Oracles Et La Divination En Grèce Antique : Note De Synthèse (Les)
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Ancient Divination and Experience OUP CORRECTED PROOF – FINAL, 11/9/2019, Spi OUP CORRECTED PROOF – FINAL, 11/9/2019, Spi
OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi Ancient Divination and Experience OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi Ancient Divination and Experience Edited by LINDSAY G. DRIEDIGER-MURPHY AND ESTHER EIDINOW 1 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2019 The moral rights of the authors have been asserted First Edition published in 2019 Impression: 1 Some rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, for commercial purposes, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution – Non Commercial – No Derivatives 4.0 International licence (CC BY-NC-ND 4.0), a copy of which is available at http://creativecommons.org/licenses/by-nc-nd/4.0/. Enquiries concerning reproduction outside the scope of this licence should be sent to the Rights Department, Oxford University Press, at the address above Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2019934009 ISBN 978–0–19–884454–9 DOI: 10.1093/oso/9780198844549.001.0001 Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Links to third party websites are provided by Oxford in good faith and for information only. -
83 Aleksandr Sinitsyn
Acta Archaeologica Lodziensia nr 65 Aleksandr Sinitsyn https://doi.org/10.26485/AAL/2019/65/6 ΤᾺ ὍΠΛΑ ΤῶΝ ΓΕΦΥΡΈῶΝ OF THE PERSIAN WAR: HERODOTUS ON THE BANISHMENT OF THE BARBARIANS OUT OF EUROPE AND THE ISSUE OF THE COMPLETENESS OF THE FIRST THE HISTORIES1 ABSTRACT The article discusses the principal “Herodotean question” of the completeness of the work done by the historian. How well did Herodotus manage to accomplish his design? Should we regard his work in the form it has reached us as complete and integral? Or does it end abruptly at the events of 479/8 BC, despite “the Father of History” having planned to continue his account of the Greek-Persian wars? Over the last century and a half, pluralism in the views the researchers on the issue of the completeness of Herodotus’ work has emerged. The author ventures some observations on the finale of the The Histories and draws our attention to the passage Hdt. 9.121 in which Herodotus emphasizes the fact that the barbarians transgressing the geographical boundaries of Europe had been punished: the cables of the bridges which the Persians had used to tie Asia and Europe were taken to Hellas by the victors. According to the author, the historian’s testimony τὰ ὅπλα τῶν γεφυρέων ὡς ἀναθήσοντες ἐς τὰ ἱρά symbolizes the end of the war against the Barbarian, hence, the accomplishment of Herodotus’ design – the completion of the account of “great and marvellous deeds done by Greeks and foreigners and especially the reason why they warred against each other”. Key words: Herodotus, Athens, boundaries, bridges, Aeschylus, hybris/arrogance, the Persian Wars, temples, “Herodotean questions”, the last chapter of The Histories (Hdt. -
Proceedings Ofthe Danish Institute at Athens VI
Proceedings ofthe Danish Institute at Athens VI Edited by Erik Hallager and Sine Riisager Athens 2009 © Copyright The Danish Institute at Athens, Athens 2009 Proceedings ofthe Danish Institute at Athens Volume VI General Editor: Erik Hallager. Graphic design: Erik Hallager. Printed at Narayana Press, Denmark Printed in Denmark on permanent paper conforming to ANSI Z 39.48-1992 The publication was sponsored by: NQRDEA FONDEN ISSN: 1108-149X ISBN: 978-87-7934-522-5 Distributed by: AARHUS UNIVERSITY PRESS Langelandsgade 177 DK-8200 Arhus N www.unipress.dk Gazelle Book Services Ltd. White Cross Mills, Hightown Lancaster LAI 4XS, England www.gazellebooks.com The David Brown Book Company (DBBC) P.O. Box 511 Oakville, CT 06779, USA www.davidbrownbookco.u k Cover illustration: Reconstruction ofthe city ofKalydon Graphics by: Mikkel Mayerhofer The early Sanctuary ofthe Argive Heraion and its external relations (8th— early 6th century bc). Conclusions* Ingrid Strom Introduction to visit King's College Library at Cambridge and the then Since Anthony Snodgrass in 1977 pointed to the modern archivist, Mrs. J. Cox, for helping me in my studies monumental temple building for the patron deity of Charles Waldstein's note books. I want to thank the Board of the Danish Institute at Athens for granting me several stays as an essential criterion for the emergent city-state,1 at the Institute and the staff of the Institute for much valuable this criterion has been almost unanimously accept help. Also, I want to thank the librarians of Nordic Library, ed2 and the Greek Geometric and early Archaic Athens, and of the Deutsches Archaologisches Institut, Athen, sanctuaries generally considered as founded and as well as the former librarian of the Ny Carlsberg Glyptotek, Copenhagen, mag. -
Ancient Divination and Experience OUP CORRECTED PROOF – FINAL, 11/9/2019, Spi OUP CORRECTED PROOF – FINAL, 11/9/2019, Spi
OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi Ancient Divination and Experience OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi Ancient Divination and Experience Edited by LINDSAY G. DRIEDIGER-MURPHY AND ESTHER EIDINOW 1 OUP CORRECTED PROOF – FINAL, 27/11/2019, SPi 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2019 The moral rights of the authors have been asserted First Edition published in 2019 Impression: 1 Some rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, for commercial purposes, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution – Non Commercial – No Derivatives 4.0 International licence (CC BY-NC-ND 4.0), a copy of which is available at http://creativecommons.org/licenses/by-nc-nd/4.0/. Enquiries concerning reproduction outside the scope of this licence should be sent to the Rights Department, Oxford University Press, at the address above Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2019934009 ISBN 978–0–19–884454–9 DOI: 10.1093/oso/9780198844549.001.0001 Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Links to third party websites are provided by Oxford in good faith and for information only. -
A Reconsideration of the Pythia's Use of Lots
5 A Reconsideration of the Pythia’s Use of Lots Constraints and Chance in Delphic Divination Lisa Maurizio It is a commonplace in scholarship on Delphic divination that Apollo’s priestess, the Pythia, offered clients oracles in verse or prose as well as using lots; that is, she shook beans or stones in a bowl, most likely a phialē. In Sarah Johnston’s book on divination, to cite one example, she argues that in addition to offering lengthy ‘conversational’ oracles, the Pythia used lots when ‘enquirers, consciously or not, wished to actually restrict Apollo’s latitude of reply’ because lots provided binary answers.¹ Here Johnston links lots to an assumed desire on the part of clients: they want simple, clear answers from Apollo and ask simple, clearly stated questions to get them. In his recent book on Delphi, Michael Scott is rather agnostic about the Pythia’s use of lots, but nonetheless views Delphic divination as binary, or limited in the way Johnston describes. Scott writes that ‘most questions put to the oracle seem to have been in the form of “would it be better and more profitable for me to do X or Y . ”’.² The views of Johnston and Scott, which are representative of much scholarship about lots and divination at Delphi, are coupled with, and indeed depend on, an assumption about how divination works, namely, that clients want clear answers such as lots are imagined to offer to their questions; and an assumption about the goal of divination, namely, that divination is practised to expedite and authorize actions to solve problems and questions. -
Introduction
Introduction 21 March. Arrived at Delphi. I first saw the best part of the ancient ruins, as well as the most noble and varied walls, the skill of whose architects is quite striking. Then the round Temple of Apollo, collapsed on all sides, and beside it a wondrous amphitheatre of great stones, with thirty- three steps, and, in the highest citadel of the exalted city below the cliffs, richly adorned with marble steps, the hippodrome six hundred paces long. Then I saw the smashed statues. And most noble inscriptions in Greek and Latin letters, and, both inside and out through the fields, huge marbles and ornate tombs, and rocks graven with marvellous skill. All this I have seen at Delphi, today called ‘Castri’ by the foolish Greek rabble, utterly ignorant about where Del- phi had been.1 So leaps ancient Delphi into the mind of modern Europe—a grand and forgotten ruin. This diary passage dates from 1432, when the antiquary Ciriaco of Ancona, picking his way among the ruins of Greece, arrived under the shadow of Parnassus. For four centuries, nothing changed. In late January 1676, the antiquary Jacob Spon, picking his way among the ruins of Greece with his companion, George Wheler, arrived, under the shadow of Parnassus, at the village of Castri. ‘No sooner had we approached the village’, he later wrote, ‘than we recognised it as the 1 Ciriaco of Ancona, Epigrammata reperta per Illyricum apud Liburniam (Rome, 1654), pp. 27, 31: Ad XII. K. April. Delphos adveni. Ubi nam primum diruta magna ex parte vetusta, atque nobilissima moenia conspexi diversaque architectorum ope conspicua. -
SANCTUARIES and VOTIVE OFFERINGS from the EARLY IRON AGE - a Comparative Study of Votive Offerings from the Eastern Peloponnese
SANCTUARIES AND VOTIVE OFFERINGS FROM THE EARLY IRON AGE - A comparative study of votive offerings from the eastern Peloponnese Yngve Thomassen Flognfeldt Master`s Thesis in Archaeology May 2009 Department of Archaeology, History, Cultural Studies and Religion, University of Bergen 1 Front page illustration: Painting by Kjærsti Aamdal of a horse figurine in bronze from the recent excavations at the sanctuary of Athena Alea at Tegea. © The Norwegian Institute at Athens 2 I. Acknowledgements The list of people who deserve their credit and my greatest gratitude is long, and complicated. First of all to my advisor Professor Erik Østby: Thank you for all the help you have contributed with during my years as a student at the University of Bergen, if it was not for you, I would not have been where I am now. Especially thank you for letting me use the so far unpublished material from your excavations at Tegea. They came in good use. Thanks to the Norwegian Institute at Athens, and their employees: Director Panos Dimas, Katja Anderson, Merete Ludviksen and Audny Hegstad Diamantis. Using the institutes facilities, and being a member of the Institute for 3,5 years is something I appreciate greatly. Thanks for the extra funding I received to stay in Athens, they have done great, and thanks for the coffee breaks on the balcony, they meant a lot to me. Thanks to the Nordic Library at Athens and the staff, Christina Tsampazi-Reid and Vibeke Espholm Kourtovik. The library has been like a second home for me, and I believe I have actually spent more time there, than I have done at home. -
Athenian History and Democracy in the Monumental Arts During the Fifth Century BC
Athenian History and Democracy in the Monumental Arts during the Fifth Century BC Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lincoln Thomas Nemetz-Carlson, M.A. History Graduate Program The Ohio State University 2012 Dissertation Committee: Dr. Greg Anderson, Advisor Dr. Tim Gregory Dr. Mark Fullerton Copyright by Lincoln Thomas Nemetz-Carlson 2012 Abstract ! This study examines the first representations of historical events on public monuments in Athens during the fifth century BC. In the Near East and Egypt, for much of their history, leaders commonly erected monuments representing historical figures and contemporary events. In Archaic Greece, however, monuments rarely depicted individuals or historical subjects but, instead, mostly displayed mythological or generic scenes. With the reforms of Cleisthenes in 508/7 BC, the Athenians adopted a democratic constitution and, over the next century, built three different monuments which publicly displayed historical deeds. This dissertation looks to explain the origins of these three “historical monuments” by exploring the relationship between democracy and these pieces of art. The first chapter looks at monumental practices in the Archaic Era and explains why, unlike in the Near East and Egypt, the Greeks did not usually represent contemporary figures or historical events on monuments. This chapter suggests that the lack of these sort of honors is best explained by the unique nature of the Greek polis which values the well-being of the community over the individual. The second chapter concerns the origins of the first sculpture group of Tyrant Slayers, who were granted unprecedented commemorative portraits in the Agora most likely in the last decade of the sixth century.