ACAATO Moves for Charter Changes
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European Researcher. 2010
International Journal of Media and Information Literacy, 2016, Vol. 1, Is. (2) International Journal of Media and Information Literacy Has been issued since 2016. E-ISSN 2500-1051 2016. Vol. 1. Is. (2). Issued 2 times a year EDITORIAL BOARD Fedorov Alexander – Rostov State University of Economics, Russian Federation (Editor in Chief) Aufenanger Stefan – The Johannes Gutenberg University of Mainz, Germany Bachmair Ben – University of London, UK Celot Paolo – Director and Secretary General, European Association for Viewers Interests–EAVI, Belgium Camarero Emma – Universidad Loyola Andalucía, Spain Giroux Henry – McMaster University, Canada Jolls Tessa – President and CEO, Center for Media Literacy, USA Kotilainen Sirkku – University of Tampere, Finland Lealand Geoff – University of Waikato, New Zealand Levitskaya Anastasia – Taganrog Management and Economics Institute, Russian Federation Petranova Dana – University Ss. Cyril and Methodius in Trnava, Slovakia Potter James – University of California at Santa Barbara, USA Ranieri Maria – University of Florence, Italy Rath Matthias – Pädagogische Hochschule Ludwigsburg, Germany Tieber Claus – University of Vienna, Austria Journal is indexed by: CrossRef, OAJI All manuscripts are peer reviewed by experts in the respective field. Authors of the manuscripts bear responsibility for their content, credibility and reliability. Editorial board doesn’t expect the manuscripts’ authors to always agree with its opinion. Postal Address: 26/2 Konstitutcii, Office 6 Passed for printing 17.12.2016. 354000, Sochi, Russian Federation Format 21 29,7. Website: http://ejournal46.com/ E-mail: [email protected] Typeface Georgia. Accounting sheets 7,9. Literacy Information and of Media Journal International Founder and Editor: Academic Publishing Order № IJM-2 House Researcher 2016 №201 0 © International Journal of Media and Information Literacy, 2016 Is. -
NIEW YORK Third
Third MARCH 27/ APRIL 2 1987 NIEW YORK Third SPAIN IN NEW YORK MARCH 27/APEIL 3 1987 THE GUILD 50»h ST. THEATER (ROCKEFELLER PLAZA) Puntual a la ata, un año más, el "Festival de Cine Español" se presenta en Nueva York, como una embajada de la cinematografía de nuestro país. Este año hemos ampliado hasta catorce el número de películas que se proyectarán. Catorce títulos de un año de producción, sobre un total de sesenta, constituyen, en mi opinión, una muestra muy representativa de la temporada cinematográfíca española 198&87. Una temporada que me atrevo a calificar de esperanzadora en el difícil pero interesante y personal camino que el cine español está recorriendo desde la instauración de la libertad creadora1. Un camino que no ha sido fácil de recorrer, y en el que nuestro cine ha emprendido la dura tarea de reencontrarse a sí mismo, abiertamente, decididamente, después de tantos años de ambigüedad, de falsas y tortuosas fórmulas. Pocas artes como la cinematografía son capaces de reflejar en forma tan puntual la idiosincrasia de un país, su problemática sociopolítica, su cultura. Yo espero que esta películas que hoy ofrecemos puedan acercarles a la imagen de una nación que intenta mostrar al mundo su capacidad creadora, sus valores artísticos, que, enraizados en el pasado, pretenden integrarse, con personalidad propia, en el conjunto universal de búsqueda de nuevas formas. JAVIER SOLANA MADARIAGA Ministro de Cultura IV Once again, for the third time in recent years, we are pleased to present the Festival of Films from Spain in Flew York, representing a kind of embassy of the motion picture industry from our country. -
A Vindication of the Spanish Mother. Maternal Images in the Filmic Make-Over of the Nation
Studies in 20th & 21st Century Literature Volume 33 Issue 2 Identities on the Verge of a Nervous Article 9 Breakdown: The Case of Spain 6-1-2009 A Vindication of the Spanish Mother. Maternal Images in the Filmic Make-over of the Nation Andrés Zamora Vanderbilt University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Zamora, Andrés (2009) "A Vindication of the Spanish Mother. Maternal Images in the Filmic Make-over of the Nation," Studies in 20th & 21st Century Literature: Vol. 33: Iss. 2, Article 9. https://doi.org/10.4148/ 2334-4415.1706 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. A Vindication of the Spanish Mother. Maternal Images in the Filmic Make-over of the Nation Abstract The maternal figure as an explicit or oblique image of the Spanish nation has undergone a good share of indignities throughout the modern cultural history of the country, from the nineteenth-century Mater Dolorosa to the stepmother of those forced into exile after the civil war, from the terrible matriarchs of Benito Peréz Galdós, Federico Garcia Lorca and Camilo José Cela to the patriarchal mothers of Spanish oppositional cinema in the final phase of the dictatorship and first years of the democratic transition. -
21 OCTOBER Bfi.Org.Uk/Lff 020 7928 3232 See the World in a New Light
10 – 21 OCTOBER bfi.org.uk/lff 020 7928 3232 See the world in a new light. RBC is honoured to be a main sponsor of the 62nd BFI London Film Festival in partnership with American Express®. Film enriches our lives by connecting us to diverse perspectives and experiences. We are delighted to continue our support of this flourishing film festival, and celebrate the innovation, opportunity and creativity that it represents. To learn more about how we are helping to build vibrant communities through the arts, visit rbcwealthmanagement.com Capital Markets | Investor & Treasury Services | Wealth & Asset Management ® / TM Trademark(s) of Royal Bank of Canada. Used under licence. WELCOME CONTENTS The UK has always offered a welcoming platform for international artists and storytellers, and none more so than the BFI London Film Festival. It is a time when filmmakers from every corner HEADLINE GALAS 09 of the world gather here, among them some of the world’s greatest names in cinema, alongside those at the very beginning of their careers. All of them share a common purpose which is to 16 present their new work to an audience, often at an anxious moment as it is usually only the STRAND GALAS first or second time it’s been seen. Photo: Nancyhoney.com 22 Opening doors for everyone, audiences or filmmakers, is at the heart of the BFI’s purpose. SPECIAL PRESENTATIONS The Festival’s sheer breadth of audacious programming brings films that are a window on the world and make us reflect on the UK’s place in it – films that challenge our perspective and that pique our curiosity for fresh ideas and viewpoints. -
1-16 November 2017
1-16 November 2017 FREE CATALOGUE Welcome LIFF 2017 is Presented by Founded in 1987 nearly 100 years after the world’s first films were made in Leeds in 1888 by Louis le Prince, Leeds International Film Festival is an epic annual experience of discovery, community and celebration. This year, LIFF features its Leading Funders most extensive selection yet of new and archive European cinema, achieved through partnerships with Creative Europe, the European Parliament, the European Film Academy and institutions from across the spectrum of Europe’s extraordinary filmmaking culture. The catalogue for LIFF Leading Partners 2017 presents every film in detail from the entire programme of features and shorts, selected this year out of 5,078 submissions received from 103 countries. Thank you to all our partners and team members for their dedicated support for LIFF, and to our audiences for their passion for film culture in Leeds. Major Partners Contents Official Selection 9 Cinema Versa 29 Fanomenon 47 Retrospectives 69 Leeds Short Film Awards 91 Meet the Makers 113 Exhibitions 122 Index 123 5 Supporting Partners Leeds Palestinian Film Festival Centre for World Cinemas School of Modern Languages and Cultures BFI Screen Diversity Mark BFI Thriller Partner EFFE Label Award L TIVA ES F E L B A Leeds International Film Festival K R A M E R EFFE LABEL 2017-2018 LIFF 2017 Design Credits Design by Lee Goater (leegoater.com). Artwork by Scorpio Design (scorpiodesign.co.uk). Map by Tom Woolley (tomwoolley.com). 6 LIFF 2017 Team Chris Fell Director Colm McAuliffe -
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~lHCK (on W(ISS ~ MfMmR Of ~OMBAT AND ~ONSClfNCf BY A~OlDlfR Of THf WAfHN-~~ JOH""" ~OSS To the soldiers ofmy regiment who were killed in action in Northern Karelia, in the Lower Vosges, andat the borders ofthe Reich 1 Romilly 1 2 The House by the Mountains 9 3 Brunswick 18 4 Choices 29 5 Revelations 42 6 Wild Geese 45 7 Jager Training 54 8 A Glimpse into an Abyss 62 9 In N 0-Man's Land 66 10 The 66th Parallel 72 MAP: Positions of Alaska, Scandinavia, and Karelia Relative to the Arctic Circle (66th Parallel N. Lat.) 73 MAP: Defensive Sector, 3d Battalion, SS-Mountain Infantry Regiment 11, 1942-44 74 MAP: 6th SS-Mountain Division Sector, January 1942-September 1944 76 11 St. Nicholas Day 81 12 Patrol on the North Flank 89 13 Combat Patrol 97 14 Summertime 112 15 Sennozero 116 MAP: Operations of 3d Battalion, SS-Mountain Infantry Regiment 11, vic. Lake Sennozero, July 1944 117 v Vt BLACK EDELWEISS MAP: Battle for Sennozero, June-July 1944 119 16 Imprisoned in Germany 131 17 Finland Quits 140 MAP: Operation BIRKE (BIRCH)-The German Withdrawal Through Finland, September-October 1944 141 18 From Tuhkalla to Kuusamo 145 19 Kittila 153 20 Muonio 159 MAP: Rear Guard and Breakthrough Operations vic. Muonio, November 1944 160 21 March Through the Polar Night 167 22 Interlude in Denmark 176 23 Reipertsweiler 180 MAP: Encirclement of Elements of the US 157th Infantry Regiment, 16-20 January 1945 184 24 Lampaden 194 25 The Condemned 201 Epilogue 204 This book was conceived and for the most part written a long time ago. -
LIFF 2017 Guide
1-16 November 2017 FREE GUIDE leedsfilmcity.com @leedsfilmcity #LIFF2017 WE’RE BACK Tuesday–Saturday: leeds.gov.uk/ 10am–5pm artgallery Sunday: 11am–3pm Monday: closed @LeedsArtGallery Lothar Götz Xanadu 2017 (detail) #LAGisback Courtesy the artist Victorian staircase, Leeds Art Gallery Free Admission Welcome Welcome Contents Films screened in your local cinemas represent one important part of Official Selection 11 the extraordinary, fast-evolving and vital whole of global filmmaking Cinema Versa 29 culture. Film festivals around the world are increasingly popular as they Fanomenon 41 share films that audiences may never experience in their local cinemas Retrospectives 61 otherwise. Founded in 1987 nearly 100 years after the world’s first Leeds Short Film Awards 79 films were made in the city in 1888, Leeds International Film Festival Meet the Makers 89 presents an epic 16 days of discovery, community and celebration for Schedule 96 all. We hope you have a great LIFF 2017 experience! Index 100 Tickets, Passes & Offers leedsfilmcity.com Individual tickets £9 / £7.50* & £7 / £6* (including booking fees) Individual tickets are £9 / £7.50* for main venues Victoria Hall, Hyde Park Picture House, Vue and Everyman, and £7 / £6* for other venues and short film programmes in main venues – all unless otherwise stated. LIFF 2017 Passes Single £100 / Double £180 (including booking fees) The best value way to experience LIFF 2017 if you want to see more than 12 screenings and events, with full access to everything in the programme with the exception of the British Sea Power concert. 6 tickets for 5 Offer £45 / £37.50* (including booking fees) Offer applies to all screenings and events with the exception of the British Sea Power concert.