"We Give Our Artists the Attention of An

Total Page:16

File Type:pdf, Size:1020Kb

STEVE GOTTLIEB 'rv'rilimiih KEN ANTONELLI i i Ink BOB FRANK K(mh Hords 1. TVT Records, New York founder Chip Davis, is one of the top -selling tem, Red Ink also has enjoyed chart success all prise almost 5% of the label's revenue. As for STEVL uu EB, PRESIDENT products of the Christmas season year after year. its own. "We'll find a young entrepreneurial ex- the other 95 %, Koch has a diverse crop of acts, Web site: tvtrecords.com In the chart recaps for this report, American ecutive who we feel has an A &R vision that from rapper C- Murder (now known as C- Miller) Distributor: Self-distributed Gramaphone ranks No. r on the Top Pop Cata- works within our system," Red Ink senior to kid -music sensation the Wiggles -who scored Indie recaps it tops: Top Independent La- log Labels and Top New Age Labels charts. VP/GM Howie Gabriel says. "Instead of them the No. I album on the Top Kid Audio chart. bels, Hot roo Labels, Top R &B /Hip-Hop Album Yet American Gramaphone, which Davis hiring a staff, we'll be the staff." While Koch has a strong hip -hop roster, in- Labels, Top R &B /Hip -Hop Singles & Tracks La- founded in 1984, is no longer content to sell In the indie chart recaps for this report, Red cluding such acts as the Diplomats and the bels, Hot Rap Labels records for just one holiday. In recent years the Ink ranks No. I on the Hot AC Labels list, thanks Alchemist, the label is expanding its rock of- Midwestern label has released albums with to the success of Simply Red's "Home," released ferings, having recently picked up ex -Stone TVT was Billboard's top independent label of themes related to Halloween, the Fourth of July on the act's own label. Roses frontman Ian Brown and funk -inspired 2004, thanks largely to the runaway sensation and Valentine's Day. "That was a great example of a virtual record Southern California act (hed) P.E. of Lil Jon and the crunk movement. In the chart "We like to joke that it took Chip 20 years to company," Gabriel says. "We coordinated all of "We've dabbled with rock in the past, but we recaps for this report, TVT ranked once again as the No. r company on the Top Independent Labels chart, as well as the No. I independent "We give our artists the attention of an label in the recaps for Hot Too Labels, R &B /Hip- Hop Albums, R &B /Hip -Hop Singles & Tracks indie with the resources of a major. and Hot Rap Labels. When last year's "Crunk Juice" debuted at We stay focused on developing and No. 3 The Billboard 20o, TVT not only proved on LEACH, TVT that Lil Jon's party rap was more than just a fad, creating stars." it showed that an independent label could re- peatedly achieve what was traditionally major - figure out there's another holiday besides Christ- the radio airplay, hired the staff and did all the don't want to bite off more than we can chew," label -level success. mas," COO Brian Ackley says. "We realized coordination for radio." Frank says. "We can't look to a parent company The success of the 20- year-old label -which there were seasonal opportunities above and Red Ink has much more than Simply Red, to fund us if we lose $3o million." has released albums from such acts as Nine beyond Christmas." however, as its labels range from hard- rock -ori- So far, Frank says, 2005 sales are besting Inch Nails and Ja Rule-goes far deeper than Indeed, five of the top to releases on Bill- ented Trustkill to Steve Vai's Favored Nations. those of 2004 by roo %, and releases from Scar - Lil Jon and his protégés the Ying Yang Twins. board's year -end Top New Age Albums tally be- Additionally, Red Ink is not shy about help- face, Master P and the Wiggles are on the way. TVT has also succeeded with Latin rapper Pit - longed to American Gramaphone, and only one ing out parent Sony B M G and is currently work- "We fill a niche that very few companies fill," bull and hip -hop supergroup 213, featuring was a Christmas -centered release. The label, ing adult pop act Aqualung. Gabriel says Red Frank says. "There's not many companies our Snoop Dogg, Warren G and Nate D. which Ackley says is "taking a good look at Ink will provide services to albums from RCA size that are independent. We're not a small lit- "We're a throwback label," TVT VP of A &R DualDisc and [Super Audio CD] options," has and Jive in the near future. tle indie that can bring a record home, and we're Bryan Leach says. "We're a throwback to the also been extremely adept at establishing the "It's my job to take these young labels and not a big monolithic corporation. We fill that days when you had majors, independents and Mannheim Steamroller brand. Via its Web site these young bands and develop them," Gabriel mid -zone. " -TM mini -majors. We're probably the only label of and direct-mail catalogs, the label sells a num- says. "That's why we're here. At RED Distribu- our kind, and we give our artists the attention ber of Mannheim Steamroller- branded food tion, we've always thought of ourselves as a mar- 5. Equity Music Group, Nashville of an indie with the resources of a major. We products, including barbecue sauces, dried fruit keting company. We need to be able to put the MIKE KRASKI, PRESIDENT stay focused with what's important to us, which and the popular cinnamon hot chocolate. records into the store and get the records out Web site: equitymusicgroup.com is developing and creating stars." The label sells direct to a number of its largest of the stores. " -TM Distributor: Navarre On tap is a new album from the Ying Yang retail accounts, and Ackley says the company's Indie recaps it tops: Top Country Album Labels Twins; a rock'n'crunk album from Lil Jon fea- size and leadership are built to adapt to a con- 4. Koch Records, New York turing Mötley Crue and Good Charlotte, among stantly changing marketplace. "The fact that we're BOB FRANK, PRESIDENT Equity Music Group launched in 2003 with an others; and '6os- influenced rockers the Blue Van. artist- owned, that gives us a tremendous latitude Web site: kochentertainment.com artist -friendly business model, promising acts TVT is also home to a thriving soundtrack divi- to move quickly and respond to changes in the Distributor: Koch Entertainment that reached a predetermined sales level an sion, having recently issued companions to "Be marketplace," Ackley says. "We're able to con- Indie recaps it tops: Hot Digital Labels, Top equity stake in the company. Its principals are Cool" and "Open Water."-TODD MARTENS centrate on artists, and because the decision path Kid Audio Labels president Mike Kraski; flagship artist and found- is pretty small, when an idea presents itself, we ing partner Clint Black; Black's manager, Jim 2. American Gramaphone, move on it quickly and decisively." -TM Koch Records president Bob Frank is not em- Morey; and business manager Charles Suss- Omaha, Neb. barrassed about topping the Billboard Hot Dig- man. The company employs a staff of tr. CHIP DAVIS, FOUNDER 3. Red Ink, New York ital Tracks chart with novelty artist William Hung. In the indie chart recaps for this report, Eq- Web site: amgram.com KEN ANTONELLI, PRESIDENT "If you take yourself too seriously," Frank uity ranked No. r on the Top Country Album Distributors: various Web site: redmusic.com /redink says, "you may as well be working for an in- Labels list. Indie recaps it tops: Top Pop Catalog La- Distributor: RED Distribution surance company." "In relation to the majors, we are unique in bels, Top New Age Labels Indie recaps it tops: Hot AC Labels In the indie chart recaps for this report, Koch our relationship with our artists," Kraski says. ranks No. I on the Hot Digital Labels and Top "We allow the artists to be true to their creative The new -age classical music of Mannheim Steam- Established to provide marketing services to Kid Audio Labels charts. vision instead of creating one for them. Our roller, the brainchild of American Gramaphone small labels within the RED Distribution sys- Frank says online and ringtone sales corn- business model is part- continues on »p32 30 I MAY 7, 2005 www.americanradiohistory.com.
Recommended publications
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Mgk Lil Jon Lace up Download
    Mgk lil jon lace up download CLICK TO DOWNLOAD Lace up. TZ Comment by lil jon. ATL yeah lol. TZ Comment by mas. lace the fuck up. TZ Comment by Jacob Omann. Thanks for keeping your messege real. TZ Comment by xoxoshelbsss L. TZ Comment by KRK5Z TZ Comment by Bahadır ürün. Cleveland MC MGK (aka Machine Gun Kelly) signed to Bad Boy/Interscope on the strength of several mixtapes showcasing his relentless style and some of the hungriest- sounding tracks in recent memory. Lace Up is the official debut, collecting touched-up versions of some of the strongest individual tracks from previous offerings as well as an album. MGK Feat. Lil Jon Lace Up free mp3 download and stream. Oct 09, · Lace Up MP3 Song by Machine Gun Kelly from the album Lace Up. Download Lace Up song on renuzap.podarokideal.ru and listen Lace Up Lace Up song renuzap.podarokideal.rug: lil jon. Release Name: Machine Gun Kelly â Lace Up () Size: 55 MB Artist: Machine Gun Kelly Album: Lace Up Genre: Hip hop Label: -Runtime: min Links: NFO | NTi. Check out Lace Up, the latest from Machine Gun Kelly which features a guest appearance from Lil Jon on the assist. The track was released on Friday, October 5th, The track was released on. Download/Stream Machine Gun Kelly's mixtape, Lace Up!, for Free at renuzap.podarokideal.ru - Download/Stream Free Mixtapes and Music Videos from your favorite Hip-Hop/R&B artists. The easiest way to Download Free Mixtapes! May 01, · tru story this niggga tha hottest shit to hit the industry in a long ass time.
    [Show full text]
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Eminem 1 Eminem
    Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.
    [Show full text]
  • Westminsterresearch Synth Sonics As
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-Skool’ to Trap Exarchos, M. This is an electronic version of a paper presented at the 2nd Annual Synthposium, Melbourne, Australia, 14 November 2016. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 2nd Annual Synthposium Synthesisers: Meaning though Sonics Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-School’ to Trap Michail Exarchos (a.k.a. Stereo Mike), London College of Music, University of West London Intro-thesis The literature on synthesisers ranges from textbooks on usage and historiogra- phy1 to scholarly analysis of their technological development under musicological and sociotechnical perspectives2. Most of these approaches, in one form or another, ac- knowledge the impact of synthesisers on musical culture, either by celebrating their role in powering avant-garde eras of sonic experimentation and composition, or by mapping the relationship between manufacturing trends and stylistic divergences in popular mu- sic. The availability of affordable, portable and approachable synthesiser designs has been highlighted as a catalyst for their crossover from academic to popular spheres, while a number of authors have dealt with the transition from analogue to digital tech- nologies and their effect on the stylisation of performance and production approaches3.
    [Show full text]
  • Nine Inch Nails Pretty Hate Machine Free
    FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well.
    [Show full text]
  • How to Order by Phone Call the Hal Leonard E-Z Order Line at 1-800-554-0626, Monday Through Friday Between 8:30 A.M
    HOW TO ORDER By Phone Call the Hal Leonard E-Z Order Line at 1-800-554-0626, Monday through Friday between 8:30 a.m. and 9:00 p.m. or Saturday and Sunday 9:00 a.m. - 5:00 C.S.T. Please have ready the following information: • Your customer account number • Your purchase order number • Special shipping instructions (if any) • Quantity of each item • Hal Leonard inventory number of each item (the 8-digit number listed with all products) By Fax You may fax your order to 414-774-3259. Be sure to put “Attention: Sales” on your cover page, and include all of the same information listed under the “By Phone” section. By E-Mail Simply e-mail us at [email protected] with the same information as above. By Mail For stock orders, simply indicate the quantity of each item you wish to order directly in this catalog and mail it back to us. A Hal Leonard sales representative will be happy to provide you with a replacement catalog. On Line Visit Hal Leonard on the internet at http://www.halleonard.com/dealers. Ask your sales rep about our dealer access web features. International Orders For international inquiries, please contact the Hal Leonard International Sales Department at [email protected]. Canadian Dealers, please contact the Sales Representative for Canada at [email protected]. Customer Service Should you have any questions regarding your account (shipping, orders, etc.), please call our Customer Service Department in Winona, Minnesota, toll-free at 1-800-321-3408 Monday through Friday between 8:00 a.m.
    [Show full text]
  • Sneering at the Law: an Argument for Punitive Damages in Copyright
    Vanderbilt Journal of Entertainment & Technology Law Volume 15 Issue 3 Issue 3 - Spring 2013 Article 4 2013 Sneering at the Law: An Argument for Punitive Damages in Copyright R. Collins Kilgore Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Intellectual Property Law Commons Recommended Citation R. Collins Kilgore, Sneering at the Law: An Argument for Punitive Damages in Copyright, 15 Vanderbilt Journal of Entertainment and Technology Law 637 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol15/iss3/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. Sneering at the Law: An Argument for Punitive Damages in Copyright ABSTRACT The Copyright Act limits statutory damages in a copyright action to one award for every work that a plaintiff can prove a defendant infringed. The maximum amount a plaintiff may recover for each work is $30,000, except in the case of willful infringement, for which that amount may be increased to a maximum of $150,000. This Note explains how this dual limitation in the Copyright Act-the one-award-per-work limitation and the cap on statutory damage amounts-allows infringers to manipulate court procedures and corporate structure so that their acts of copyright infringement may maintain profitability despite the imposition of maximum statutory damages. Such efficient willful infringement undercuts the deterrence rationale of the Copyright Act's statutory damages provision.
    [Show full text]
  • CASE NOTE the Napster Appeal A&M Records V Napster 00-16401, Filed 02/12/01, 9 Cir. Peter Dehlsen∗
    CASE NOTE The Napster Appeal A&M Records v Napster 00-16401, filed 02/12/01, 9th Cir. Peter Dehlsen∗∗ Background Napster, an Internet start-up based in California, is the proprietor of the freely available music sharing software program known as MusicShare. The software allows users to share MP3 music files directly over the Internet with other users logged into the Napster system. Napster’s software is generically known as peer-to-peer software, or P2P. To use the Napster system, the user makes available their personal MP3 music files for download to others, by using MusicShare to send a list of files to the Napster servers. The list is then available for searching by other users logged onto the Napster system. When a user requests a file the request is routed to the host users address, if the host user can supply the file, MusicShare will inform the requesting user, a connection is made and the file transferred. The Napster system, in its relatively brief history, has been extraordinarily successful because of its ability for users to swap copyright music files over the Internet for free. Napster has attracted well over 65 million users in less than three years of operation. It is claimed that 20 million songs are downloaded daily, of which nearly 90 percent are copyrighted, and that Napster aimed to have 75 million users by the end of the year 20001. The volume of users and the amount of copyright material traded over the Internet has caused alarm to the recording industry and artists alike.
    [Show full text]
  • Damon Williams Testimony
    PUBLIC VERSION Before the COPYRIGHT ROYALTY BOARD In the Matter of ADJUSTMENT OF RATES AND TERMS FOR Docket No 2006-1 CRB DSTRA PREEXIST1NG SUBSCRIPTION SERVICES AND SATELLITE DIGITAL AUDIO RADIO SERVICES __________________________________________________________________________________________ TESTIMONY OF DAMON WILLIAMS My name is Damon Williams am the Vice President of Programming and Production for Music Choice In that capacity oversee the direction and strategy for video and audio programming at Music Choice and the employees manage also work directly with record labels and artists to further their promotional strategies through various aspects of the Music Choice service submit this testimony to explain the many ways in which the Music Choice residentialaudio service promotes records and the artists and labels who produce them and particularly how the Music Choice service drives record sales and leads to the creation of more recordings My Background Ijoined Music Choice in 1998 spending my first years with the company as the lead programmer for the urban music channels which under my direction have emerged as the most popular channels in the Music Choice line-up My vision for compelling urban programming realized with the introduction of the first for was Tha Corner uncut rap show television which both directed and produced In addition wrote and hosted four-part audio series called The NY744252y1 PUBLIC VERSION History of Hip Hop which aired on the Music Choice RB and Hip-Hop channel have brought both up-and-coming and established
    [Show full text]
  • Liste Collection En Vente CD Vinyl Hip Hop Funk Soul Crunk Gfunk Jazz Rnb HIP HOP MUSIC MUSEUM PRIX Négociable En Lot
    1 Liste collection en vente CD Vinyl Hip Hop Funk Soul crunk GFunk Jazz Rnb HIP HOP MUSIC MUSEUM PRIX négociable en lot Type Prix Nom de l’artiste Nom de l’album de Genre Année Etat Qté média + de hits disco funk 2CD Funk 2001 1 12 2pac How do u want it CD Single Hip Hop 1996 1 5,50 2pac Ru still down 2CD Hip Hop 1997 1 14 2pac Until the end of time CD Single Hip Hop 2001 1 1,30 2pac Until the end of time CD Hip Hop 2001 0 5,99 2 pac Loyal to the game CD Hip Hop 2004 1 4,99 2 Pac Part 1 THUG CD Digi Hip Hop 2007 1 12 50 Cent Get Rich or Die Trying CD Hip Hop 2003 1 2,90 50 CENT The new breed CD DVD Hip Hop 2003 1 6 50 Cent The Massacre CD Hip Hop 2005 1 1,90 50 Cent The Massacre CD dvd Hip Hop 2005 0 7,99 50 Cent Curtis CD Hip Hop 2007 0 3,50 50 Cent After Curtis CD Diggi Hip Hop 2007 1 4 50 Cent Self District CD Hip Hop 2009 0 3,50 100% Ragga Dj Ewone CD 2005 1 7 Reggaetton 504 BOYZ BALLERS CD Hip Hop 2002 US 1 6 Aaliyah One In A Million CD Hip Hop 1996 1 14,99 Aaliyah I refuse & more than a CD single RNB 2001 1 8 woman Aaliyah feat Timbaland We need a resolution CD Single RNB 2001 1 5,60 2 Aaliyah More than a woman Vinyl Hip HOP 2001 1 5 Aaliyah CD Hip Hop 2001 2 4,99 Aaliyah Don’t know what to tell ya CD Single RNB 2002 1 4,30 Aaliyah I care for you 2CD RNB 2002 1 11 AG The dirty version CD Hip Hop 1999 Neuf 1 4 A motown special VINYL Funk 1977 1 3,50 disco album Akon Konvikt mixtape vol 2 CD Digi Hip Hop 1 4 Akon trouble CD Hip hop 2004 1 4,20 Akon Konvicted CD Hip Hop 2006 1 1,99 Akon Freedom CD Hip Hop 2008 1 2 Al green I cant stop CD Jazz 2003 1 1,90 Alicia Keys Songs in a minor (coffret CD Single Hip Hop 2001 1 25 Taiwan) album TAIWAN Maxi Alici Keys The Diary of CD Hip Hop 2004 1 4,95 Allstars deejay’s Mix dj crazy b dee nasty 2CD MIX 2002 1 3,90 eanov pone lbr Alyson Williams CD RNB 1992 1 3,99 Archie Bell Tightening it up CD Funk 1994 Us 10 6,50 Artmature Hip Hop VOL 2 CD Hip Hop 2015 1 19 Art Porter Pocket city CD Funk 1992 1 7 Ashanti CD RNB 2002 1 6 Asher Roth I love college VINYL Hip Hop 2009 1 8,99 A.S.M.
    [Show full text]