Desktop Publishing Guidelines for the California State Department of Education

Total Page:16

File Type:pdf, Size:1020Kb

Desktop Publishing Guidelines for the California State Department of Education DOCUMENT RESUME ED 311 923 IR 052 918 AUTHOR Smith, Theodore R.; Wobschall, Marguerite TITLE Desktop Publishing Guidelines for the California State Department of Education. INSTITUTION California State Dept. of Education, Sacramento. REPORT NO ISBN-0-8011-0797-0 PUB DATE 89 NOTE 49p. PUB TYPE Guides - Non-Classroom Use (055) -- Legal /Legislative /Regulatory Materials (090) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Authors; *Board of Education Policy; *Desktop Publishing; *Editing; Grammar; Guidelines; Illustrations; Layout (Publications); Microcomputers; Printing; State Departments of Education; *Word Processing; *Writing for Publication; Writing Skills IDENTIFIERS California ABSTRACT These guidelines have been developed to assist Callfornia State Department of Education staff members in organizing a manuscript so that it is clear, and will require a minimum of rewriting, editing, and keyboarding before it is sent for publication. The intention is to give staff members a better idea of what is expected of them as authors, and to teach them to prepare their manuscripts more efficiently and economic--lly by avoiding delays caused by improper utilization of their electronic publishing ecuipment. The guide is divided into four major sections: (1) "Guidelines for Writing and Editing," which includes general and specific tips about points of style and organization; (2) "Guidelines for Using Desktop Publishing," which discusses issues to consider before using desktop publishing and general instructions for designing, keyboarding, and illustrating the manuscript, as well as srecific instructions about how to prepare word processing files for editing and electronic page layout; (3) "Laws, Regulati:ns, and Adopted Procedures for Publishing," which is a collection of excerpts from "The Department of Education Administrative Manual"; and (4) general and final production checklists for documents preparation drawn from "The Chicago Manual of Style." Three appendixes contain sources of training and information; a guide for compounding and hyphenating; and bibliograpl.ical and footnote forms for a variety of situations. (SD) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********/************************************************************* U.S DEPARTMENT OF EDUCATION 011.co of Educatanat Research and improvement EDUCARONAL RESOURCES INFORMATION CENTE IA. Th.s document has been ,egyopced as tecewed Item the oetson o. otgamtat,ou ongmatmg .1 C Ni,rtnr changes have teen made to .motove ,eotoduchon duahty ponsrnt,eworownonsstateclntrsdoeu rnent 00 not neCessahly represent othoat OFRI Dos..oh orr 3TiCy Desktop Publishing Guidelines for the California State Department of Education "PERMISSION TO REPRODUCE THIS MATERIAL IN MICROFICHE ONLY HAS BEEN GRANTED BY T. Smith TO THE EDUCATIONAL RESOURCES ti INFORMATION CENTER (ERIC)." Bill Honig 4TiVir Superintendent of Public Instruction ,aZ4311rrl Sacramento, 1989 2 bbi cOPY AVAILABLE Desktop Publishing Guidelines for the California State Department of Education PREPARED ON ELECTRONIC PUBLISHING EQUIPMENT BY THEODORE R. Sm.' r AND MARauERrrE WOBSCI LAU, BUREAU OF PUBLICATIONS t.) Publishing Statement TheDesktop Publishing Guidelineswas composed by Theodore R. Smith, Editor in Chief, and Marguerite Wobschall, Senior Graphic Artist, of the Bureau of Publications, working in cooperation with the Desktop Publishing Task Force (see the Acknowledgments). They were assisted in their work by Tracie Haase, Secretary, and Jeannette Huff, Word Processing Technician. Several pieces of electronic equipment were used in preparing theGuidelines,including a Tandy 102 portable computer, the COMPAQ Personal Computer, a Macintosh Plus personal computer, and an Apple LaserWriterPlus printer. To prepare theGuidelinesin camera-ready form, Ms. Wobschall used Aldus Page Maker 3.01. This document was published by the California State Department of Education, 721 Capitol Mall, Sacramento, California (mailing address: P.O. Box 944272, Sacramento, CA 94244-2720), and it was distributed under the provisions of the Library Distribution Act. 0 Copyright, 1989, California State Department of Education Copies of the publication are available for S4 each, plus sales tax for California residents, from the Bureau of thiblications, Sales Unit, California State Department of Education, P.O. Box 271, Sacramento, CA 95802-0271. ISBN 0-8011-0797-0 Contents Page Page Preface iv Word Processing Services 14 Acknowledgments v 3821. Availability 14 I. Intmduction to the Desktop Publishing 3822. Type of Service 14 Guidelines 1 3823. User's Guide 14 3824. Job Requests 14 Major Purpose of the Guidelines 1 Definition of Desktop Publishing 1 Departmental Duplicating Service 15 Relationship to "Statement of Values" 1 3831. Jobs of 20 or Fewer Impressions 15 II. Guidelines for Writing and Editing 2 3832. Current Duplicating Policy 15 General Guides for Writing and Editing 2 Approvals for Printing 15 Importance of an Outline or Plan 2 3841. Procedures 15 StandaWs to Be Maintained 3 3842. Required Approval 15 III. Guidelines for Using Desktop Publishing 5 Special Instructions for Publications 16 3851. Introduction 16 Issues to Consider Before Adopting Desktop 3852. Requesting Unit's Instructions 16 Publishing 5 Generalizations About the System 6 3853. Bureau of Publications's Instructions17 Guidelines for Preparing Material Through an Distributing, Pricing, and Reprinting Electronic Publishing Process 7 Publications 17 General Instructions 7 3854. Distribution of Publications 17 Designing the Manuscript 7 3855. Pricing of Publications 18 Keyboarding the Manuscript 8 3856. Reprints 18 Illustrating the Manuscript 8 Other Specialized Printing 18 Special Instructions for Preparing Word 3861. Pusiness Cards 18 Processing Files for Editing and Electronic 3862. Envelopes 19 Page Layout by the Bureau of Publications 9 3863. Memorandums 19 N. Laws, Regulations and A'opted Procedures 3864. Letterheads 19 for Publishing 10 3865. Postal Cards 19 Printing and Publications, Including V. Checklist for Persons Preparing Documents Desktop Publishing 10 on Desktop Publishing Equipment 20 3801. Responsibilities of the Bureau Production Checklist for Desktop of Publications 10 3802. Definitions 10 Publishing 21 3803. Manuscript Review and General Appendix A. Sources of Training and Information 23 Directives 11 Production and Dissemination of Appendix B. Guide for Compounding Education Information Material 12 and Hyphenation 24 3804. Approval for Disseminating Appendix C. Bibliographical and Footnote Form Information 12 for Publications Cited in Manuscripts of the 3805. Credits and By-lines on California State Department of Education 28 Publications 13 Bibliographical Form for Publications Cited in Priorities for Work in Process 13 Manuscripts of the California State 3806. Criteria for Establishing Priorities 13 28 3807. PrioritiesState Printer's Work 13 Department of Education Funding 14 Footnote Form for Publications Cited in 3811. Limitations on Use of General Manuscripts of the California State Fund Appropriations 14 Department of Education 31 3812. Requirements for Requests Glossary of Terms 35 for Services 14 3813. Fiscal Year Deadlines 14 Selected References 39 iii 0 Preface We touch more people every day with our printeddo not materialize because some edict is issued; messages than we do in any other way. And they occur because you want them to occur and are when those messages are clear and precise and ty- willing to give your best efforts to that end. At the pographically appealing, we are looked upon with same time, we know that standards must be set, and favor. And not only that, but when we prepare guidelines for achieving such standards must be quality materials, we save our many publics valu- prepared. These Desktop Publishing Guidelines able moments of their time. For example, if one of represent our latest effort in providing you with us prepares a well-written and well-designed manu- standards and a guidebook that we hope you will script that every school principal and superintendentfind helpful in the important work before you. in California must read and understand and as a We also believe that issuing these Guidelines result of our efforts, we save each of those adminis-signals our intent to use the most advanced technol- ators just three minutes of their valuable time, we ogy available in the most efficient manner possible have saved approximately $10,000 in salaries alone.to fulfill our mission and to meet our goals. Clearly, But perhaps even more important than the saved we are in the word business and, certainly, we must dollars is the fact that we have achieved clearer continually seek the best means for achieving communication with those who direct our schools, perfection in the documents we produce. We be- and we have provided better service that will ulti- lieve that desktop publishing and the advanced mately result in better and more clearly defined edu-word processing programs now available can help cational programs. us improve the quality of our services. And we Each of us in the Department of Education must believe the adoption of the standards reflected in be committed to achieving levels of excellence in these Guidelines will help ensure our commitment what we do, for our actions serve as examples for to the highest possible levels of quality in language the whole educational community in California.
Recommended publications
  • Teaching Digital Typography1
    ELECTRONIC PUBLISHING, VOL. 5(2), 79±89 (JUNE 1992) Teaching digital typography1 JACQUES ANDRE ROGER D. HERSCH Didot Project Didot Project Irisa/Inria±Rennes, Campus de Beaulieu Laboratoire des SystÁemes PÂeriphÂeriques F-35042 Rennes cedex, France Ecole Polytechnique FÂedÂerale de Lausanne CH-1015 Lausanne, Switzerland SUMMARY Digital typography is a very specialized ®eld that offers two widely different yet complementary aspects:art and computer science.This paper presentsProject Didot, which is all aboutteaching digital typography. While taking into account recent experience, the authors explore some subjects that should be included in a digital typography course and describe the various trades it would be aimed at. This paper concentrates on the computer science aspect and gives a basic bibliography. KEY WORDS Digital typography Curriculum Tuition 1 PROJECT DIDOT In 1990, the EEC launched its Comett II project, with its main aims being to place greater emphasis on advanced technology training and to ensure that cooperation between univer- sities and the industrial world is carried out at a European level. Project Didot2 was set in motion in this context, with the help of seven other partners.3 The aim of this three-year project is mainly to draw up a European curriculum for teaching digital typography,4 to implement the required software tools and to try out this curriculum in a teaching environment [4]. Among the experimental workshops organized for this purpose [5] was a two-day seminar which took place in Reading (UK) in February 1991 [6] as well as a one-week seminar organized in Lausanne (Switzerland) in September 1991 [7,8].
    [Show full text]
  • Type & Typography
    Type & Typography by Walton Mendelson 2017 One-Off Press Copyright © 2009-2017 Walton Mendelson All rights reserved. [email protected] All images in this book are copyrighted by their respective authors. PhotoShop, Illustrator, and Acrobat are registered trademarks of Adobe. CreateSpace is a registered trademark of Amazon. All trademarks, these and any others mentioned in the text are the property of their respective owners. This book and One- Off Press are independent of any product, vendor, company, or person mentioned in this book. No product, company, or person mentioned or quoted in this book has in any way, either explicitly or implicitly endorsed, authorized or sponsored this book. The opinions expressed are the author’s. Type & Typography Type is the lifeblood of books. While there is no reason that you can’t format your book without any knowledge of type, typography—the art, craft, and technique of composing and printing with type—lets you transform your manuscript into a professional looking book. As with writing, every book has its own issues that you have to discover as you design and format it. These pages cannot answer every question, but they can show you how to assess the problems and understand the tools you have to get things right. “Typography is what language looks like,” Ellen Lupton. Homage to Hermann Zapf 3 4 Type and Typography Type styles and Letter Spacing: The parts of a glyph have names, the most important distinctions are between serif/sans serif, and roman/italic. Normal letter spacing is subtly adjusted to avoid typographical problems, such as widows and rivers; open, touching, or expanded are most often used in display matter.
    [Show full text]
  • Easycoder E4 Direct Protocol 2.01 Contents Contents
    Programmer’s Guide P/N 1-960419-03 Edition 1 January 2000 EasyCoder E4 Direct Protocol 2.01 Contents Contents 1. Introduction 1. Introduction .......................................................................... 4 2. Getting Started 1. Computer Connection .......................................................... 5 2. Check Paper Supply ............................................................. 6 3. Turn on the Printer ............................................................... 6 4. Serial Communications Test ................................................. 6 3. Principles of Operation 1. Intermec Direct Protocol Special Features ............................ 8 2. Sending Commands ............................................................. 8 3. Fields ................................................................................. 10 4. General Formatting Commands .......................................... 10 5. Field-Related Formatting Commands ................................. 10 6. Layout Commands ............................................................. 11 7. Printable Data Commands .................................................. 11 8. Feeding and Printing Commands ........................................ 12 9. Setting Up the Printer ......................................................... 12 10. Reading Printer's Status ...................................................... 12 11. File-Handling Commands .................................................. 13 12. Syntax Descriptions ..........................................................
    [Show full text]
  • The New Thaipography by Chotima Vongviriyatham May 22, 1997 Approvals
    Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 5-22-1997 The ewN Thaipography Chotima Vongviriyatham Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Vongviriyatham, Chotima, "The eN w Thaipography" (1997). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology A Thesis submitted to the Faculty of the College of Imaging Arts and Sciences in Candidacy for the Degree of Master of Fine Arts The New Thaipography by Chotima Vongviriyatham May 22, 1997 Approvals Chief Adviser: Deborah Beardslee Associate Adviser: Bruce Ian Meader _ Date ,;10 Utty ICf'17 Associate Adviser: Frank Romano Chairperson: Mary Ann Begland Date .;ftJ ~ Iff7 I, Chotima Vongviriyatham, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Signature Dedicated to Every Thai Designer Special Thanks My parents, for their entire support throughout my graduate studies Jatuchoti Limpachoti, for all his help, especially in research from my undergraduate to graduate years Deborah Beardslee, for not only guiding me through the whole process, but also for overlooking every aspect of my thesis Bruce Ian Meader, for his innovative suggestions during critiques Frank Romano, for assisting me in all production work and color output Roger Remington, for all the knowledge and discipline Thaipography" Dr.
    [Show full text]
  • Type Anatomy Type Classifications Type Height Measurements
    California State University, Sacramento Department of Design College of Arts and Letters fall 2014 course # and title: GPHD 130 Typography II Instructor: John P. Forrest Jr. Type Classifications Type Anatomy Type Height Measurements California State University, Sacramento Department of Design College of Arts and Letters fall 2014 course # and title: GPHD 130 Typography II Instructor: John P. Forrest Jr. Terms Ascender Kerning Stroke on a lowercase letter that rises above the meanline. In typesetting, the process of subtracting space between spe- cific pairs of characters so that the overall letterspacing appears Baseline to be even. An imaginary horizontal line upon which the base of each capital letter rests. Leading In early typesetting, strips of lead were placed between lines of Cap height type for spacing, hence the term. The vertical distance between Height of the capital letters, measured from the baseline to the two lines of type measured from baseline to baseline. capline. Meanline Capline An imaginary line marking the tops of lowercase letters, not Imaginary horizontal line defined by the height of the including the ascenders. capital letters. Pica Counter Typographic unit of measurement: 12 points equal 1 pica. Six Space enclosed by the strokes of a letter form picas equal approximately one inch. Line lengths and column widths are sometimes measured in picas. Descender Stroke on a lowercase letter form that falls below the baseline. Point A measure of size used principally in typesetting. One point is Display type equal to 1/12 of a pica, or approximately 1/72 or an inch. It is Type sizes 14 point and above, used primarily for headlines and most often used to indicate the size of type or amount of lead- titles.
    [Show full text]
  • The Typographer's Glossary
    The Typographer’s Glossary Common Type Terminology - – — ÷ •••• •••• ···· ···· r Aa Aa the typographer’s glossary Common Type Terminology A as in Ascender accents See Diacritics. alternates Different shapes (or glyphs) for the same character in a typeface, for example small caps, swash characters, contextual alternates, case-sensitive forms, etc. When alternates are built-in as OpenType features, certain (older) operating systems and applications will not be able to access them. alternates example: fonts used: ff meta ff dingbats 2.0 ministry script type glossary | abcdefghijklmnopqrstuvwxyz www.fontshop.com toll free at 888 ff fonts 415.252.1003 Aperture The aperture is the partially enclosed, somewhat rounded negative space in some characters such as ‘C’, ‘S’, the lower part of ‘e’, or the upper part of a double-storey ‘a’. aperture example: Y fonts used: amplitude Y ff dingbats 2.0 a nY e ascender Any part in a lowercase letter that extends above the x-height, found for example in b, d, f, h, k, etc. Some types of ascenders have specific names. ascender example: Y Y font used: leitura news Handglove axis An imaginary line drawn from top to bottom of a glyph bisecting the upper and lower strokes is the axis. type glossary | abcdefghijklmnopqrstuvwxyz www.fontshop.com toll free at 888 ff fonts 415.252.1003 Bb Bb the typographer’s glossary Common Type Terminology B as in Baseline balt (baltic) (appended to a font or volume name) Language support; includes all necessary accents and characters for Estonian, Latvian, and Lithuanian (also included in CE – for Mac only). The supported languages may vary a little depending on the foundry.
    [Show full text]
  • Fonts & Encodings
    Fonts & Encodings Yannis Haralambous To cite this version: Yannis Haralambous. Fonts & Encodings. O’Reilly, 2007, 978-0-596-10242-5. hal-02112942 HAL Id: hal-02112942 https://hal.archives-ouvertes.fr/hal-02112942 Submitted on 27 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ,title.25934 Page iii Friday, September 7, 2007 10:44 AM Fonts & Encodings Yannis Haralambous Translated by P. Scott Horne Beijing • Cambridge • Farnham • Köln • Paris • Sebastopol • Taipei • Tokyo ,copyright.24847 Page iv Friday, September 7, 2007 10:32 AM Fonts & Encodings by Yannis Haralambous Copyright © 2007 O’Reilly Media, Inc. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (safari.oreilly.com). For more information, contact our corporate/institutional sales department: (800) 998-9938 or [email protected]. Printing History: September 2007: First Edition. Nutshell Handbook, the Nutshell Handbook logo, and the O’Reilly logo are registered trademarks of O’Reilly Media, Inc. Fonts & Encodings, the image of an axis deer, and related trade dress are trademarks of O’Reilly Media, Inc.
    [Show full text]
  • Complete Issue 11:2 As One
    . to Don Knuth, that premier computer scientist . , we are indebted for v,which deserves simultaneous recognition as the text formatter of choice and the most idiosyncratic programming language known to us. Stephen A. Ward and Robert H. Halstead, Jr. Computation Structures (1990) COMMUNICATIONS OF THE 'l&X USERS GROUP EDITOR BARBARABEETON VOLUME11, NUMBER2 JUNE1990 PROVIDENCE RHODEISLAND U.S.A. TUGboat TUGboat Editorial Committee During 1990, the communications of the TEX Users Barbara Beeton, Editor Group will be published in four issues. One issue Ron Whitney, Production Assistant will consist primarily of the Proceedings of the Helmut Jiirgensen, Associate Editor, Software Annual Meeting. Georgia K.M. Tobin, Associate Editor, Font Forum TUGboat is distributed as a benefit of mem- Don Hosek, Associate Editor, Output Devices bership to all members. Jackie Darnrau, Associate Editor, Bl&Y Submissions to TUGboat are for the most part Alan Hoenig and Mitch Pfeffer, Associate Editors, reproduced with minimal editing, and any questions Typesetting on Personal Computers regarding content or accuracy should be directed See page 151 for addresses. to the authors, with an information copy to the Editor. Other TUG Publications Submitting Items for Publication TUG publishes the series Wniques, in which have The deadline for submitting items for Vol. 11, No. 4, appeared user manuals for macro packages and is September 11, 1990; the issue will be mailed in QX-related software, as well as the Proceedings October. (Deadlines for future issues are listed in of the 1987 and 1988 Annual Meetings. Other the Calendar, page 308.) publications on mnical subjects also appear from Manuscripts should be submitted to a member time to time.
    [Show full text]
  • Typography in Advertising
    Doctoral Thesis Typography in Advertising Typografie v reklamě Author: Aleksandar Donev, MSc Degree programme: Visual Arts (P8206) Degree course: Multimedia and Design (8206V102) Supervisor: Doc. PhDr. Zdeno Kolesár, Ph.D. Zlín, December 2015 © Aleksandar Donev Published by Tomas Bata University in Zlín in the Edition Doctoral Thesis. The publication was issued in the year 2015 Key words in English: Typography, Advertising, Visual Communication, Design, Typefaces, Fonts Key words in Czech: Typografie, Reklama, Vizuální Komunikace, Design, Písma, Fonty Full text of the Doctoral Thesis is available in the Library of TBU in Zlín ISBN 978-80-……… ABSTRACT This thesis is set to investigate the use of type and typography in advertising, the role of typography in rendering the advertising message and the effects it has on the same. Typography and advertising both have been researched significantly all over the world but mainly as a two separate disciplines without showing the importance of their connection. The aim of my thesis is to fill that gap and show the significance of typography in advertising and their relationship in the communication process. The approach undertaken in this thesis is mainly theoretical, including statistics, a survey, a case study and an analysis of literature from various sources in the field of the research. I have analysed the factors that make typography suitable and effective for advertising purposes. With this research I am able to confirm that the use of typography and type for advertising purposes is slightly different than its use for other purposes. I am hoping that my work will make designers and advertisers more aware of the importance of typography in the creation of advertisements and that they will make better use of it.
    [Show full text]
  • Printing a Document
    Copyright This document is Copyright © 2005–2007 by its contributors as listed in the section titled Authors. You can distribute it and/or modify it under the terms of the Creative Commons Attribution License, version 3.0 or later (http://creativecommons.org/licenses/by/3.0/). All trademarks within this guide belong to their legitimate owners. Authors Magnus Adielsson Sigrid Kronenberger Agnes Belzunce Peter Kupfer Ken Byars Ian Laurenson Bruce Byfield Alan Madden Camillus Gerard Cai Paul Miller Daniel Carrera Vincenzo Ponzi Dick Detwiler Carol Roberts Laurent Duperval Iain Roberts Martin Fox Robert Scott Katherine Grief Janet M. Swisher Tara Hess Catherine Waterman Peter Hillier-Brook Jean Hollis Weber John Kane Linda Worthington Michael Kotsarinis Michele Zarri Feedback Maintainer: Jean Hollis Weber Please direct any comments or suggestions about this document to: [email protected] Publication date and software version Published 16 December 2007. Based on OpenOffice.org 2.3. You can purchase a printed copy of this book from http://www.lulu.com/opendocument You can download an editable version of the chapters in this book from http://oooauthors.org/en/authors/userguide2/published/ Contents Contents Chapter 1 Introducing Writer...................................................................................................1 What is Writer?............................................................................................................................2 Starting Writer.............................................................................................................................2
    [Show full text]
  • Glossary&Acronymsrelating to Interactivetv-V6
    Acronyms and Glossary of Terms Relating to Digital TV Systems, DVB, Interactive TV & Multimedia Home Platform (MHP) Ver. 6.2 25. DIFFERENTIAL LATENCY ...................................... 18 Introduction 26. DIGITAL TRANSMISSION CONTENT PROTECTION DTCP, 5C & 4C ENTITY .................................... 19 For acronyms, consult the "List of Acronyms and 27. DIGITAL VIDEO BROADCAST (DVB).................... 19 Abbreviated Terms" commencing on page 3 first and 28. DIGITAL VIDEO INTERFACE (DVI) ...................... 19 then the "Description of Technical Terms" if a more 29. DIGITAL VISUAL INTERFACE (DVI/HDCP).......... 19 detailed explanation is required. 30. DOLBY SUROUND PRO-LOGIC™.......................... 19 31. DOLBY® ............................................................. 19 Contents: 32. DOM - (DOCUMENT OBJECT MODEL) ................. 20 33. DSM-CC ............................................................ 20 34. DVB-J ................................................................ 20 1. LIST OF ACRONYMS AND ABBREVIATED 35. DVB-J API......................................................... 20 TERMS....................................................................... 3 36. DVB-J APPLICATION .......................................... 20 Numbers ......................................................................3 37. DVB-T ............................................................... 21 A..................................................................................4 38. DYNAMIC RANGE................................................
    [Show full text]
  • Typographic Standards
    Harpers Ferry Center National Park Service Media Services U.S. Department of the Interior Typographic Standards www.nps.gov/hfc September 2006 Contents Standards 3 Typography and other NPS standards 4 Legibility and ADA standards 5 Messaging project and NPS Identity Standards 6 Grid system 7 Fonts Wayside Exhibit Development 8 About Wayside Exhibits 9 Thumbnail sketches 10 Concept layouts 11 Full-size proofs Basic Specifications 12 Upright Trailhead panel 13 Low Profile Interpretive panel 14 Low Profile Interpretive panel 15 Trailside panel Working with Typography 16 Guidelines for writing text 17 Common practices 18 Punctuation, rag, elipses, lists and bullets 19 Dashes and hyphens, abbreviations and directional cues 20 Foreign language 21 Numbers, fractions, measurements and spacing 22 Glossary 23 Quick Reference and Checklist Standards This Typographic Standards is one of the tools used by the National Park Service to create a consistent recognizable format for organizing and presenting information to the public. The Typographic Standards along with the National Park Service identity standards, editorial standards, map standards, consistent work processes, and long-term maintenance program help keep costs down and visitor interest in the wayside media at a high level. Typographic Typography is the graphic presentation of language. The design elements of Standards typography (typeface, size, weight, style, leading, line length, and kerning) provide the reader with visual clues to the nature and hierarchy of information. They enhance overall accessibility to wayside content by creating logical patterns, legible text, and reflect the appropriate voice of the National Park Service. The Typographic Standards document is a collection of guidelines and examples of how typographic treatments should be handled when developing National Park Service Wayside Exhibits.
    [Show full text]