Chanting and Sanskrit Booklet
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Gāyatrī Mantra and Mother of the Vedas
Dissertation Proposal Gāyatrī Mantra and Mother of the Vedas by Dominik Haas, BA MA University of Vienna June 2019 Supervisor: Mag. Dr. Marion Rastelli DOI 10.25365/phaidra.103 Creative Commons License CC BY-NC-ND 4.0 Contents I Background........................................................................................ 3 Current State of Research ................................................................. 7 II Specific Aims...................................................................................... 12 Sources ............................................................................................ 12 III Research Methods ............................................................................... 17 Hypotheses ...................................................................................... 17 Research Questions........................................................................... 19 IV Work Procedure and Timetable.............................................................. 22 Timetable......................................................................................... 22 V Select Bibliography.............................................................................. 23 Abstract The short mantra popularly called Gāyatrī or Sāvitrī certainly belongs tothemost frequently used and reused texts of mankind. In the course of time it even came to be venerated as a goddess itself. The aim of this study is (1.) to investigate howthe mantra gained prominence as a religious text, (2.) how it was deified -
A Practical Sanskrit Introductory
A Practical Sanskrit Intro ductory This print le is available from ftpftpnacaczawiknersktintropsjan Preface This course of fteen lessons is intended to lift the Englishsp eaking studentwho knows nothing of Sanskrit to the level where he can intelligently apply Monier DhatuPat ha Williams dictionary and the to the study of the scriptures The rst ve lessons cover the pronunciation of the basic Sanskrit alphab et Devanagar together with its written form in b oth and transliterated Roman ash cards are included as an aid The notes on pronunciation are largely descriptive based on mouth p osition and eort with similar English Received Pronunciation sounds oered where p ossible The next four lessons describ e vowel emb ellishments to the consonants the principles of conjunct consonants Devanagar and additions to and variations in the alphab et Lessons ten and sandhi eleven present in grid form and explain their principles in sound The next three lessons p enetrate MonierWilliams dictionary through its four levels of alphab etical order and suggest strategies for nding dicult words The artha DhatuPat ha last lesson shows the extraction of the from the and the application of this and the dictionary to the study of the scriptures In addition to the primary course the rst eleven lessons include a B section whichintro duces the student to the principles of sentence structure in this fully inected language Six declension paradigms and class conjugation in the present tense are used with a minimal vo cabulary of nineteen words In the B part of -
LAST FIRST EXP Updated As of 8/10/19 Abano Lu 3/1/2020 Abuhadba Iz 1/28/2022 If Athlete's Name Is Not on List Acevedo Jr
LAST FIRST EXP Updated as of 8/10/19 Abano Lu 3/1/2020 Abuhadba Iz 1/28/2022 If athlete's name is not on list Acevedo Jr. Ma 2/27/2020 they will need a medical packet Adams Br 1/17/2021 completed before they can Aguilar Br 12/6/2020 participate in any event. Aguilar-Soto Al 8/7/2020 Alka Ja 9/27/2021 Allgire Ra 6/20/2022 Almeida Br 12/27/2021 Amason Ba 5/19/2022 Amy De 11/8/2019 Anderson Ca 4/17/2021 Anderson Mi 5/1/2021 Ardizone Ga 7/16/2021 Arellano Da 2/8/2021 Arevalo Ju 12/2/2020 Argueta-Reyes Al 3/19/2022 Arnett Be 9/4/2021 Autry Ja 6/24/2021 Badeaux Ra 7/9/2021 Balinski Lu 12/10/2020 Barham Ev 12/6/2019 Barnes Ca 7/16/2020 Battle Is 9/10/2021 Bergen Co 10/11/2021 Bermudez Da 10/16/2020 Biggs Al 2/28/2020 Blanchard-Perez Ke 12/4/2020 Bland Ma 6/3/2020 Blethen An 2/1/2021 Blood Na 11/7/2020 Blue Am 10/10/2021 Bontempo Lo 2/12/2021 Bowman Sk 2/26/2022 Boyd Ka 5/9/2021 Boyd Ty 11/29/2021 Boyzo Mi 8/8/2020 Brach Sa 3/7/2021 Brassard Ce 9/24/2021 Braunstein Ja 10/24/2021 Bright Ca 9/3/2021 Brookins Tr 3/4/2022 Brooks Ju 1/24/2020 Brooks Fa 9/23/2021 Brooks Mc 8/8/2022 Brown Lu 11/25/2021 Browne Em 10/9/2020 Brunson Jo 7/16/2021 Buchanan Tr 6/11/2020 Bullerdick Mi 8/2/2021 Bumpus Ha 1/31/2021 LAST FIRST EXP Updated as of 8/10/19 Burch Co 11/7/2020 Burch Ma 9/9/2021 Butler Ga 5/14/2022 Byers Je 6/14/2021 Cain Me 6/20/2021 Cao Tr 11/19/2020 Carlson Be 5/29/2021 Cerda Da 3/9/2021 Ceruto Ri 2/14/2022 Chang Ia 2/19/2021 Channapati Di 10/31/2021 Chao Et 8/20/2021 Chase Em 8/26/2020 Chavez Fr 6/13/2020 Chavez Vi 11/14/2021 Chidambaram Ga 10/13/2019 -
Kharosthi Manuscripts: a Window on Gandharan Buddhism*
KHAROSTHI MANUSCRIPTS: A WINDOW ON GANDHARAN BUDDHISM* Andrew GLASS INTRODUCTION In the present article I offer a sketch of Gandharan Buddhism in the centuries around the turn of the common era by looking at various kinds of evidence which speak to us across the centuries. In doing so I hope to shed a little light on an important stage in the transmission of Buddhism as it spread from India, through Gandhara and Central Asia to China, Korea, and ultimately Japan. In particular, I will focus on the several collections of Kharo~thi manuscripts most of which are quite new to scholarship, the vast majority of these having been discovered only in the past ten years. I will also take a detailed look at the contents of one of these manuscripts in order to illustrate connections with other text collections in Pali and Chinese. Gandharan Buddhism is itself a large topic, which cannot be adequately described within the scope of the present article. I will therefore confine my observations to the period in which the Kharo~thi script was used as a literary medium, that is, from the time of Asoka in the middle of the third century B.C. until about the third century A.D., which I refer to as the Kharo~thi Period. In addition to looking at the new manuscript materials, other forms of evidence such as inscriptions, art and architecture will be touched upon, as they provide many complementary insights into the Buddhist culture of Gandhara. The travel accounts of the Chinese pilgrims * This article is based on a paper presented at Nagoya University on April 22nd 2004. -
Baghawat Geeta, Class 138: Chapter 10, Verses 33 –
Baghawat Geeta, Class 138: Chapter 10, Verses 33 – 35 Shloka # 33: अक्षराणामकारोऽस्िम द्वन्द्वः सामािसकस्य च। अहमेवाक्षयः कालो धाताऽहं िवश्वतोमुखः।।10.33।। Aksaranam, of the letters; I am the akarah, letter a. Samasikasya, of the group of compound words, I am the compund (called) Dvandva. Besides, aham eva, I Myself; am the aksayah, infinite, endless; kalah, time, well known as ‘moment’ etc.; or, I am the supreme God who is Kala (Time, the measurer) even of time. I am the dhata, Dispenser, the dispenser of the fruits of actions of the whole world, visvatomukhah, with faces everywhere. Akshara: Continuing his teaching, Swamiji said, we are seeing Sri Krishna continue enumeration of the glories of Ishwara. In Shloka # 33, he said that among Aksharas I am Aa. Sarasvati Devi is in the form of Alphabetic letters. Even among all letters Aa is most sacred. It is sacred because it is a basic letter that emerges from our mouth without doing anything to the mouth. Thus sounds such as E, U come about by some modification to the mouth whereas Aa is an effortless sound of the mouth. Akara is also a flexible sound that can be modified into other alphabets. Hence Aa kara is considered Karana aksharam, causal sound, while all other alphabets are considered Karya Aksharam, the effect. Vedas say that A Kara manifests as all other letters. It says all letters are a modification of Aa. In our tradition every alphabet has a presiding deity. The presiding deity of Aa is Brahmaji, the Creator of the world. -
Tai Lü / ᦺᦑᦟᦹᧉ Tai Lùe Romanization: KNAB 2012
Institute of the Estonian Language KNAB: Place Names Database 2012-10-11 Tai Lü / ᦺᦑᦟᦹᧉ Tai Lùe romanization: KNAB 2012 I. Consonant characters 1 ᦀ ’a 13 ᦌ sa 25 ᦘ pha 37 ᦤ da A 2 ᦁ a 14 ᦍ ya 26 ᦙ ma 38 ᦥ ba A 3 ᦂ k’a 15 ᦎ t’a 27 ᦚ f’a 39 ᦦ kw’a 4 ᦃ kh’a 16 ᦏ th’a 28 ᦛ v’a 40 ᦧ khw’a 5 ᦄ ng’a 17 ᦐ n’a 29 ᦜ l’a 41 ᦨ kwa 6 ᦅ ka 18 ᦑ ta 30 ᦝ fa 42 ᦩ khwa A 7 ᦆ kha 19 ᦒ tha 31 ᦞ va 43 ᦪ sw’a A A 8 ᦇ nga 20 ᦓ na 32 ᦟ la 44 ᦫ swa 9 ᦈ ts’a 21 ᦔ p’a 33 ᦠ h’a 45 ᧞ lae A 10 ᦉ s’a 22 ᦕ ph’a 34 ᦡ d’a 46 ᧟ laew A 11 ᦊ y’a 23 ᦖ m’a 35 ᦢ b’a 12 ᦋ tsa 24 ᦗ pa 36 ᦣ ha A Syllable-final forms of these characters: ᧅ -k, ᧂ -ng, ᧃ -n, ᧄ -m, ᧁ -u, ᧆ -d, ᧇ -b. See also Note D to Table II. II. Vowel characters (ᦀ stands for any consonant character) C 1 ᦀ a 6 ᦀᦴ u 11 ᦀᦹ ue 16 ᦀᦽ oi A 2 ᦰ ( ) 7 ᦵᦀ e 12 ᦵᦀᦲ oe 17 ᦀᦾ awy 3 ᦀᦱ aa 8 ᦶᦀ ae 13 ᦺᦀ ai 18 ᦀᦿ uei 4 ᦀᦲ i 9 ᦷᦀ o 14 ᦀᦻ aai 19 ᦀᧀ oei B D 5 ᦀᦳ ŭ,u 10 ᦀᦸ aw 15 ᦀᦼ ui A Indicates vowel shortness in the following cases: ᦀᦲᦰ ĭ [i], ᦵᦀᦰ ĕ [e], ᦶᦀᦰ ăe [ ∎ ], ᦷᦀᦰ ŏ [o], ᦀᦸᦰ ăw [ ], ᦀᦹᦰ ŭe [ ɯ ], ᦵᦀᦲᦰ ŏe [ ]. -
The Kharoṣṭhī Documents from Niya and Their Contribution to Gāndhārī Studies
The Kharoṣṭhī Documents from Niya and Their Contribution to Gāndhārī Studies Stefan Baums University of Munich [email protected] Niya Document 511 recto 1. viśu͚dha‐cakṣ̄u bhavati tathāgatānaṃ bhavatu prabhasvara hiterṣina viśu͚dha‐gātra sukhumāla jināna pūjā suchavi paramārtha‐darśana 4 ciraṃ ca āyu labhati anālpakaṃ 5. pratyeka‐budha ca karoṃti yo s̄ātravivegam āśṛta ganuktamasya 1 ekābhirāma giri‐kaṃtarālaya 2. na tasya gaṃḍa piṭakā svakartha‐yukta śamathe bhavaṃti gune rata śilipataṃ tatra vicārcikaṃ teṣaṃ pi pūjā bhavatu [v]ā svayaṃbhu[na] 4 1 suci sugaṃdha labhati sa āśraya 6. koḍinya‐gotra prathamana karoṃti yo s̄ātraśrāvaka {?} ganuktamasya 2 teṣaṃ ca yo āsi subha͚dra pac̄ima 3. viśāla‐netra bhavati etasmi abhyaṃdare ye prabhasvara atīta suvarna‐gātra abhirūpa jinorasa te pi bhavaṃtu darśani pujita 4 2 samaṃ ca pādo utarā7. imasmi dāna gana‐rāya prasaṃṭ́hita u͚tama karoṃti yo s̄ātra sthaira c̄a madhya navaka ganuktamasya 3 c̄a bhikṣ̄u m It might be going to far to say that Torwali is the direct lineal descendant of the Niya Prakrit, but there is no doubt that out of all the modern languages it shows the closest resemblance to it. [...] that area around Peshawar, where [...] there is most reason to believe was the original home of Niya Prakrit. That conclusion, which was reached for other reasons, is thus confirmed by the distribution of the modern dialects. (Burrow 1936) Under this name I propose to include those inscriptions of Aśoka which are recorded at Shahbazgaṛhi and Mansehra in the Kharoṣṭhī script, the vehicle for the remains of much of this dialect. To be included also are the following sources: the Buddhist literary text, the Dharmapada found in Khotan, written likewise in Kharoṣṭhī [...]; the Kharoṣṭhī documents on wood, leather, and silk from Caḍ́ota (the Niya site) on the border of the ancient kingdom of Khotan, which represented the official language of the capital Krorayina [...]. -
Sanskrit Alphabet
Sounds Sanskrit Alphabet with sounds with other letters: eg's: Vowels: a* aa kaa short and long ◌ к I ii ◌ ◌ к kii u uu ◌ ◌ к kuu r also shows as a small backwards hook ri* rri* on top when it preceeds a letter (rpa) and a ◌ ◌ down/left bar when comes after (kra) lri lree ◌ ◌ к klri e ai ◌ ◌ к ke o au* ◌ ◌ к kau am: ah ◌ं ◌ः कः kah Consonants: к ka х kha ga gha na Ê ca cha ja jha* na ta tha Ú da dha na* ta tha Ú da dha na pa pha º ba bha ma Semivowels: ya ra la* va Sibilants: sa ш sa sa ha ksa** (**Compound Consonant. See next page) *Modern/ Hindi Versions a Other ऋ r ॠ rr La, Laa (retro) औ au aum (stylized) ◌ silences the vowel, eg: к kam झ jha Numero: ण na (retro) १ ५ ॰ la 1 2 3 4 5 6 7 8 9 0 @ Davidya.ca Page 1 Sounds Numero: 0 1 2 3 4 5 6 7 8 910 १॰ ॰ १ २ ३ ४ ६ ७ varient: ५ ८ (shoonya eka- dva- tri- catúr- pancha- sás- saptán- astá- návan- dásan- = empty) works like our Arabic numbers @ Davidya.ca Compound Consanants: When 2 or more consonants are together, they blend into a compound letter. The 12 most common: jna/ tra ttagya dya ddhya ksa kta kra hma hna hva examples: for a whole chart, see: http://www.omniglot.com/writing/devanagari_conjuncts.php that page includes a download link but note the site uses the modern form Page 2 Alphabet Devanagari Alphabet : к х Ê Ú Ú º ш @ Davidya.ca Page 3 Pronounce Vowels T pronounce Consonants pronounce Semivowels pronounce 1 a g Another 17 к ka v Kit 42 ya p Yoga 2 aa g fAther 18 х kha v blocKHead -
KHA in ANCIENT INDIAN MATHEMATICS It Was in Ancient
KHA IN ANCIENT INDIAN MATHEMATICS AMARTYA KUMAR DUTTA It was in ancient India that zero received its first clear acceptance as an integer in its own right. In 628 CE, Brahmagupta describes in detail rules of operations with integers | positive, negative and zero | and thus, in effect, imparts a ring structure on integers with zero as the additive identity. The various Sanskrit names for zero include kha, ´s¯unya, p¯urn. a. There was an awareness about the perils of zero and yet ancient Indian mathematicians not only embraced zero as an integer but allowed it to participate in all four arithmetic operations, including as a divisor in a division. But division by zero is strictly forbidden in the present edifice of mathematics. Consequently, verses from ancient stalwarts like Brahmagupta and Bh¯askar¯ac¯arya referring to numbers with \zero in the denominator" shock the modern reader. Certain examples in the B¯ıjagan. ita (1150 CE) of Bh¯askar¯ac¯arya appear as absurd nonsense. But then there was a time when square roots of negative numbers were considered non- existent and forbidden; even the validity of subtracting a bigger number from a smaller number (i.e., the existence of negative numbers) took a long time to gain universal acceptance. Is it not possible that we too have confined ourselves to a certain safe convention regarding the zero and that there could be other approaches where the ideas of Brahmagupta and Bh¯askar¯ac¯arya, and even the examples of Bh¯askar¯ac¯arya, will appear not only valid but even natural? Enterprising modern mathematicians have created elaborate legal (or technical) machinery to overcome the limitations imposed by the prohibition against use of zero in the denominator. -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
Ancient Indian Mathematical Evolution Since Counting
Journal of Statistics and Mathematical Engineering e-ISSN: 2581-7647 Volume 5 Issue 3 Ancient Indian Mathematical Evolution since Counting 1 2 Sankar Prasad Mukherjee , Sandip Ghanta* 1Research Guide, 2Research Scholar 1,2Department of Mathematics, Seacom Skills University, Kolkata, West Bengal, India Email: *[email protected] DOI: Abstract This paper is an endeavor how chronologically since inception and into growth of mathematics occurred in Ancient India with an effort of counting to establish the numeral system through different ages, i.e., Rigveda, Yajurvada, Buddhist, Indo-Bactrian, Bramhi, Gupta and Devanagari Periods. Ancient India’s such contribution was of immense value helped to accelerate the progress of Mathematical development up to modern age as we see today. Keywords: Brahmi numerals, centesimal scale, devanagari, rigveda, kharosthi numerals, yajurveda INTRODUCTION main striking feature being counting and This research paper is an endeavor to evolution of numeral system thereby. synchronize all the historical research with essence of pre-historic and post-historic Mathematical Evolution in Vedic Period respectively interwoven into a texture of Decimal Number System in the Rigveda evolution process of Mathematics. The first Numbers are represented in decimal system form of writing human race was not (i.e., base 10) in the Rigveda, in all other literature but Mathematics. Arithmetic Vedic treatises, and in all subsequent Indian what is today was felt as an essential need texts. No other base occurs in ancient for day to day necessity of human race. In Indian texts, except a few instances of base various countries at various point of time, 100 (or higher powers of 10). -
Pronunciation
PRONUNCIATION Guide to the Romanized version of quotations from the Guru Granth Saheb. A. Consonants Gurmukhi letter Roman Word in Roman Word in Gurmukhi Meaning Letter letters using the letters using the relevant letter relevant letter from from the second the first column column S s Sabh sB All H h Het ihq Affection K k Krodh kroD Anger K kh Khayl Kyl Play G g Guru gurU Teacher G gh Ghar Gr House | ng Ngyani / gyani i|AwnI / igAwnI Possessing divine knowledge C c Cor cor Thief C ch Chaata Cwqw Umbrella j j Jahaaj jhwj Ship J jh Jhaaroo JwVU Broom \ ny Sunyi su\I Quiet t t Tap t`p Jump T th Thag Tg Robber f d Dar fr Fear F dh Dholak Folk Drum x n Hun hux Now q t Tan qn Body Q th Thuk Quk Sputum d d Den idn Day D dh Dhan Dn Wealth n n Net inq Everyday p p Peta ipqw Father P f Fal Pl Fruit b b Ben ibn Without B bh Bhagat Bgq Saint m m Man mn Mind X y Yam Xm Messenger of death r r Roti rotI Bread l l Loha lohw Iron v v Vasai vsY Dwell V r Koora kUVw Rubbish (n) in brackets, and (g) in brackets after the consonant 'n' both indicate a nasalised sound - Eg. 'Tu(n)' meaning 'you'; 'saibhan(g)' meaning 'by himself'. All consonants in Punjabi / Gurmukhi are sounded - Eg. 'pai-r' meaning 'foot' where the final 'r' is sounded. 3 Copyright Material: Gurmukh Singh of Raub, Pahang, Malaysia B.