Introduction to Magick
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Aleister Crowley and the Hidden God to Assume
Introduction THIS BOOK contains a critical study of Aleister Crowley's system of sexual magick and its affmities with the ancient Tantric rites of Kali, the dark goddess of blood and dissolution represented in Crowley's Cult as the Scarlet Woman. It is an attempt to supply a key to the work of an Adept whose vast knowledge of occultism was unsurpassed by any previous Western authority. I have emphasized the similarity between Crowley's Cult of Thelema and Tantra because the present wave of interest in the Tantric System makes it probable that readers will be able to assess more fully the importance of Crowley's contribution to occultism in general and to the Magical Path in particular. As a result of many years' research into obscure phases of occultism I have evolved a method of dream control for contacting extra-terrestrial and non-human entities; this forms the substance of Chapters Six and Seven. This method is described in relation to the mysteries of Kundalini, the supreme magical power symbolized by the sleeping Fire Snake at the base of the spine which, after its awakening, activates the subtle power-zones in the human body. Aleister Crowley, Austin Spare, Dion Fortune and the German occultist Eugen Grosche were among the first Adepts in the West to teach the use of the psycho-sexual energies, the Ophidian Current that informed the most ancient arcana of Africa and the Far East. Although it was Crowley who first integrated this current with the Westem Esoteric Tradition, this was not achieved without some doubtful interpretations of oriental symbolism. -
Scintillations in Mauve
starfire2420nov.qxd 20/11/11 11:05 pm Page 9 Scintillations in Mauve An Introduction to the Work of Kenneth Grant enneth Grant was one of the most influential occultists of the 20th century. He leaves behind a substantial and formidable K body of work which will be explored and developed over the years to come. What follows here is an introductory survey of his work — a basis for deeper, more substantial consideration of his work in the future. Born in Essex in 1924, Kenneth Grant developed an intense interest in the occult from an early age, as well as a life-long devotion to Buddhism and other oriental religions. He remarked somewhere in his writings that Eastern mysticism was his first love — an indication not only of how well read he was, but more importantly perhaps his heightened sense of the immanent. Grant relates in Outside the Circles of Time how he had come across a copy of Magick in Theory and Practice — at Zwemmers, in the Charing Cross Road — in the late 1930s or early 1940s. At this period he had also discovered Austin Osman Spare’s The Book of Pleasure at Michael Houghton’s Atlantis Bookshop in Museum Street. After immersing himself in the works of Crowley, he finally managed to make contact with him in 1944, writing to the address provided in The Book of Thoth which had just been published. Visiting him several times, Grant subsequently stayed with him at ‘Netherwood’ in Hastings in 1945, immersed in Magick. Many years later, Grant wrote a memoir of this period of his life, Remembering Aleister Crowley. -
Rosaleen Norton's Contribution to The
ROSALEEN NORTON’S CONTRIBUTION TO THE WESTERN ESOTERIC TRADITION NEVILLE STUART DRURY M.A. (Hons) Macquarie University; B.A. University of Sydney; Dip. Ed. Sydney Teachers College Submission for Degree of Doctor of Philosophy School of Humanities and Social Science University of Newcastle NSW, Australia Date of submission: September 2008 STATEMENT OF ORIGINALITY This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. Signed: Date: Neville Stuart Drury ACKNOWLEDGEMENT OF AUTHORSHIP I hereby certify that the work embodied in this Thesis is the result of original research, the greater part of which was completed subsequent to admission for the degree. Signed: Date: Neville Stuart Drury 2 CONTENTS Introduction 5 Chapter One: Rosaleen Norton – A Biographical Overview 16 Chapter Two: Sources of the Western Esoteric Tradition 61 Chapter Three: Aleister Crowley and the Magic of the Left-Hand Path 127 Chapter Four: Rosaleen Norton’s Magical Universe 214 Chapter Five: Rosaleen Norton’s Magical Practice 248 Chapter Six: Rosaleen Norton as a Magical Artist 310 Chapter Seven: Theories and Definitions of Magic 375 Chapter Eight: Rosaleen Norton’s Contribution to the Western Esoteric Tradition 402 Appendix A: Transcript of the interview between Rosaleen Norton and L.J. -
Grey Lodge Occult Review™
e October 31 2002 E.V. Issue #1 Grey Lodge Occult Review™ Gems from the Archives Selections from the archived Web-Material C O N T E N T S THE CASE OF THE FLYING SAUCERS by Manly Palmer Hall The Men in Black and their Magical Origins Excerpt from: Secret Cipher of the UFOnauts by T. Allen Greenfield The Aliens of the Golden Dawn Text excerpted from: The Dawn of Magic by Louis Pauwells & Jacques Bergier Aleister Crowley and the "Sirians" Excerpt from: The Pyramids of Montauk by Preston Nichols and Peter Moon A Glimpse of the Structure and System of the Great White Brotherhood Excerpts from Alt.Magick FAQ #7 The Cloud Upon the Sanctuary By the Councillor d' Eckartshausen The Rocket Scientist & The Guru: Stargate 1946 by T. Allen Greenfield The Sorcerous Scientist Excerpt from: Jack Parsons: Sorcerous Scientist by Douglas Chapman LIBER CHETH A:.A:. Publication in Class A The Book of BABALON By Jack Parsons The Book of ANTICHRIST By Belarion 8=3 (Parsons) Freedom is a Two-edged Sword By Fra. Belarion The Grey Hour Excerpt from "The Ordeal of Ida Pendragon" Makbenash Chapter 12 from de Nerval's Voyage to the Orient. Faust - traduction par Gerard de Nerval Les Veillees litteraires illustres 1850 Home GLORidx Close Window Except where otherwise noted, Grey Lodge Occult Review™ is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. October 31 - 2002 e.v. - Issue #1 Grey Lodge Occult Review™ A 1950 Lecture on UFOs by Brother Manly P. Hall, 33° Following is a rare historical gem. -
Advance Version Advance Version Doyle White / Correspondences 7, No
Advance Version Research Article Correspondences 7, no. 2 (2019): 1–43 “One Magical Movement from Kether to Malkuth”: Occultism in the Work of David Bowie Ethan Doyle White [email protected] Abstract One of the twentieth century’s best-known popular musicians, David Bowie (1947–2016) drew upon a diverse range of influences in crafting his lyrics. Among these was occultism. As with many members of his generation, Bowie pursued a ‘pick and mix’ individualist approach to what he called ‘spirituality,’ rejecting institutionalised Christianity while taking an interest in a broad variety of culturally alternative belief systems. Bowie introduced occultist elements into his work in the early 1970s, adding references to Aleister Crowley and the Hermetic Order of the Golden Dawn in songs like “Quicksand” and possibly also “After All.” Rather than reflecting a committed adherence or practice of these occultist currents, such references probably represented attempts to imitate other popular musicians like The Beatles and Led Zeppelin. Bowie’s interest in occultism resurfaced in a more concentrated fashion when living in the United States in 1974–75. Suffering from severe paranoia, he came to believe that male- volent supernatural forces were acting against him and turned to occultist literature, particu- larly the work of Arthur Edward Waite and Dion Fortune, for protective purposes. He also developed an interest in Qabalah, demonstrating this in the lyrics to “Station to Station”. After 1976, he vocally distanced himself from occultism, but his work continues to offer an impor- tant case study for the influence of occultism in the history of popular music. -
Babalon Rising: Jack Parsons’ Witchcraft Prophecy
Babalon Rising: JaCk parsons’ WitChCraFt propheCy Erik Davis In the forty yearS or so following the death of John Whiteside Parsons in 1952, his name—Jack Parsons from here on out—circulated principally among magic folk, critics of Scientology, and historians of modern rock- etry. In the new century, however, the tale of the SoCal rocket scientist- cum-sex magician has proven a hot commodity, told and retold in a series of articles, biographies, graphic novels, movie scripts, and reality tv shows that have transformed Parsons into one of the most storied figures in the history of American occulture. The superficial reasons are easy to see: with its charismatic blend of sex, sorcery, technology and death, Parsons’ story haunts a dark crossroads of the Southern California mindscape, scrawling a prophetic glyph in the wet pavement of postwar America. Indeed, his tale is so outrageous that if it did not exist, it would need—as they say—to be invented. But if it were invented—that is, if his life were presented as the fiction it in so many ways resembles—it would be hard to believe, even as a fiction. The narrative would seem overly contrived, at once too pulp and too poetic, too rich with allegorical synchronicity to stage the necessary suspension of disbelief. In this essay, I want to explore an unremarked aspect of Jack Parsons’ life and thought, what I will call his magickal feminism. In his 1946 text Free- 165 166 Erik Davis dom is a Two-Edged Sword, Parsons issued a call for women to take up the spiritual, sexual, and political sword—a cry for female autonomy that also eerily anticipated the militant witchcraft that would find historical expres- sion in California over twenty years later. -
Thelemic Qabalah Volume II
Thelemic Qabalah Volume II Publication in Class C by Frater Apollonius 4°=7□ ATAT Preface The first volume of this set addressed the theoretical approach to qabalistic practice. The very study of qabalistic theory in itself is not only absorbing, but all by itself can lead to an exultant state of consciousness. And of course, qabalistic theory is so much more than was presented in this first volume. From a Thelemic perspective, we have covered this topic in a wider sense in works like: Scientific Illuminism The Starry Gnosis: An American Revelation Liber Loagaeth: Leaf 1A And though these tomes expand the theoretical corpus, they still barely hold a skeletal representation of the enormity of the Greater and Lesser Mysteries that together make the Holy Qabalah…the holy and antient study that still then, must lead us to the present volume; that of praxis. Again, the study itself, that should that be all one ever does with the Qabalah in this life, can provide its own exultation of the Soul; that even then, a more intimate connection with one’s own life on this planet is deepened to a wondrous and wholesome degree. But in praxis, the soul takes yet a stronger step towards the congealing (discussed in Congealing the Soul in Volume I) that is the perfection of the self. Praxis is both the practice and the approach to practice and it does not occur in a vacuum. Every master needs his or her apprentice…why? Because as we explained in the first volume, the energy of the creator flows to the individualized ends that we are and then must extend from us in imitation of the creative force…we are essentially, re-creative creatures. -
Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’S Magick Lantern Cycle
Doyle White, E 2016 Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’s Magick Lantern Cycle. Present Pasts, 7(1): 2, pp. 1–10, DOI: http://dx.doi.org/10.5334/pp.73 RESEARCH PAPER Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’s Magick Lantern Cycle Ethan Doyle White* One of the great figureheads of American experimental cinema, Kenneth Anger (b.1927), is internationally renowned for his pioneering work, recognisable for its blend of homoerotica, popular and classical music, and dark, symbolist imagery. A follower of Thelema, the religion of infamous British occultist Aleister Crowley (1875–1947), Anger’s work is imbued with occult themes and undercurrents rarely comprehen- sible to the non-initiated viewer. In exploring these esoteric ideas, Anger makes use of archaeology and heritage in his short filmsEaux d’Artifice (1953) and Inauguration of the Pleasure Dome (1954–66), as well as in the lost films The Love That Whirls (1949) and Thelema Abbey (1955), which utilize such disparate elements as Aztec human sacrifice and putative Renaissance Satanism. However, this theme only reaches its apex in Lucifer Rising (1980), an exploration of Thelemic theology filmed at such sites as Avebury, Luxor, and Karnak, which reflects and propagates the Thelemic view of the past—an ‘alternative archaeology’ rooted in Crowley’s own fascination with Egyptomania. This paper seeks to explore Anger’s use of the past and place it in its proper context of twentieth-century Western esotericism. Kenneth Anger (b.1927) is one of the foremost figures of through the transformation of individual consciousness American experimental cinema, an artist who produced via artistic mediums (Hughes 2011: 12). -
Liber Samekh
MAGICK IN THEORY AND PRACTICE [BOOK 4 (LIBER ABA) PART III] First published Paris: Lecram Press., 1930 Corrected edition included in Magick: Book 4 Parts I-IV, York Beach, Maine: Samuel Weiser, 1994 This electronic edition prepared and issued by Celephaïs Press, somewhere beyond the Tanarian Hills, and manifested in the waking world in Leeds, Yorkshire, England July 2004. (c) Ordo Templi Orientis JAF Box 7666 New York NY 10116 U.S.A. MAGICK IN THEORY AND PRACTICE BY THE MASTER THERION (ALEISTER CROWLEY) BOOK 4 PART III Do what thou wilt shall be the whole of the Law. Celephaïs Press Ulthar - Sarkomand - Inquanok – Leeds 2004 Hymn to Pan [v] ——— ἔφιξ᾿ἔρωτι περιαρχὴς δ᾿ ἀνεπιόµαν ἰὼ ἰὼ πὰν πὰν ὢ πὰν πὰν ἁ λιπλαγκτε, κυλλανίας χιονοκτύποι πετραίς ἀπὸ δειράδος φάνηθ᾿, ὦ θεῶν χοροπόι ἄναξ —SOPH. Aj. ——— THRILL with lissome lust of the light, O man! My man! Come careering out of the night Of Pan! Io Pan! Io Pan! Io Pan! Come over the sea From Sicily and from Arcady! Roaming as Bacchus, with fauns and pards And nymphs and satyrs for thy guards, On a milk-white ass, come over the sea To me, to me, Come with Apollo in bridal dress (Shepherdess and pythoness) Come with Artemis, silken shod, And wash thy white thigh, beautiful God, In the moon of the woods, on the marble mount, The dimpled dawn of the amber fount! Dip the purple of passionate prayer In the crimson shrine, the scarlet snare, The soul that startles in eyes of blue To watch thy wantonness weeping through [vi] — v — HYMN TO PAN The tangled grove, the gnarléd bole Of the living tree that is spirit and soul And body and brain - come over the sea, (Io Pan! Io Pan!) Devil or god, to me, to me, My man! my man! Come with trumpets sounding shrill Over the hill! Come with drums low muttering From the spring! Come with flute and come with pipe! Am I not ripe? I, who wait and writhe and wrestle With air that hath no boughs to nestle My body, weary of empty clasp, Strong as a lion and sharp as an asp - Come, O come! I am numb With the lonely lust of devildom. -
A Wanderer of the Waste: Part 1
© Don Karr 2019 © Don Karr 2019 METHODS OF MAAT © Don Karr 2019 Do they call themselves the Cabala? Are they organized? Not as I see it. Probably it never occurred to them that they constituted a group. I say, you study them up. You ferret it out, the whole secret. It’s not my line. —Thornton Wilder, The Cabala (1926) © Don Karr 2019 METHODS OF MAAT Don Karr © 2019 © Don Karr 2019 © 2019 Don Karr OAI material © 1981-1982-1983 Gerry Ahrens All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including printing, photocopying, uploading to the web, recording, or by any information storage and retrieval system, or used in another book, without specific written permission from the author, except for short fully credited extracts or quotes used for scholastic or review purposes. © Don Karr 2019 METHODS OF MAAT by Don Karr (2019) 300 pages CONTENTS INTRODUCTION SECTION ONE – OAI The Book of Maat: Part 1 Liber Magnus Conjunctiones Workings sub-figura MC Liber ANDANA Liber LXIII (aka Liber K) SECTION TWO – 416 “An Astral Map for Contacting Crowley” A Wanderer of the Waste (by L. F. Whitcomb) 4 Enoch – The Book of Creation (by ThT“Z) The Distractions of Liber Salomonis The Book of Deviations Charting Nearness – Document #3 God’s Attributes ADDENDA Works Cited in OAI Writings OAI Articles in the Archives Sourceworks for 416 Contents of 416’s Works from the ’Eighties & ’Nineties 416 Articles in the Archives © Don Karr 2019 excerpts from METHODS OF MAAT © Don Karr 2019 INTRODUCTION [pp. -
149064NCJRS.Pdf
If you have issues viewing or accessing this file contact us at NCJRS.gov. • THE CITY OF '. GLENDAIJE POLICE DEPARTMENT OCCULT CRIMINAL INVESTIGATION • 149064 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the p~rson or organization originating it. Points of view or opinions stated in this document are those of the authors and-do not necessarily represent the official position or policies of the Nationallnslltute of Justice. Permission to reproduce this copyrighted material has been granted by City of Glendale Police Department to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner• • t TABLE OF CONTENTS (CONTINUED) TIPS FOR INVESTIGATING A RITUALISTIC • CRIME SCENE 44 Outside Crime Scene 44 Words of Warning 44 Inside Crime Scene 44 SYMPTOMS CHARACTERIZING SATANIC RITUAL ABUSE NOT USUALLY SEEN IN SEXUAL ABUSE CASES (PRESCHOOL AGE CHILDREN) 46 CRIMES AND PUNISHMENT 48 • • Page 1 •• The purpose of this training bulletin is to provide each officer with the necessary tools to become familiar with the terminology, artifacts and symbols relative to persons involved in crimes of occultic origin. Bringing to light the person· or persons involved in crimes from the satanic/occultic realm is not an easy task. The untrained investigator may find great difficulty understanding when an incident occurs from this area. We must remember that the First Amendment of the U.S. Constitution allows anyone the freedom to worship--GOD, PLANTS, SAT AN, ETC. A number of crimes within the past few years have come to our attention as these crimes have been flavored with involvement from the occult. -
Blac1{ Pearl the Jovrnal of the College of Thele~
BLAC1{ PEARL THE JOVRNAL OF THE COLLEGE OF THELE~ A14t14111l1, 1999 E.V. Vol. 1, NO.6 BLACK PEARL CoLLEGE OF THELEMA UlAel{ P£ARl THE JOVRNAl OF THE COllEGE OF THEl£MA "I have descended, 0 my darling, into the black shining waters, and I have plucked Thee forth as a black pearl of infinite preciousness. " - Liber LXV, Cap. III, v. 60 Founded in Service totheA:.A:. (IV7) Vol. I, No.6. Autumnal, Equinox. Anno XCV EDITOR James A. Eshelman EDITOR'S LE'ITER The Sun of the Soul by Fra. A.H. ...................................... H 3 ASSIST ANT EDITOR FEATURES Anna-Kria King Crowley on Angels. Phalluses & the Sun .......................... _..... 5 Letters From Saturn by Karl Johannes Germer ....................... -. ti ASSOCIATE EDITORS The Worship of Nuit by Soror Meral ..................................... 11 Gregory Peters Excerpts from The Magical Record of Brother Proserpinus ..... :•... 13 Phyllis Seckler The Spiritual Guide by Fra. E.P.M. ...... : ............................... 20 Crawford by James-A. Eshelman ............................. : ............ 24 The Star Ruby: An Analysis (part 2 of 3) by James A. Eshelman ... 29 . ART DIRECTOR Mysterium Coniunctionis by Fra~ A.A. (David G. Shoemaker) ...... 32 Anna-Kria King The Sleep of Siloam by James A. Eshelman ............................. 35 Ceremonial Magick. Part 6: The K&C of the HGA Uy Fra. A.H. .. 37 Ritual VIII (A:.A:. Publication in Class D) ............................ 38 The Vision & the Voice: ...£thyrs 15, 14 & 13 with Astroiogical & Qabalistic Commentary by Fra. A.H. ................................... 40 "Peace Unto You" by Anonymous ........................................ 55 PUBLISHED BY COLLEGE OF THELEMA COLUMNS . Qabalist's Qorner: 211 (and.666) by Ike Becker ........................ 27 Executive Director Phyllis Seckler POETRY Three Sonnets by William Shakespeare ..........: ..................