Olivet Nazarene University Digital Commons @ Olivet Faculty Scholarship – Communication Communication Summer 2005 Arthur Miller's "The rC ucible" Jerald Cohagan Olivet Nazarene University,
[email protected] Follow this and additional works at: https://digitalcommons.olivet.edu/comm_facp Part of the Dramatic Literature, Criticism and Theory Commons Recommended Citation Cohagan, Jerald, "Arthur Miller's "The rC ucible"" (2005). Faculty Scholarship – Communication. 1. https://digitalcommons.olivet.edu/comm_facp/1 This Article is brought to you for free and open access by the Communication at Digital Commons @ Olivet. It has been accepted for inclusion in Faculty Scholarship – Communication by an authorized administrator of Digital Commons @ Olivet. For more information, please contact
[email protected]. Trial by Fire “We burn a hot fire here;” states Deputy-Governor Danforth in Arthur Miller’s play The Crucible , “it melts down all concealment” (55). Miller’s title, which objectively means a container where metals are purified by being subjected to an intense heat, becomes an apt metaphor for the ordeal which his characters must undergo. Under such searing illumination Miller’s characters either attempt self-preservation by adding heat to the fire, succumb and melt from such heat, or are refined in the process and discover their own true mettle. Although many of the characters are culpable of pointing fingers, it is Abigail Williams, who Miller describes in his stage note as having “ an endless capacity for dissembling ” (6), who wastes no time in pointing the first finger at Tituba, Rev. Parris’s Negro slave from Barbados. When she first feels the heat of the Reverend Hale’s questions Abigail vehemently denies any communion with the devil and recants her denial almost within the same breath: HALE.