The Good Byline

Total Page:16

File Type:pdf, Size:1020Kb

The Good Byline Advance Praise “ Jill Orr’s delightful, laugh-out-loud debut is the perfect mix of mystery, humor, and romance, anchored by an endearing heroine you can’t help but root for. A fun, fast- paced read with a satisfying mystery at its heart. Perfect for fans of Janet Evanovich.” — Laura McHugh, award-winning author of Arrowood and The Weight of Blood “ Riley ‘Bless -Her-Heart’ Ellison is a breath of fresh air—a funny, empathic, Millennial heroine. She kept me turning the pages well into the night.” — Susan M. Boyer, USA TODAY–bestselling author of the Liz Talbot mystery series “Who knew obituaries could be this much fun?” — Gretchen Archer, USA TODAY–bestselling author of the Davis Way Crime Caper series “ Jill Orr’s Tuttle Corner is absolutely charming, and you’ll want to hang out more in this Virginian small town with Riley and her cast of friends. The methodical local reporter, Will Holman, is a standout, and here’s hoping he will appear in more of Riley’s mystery adventures. Fans of Hannah Dennison’s Vicky Hill series will devour this debut!” — Naomi Hirahara, Edgar Award–winning author of the Mas Arai and Ellie Rush mystery series “An extremely fun read! Regina H., Personal Romance Concierge, may be my favorite new literary character of the decade.” — Anne Flett-Giordano, author of Marry, Kiss, Kill and Emmy-winning writer of Mom, Frasier, and Desperate Housewives “ Jill Orr will make you laugh, make you think, and steam up your reading glasses with this funny, smart, and romantic mystery debut. The Good Byline is an engaging story that will keep readers wondering whodunit and how’d-they-do- it until the very end.” —Diane Kelly, award-winning author of the Death & Taxes and Paw Enforcement mysteries “ In this irresistible page-turner, Jill Orr delivers a funny, smartly written mystery featuring a charming heroine and appealing setting. I can’t wait to join Millennial Riley Ellison on future adventures—and misadventures!” — Ellen Byron, author of Body on the Bayou and Plantation Shudders The Good Byline A Riley Ellison Mystery By Jill Orr Prospect Park Books Copyright © 2017 by Jill Orr All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. This is a work of fiction. All incidents and dialogue, and all names and characters, are products of the author’s imagination and are not to be construed as real. With a few exceptions, all places are also products of the author’s imagination and are not to be construed as real. Published by Prospect Park Books 2359 Lincoln Avenue Altadena, California 91001 www.prospectparkbooks.com Distributed by Consortium Book Sales & Distribution www.cbsd.com Library of Congress Cataloging-in-Publication Data Names: Orr, Jill, author. Title: The good byline : a Riley Ellison mystery / by Jill Orr. Other titles: Riley Ellison mystery Description: Altadena, California : Prospect Park Books, 2017. Identifiers: LCCN 2016031253 (print) | LCCN 2016039299 (ebook) | ISBN 9781938849916 (pbk.) | ISBN 9781938849923 Subjects: LCSH: Women journalists--Fiction. | Female friendship--Fiction. | Murder--Investigation--Fiction. | Triangles (Interpersonal relations)--Fiction. | Virginia--Fiction. | GSAFD: Mystery fiction. | Love stories. Classification: LCC PS3615.R58846 G66 2017 (print) | LCC PS3615.R58846 (ebook) | DDC 813/.6--dc23 LC record available at https://lccn.loc.gov/2016031253 Cover design by Susan Olinsky; illustration by Nancy Nimoy Book layout and design by Amy Inouye, Future Studio Printed in the United States of America To Jimmy, for keeping the champagne on ice... all these years Is there room for humor in today’s obituary? “ I think so. The obits section is quite misun- derstood. People have a primal fear of death, but 98 percent of the obit has nothing to do with death, but with life. There are maybe two sentences in there about when or where the guy died, and with the rest, you let the person’s life guide the treatment. We like to say it’s the jolliest department in the paper.” —MARGALIT FOX, a senior writer for The New York Times, from an interview in The Paris Review, September 23, 2014 Chapter 1 othing says “You’re going to die alone” like being asked to judge the three-legged race at the Tuttle NCorner Johnnycake Festival because you’re the only one without a partner. Even Mrs. Winterthorne, who had to be at least 127 years old and in a wheelchair, signed up with her nurse, Faye. Never mind that Faye was paid to be there or that she would end up with a shattered pinky toe from old Winterthorne rolling over her repeatedly for twen- ty-five yards, the point is that I didn’t even have someone I could pay to be my partner, let alone someone who’d take a broken toe for me. The sad fact was that I was twenty-four years old and undeniably, catastrophically, alone. And the worst part was that everyone in Tuttle Corner knew why. The day my boyfriend of seven years left me to go find himself, the good people of Tuttle unofficially changed my name from Riley Ellison to Riley Bless-Her-Heart. “Did you hear the Sanford boy left her without an explanation? Poor Riley, bless her heart.” “She’d been so sure they were headed down the aisle...bless her heart.” “It’s been six months and the poor dear can’t seem to get over it. Bless. Her. Heart.” People in Tuttle Corner love to bless your heart. It’s code for anything from an expression of sympathy to a vicious insult, sometimes both at the same time. But most often, this is what people say when they want to call 8 The Good Byline you pathetic but their strict adherence to the Southern be-polite-or-die code won’t let them say that. Not to your face anyway. I knew that in my case when people blessed my heart they mostly meant it in the nice way, the snap- out-of-it-honey way. Which I guess was fair enough. I hadn’t exactly been killing it in the having-a-life department since Ryan left. Besides, you weren’t really in trouble in Tuttle Corner until people start saying that they’ll pray for you. So when I arrived at the festival alone, it took Charlotte Van Stone approximately three seconds to ask if I would judge the race. She was in a panic because Millie Hedron, Tuttle’s most famous spinster and longtime contest judge, had to cancel when one of her Persian cats rolled in a patch of burrs. Apparently the shaving process had been trau- matic for them both. Charlotte zeroed in on me because, as she put it, “Surely you won’t be participating this year?” Then she put a hand over her enormous left breast and added, “Bless your heart.” The festival was as hot and crowded as ever, but that didn’t stop the entire town from turning up. The sun beat down on the white tents and colonial flags that hung on ropes between trees. Vendors sold cornhusk dolls. My par- ents, Skip and Jeanie, otherwise known as the Rainbow Connection, played guitar and sang corncake-themed songs on the main stage, delighting the under-six set with their “corny” puns. And Landry’s General Store (est. 1781) churned a large vat of kettle corn, which permeated the air with its sticky-sweet scent. These were the sights and sounds and smells of my childhood, as familiar and com- forting as an old pair of jeans. It was almost time for the three-legged race, so I be- gan my walk over to the field. On the way I saw my middle school social studies teacher, Mr. Monroe, talking with a Jill Orr 9 girl named Anna, who had been a few years ahead of me in school. She was holding a baby on her hip and breaking off pieces of pink cotton candy for a small girl standing next to them. I smiled and waved at Anna, who sort of half-smiled like she was trying to place me but then looked away when the baby started fussing. I turned my wave into an awkward pretense of itching my neck. Born and raised right here in Tuttle County, I techni- cally knew everyone in town. I could tell you who was kin to whom, which marriages had created which family trees, and who had lived in which houses three generations deep. But knowing people and having friends are two very dif- ferent things. It’s funny, as they can feel quite similar, and yet sometimes you don’t realize how alone you are until your world falls apart and you have no one to turn to except your parents (who are contractually obligated to love you no matter what). The truth is that I had nobody to blame but myself for my current friendless state. Seven years ago, when Ryan Sanford charmed his way into my life, I had allowed all my other friendships to fall away. I didn’t mean for it to hap- pen; he was just the kind of guy who soaked up attention like one of those cloths that can hold six times its weight in water. He took all I had, and I gave it freely because being with Ryan felt like standing in the sun. He radiated confi- dence and charisma, two things I lacked as a young girl.
Recommended publications
  • Qncq More.Y T/Eers
    NORTH CASCADES CONSERVATION COUNCIL Volume V June lgbl' Number b Trl8 secure the support of the people and the government in the protection and preservation of scenic, scientific, wildlife, wilderness, and outdoor recreational resources values in the North Cascades. ..." QnCQ MoRe.y DQBR T/eeRs/ How many millions of Americans read, and saw, the case for wilderness presented recently in Life? We don't know. But we do know this unprecedentedly wide distri­ bution of "our side" is one more reason for saying the time for action is now. CONRAD WLRTH, Director of the National Park Service: "... people are aaking up to the problem . and are beginning to take the initiative. ..." "STEWART UDALL, Secretary of the Interior: "... never before has a President of the United States given such a broad and comprehensive mandate to conservation. ..." DR. IRA N. GABRIELSON, President of the Wildlife Management Institute: "The Wilderness Bill, before Congress each of the past five years has the President's support. It has the people's support. it merits immediate approval by Congress." CDJLPFORD V. HEIMBUCHER, President of Trustees for Conservation: "The Wilder­ ness Bill. has in the 87th Congress the best chance for enactment it has ever had." SENATOR CLINTON ANDERSON, Chairman of the Senate Interior and Insular Affairs Committee: ". I believe the sfth Congress will send a Wilderness Act to the Presi­ dent and he will sign it into law." HENRY V: "Once more unto the breach, dear friends, once more. In peace there's nothing so becomes a man As modest stillness and humanity; But when the blast of war blows in our ears, Then imitate the action of the tiger.
    [Show full text]
  • John Pickard-Frank Provo Collection
    Thousand Oaks Library American Radio Archives John Pickard-Frank Provo Collection Introduction The John Pickard-Frank Provo Collection of the American Radio Archives documents Pickard's career in the early days of Australian radio, as well as the collaboration between Pickard and Provo that lasted nearly 40 years, and resulted in radio programs such as Wendy Warren and the News and Young Doctor Malone, as well as television programs such as Concerning Miss Marlowe and From these Roots. Biographies John Pickard was born on April 6, 1910 in Sydney, Australia. He entered the University of Sydney to study law in 1927, yet also acted in plays as a member of the Sydney University Drama Society. It was during this time that Pickard, intrigued by the new medium of radio, tried his hand at writing a radio play titled The Tomb of Osiris. This work was performed on various stations throughout Australia, and is considered by some to be the first original Australian radio play. By 1931, acting in radio productions had become Pickard's main occupation, and he was considered one of the brightest young actors on Australian radio during his tenure with the ABC (Australian Broadcasting Company) Players, whose performances were broadcast on station 2FC in Sydney. He continued writing and directing plays as well, being promoted to the Head of Drama Productions at the Australian Broadcasting Company in 1933. Pickard wrote series such as Crime Club, and also adapted American programs like One Man's Family, in which he substituted Australian settings, situations, and colloquialisms. By 1935, however, Pickard wanted to try something new and left for the United States in August of that year.
    [Show full text]
  • New Yarns and Funny Jokes
    f IMfWtMTYLIBRARY^)Of AUKJUNIA h SAMMMO ^^F -J) NEW YARNS AND COMPRISING ORIGINAL AND SELECTED MERIGAN * HUMOR WITH MANY LAUGHABLE ILLUSTRATIONS. Copyright, 1890, by EXCELSIOR PUBLISHING HOUSE. NEW YORK* EXCELSIOR PUBLISHING HOUSB, 29 & 3 1 Beekman Street EXCELSIOR PUBLISHING HOUSE, 29 &. 31 Beekman Street, New York, N. Y. PAYNE'S BUSINESS EDUCATOR AN- ED cyclopedia of the Knowl* edge necessary to the Conduct of Business, AMONG THE CONTENTS ARE: An Epitome of the Laws of the various States of the Union, alphabet- ically arranged for ready reference ; Model Business Letters and Answers ; in Lessons Penmanship ; Interest Tables ; Rules of Order for Deliberative As- semblies and Debating Societies Tables of Weights and Measures, Stand- ard and the Metric System ; lessons in Typewriting; Legal Forms for all Instruments used in Ordinary Business, such as Leases, Assignments, Contracts, etc., etc.; Dictionary of Mercantile Terms; Interest Laws of the United States; Official, Military, Scholastic, Naval, and Professional Titles used in U. S.; How to Measure Land ; in Yalue of Foreign Gold and Silver Coins the United states ; Educational Statistics of the World ; List of Abbreviations ; and Italian and Phrases Latin, French, Spanish, Words -, Rules of Punctuation ; Marks of Accent; Dictionary of Synonyms; Copyright Law of the United States, etc., etc., MAKING IN ALL THE MOST COMPLETE SELF-EDUCATOR PUBLISHED, CONTAINING 600 PAGES, BOUND IN EXTRA CLOTH. PRICE $2.00. N.B.- LIBERAL TERMS TO AGENTS ON THIS WORK. The above Book sent postpaid on receipt of price. Yar]Qs Jokes. ' ' A Natural Mistake. Well, Jim was champion quoit-thrower in them days, He's dead now, poor fellow, but Jim was a boss on throwing quoits.
    [Show full text]
  • Black Women in Primetime Soap Opera: Examining Representation Within Genre Television
    Black Women in Primetime Soap Opera: Examining Representation within Genre Television by Courtney Suggs A Thesis Submitted in Partial Fulfillment of Requirements for the Degree of Master of Science in Media Studies Middle Tennessee State University December 2019 Dissertation Committee: Dr. Katie Foss, Chair Dr. Sanjay Asthana Dr. Sally Ann Cruikshank ABSTRACT Using textual genre analysis, this research studied representation in primetime soap operas Scandal, How To Get Away with Murder, and Empire. Two hundred and eighty- three episodes were viewed to understand how black female identity is represented in primetime soap and how genre influences those representation. Using Collins (2009) theory of controlling images, this study found that black female protagonists were depicted as jezebels and matriarchs. The welfare mother stereotype was updated by portrayals of black woman as hard working. Soap opera conventions such as heavy talk helped provide context to stereotypical portrayals while conventions such as melodrama lead to reactive characterization. ii TABLE OF CONTENTS CHAPTER I: INTRODUCTION……………………………………………….….....1 Background……………………………………………………...………........3 CHAPTER II: LITERATURE REVIEW.....................................................................9 Black Women in Scripted Television…...........................................................9 Television Effects on Viewers……………………………………………....14 CHAPTER III: THEORETICAL FRAMEWORK………………………………....18 Representation Theory……………………………………………………...18 Genre Theory……………………………………………………………….19
    [Show full text]
  • Lovers and Friends; Or Modern Attachments
    Author: Anne Julia Kemble Hatton Title: Lovers and Friends; or, Modern Attachments Place of publication: London Publisher: Printed at the Minerva Press for A. K. Newman and Co. Date of publication: 1821 Edition: 1st ed. Number of volumes: 5 LOVERS AND FRIENDS. A NOVEL. Printed by J. Darling, Leadenhall-street London. LOVERS AND FRIENDS; OR, MODERN ATTACHMENTS. A NOVEL. IN FIVE VOLUMES. BY ANNE OF SWANSEA, AUTHOR OF CONVICTION, GONZALO DE BALDIVIA, CHRONICLES OF AN ILLUSTRIOUS HOUSE, SECRET AVENGERS, SECRETS IN EVERY MANSION, CAMBRIAN PICTURES, CESARIO ROSALBA, &c.&c. “I hold a mirror up for men to see How bad they are, how good they ought to be.” VOL. 1. LONDON: Printed at the Minerva Press for A.K. NEWMAN AND CO. LEADENHALLSTREET. 1821. INSCRIPTION. WITH SINCERE ADMIRATION OF HIS MUSICAL GENIUS, AND THE MOST PERFECT RESPECT FOR HIS HONOURABLE CHARACTER, THESE VOLUMES ARE INSCRIBED TO JOHN EMDIN, ESQ. BY HIS OBLIGED FRIEND AND DEVOTED SERVANT, ANN OF SWANSEA. College-street, Swansea, July 10, 1820. PREFACE. KING Solomon, the very wisest of all wise sages, past, present, and to come, declared, in his day, there was nothing new under the sun: how then can the weak brain of a modern author (ye sons and daughters of fire-eyed Genius, be not, I beseech you, offended; I only mean weak, when compared with the brain of king Solomon) pretend to lead the fastidious critic through paths untrodden before, or present to his lynx-like sight sentiments and incidents unheard of either in prose or verse? The difficulty of twisting, twining, and winding together, three or four volumes, of sufficient interest to attract public attention, is labour that requires an ingenuity few have genius enough to accomplish, and affords a weighty reason why prefaces are growing out of fashion; for an author finds his inventive faculties spun as thin as a cobweb in supplying the requisite number of pages for his story, without wasting his metaphors, sublimity, and brilliance, on a preface.
    [Show full text]
  • English Renaissance Dream Theory and Its Use in Shakespeare
    THE RICE INSTITUTE ENGLISH RENAISSANCE DREAM THEORY MID ITS USE IN SHAKESPEARE By COMPTON REES, JUNIOR A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Houston, Texas April, 1958 TABLE OF CONTENTS Introduction .............. 1-3 Chapter I Psychological Background: Imagination and Sleep ............................... 4-27 Chapter II Internal Natural Dreams 28-62 Chapter III External Natural Dreams ................. 63-74 Chapter IV Supernatural Dreams ...................... 75-94 Chapter V Shakespeare’s Use of Dreams 95-111 Bibliography 112-115 INTRODUCTION This study deals specifically with dream theories that are recorded in English books published before 1616, the year of Shakespeare1s death, with a few notable exceptions such as Robert Burton’s Anatomy of Melancholy (1621). Though this thesis does not pretend to include all available material on this subject during Shakespeare*s time, yet I have attempted to utilise all significant material found in the prose writings of selected doctors, theologians, translated Latin writers, recognised Shakespeare sources (Holinshed, Plutarch), and other prose writers of the time? in a few poets; and in representative dramatists. Though some sources were not originally written during the Elizabethan period, such as classical translations and early poetry, my criterion has been that, if the work was published in English and was thus currently available, it may be justifiably included in this study. Most of the source material is found in prose, since this A medium is more suited than are imaginative poetry anl drama y:/h to the expository discussions of dreams. The imaginative drama I speak of here includes Shakespeare, of course.
    [Show full text]
  • Download This Article
    Search for Tomorrow. An Epimodernist Future for Literature Emmanuel Bouju Université de la Sorbonne Nouvelle abstract: “The Future is in the way things are,” says “the Minister of the Future,” Timothy Morton, in a recent exhibition at the Centre de cultura contemporània de Barcelona, After the End of the World. Search for tomorrow: it’s already here and now. So how does contemporary literature address and envision the very possibility of a future as such? This essay argues that there is a reneweddiagonal force of the contem- porary called epimodernism. The epimodernist values are superficiality, secrecy, energy, acceleration, credit, and consistency. These six values are necessary for envisioning any future that doesn’t involve hyperfinance, rating agencies, systematic calculation of behaviors—and their consequences for politics. hen i first heard of the topic for the preparatory workshop of this issue of Dibur Literary Journal, it was said to be “contemporary visions of the future in liter- ature and art.” I don’t know why (maybe because I wanted it to be so) I thought it meantW not “visions of the future in literature and art” (the future within literature, “le futur dans la littérature” in French) but “visions of the future of literature and art” (le futur de la littérature), as in “this literature has no future” (cette littérature n’a pas d’avenir). I’m French. So I was quite optimistic. I do have a vision of the “future of literature and art.” But then I received another e-mail, with the final title: “Contemporary Visionsof the Future.” And I realized it was all about the future in works of literature and art.
    [Show full text]
  • Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
    TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America.
    [Show full text]
  • THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 42Nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
    THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 42nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Live Television Broadcast Airing Exclusively on Pop Sunday, April 26 at 8:00 p.m. EDT/5:00 p.m. PDT Daytime Creative Arts Emmy® Awards Gala on April 24th To be held at the Universal Hilton Individual Achievement in Animation Honorees Announced New York – March 31st, 2015 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 42nd Annual Daytime Emmy® Awards. The awards ceremony will be televised live on Pop at 8:00 p.m. EDT/5:00 p.m. PDT from the Warner Bros. Studios in Burbank, CA. “This year’s Daytime Emmy Awards is shaping up to be one of our most memorable events in our forty-two year history,” said Bob Mauro, President, NATAS. “With a record number of entries this year, some 350 nominees, the glamour of the historic Warner Bros. Studios lot and the live broadcast on the new Pop network, this year promises to have more ‘red carpet’ then at any other time in our storied-past!” “This year’s Daytime Emmy Awards promises a cornucopia of thrills and surprises,” said David Michaels, Senior Vice President, Daytime. “The broadcast on Pop at the iconic Warner Bros. Studios honoring not only the best in daytime television but the incomparable, indefatigable, Betty White, will be an event like nothing we’ve ever done before. Add Alex Trebek and Florence Henderson as our hosts for The Daytime Creative Arts Emmy Awards at the Universal Hilton with Producer/Director Michael Gargiulo as our crafts lifetime achievement honoree and it will be two galas the community will remember for a long time!” In addition to our esteemed nominees, the following six individuals were chosen from over 130 entries by a live, juried panel in Los Angeles and will be awarded 1 the prestigious Emmy Award at our Daytime Creative Arts Emmy Awards on April 24, 2015.
    [Show full text]
  • 12E111miiill[11 Beside the Weeds
    • in bur bonittr. in 1879. TERMS-4i.co a rear in Advance PAUL MOTTE & CO., Publishers. Established by SAMUEL MOTTER FRIDAY, FEBIMA_IZY 2, 1894-6 NO. 86. VOL. XI.7. EMMITSBURG, MD., WISHES. with them peach trees—ain't there I -SHOOTING 11')NKERS. IF I HAD KNOWN YOU. DIRECTORY fruit? if I had known you, oh, if Iliad known yon. you imagine any young WO- FOR FREDERICK COUNTY I asked a little child one day. "'And do In other days when youth and love were A child intent on joyous play, man in her senses would marry you and GREAT SPORT WHICH IS FOUND IN strong, toe Circuit Court. "My little one, pray tell to live here?' I cried. THE NORTHWEST. I would have raised a temple to enthrone you Your dearest wish; .. hat may it he?" James MeSherry On some fair pinnacle of cloudless song. Chief Judge--lion. The little one thought for awhile. "'Do I? Well, there's no imagination Associate Judges-1ton. John T. Vinson and What is Then answered with a wistful smile, about it. There's three women have If you had touched me then with your dear Hon. John A. Lynch. Countless Swarms Which Congregata Be- State's Attorney-Edw. S. Eichelberger. "The thing that 1 wish most of all married me and lived here. Two of 'em's laughter, tween the Red River 'alley ai,t the 311L- Clerk. of the Court-John L. Jordan. Is to be big, like you, toil tall." ildad and buried, and yonder stands As now its echo smites me in my grief, Orphan's Court.
    [Show full text]
  • May � I960 Collegiates on Campus
    ot GAMMA PHI BETA - :m. STUDENT UNION, UNIVERSITY OF ARIZONA MAY � I960 COLLEGIATES ON CAMPUS Two Moonlight Girls of Phi Sigma Kappa were Sharon Walker llefll of Nalional Baton Twirling champion is Harlie Judy of Beta Kop Arizona Slate Universily, and Ann Gibson Irighl) of Oregon Stofe College. chapter, Arizona Stale University. J -;''-4f. Lynne Wallers makes il three in a row for Alpha Kappa chapler al Ihe Universily of Manifoba. She is fhe new president of Ihe IVomen's Associafion, known as Wakonda, and Ihe third Gamma Phi Beta in succession Yearbook Oueen of Carla Ewell, Homecoming allendanl at Judy Davis wos selected as Kappa Julie Haile, A, fo hold fhe ofRce. She will organize all Oklahoma Slate University. Sigmo's Sfordusf Oueen of fhe Univer- Universily. .) women's aclivilies on and serve as campus sity of Arizona. one of a seven member executive board of Ihe Student's Union. FRONT COVER Student Union Memorial Building at the University of Arizona, THE CRESCENT where Alpha Epsilon chapter of Gamma Phi Beta was chartered April 29, 1922. of Gamma Phi Beta First of four new buildings to be dedicated during the 75th an niversary year at the University ot Arizona was the new Home Economics building (pictured above), which also houses the school Volume LX May, 1960 Number of nursing. Center of the building is a 3-story patio spanned at the second floor level by a Y-shaped bridge. 2 Frontispiece: Come to Convention 3 A Visit to the University of Arizona Editorial Staff: 4 Nevada Members Assist with 1960 Olympics Ardis McBroom Marek (Mrs.
    [Show full text]
  • Toand Television Irrom June 25
    TOAND TELEVISION IRROM JUNE 25 1tVeledrillt 44 111vot-ir Percy MILTON BERLE GRACIE ALLEN ')N McNEILL RALPH EDWARDS BIG SISTER LANNY ROSS filter Winchell Contest Winners - i (o+1) Vie, fodLut, tiA9ti otcuut SKIN -SAFE SOLITAIRI The only founda- tion- and -pawder make -up with clinicol evidence- certified by leading skin specialists from coast to coast -that it DOES NOT CLOG PORES, cause skin texture change or inflammation of hair follicle ar other gland opening. Na other liquid, powder, creom or cake "founda- tion" moke -up offers such positive proof of safety for your skin. biopsy- specimen flown by Cell Chapman. Jewels by Seaman-Schepps. See the loveliest you that you've ever seen -the minute you use Solitair cake make -up. Gives your skin a petal- smooth appearance -so flatteringly natural that you look as if you'd been born with it! Solitair is entirely different- a special feather -weight formula. Clings longer. Outlasts powder. Hides little skin faults -yet never feels mask -like, never looks "made -up." Like finest face creams, Solitair contains Lanolin to protect against dryness. Truly -you'll be lovelier with this make -up that millions prefer. No better quality. Only $1.00. Cake Make -Up * Fashion -Point Lipstick Seven new fashion -right shades Yes -the first and only lipstick with point actually shaped to curve of your lips. Applies color quicker, easier, more evenly. New, exciting "Dreamy Pink" shade - and six new reds. So creamy smooth- contains Lanolin -stays on so long. Exquisite case. $1.00 *Slanting cap with red enameled circle identifies the famous 'Fashion -Point and shows you exact (¡orí*iwnn tameGm color of lipstick inside.
    [Show full text]