James Gandolfini Inside the Actors Studio Questionnaire
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Senior Women's Performances of Sexuality
“DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Performance Studies “Dusty Muffins”: Senior Women’s Performances of Sexuality Copyright 2012 Evleen Michelle Nasir “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Harry Berger Alfred Bendixen Head of Department, Judith Hamera August 2012 Major Subject: Performance Studies iii ABSTRACT “Dusty Muffins”: Senior Women’s Performance of Sexuality. (August 2012) Evleen Michelle Nasir, B.A., Texas A&M University Chair of Advisory Committee: Dr. Kirsten Pullen There is a discursive formation of incapability that surrounds senior women’s sexuality. Senior women are incapable of reproduction, mastering their bodies, or arousing sexual desire in themselves or others. The senior actresses’ I explore in the case studies below insert their performances of self and their everyday lives into the large and complicated discourse of sex, producing a counter-narrative to sexually inactive senior women. Their performances actively embody their sexuality outside the frame of a character. This thesis examines how senior actresses’ performances of sexuality extend a discourse of sexuality imposed on older woman by mass media. These women are the public face of senior women’s sexual agency. -
The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television. -
A Transcultural Perspective on the Casting of the Rose Tattoo
RSA JOU R N A L 25/2014 GIULIANA MUS C IO A Transcultural Perspective on the Casting of The Rose Tattoo A transcultural perspective on the film The Rose Tattoo (Daniel Mann, 1955), written by Tennessee Williams, is motivated by its setting in an Italian-American community (specifically Sicilian) in Louisiana, and by its cast, which includes relevant Italian participation. A re-examination of its production and textuality illuminates not only Williams’ work but also the cultural interactions between Italy and the U.S. On the background, the popularity and critical appreciation of neorealist cinema.1 The production of the film The Rose Tattoo has a complicated history, which is worth recalling, in order to capture its peculiar transcultural implications in Williams’ own work, moving from some biographical elements. In the late 1940s Tennessee Williams was often traveling in Italy, and visited Sicily, invited by Luchino Visconti (who had directed The Glass Managerie in Rome, in 1946) for the shooting of La terra trema (1948), where he went with his partner Frank Merlo, an occasional actor of Sicilian origins (Williams, Notebooks 472). Thus his Italian experiences involved both his professional life, putting him in touch with the lively world of Italian postwar theater and film, and his affections, with new encounters and new friends. In the early 1950s Williams wrote The Rose Tattoo as a play for Anna Magnani, protagonist of the neorealist masterpiece Rome Open City (Roberto Rossellini, 1945). However, the Italian actress was not yet comfortable with acting in English and therefore the American stage version (1951) starred Maureen Stapleton instead and Method actor Eli Wallach. -
Lee Phillip Bell with the Lifetime the with Bell Phillip Lee Co-Creator Drama Aey of Cademy Bell: Phillip Lee Worker
The National Academy of Television Arts & Sciences presents daytime at nighttime friday, june 15, 2007 Broadcast live on from the Kodak Theatre in Los angeles. Official Partners of the 34th Annual Daytime Entertainment Emmy® Awards The national academy of Television arts & Sciences 111 West 57th Street, Suite 600 new york, ny 10019 • 212.586.8424 • www.emmyonline.tv a messaGe frOm THe PreSidenT COnTents S On behalf of our Chairman Herb Granath and all our Trustees, I ContentsOutstanding Game Show Host 4 would like to congratulate our nominees for their exceptional Outstanding Supporting actress 4 work. The National Academy in a drama Series of Television Arts & Sciences is ward proud to take a leadership role in Outstanding Supporting actor 6 a recognizing pioneers of our past, in a drama Series ® the best of our present, and the next generation of our creative Outstanding Talk Show Host 6 and technical talent. The 34th Annual Daytime Entertainment Outstanding Performer in a Emmy Awards salute all these communities of our prominent Children’s Series 8 mmy membership. e Outstanding younger actress 8 It is with special pleasure that we recognize the legacy of Mike in a drama Series T Douglas and the Bell family, in addition to the extraordinary and continuing achievements of our colleague Jim Lipton. Outstanding younger actor 10 The quality of their contributions is mirrored in that of all our in a drama Series nominees being recognized tonight. In order to make the ceremony possible, we are grateful to our telecast partner CBS, Outstanding Lead actress 10 our colleagues at the Academy of Television Arts & Sciences, in a drama Series and to all our sponsors for making the 34th Annual Daytime Entertainment Emmy Awards a memorable event. -
Writers & Books Summer Program 2020 Catalog
SUMMER WRITE2020 SPRING & SUMMER YOUTH CREATIVE DAY CAMPS & WORKSHOPS Things to Know Group Size and Instructor/Student Ratio: With few exceptions, Withdrawal Policy: up to two weeks before the first day of a camp, you camps are limited to a total enrollment of 12 students. Most camps are led by will receive a full refund, minus a 15% administrative fee. Within two weeks of a one adult teaching artist and one high school or college apprentice. class, W&B will refund 50% of the fee. After the first camp and up to the day of the second camp, 25% will be refunded. After the second camp there will be no What to Bring: Unless otherwise noted in the description, all participants refunds or credits. need to bring are: • Pen and paper Facilities/Accessibility: Our beautiful 1903 Claude Bragdon building in • A water bottle the Neighborhood of the Arts is fully wheelchair accessible, with sun-lit, air- • Lunch if you’re staying all day conditioned workshop rooms and a small theatre. For SummerWrite 2020 we are Please leave cell phones and other electronic devices at home or turned off proud to partner with our neighbor, The Baobab Cultural Center, where some of WAB.ORG completely and tucked in a backpack or bag. our camps will be held. baobabcultural.org. We use the playground next door for | outdoor time during daily breaks and lunch. If you would like to make a request Snacks: We provide a small snack for breaks. Please make note of any for any accommodation, please email us at [email protected] at least 10 107 allergies or dietary restrictions during registration, and we will do our best to days prior to the workshop. -
La Méthode De L'actors Studio, À Paraître
La Méthode de l’Actors Studio : Genèse, Pratique et Phénoménologie Ivan MAGRIN-CHAGNOLLEAU, CNRS Aix Marseille Univ, CNRS, PRISM, Marseille, France 1. Introduction 1.1. Qui Suis-Je ? Je voudrais commencer par donner quelques éléments biographiques puisqu’ils sont en lien étroit avec le sujet de cet article. Je me présente généralement comme artiste chercheur. Cela signifie que j’ai une activité artistique ainsi qu’une activité de recherche. Sur le plan artistique, je travaille régulièrement comme acteur, metteur en scène et auteur pour le théâtre et le cinéma. J’écris aussi de la poésie, je fais de la photographie, de la musique, comme interprète et compositeur, et de la performance. J’enseigne également le théâtre, le cinéma, la musique, la photographie, l’écriture, l’esthétique, et je coache aussi des artistes. En recherche, je travaille dans le paradigme de la création recherche, c’est-à-dire que je crois à une recherche en art fondée sur une pratique, ce qui est pour moi la manière la plus riche de conduire ma recherche, dans la mesure où je suis aussi artiste. C’est pour cela que je m’intéresse particulièrement à la dimension phénoménologique de la création, c’est-à-dire à la création comme expérience vécue. Je considère mon travail artistique comme faisant partie intégrale de mon travail de recherche. 1.2. Mon Expertise sur la Méthode de l’Actors Studio De 2004 à 2007, je me suis formé de manière intensive comme acteur et comme metteur en scène à l’Actors Studio à New York. J’ai donc appris la méthode de l’Actors Studio de professeurs qui avaient été eux-mêmes élèves de Lee Strasberg, le fondateur de la méthode1 2. -
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT of NEW YORK BRETT GOLDBERG, Plaintiff, -V- PACE UNIVERSITY, Defendant. 20 Civ. 36
Case 1:20-cv-03665-PAE Document 40 Filed 04/21/21 Page 1 of 29 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK BRETT GOLDBERG, Plaintiff, 20 Civ. 3665 (PAE) -v- OPINION & ORDER PACE UNIVERSITY, Defendant. PAUL A. ENGELMAYER, District Judge: In spring 2020, confronted with the spread of COVID-19, undergraduate and graduate schools across the country rapidly transitioned to online instruction, to protect students, faculty, and staff. In response, students at many schools have brought suit, generally sounding in breach of contract, to recover tuition and fees paid for, purportedly, in-person experiences. Although some courts have construed these claims as impermissible claims of educational malpractice, others have sustained such claims, finding it well-pled that the college or university breached a specific and enforceable contractual promise that learning or other services would be in-person. Plaintiff Brett Goldberg (“Goldberg”) is a performing arts graduate student. He sues Pace University (“Pace”) to recover damages in connection with Pace’s transition to remote learning in March 2020 in light of the pandemic. Goldberg alleges that Pace breached its contract with him by transitioning his last semester to remote learning, postponing the production of his play, and retaining certain fees. He also brings claims for unjust enrichment and promissory estoppel, and a claim under New York General Business Law (“GBL”) § 349. Case 1:20-cv-03665-PAE Document 40 Filed 04/21/21 Page 2 of 29 Now pending is Pace’s motion for judgment on the pleadings, under Federal Rule of Civil Procedure 12(c), for failure to state a claim. -
View Event Program
New York IN MEDIA, ENTERTAINMENT & TECHNOLOGY Schimmel Center at Pace University THANK YOU SPONSORS The One Day Immersion in Media, Entertainment & Technology team wishes to say THANK YOU to our incredible sponsors. These are the wonderfully engaged people that write the checks, offer their time and resources, and lend their support to move our academic initiatives forward. The conference would not be possible without you! WELCOME Post your comments and photos to Instagram at #ODINYC2018 Welcome students and guests to our SIXTH ANNUAL One Day Immersion (ODI) in Media, Entertainment & Technology conference, in association with Pace University’s Lubin School of Business. We are once again very excited to return to the Schimmel Center in New York City, and honored to have such a rich partnership with Dean Braun and the Lubin School. ODI is an equal opportunity, shared learning experience for a diverse community of media and technology students and executives. Meaning, we learn from each other. This year, our theme will focus on Navigating Disruption, as it pertains to career path and industry endurance. You’ll hear how our guest speakers have responded to disruptions in their careers, and how the industries of media, entertainment and technology are constantly pushing boundaries in creativity and innovative technology, while staying relevant to their audience. We launched a team competition – Pitch Perfect: ODI Edition. Finalists will present their new, advanced ideas to our jury of executives who green- light projects. This is a terrific opportunity for the students to test themselves and see how far their ideas will go. They’ll gain awesome experience in public speaking, building confidence and improve their ability to develop a clear message. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Sunday Morning Grid 6/24/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 6/24/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program PGA Tour Special (N) PGA Golf 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Program House House 1st Look Extra Å 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid Eye on L.A. Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX FIFA World Cup Today 2018 FIFA World Cup Japan vs Senegal. (N) FIFA World Cup Today 2018 FIFA World Cup Poland vs Colombia. (N) 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Buddhism Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Martha Belton Real Food Food 50 28 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Kid Stew Biz Kid$ KCET Special Å KCET Special Å KCET Special Å 30 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 34 KMEX Conexión Paid Program Como Dice el Dicho La casa de mi padre (2008, Drama) Nosotr. Al Punto (N) 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K. -
Promax/Bda Announces Diverse and Provocative Early Lineup of Speakers for 53 Rd Annual Conference
PROMAX/BDA ANNOUNCES DIVERSE AND PROVOCATIVE EARLY LINEUP OF SPEAKERS FOR 53 RD ANNUAL CONFERENCE Reverend Jesse Jackson, Futurist Nicholas Negroponte, Host of Bravo’s Inside the Actors Studio James Lipton and Hustler TV President Michael Klein Los Angeles, CA – April 2, 2008 – Promax/BDA has confirmed a diverse and relevant early lineup of speakers for its 53 rd annual Promax/BDA Conference (June 17-19, New York). Poised to address a wide range of timely and potentially provocative subjects are the Reverend Jesse Jackson, futurist Nicholas Negroponte, executive producer/writer/host of Bravo’s Inside the Actors Studio James Lipton, and Hustler TV president Michael Klein. The announcement was made today by newly ensconced Promax/BDA President Jonathan Block-Verk, who promised to deliver a conference that would both inspire, inform and impact the business operations of this year’s attendees. “This year’s Promax/BDA event is about delivering the insight and information that inspires unique ideas and opportunities that drive new revenues in the television business,” said Block-Verk. “We recognize that our constituents are faced with hard choices regarding the events they attend, and this year Promax/BDA is the conference that will send attendees back to their offices reinvigorated, energized and bursting with business ideas and marketing plans that build the bottom line.” With the 2008 election spawning history-making headlines and igniting passionate discussions of race, gender and leadership, one of America’s foremost civil rights and political figures, the Reverend Jesse Jackson, will participate in a live interview session hosted by CNN’s Wolf Blitzer, during which he’ll discuss his views on such charged issues, as well as the blurring line between news and entertainment and the impact that has on global culture. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................