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One Man, Two Guvnors

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One Man, Two Guvnors 2014 – 2015 SEASON ONE MAN, TWO GUVNORS by Richard Bean Based on The Servant of Two Masters, by Carlo Goldoni CONTENTS 2 The 411 With music by Grant Olding 3 A/S/L & RBTL Directed by Edward Stern 4 FYI 6 F2F 7 HTH 8 B4U 10 IRL MAJOR SPONSORS: Ann & Hugh Scott WELCOME! At The Rep, we know The desire to learn, insatiable when awakened, can that life moves sometimes lie dormant until touched by the right teacher or fast—okay, really the right experience. We at The Rep are grateful to have the fast. But we also opportunity to play a role supporting you as you awaken the know that some desire for learning in your students. things are worth Every one of your students—and most of us for that slowing down for. We believe that live theatre is matter—have done something that seemed like a great idea one of those pit stops worth making and are excited that you at the time but ended up getting us into situations we never are going to stop by for a show. To help you get the most bang imagined. One Man, Two Guvnors reminds us to laugh at the for your buck, we have put together WU? @ THE REP—an absurdities in life and to keep on keeping on. IM guide that will give you everything you need to know to get at the top of your theatergoing game—fast. You’ll find It would be a good idea to take a minute on the bus to give character descriptions (A/S/L), a plot summary (FYI), your students these quick theatre etiquette reminders: biographical information (F2F), historical context (B4U), • This show has one intermission; there will be time for and other bits and pieces (HTH). Most importantly, we’ll bathroom breaks before the show and halfway through. have some ideas about what this all means IRL, anyway. • The actors can hear the audience and appreciate the laughter, gasps and quiet attention to action. However, talking, moving around and eating is very distracting to others and can dampen the energy of what is happening on stage. • Pictures, phone calls and texting are not allowed at any time during the performance. Live theatre won’t allow your students to take a passive The Teacher’s role—they must work with us to create the experience which Lounge takes the learning deeper. Our unique ability to fuse words and images onstage allows your students to explore new In an effort to make our ideas as well as excites their imaginations. We will do our educational materials accessible part so your students will be stirred to understandings and to students and easy for educators to self-awareness while delving into new and familiar worlds. incorporate into the classroom, our study You are doing your part by using The Rep to extend your guide is written in a student-oriented format. We hope intellectual and aesthetic curriculum. Thank you! that you will circulate this guide among your students in the weeks preceding your visit to The Rep, encouraging them to browse it before and after class and as time allows, using it as a launch point for both pre- and post-performance discussions.You may also want to visit Marsha Coplon our website, www.repstl.org, for additional information Director of Education including activity suggestions and behind-the-scenes information. Any materials, either from this guide or from our website may be reproduced for use in the classroom. REP EDUCATION DEPARTMENT As always, we appreciate your making live theatre a part of your classroom Director of Education Marsha Coplon experience and welcome your Associate Director of Education Sarah Brandt feedback and questions. Education Programs Manager April Strelinger Study Guide Writer Laura Schlereth CHARLIE "THE DUCK" CLENCH: a gangster RACHEL CRABBE: Roscoe's identical twin sister who is currently posing as him PAULINE: Clench's daughter who is pretty but dim-witted FRANCIS HENSHALL: a scheming assistant who is employed by both Crabbe and Stubbers ALAN: a wannabe actor and Pauline's fiancé but doesn't want either to know about the HARRY DANGLE: Alan's father and Clench's other crooked solicitor LLOYD BOATENG: a Jamaican ex-con who ROSCOE CRABBE: a recently murdered now runs a pub called The Cricketers’ Arms gangster who was originally supposed to and is friends with Charlie marry Pauline to settle a debt DOLLY: Charlie's secretary with whom Francis STANLEY STUBBERS: an upper-class begins a flirtation criminal who is Rachel's lover and Roscoe's GARETH: head waiter at The Cricketers’ Arms murderer ALFIE: an 87-year-old waiter who is hard of hearing and nearly blind QUESTIONABLE MORALITY It seems like almost none of the characters in this play would win a Good Citizen Award any time soon. Rachel and Francis are both guilty of fraud. Stanley is guilty of homicide— though he claims it was self-defense. Charlie is a gangster and Dangle is his lawyer who keeps depraved characters out of prison. But the crooked characters always seem more interesting! In dramas, this theme would provide for some powerful character development, but in comedies if often sets the scene for silliness right off the bat. FORGIVENESS The two romantic relationships in this play are really put to the test, and both require forgiveness. Even though Stanley killed Rachel’s brother, she says: “My brother Roscoe is dead. My boyfriend killed my twin brother, yeah. I should hate Stanley for that. But I love him.” And even though Alan rebuffed Pauline and didn’t rush to stop her when she threatened to kill herself, Pauline tells him after he begs for her forgiveness: “I do forgive you, Alan. That’s what love is, innit.” It seems that no matter how badly a character screws up, there’s always a chance for a happy ending for those truly in love! EMPLOYMENT This theme is right in the play’s title. The main story revolves around the fact that a man has gotten himself two bosses, and much of the play’s comedy is a result of his wacky attempts to serve them both. In fact, many of the relationships in the play are boss/employee. Charlie employs Dolly as his bookkeeper and Dangle as his lawyer. Gareth and Alfie work for Lloyd legitimately but then work for Francis when he needs their help. Rachel used to work for Lloyd, the basis of their strong friendship. Playwright Richard Bean says he enjoys stories revolving around work because they involve the individual engaging with society and create strong themes of ambition, need and hierarchy, among many other things, which can provide for some great tragedy, or in this case, hilarious comedy. 3 SPOILER ALERT! It’s APRIL 1963 in Brighton, and family fight. Rachel says she knows she should hate and friends are gathered together to Stanley, but it’s true love, and the two are celebrate the engagement of young couple planning to escape to Australia together. Pauline and Alan. Pauline’s father, Charlie, However, they need cash. Remembering decides to give a toast in which he expresses part of Roscoe and Charlie’s deal was that his sadness over the fact that his estranged Charlie would pay his debt on the day of wife isn’t there to celebrate—as she now the engagement, Rachel decided to dress up lives in Spain—but he makes a point to as Roscoe; she just has to keep the ruse up sincerely thank his solicitor and also Alan’s until she gets her hands on the money. Lloyd father, Harry Dangle, who has kept Charlie recommends that Rachel and Francis stay out of prison. He then turns it over to Alan, at his pub, The Cricketers’ Arms, while they a wannabe actor with a flair for the dramatic, wait for the money to come through. who declares his undying love for his fiancée LATER AT THE PUB, Francis is scrounging in a poetic and bird-themed metaphor the around for food, when in walks Stanley, who dim-witted Pauline doesn’t quite understand. immediately hires Francis as his assistant But nonetheless, they are young and in love, to help him in the unfamiliar surroundings. and everyone is happy to celebrate. Francis eagerly agrees, as he’s desperate BUT LLOYD, A CLOSE FRIEND of Charlie’s, for cash, not thinking about the potential is a bit confused. Last week he received an complications of having two guvnors. invitation to a different engagement party Unaware Rachel is staying at that very for Pauline and a man named Roscoe Crabbe. pub and posing as Roscoe, Stanley sends Charlie explains that Roscoe, a universally Francis to the post office because Rachel disliked criminal, was recently killed in a was supposed to leave a letter for him knife fight, and it was only going to be a telling where to meet her for a rendezvous. “marriage of convenience” anyway—Charlie When Francis leaves to fetch the letter, owed a debt to Roscoe’s father. Just then a Alan arrives to the pub and asks Stanley if man named Francis shows up to the party Roscoe Crabbe is there as he’s been told this saying that Roscoe is very much alive. is where “the cur” is staying. Thinking he Suddenly, in walks Roscoe’s twin sister, killed Roscoe, Stanley is confused but then Rachel, who is dressed up like a man, concludes Roscoe must have survived the convincing everyone that she’s Roscoe. stabbing and will likely be seeking revenge.
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