legendary status” in the Journalism Training Council facilities including a purpose- TV and radio (Broadcast media. Journalism is adapting to significant changes. We equip our Masters students to be (BJTC). As a Broadcast built digital television studio, Journalism only) thinking journalists who can succeed and lead in the news media of the future. Journalism student you will be two digital editing suites, • Entrepreneurial journalism given practical training in radio four radio studios, and two • Final project Professor George Brock and television through lectures, broadcast newsrooms. • Journalism practice Head of Journalism workshops and broadcast • Journalism and society 1 simulation. As a Television • Journalism and society 2 Journalism student you will • Media law cover television only, from • Online journalism news to documentaries. • Public administration Course descriptions Page: 1 • Radio and television technique Module descriptions Page: 11 (Broadcast Journalism only) Study format Page: 20 • Research for TV current affairs Reading list Page: 21 programmes (Television Career paths Page: 22 Journalism only) Showcase Page: 24 • Television studio programme making. Academic profiles Page: 26 Application procedures Page: 32 Why choose City University London Page: 34 *Fees listed are for 2011/12. Fees for 2012/13 will be listed on our website in due course. City University London Postgraduate Courses in Journalism page 1 Detailed course and module descriptions (cont.) MA Financial GEFFPFG COURSE FEES:* MA Inte ract ive GEFFPFG COURSE FEES:* UK/EU: £M,JEE UK/EU: £L,KEE Jou rnalism INTERNATIONAL: £FM,EEE Jou rna lism INTERNATIONAL: £FK,HEE This course is aimed at producing a This Masters course prepares you to alongside essential journalistic skills generation of outstanding journalists work in the developing and expanding of writing, reporting, newsgathering, who will excel at covering the next field of online journalism, with a focus interviewing and feature-writing – core financial crisis – and understand on two key areas: data journalism and elements of City’s renowned Journalism the ramifications of the current one. community and social media. You will MA course. develop these online specialisations The field of financial journalism This course is taught in MODULES INCLUDE: As the media increasingly treat involves expert input from Growing numbers of City has expanded rapidly, and has collaboration with Cass Business Core modules: readers more as active leading practitioners at news graduates are working in now moved to the front page of School and is led by Professor • Editorial production – practical participants and less as passive organisations such as the data journalism and many newspapers to become the Steve Schifferes, former BBC production skills for radio, consumers, so journalism is Telegraph, Reuters, the BBC, community/social media, centre of the political debate. economics correspondent, and TV, online and print evolving. This course prepares The Guardian, BreakingNews including: Simon Rogers, James This course benefits from close will include practical training • Financial journalism practice you for roles in journalism that and Reed Business Information Ball and Laura Oliver ( The proximity to the City of London, in multimedia journalism skills – how to cover markets, reflect this change to a more (a leading B2B magazine Guardian ); Kate Day, Conrad one of the world’s leading as well as a more analytic companies and the economy participatory, interactive publisher). Quilty-Harper and Sebastian financial centres, with guest approach to contemporary • Key issues in financial approach, equipping you with Payne ( Telegraph ); Martin lecturers drawn from the world issues. Other lecturers include journalism – how the skills that are in short supply in Work placements are an Stabe ( Financial Times ); of banking and major media former correspondents for financial crisis is shaking journalism and related fields. integral part of the Interactive and Tom Barfield (Demotix). organisations. You will also Reuters, the Scotsman and the world economy. Journalism course, giving you benefit from the first-class producers/reporters for BBC The Data Journalism module is the chance to put your learning MODULES INCLUDE: facilities at the Graduate School News and IRN. Students on Elective modules: taught by Paul Bradshaw, a into practice, develop this • Community and social media of Journalism and will share this course will be taking it • Corporate reporting pioneer in this field (who also further and to widen your • Data journalism lectures and seminars by the alongside Financial Times • Entrepreneurial journalism leads the Online Journalism contacts and experience in the • Entrepreneurial journalism distinguished faculty in one of journalists who are taking the • Global investment module), and James Ball, a data industry. You will undertake • Final project the UK’s top journalism schools. course on a part-time basis. • Global political economy journalist at The Guardian, with at least two placements. • Journalism practice • The City and financial Simon Rogers, data editor at • Journalism and society All students on the course institutions. The Guardian. The module on • Media law receive placements (internships) Community and Social Media • Online journalism at the Financial Times group in • Public administration. December and January. *Fees listed are for 2011/12. Fees for 2012/13 *Fees listed are for 2011/12. Fees for 2012/13 will be listed on our website in due course. will be listed on our website in due course. City University London Postgraduate Courses in Journalism page 2 City University London Postgraduate Courses in Journalism page 3 Detailed course and module descriptions (cont.) MA Inte rnational GEFFPFG COURSE FEES:* MA Investi gat ive GEFFPFG COURSE FEES:* UK/EU: £L,KEE UK/EU: £L,KEE Jou rna lism INTERNATIONAL: £FJ,FEE Jou rnalism INTERNATIONAL: £FK,HEE This course places an emphasis on and you will leave with a global contacts This pioneering course will provide developing practical skills, and is book, a more profound understanding you with the essential skills for designed to enable you to embark on of other cultures and greater insight employment in print, Internet or a career in international journalism into international news. broadcast journalism, together with or return to a career with enhanced innovative and in-depth research knowledge and skills. It is designed and investigative techniques. for students from outside the UK Graduate employment rates All students will take a course MODULES INCLUDE: The course teaches advanced It is taught by leading MODULES INCLUDE: are excellent, with alumni in print, radio, television • Advanced journalism practice research skills including investigative journalists, • Editorial production working for international news and online journalism before • Final project computer-assisted reporting, the including: David Leigh, • Investigative reporting 1 organisations like Al-Jazeera, specialising in either print • International news effective use of public records investigations editor of • Investigative reporting 2 CNN, APTN, BBC World Service and online; radio and online • Journalism and society and databases, the Freedom of The Guardian and Professor • Journalism practice and Dow Jones. As well as or television and online • Journalism practice 1 Information Act and analysing of Reporting at City; Gavin • Journalism and society 1 faculty who are experienced journalism. All students (Multi-platform) data to find stories. It provides MacFadyen, director of the • MA project journalists and academics, complete an internship, • Journalism practice
Recommended publications
  • The Commission of the European Communities' Attempt to Reform the Common Market Organization for Wine
    COMMISSION IMPOSSIBLE: THE COMMISSION OF THE EUROPEAN COMMUNITIES' ATTEMPT TO REFORM THE COMMON MARKET ORGANIZATION FOR WINE Tim Iannettoni* INTRODUCTION "Blood will flow if Nicolas Sarkozy does not act fast to raise the price of wine."' Such violent ultimatums are more commonly associated with religious fundamentalists than with vintners, but this statement came from a group of seven militant vintners wearing ski-masks and demonstrates the dire situation the European wine sector is facing.2 This group, called the Crav, has already vandalized local supermarkets and hijacked and destroyed a truck carrying foreign wine.3 The problem facing these and other vintners throughout Europe is that European wines are losing their competitive edge to new world wines resulting in a crippling loss in demand.4 This loss in demand is exacerbated by a record-setting wine over-production of almost 12.8 million hectoliters, or 743.6 million gallons, per year, resulting in an inconsumable wine surplus.5 Both of these factors have driven the price of wine through the floor, resulting * J.D. Candidate, Indiana University School of Law- Indianapolis, expected May 2009, B.A. University of Michigan, 2006. I would like to thank Professor Frank Emmert for his invaluable help in this endeavor, and my parents, Mark and Ann, for their love and support. 1. Caroline Wyatt, French Wine-Growers Go Guerrilla,BBC NEws, 14 (June 17,2007), availableat http://news.bbc.co.uk/2/hi/europe/6759953.stm. 2. Id. 3. Id. at 16. 4. Staff Working Document Accompanying Document to the Commission Proposalfora Council Regulation on the Common Organisationof the Market in Wine andAmending Certain Regulations, EuR.
    [Show full text]
  • Chris Scurfield Avid/ Premiere Offline
    Chris Scurfield Avid/ Premiere Offline Profile Chris is a passionate storyteller who enjoys working across all forms of documentary and drama. With a keen sense of narrative and a good eye for detail, his creative talents are matched by his hardworking ethos, making him a real pleasure to work with! Drama-Doc “American Monster” Season 7. 2 x 60min. Viewers get closer than ever to some of America's most shocking and surprising crimes. Filled with never-before-seen footage of these devils in disguise, American Monster interweaves twisting-turning stories of astonishing crimes, with 'behind-the- scenes' footage of killers at their seemingly most innocent. Arrow Media for Discovery ID “Locked up Abroad” Series 14. 1 x 44min. The film-maker sheds light on the life situations of people who have been arrested while travelling abroad, usually for trying to smuggle illegal drugs out of a particular country. Raw for Channel 5/ National Geographic “Rowell: The Final Verdict” Episode 3 – Silencing Witnesses. 1 x 60min. For the 74th Anniversary of the ‘Roswell Incident’, this 6-part mini-series goes back over the events and eyewitness accounts of the most notorious extra-terrestrial incident in U.S. history. In each episode, harrowing accounts drive an explosive and cinematic minute-by-minute exploration using cutting-edge technology and artificial intelligence to separate fact from fiction. October Films for Discovery+ and Travel “Web of Lies: The Model Predator” Series 7. 1 x 42min. Male teenage athletes, lured into sending nude selfies, find themselves blackmailed and at the mercy of a relentless paedophile.
    [Show full text]
  • Valuing Subjectivity in Journalism: Bias, Emotions, and Self-Interest As Tools in Arts Reporting
    Original Article Journalism Valuing subjectivity in journalism: Bias, emotions, and self-interest as tools in arts reporting Phillipa Chong McMaster University, Canada Abstract This article examines the meanings and norms surrounding subjectivity across traditional and new forms of cultural journalism. While the ideal of objectivity is key to American journalism and its development as a profession, recent scholarship and new media developments have challenged the dominance of objectivity as a professional norm. This article begins with the understanding that subjectivity is an intractable part of knowing (and reporting on) the world around us to build our understanding of different modes of subjectivity and how these animate journalistic practices. Taking arts reporting, specifically reviewing, as a case study, the analysis draws on interviews with 40 book reviewers who write for major American newspapers, including The New York Times, The Los Angeles Times, The Washington Post, and prominent blogs. Findings reveal how emotions, bias, and self-interest are salient – sometimes as vice and sometimes as virtue – across the workflow of critics writing for traditional print outlets and book blogs and that these differences can be conceptualized as different epistemic styles. Keywords Blogs, emotion, literary journalism, newspapers, online media, practice, subjectivity/ objectivity Introduction Objectivity has long been the gold standard in American journalism and was key to its development into a profession (Benson and Neveu, 2005; Schudson, 1976). Yet Corresponding author: Phillipa Chong, Department of Sociology, McMaster University, 609 Kenneth Taylor Hall, 1280 Main Street West, Hamilton, ON L8S 4M4, Canada. Email: [email protected] Chong 2 scholars have complicated the picture by pointing to the unattainability of objectivity as an ideal with some noting the increasing acceptance of subjectivity across different forms of journalism (Tumber and Prentoulis, 2003; Wahl-Jorgensen, 2012, 2013; Zelizer, 2009b).
    [Show full text]
  • Ebook Download City of Lies: Love, Sex, Death and the Search for Truth in Tehran Ebook
    CITY OF LIES: LOVE, SEX, DEATH AND THE SEARCH FOR TRUTH IN TEHRAN PDF, EPUB, EBOOK Ramita Navai | 320 pages | 11 Jun 2015 | Orion Publishing Co | 9781780225128 | English | London, United Kingdom City of Lies: Love, Sex, Death and the Search for Truth in Tehran PDF Book Survival there depends on dodging the fatwas of Iran's medieval theocratic regime. Navai slips effortlessly into the boots of earthy, urban writer to tour Tehran's ripped backsides in this intimate, grand guignol debut. It's a bit like Guy Fawkes night, in England. Navai paints an intimate portrait of those discreet recesses in a city where the difference between modesty and profanity, loyalty and betrayal, honor and disgrace is often no more than the believability of a lie. If you have a problem, or a moral question, you can look them up. I didn't write them to shock. It's a microcosm of the city. And the lies that are necessary to lead a life that is more in keeping with one's own ideas and has less in common with those of the nation's rulers, without coming to the attention of religious leaders, the morality police or the intelligence agency. It is an instrument of power or a way of rebelling — and in addition for many women the only way to lead a reasonably independent life. You chose, as your focus, one street in Tehran— Vali Asr Street. Two of them are reading it now, though they're not in the country at the moment. Their sense of humor.
    [Show full text]
  • How US and UK Spy Agencies Defeat Internet Privacy and Security James Ball , Julian Borger and Glenn Greenwald Theguardian.Com
    Revealed: how US and UK spy agencies defeat internet privacy and security James Ball , Julian Borger and Glenn Greenwald theguardian.com US and British intelligence agencies have successfully cracked much of the online encryption relied upon by hundreds of millions of people to protect the privacy of their personal data, online transactions and emails, according to top-secret documents revealed by former contractor Edward Snowden. This story has been reported in partnership between the New Through covert partnerships with tech companies, the spy agencies have inserted secret vulnerabilities into encryption software. Photograph: Kacper York Times, the Guardian and Pempel/Reuters ProPublica based on documents obtained by the Guardian. For the Guardian: James Ball, Julian Borger, Glenn Greenwald 1. For the New York Times: Nicole Perlroth, Scott Shane For ProPublica: Jeff Larson Read the New York Times story here The files show that the National Security Agency and its UK counterpart GCHQ have broadly compromised the guarantees that internet companies have given consumers to reassure them that their communications, online banking and medical records would be indecipherable to criminals or governments. The agencies, the documents reveal, have adopted a battery of methods in their systematic and ongoing assault on what they see as one of the biggest threats to their ability to access huge swathes of internet traffic – "the use of ubiquitous encryption across the internet". Those methods include covert measures to ensure NSA control over setting of international encryption standards, the use of supercomputers to break encryption with "brute force", and – the most closely guarded secret of all – collaboration with technology companies and internet service providers themselves.
    [Show full text]
  • The U.S. Surveillance State Part 1: Early Answers in Washington DC – Guest Contribution by Jim Farmer
    The U.S. Surveillance State Part 1: Early Answers in Washington DC – Guest Contribution by Jim Farmer (This is the first of three Guest Contributions by US-based Jim Farmer [biography, email jfx "AT" immagic "DOT" com]. Jim has contributed occasionally to Fortnightly Mailing over the years.) Several months after National Security Agency (NSA) documents were revealed by Edward Snowden, the impact on higher education remains unclear clear. Some differences between the explanations from the intelligence establishment and observations from the Washington “think tank” writers and scholars are emerging. On Friday, 6 September 2013 Guardian reporter James Ball and cryptology expert Bruce Schneier answered reader questions. Three questions are key to better understanding the extent of the public awareness of the intelligence community’s practices, and its likely impact. Here the responses of the Guardian are compared to those of the intelligence establishment and “think tank” scholars in recent Washington DC presentations. All presentations were scheduled before and held after Glenn Greenwald’s 5 June report about NSA’s collection of phone records. The answers provide some insight into the U.S. government’s position. The questions and answers Question 1. Reader SteppenHerring asked: How hard do you think it will be to get people to take security seriously when people are willing to type so much personal data into Facebook/Google+ etc? The Guardian’s James Ball answers: I think we need more awareness of privacy and security generally, and I think as generations grow up net-native (as today’s teens are), that’s taking care of itself.
    [Show full text]
  • Programme Specification – Postgraduate Programmes
    PROGRAMME SPECIFICATION – POSTGRADUATE PROGRAMMES KEY FACTS Programme name Journalism (Television) Award MA School School of Arts and Social Sciences Department or equivalent Journalism Programme code PSTVCM Type of study Full Time Total UK credits 180 Total ECTS 90 PROGRAMME SUMMARY The programme benefits from the following: contacts network in the UK and overseas. Graduates include Dermot Murhagnan (Sky News), Sophie Raworth (BBC) and Caroline Faraj (Editor of CNNArabic.com) Industry recognition: an outstanding departmental reputation with excellent contacts and access to the industry. This is a relatively new course which began in 2033 and has already educated journalists working in all major TV newsrooms. Location: in the heart of London and on the doorstep of the world's major news and media organisations Faculty: highest-quality teaching staff, led by Lis Howell, an award winning TV journalist, and including renowned media commentator Roy Greenslade, and the former Editor-in-Chief of ITN Stewart Purvis, plus the former Head of News and Current Affairs for Channel 4, David Lloyd. Facilities: facilities include state-of-the-art multimedia studios and newsrooms This programme is designed to meet the need for entry-level workers in television. News reporting plays a large part but the course is also pitched for people who wish to enter the television industry as news assistants, researchers and assistant producers. The programme is accredited by the Broadcast Journalism Training Council (BJTC). The programme prepares you for a first job in television journalism, across a broad range of television factual programmes ranging from hard news to light topical daytime or 'how-to' shows, to issue-led discussion programmes, documentary films and serious news analysis.
    [Show full text]
  • The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
    THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence.
    [Show full text]
  • DEFENCE STRATEGIC COMMUNICATIONS the Official Journal of the NATO Strategic Communications Centre of Excellence
    Volume 3 | Autumn 2017 DEFENCE STRATEGIC COMMUNICATIONS The official journal of the NATO Strategic Communications Centre of Excellence Overwriting the City: Graffiti, Communication, and Urban Contestation in Athens Putting the Strategy Back into Strategic Communications Japanese Strategic Communication: Its Significance As a Political oolT ‘You Can Count On Us’: When Malian Diplomacy Stratcommed Uncle Sam Strategic Communications, Boko Haram, and Counter-Insurgency Fake News, Fake Wars, Fake Worlds Living Post-Truth Lives … But What Comes After? ‘We Have Met The Enemy And He Is Us’ Defence Strategic Communications | Volume 3 | Autumn 2017 1 ISSN 2500-9478 Defence Strategic Communications Editor-in-Chief Dr. Neville Bolt Managing Editor Linda Curika Editor Anna Reynolds Editorial Board Professor Mervyn Frost Professor Nicholas O’Shaughnessy Professor Žaneta Ozoliņa Professor J. Michael Waller Professor Natascha Zowislo-Grünewald Dr. Emma Louise Briant Dr. Nerijus Maliukevicius Dr. Agu Uudelepp Matt Armstrong Thomas Elkjer Nissen Defence Strategic Communications is an international peer-reviewed journal. The journal is a project of the NATO Strategic Communications Centre of Excellence (NATO StratCom COE). It is produced for scholars, policy makers and practitioners around the world. It does not represent the opinions or policies of NATO or the NATO StratCom COE. The views presented in the following articles are those of the authors alone. © All rights reserved by the NATO StratCom COE. These articles may not be copied, reproduced, distributed or publicly displayed without reference to the NATO StratCom COE and the academic journal Defence Strategic Communications. NATO Strategic Communications Centre of Excellence Riga, Kalnciema iela 11b, Latvia LV1048 www.stratcomcoe.org Ph.: 0037167335463 [email protected] Living Post-Truth Lives … But What Comes After? 191 LIVING POST-TRUTH LIVES … BUT WHAT COMES AFTER? A review essay by Kevin Marsh Post-Truth: The New War on Truth and How to Fight Back Matthew D’Ancona.
    [Show full text]
  • Culture, Media and Sport Committee
    House of Commons Culture, Media and Sport Committee Future of the BBC Fourth Report of Session 2014–15 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 10 February 2015 HC 315 INCORPORATING HC 949, SESSION 2013-14 Published on 26 February 2015 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following Members were also a member of the Committee during the Parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The Committee is one of the Departmental Select Committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152.
    [Show full text]
  • Graduate Journalism Course Descriptions
    Graduate Journalism Course Description Handbook Table of Contents JOUR 500 Introduction to Newswriting and English-Language Reporting 3 JOUR 503 Visual Literacy and Introduction to Documentary Storytelling 3 JOUR 504 Introduction to Emerging Technology 3 JOUR 505 The Practice: Journalism’s Evolution as a Profession 4 JOUR 508 Introduction to Video Reporting 4 JOUR 510 Special Assignment Reporting 4 JOUR 511 Introduction to Narrative Non-Fiction 4 JOUR 512 Advanced Interpretive Writing 4 JOUR 515 Introduction to Audio Storytelling 4 JOUR 517 Advanced Investigative Reporting 5 JOUR 519 Advanced Writing and Reporting for Magazine and the Web 5 JOUR 521 Documentary Pre-Production 5 JOUR 522 Video Documentary Production 6 JOUR 523 Public Radio Reporting 6 JOUR 524 Advanced Broadcast Reporting 6 JOUR 525 This California Life: Storytelling for Radio and Podcasting 6 JOUR 526 Advanced Broadcast News Production 6 JOUR 527 Advanced Disruption: Innovation with Emerging Technology 6 JOUR 528 Summer Digital News Immersion 6 JOUR 531 Fall Digital News Immersion 7 JOUR 533 Web Journalism and Editorial Site Management 7 JOUR 539 Introduction to Investigative Reporting 7 JOUR 540 International Journalism Seminar I 7 JOUR 542 Foreign Affairs Reporting 7 JOUR 545 International Internships in the Media 7 JOUR 546 News, Numbers and Introduction to Data Journalism 7 JOUR 547 Navigating the Media Marketplace 8 JOUR 552 Television Reporting and Production 8 JOUR 553 Coding and Programming for Storytelling 8 JOUR 554 Reporting with Data 8 JOUR 555 Advanced Coding
    [Show full text]
  • 2020 Media Arts Journalism Checksheet.Xlsx
    BA Media Arts - Journalism (Fall 2020 & Later) Minimum 120 credits required for Bachelor's degree Required Curriculum for BA Media Arts Foundational Core (30-32 Credits) Grade 51 Total Credits Required Grade FYWS 1251 First Year Seminar CM 101 Introduction to Media Culture CTL 125 Critical Thinking CM 102 Introduction to Media Production MA ____ Foundational Core Math course CM 301 Seminar in History and Theory Choose 1 course from each area * CM 397 Senior Project 1 2Natural/Physical Science CM 398 Senior Project 2 Literature Three Courses from the production area Grade History HI-100 or HI-102 CM Arts/Design/Comm. CM Philosophy CM Theology/Relig Three courses from the history and theory area Grade Social/Behavioral Science CM CM Human Journey Seminars: Great Books in CIT (6 Credits) CM CIT 201 CIT Seminar I CIT 202 CIT Seminar II Journalism CM 124 History of Broadcasting (or) Liberal Arts Explorations (LAE) (9 Credits Total) CM 125 History of Journalism (see list on Registrar's Website - checksheets) CM 211 News Writing and Reporting I Humanistic Inquiry (3 credits) CM 171 Broadcast Journalism (or) CM 222 TV Studio Production CM 254 Media and Democracy (or) Social and Global Awareness (3 credits) CM 212 Media Literacy (or) CM 131 Italian Media Culture (or) CM 132 Irish Identity in Media and History (or) Scientific Literacy (3 credits) CM 133 European Cinema (or) CM 135 Irish Cinema CM 226 Magazine Production (or) CM 229 Photojournalism (or) CM 271 TV News Magazine Production CM 311 News Writing and Reporting II (or) * See list of courses.
    [Show full text]