DOCSLIB.ORG

HAMILTON Is the Story of America's Founding Father Alexander

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HAMILTON Is the Story of America's Founding Father Alexander AS REHEARSALS BEGIN FURTHER TICKETS GO ON SALE NEW CAST IS ANNOUNCED FOR THE MULTI AWARD-WINNING WEST END PRODUCTION OF H A M I L T O N Producers Jeffrey Seller and Cameron Mackintosh are delighted to announce the new cast for the multi award-winning West End production of HAMILTON as the show enters its third year at the Victoria Palace Theatre. Also announced is the release of further tickets with the show now booking in London to 28 March 2020. From 18 November 2019, Karl Queensborough steps up to play the title role of Alexander Hamilton and Allyson Ava-Brown and Jason Pennycooke continue in their roles as Angelica Schuyler and Marquis de Lafayette/Thomas Jefferson respectively. They are joined by Emilie Louise Israel as Peggy Schuyler/ Maria Reynolds, Trevor Dion Nicholas as George Washington, Simon-Anthony Rhoden as Aaron Burr, Sharon Rose as Eliza Hamilton, Emile Ruddock as Hercules Mulligan/James Madison, Carl Spencer as John Laurens/Philip Hamilton and from 4 November 2019 Gavin Spokes will play King George. Nuno Queimado will play the role of Alexander Hamilton at certain performances. They are joined by Jade Albertsen, Curtis Angus, Robson Broad, Ashley Daniels, Lisa Darnell, Kelly Downing, Lydia Fraser, Dujonna Gift-Simms, Manaia Glassey-Ohlson, Joe Griffiths- Brown, Gregory Haney, Peter Houston, Barney Hudson, DeAngelo Jones, Jake Halsey-Jones, Phoebe Liberty Jones, Travis Kerry, Natasha Leaver, Aaron Lee Lambert, Sinead Long, Louis Mackrodt, Jay Perry, Alexzandra Sarmiento and Lindsey Tierney. HAMILTON has book, music and lyrics by Lin-Manuel Miranda, is directed by Thomas Kail, with choreography by Andy Blankenbuehler, musical supervision and orchestrations by Alex Lacamoire and is based on Ron Chernow’s biography of Alexander Hamilton. HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg and hair and wig design by Charles G. Lapointe. HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and helped shape the very foundations of the America we know today. The score blends hip-hop, jazz, blues, rap, R&B and Broadway – the story of America then, as told by America now. Allyson Ava-Brown previously played Fantine in Les Misérables at the Queen’s Theatre. Her other theatre credits include A Midsummer Night’s Dream and Aladdin at the Lyric Hammersmith, Etienne Sisters, Crowning Glory and Dangerous Lady for Theatre Royal Stratford East, The Quiet House at The Park Theatre, Simply Heavenly at Trafalgar Studios and Julius Caesar, Antony and Cleopatra and The Tempest for the Royal Shakespeare Company. 15 October 2019 /more…. -2- Emilie Louise Israel is making her West End debut in Hamilton. Her previous theatre credits include Nala in The Lion King and Jungle Festival for Disneyland Paris, The Woman in the US Tour of Gobsmacked! and the UK Tour of The Magic of Motown. Trevor Dion Nicholas originated the role of Genie in the West End production of Disney’s Aladdin at the Prince Edward Theatre. He also played the role at the New Amsterdam Theatre on Broadway and the U.S Tour. His other theatre credits include The Wiz, The 25th Annual Putnam County Spelling Bee, Ragtime, The Little Mermaid, The Wizard of Oz, Into the Woods, Little Shop of Horrors, Rent, The Exonerated and This is the Life All for the ETA Hoffman Theatre, Germany. Jason Pennycooke was Olivier Nominated for the roles of Bobby Dupree in Memphis and Jacob in La Cage Aux Folles. He was also Olivier nominated for his performance in Hamilton and he won the Whatsonstage Award for Best Supporting Actor in a Musical. His other West End credits include Paul in Kiss Me, Kate at the Old Vic and Sammy Davis Junior in The Rat Pack at the Savoy Theatre. As part of Edinburgh’s Christmas 2016 programme Pennycooke choreographed Five Guys Named Moe for Underbelly Productions in association with Cameron Mackintosh. Karl Queensborough is currently performing in the London production as the alternate Alexander Hamilton. His previous theatre credits include White Teeth at the Kiln Theatre, Sylvia and The Girl From the North Country at The Old Vic, The Little Matchgirl for Shakespeare's Globe/Bristol Old Vic/UK Tour, Aladdin, Cinderella, Dick Whittington and Jack and the Beanstalk for the Lyric Hammersmith, A Midsummer Night’s Dream for Filter, The Machine Stops for Theatre Royal York/Pilot Theatre, A Wolf in Snakeskin Shoes for the Tricycle Theatre, Only the Brave for Soho Theatre/Wales Millennium Centre/Bird Song, Morning for the Lyric Hammersmith/Traverse Theatre, Dayglo and Mind The Gap for Y Touring, and Ignition Out of Reach for Frantic Assembly. Nuno Queimado is currently performing in the London Production of Hamilton. His previous theatre credits include Jesus Christ Superstar at Regent’s Park Theatre, Mother Courage and her Children and Side Show for Southwark Playhouse, From Here To Eternity at the Shaftesbury Theatre, Women on the Verge of a Nervous Breakdown at the Playhouse Theatre, The World’s Greatest Show for the Royal Opera House, God’s Garden UK tour, and The Little Match Girl at Sadlers wells. He also appeared in the ITV drama Cold Feet. Simon-Anthony Rhoden trained at LAMDA. His theatre credits include The Color Purple for Leicester Curve, Kinky Boots at the Adelphi Theatre for which he won the Broadway World UK Award for Best Long- Running West End Show Performer, If I Should Stay for Soho Theatre and Parade at the Edinburgh Fringe. His screen credits include Feel Good, Let It Snow and Blue. Sharon Rose currently performs as a member of the West End cast of Hamilton. Her previous theatre credits include Beautiful: The Carole King Musical at the Aldwych Theatre, Motown The Musical at the Shaftesbury Theatre and Caroline or Change at the Hampstead Theatre. Emile Ruddock currently performs as part of the ensemble in the West End production of Hamilton. His previous theatre credits include Me and My Girl at the Chichester Festival Theatre, Five Guys Named Moe at the Marble Arch Theatre, Crazy for You at the Watermill Theatre, Kiss Me Kate on UK Tour and The Scottsboro Boys at the Young Vic and at the Garrick Theatre. Carl Spencer was last on stage in Joseph and the Amazing Technicolour Dreamcoat at the London Palladium. His other theatre credits include Motown the Musical at the Shaftesbury Theatre, Annie on UK Tour, The Scottsboro Boys at the Young Vic and Dear Edwina at The Lost Theatre. His film credits include Rocketman. Gavin Spokes has most recently performed on stage in A Very Expensive Poison at the Old Vic. His other theatre credits include Company at the Gielgud Theatre, Quiz for both Chichester Festival Theatre and the Noël Coward Theatre, Against and 1984 for the Almeida Theatre, Carousel for English National Opera, Guys /more…. -3- and Dolls at the Phoenix Theatre, Laurel and Hardy at the Watermill Theatre, Sleeping Beauty at Hackney Empire, She Stoops to Conquer for the National Theatre and One Man Two Guvnors for the National Theatre on tour. His television credits include Casualty, Hit Men, Brexit and Man Down. His film credits include The Courier and Made of Honour. Full ticketing information can be found on the official website at hamiltonmusical.com which includes details of the HAMILTON West End £10 daily Lottery as well as details of best ticket availability. Patrons are advised to check the official HAMILTON channels for news of late release seats which may become available at short notice. The Olivier, Tony and Grammy award-winning production of HAMILTON originally opened at the Public Theater in New York in 2015. Later that year, the Broadway production opened and in December 2017 HAMILTON opened at the newly re-built and restored Victoria Palace Theatre in London. The US tour continues. In January 2019 Lin-Manuel Miranda reprised the title role in Puerto Rico and in February 2019 a production opened in San Francisco. The Chicago production continues its run and in March 2021, HAMILTON will see its Australian premiere at the Sydney Lyric Theatre. Full ticketing information can be found on the official website at hamiltonmusical.com which includes details of the HAMILTON West End £10 daily Lottery as well as details of best ticket availability. HAMILTON is produced in London by Jeffrey Seller, Sander Jacobs, Jill Furman, The Public Theater and Cameron Mackintosh. IMAGES Production images of current cast https://www.dropbox.com/sh/el36zy0a4eq2bwy/AAC0x2UlwOYAR8vb902w9vPQa?dl=0 Headshots of cast from 18 November 2019 https://www.dropbox.com/sh/mnjn49a6bkvm8ca/AAAwhkal86NX6NKxdLt0l23Za?dl=0 LISTINGS INFORMATION Theatre Victoria Palace Theatre, Victoria Street, London SW1E 5EA Performances Monday – Saturday at 7.30pm, Thursday and Saturday at 2.30pm 2019 Christmas Monday 23 December 7.30pm Performances Tuesday 24 December 2.30pm Wednesday 25 December no performance Thursday 26 December 7.30pm Friday 27 December 2.30pm and 7.30pm Saturday 28 December 2.30pm and 7.30pm Monday 30 December 2.30pm and 7.30pm Tuesday 31 December 7.00pm Wednesday 1 January 7.30pm Thursday 2 January 2.30pm and 7.30pm Friday 3 January 7.30pm Saturday 4 January 2.30pm and 7.30pm Website hamiltonmusical.com Social Media facebook.com/HamiltonWestEnd twitter.com/HamiltonWestEnd instagram.com/HamiltonWestEnd #HamiltonLDN ____________________________________________________________________________________ For further press information please contact the Hamilton West End press office at [email protected] or Janine Shalom at Premier on 020 7292 8330 and Simon Raw at RAW PR on 020 3829 0930 .
Load more

Recommended publications
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • A Career Overview 2019
    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
    [Show full text]
  • HAMILTON Project Profile 6 8 20
    “HAMILTON” ONE-LINER: An unforgettable cinematic stage performance, the filmed version of the original Broadway production of “Hamilton” combines the best elements of live theater, film and streaming to bring the cultural phenomenon to homes around the world for a thrilling, once-in-a-lifetime experience. OFFICIAL BOILERPLATE: An unforgettable cinematic stage performance, the filmed version of the original Broadway production of “Hamilton” combines the best elements of live theater, film and streaming to bring the cultural phenomenon to homes around the world for a thrilling, once-in-a-lifetime experience. “Hamilton” is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, “Hamilton” has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. Filmed at The Richard Rodgers Theatre on Broadway in June of 2016, the film transports its audience into the world of the Broadway show in a uniquely intimate way. With book, music, and lyrics by Lin-Manuel Miranda and direction by Thomas Kail, “Hamilton” is inspired by the book “Alexander Hamilton” by Ron Chernow and produced by Thomas Kail, Lin-Manuel Miranda and Jeffrey Seller, with Sander Jacobs and Jill Furman serving as executive producers. The 11-time-Tony Award®-, GRAMMY Award®-, Olivier Award- and Pulitzer Prize-winning stage musical stars: Daveed Diggs as Marquis de Lafayette/Thomas Jefferson; Renée Elise Goldsberry as Angelica Schuyler; Jonathan Groff as King George; Christopher Jackson as George Washington; Jasmine Cephas Jones as Peggy Schuyler/Maria Reynolds; Lin-Manuel Miranda as Alexander Hamilton; Leslie Odom, Jr.
    [Show full text]
  • Putting It Together
    46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]
  • 100 Years: a Century of Song 1930S
    100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls
    [Show full text]
  • June 1-3,2(>(>7
    Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................
    [Show full text]
  • Women in Theatre 2006 Survey
    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
    [Show full text]
  • Bruce Walker Musical Theater Recording Collection
    Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
    [Show full text]
  • Hollywood Pantages Theatre Los Angeles, California
    ® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA Hamilton 8/2 Final upload.indd 1 8/2/21 2:41 PM HOLLYWOOD PANTAGES THEATRE August 17-August 31, 2021 Jeffrey Seller Sander Jacobs Jill Furman AND The Public Theater PRESENT BOOK, MUSIC AND LYRICS BY Lin-Manuel Miranda INSPIRED BY THE BOOK ALEXANDER HAMILTON BY Ron Chernow WITH Rubén J. Carbajal Nicholas Christopher Joanna A. Jones Taylor Iman Jones Carvens Lissaint Simon Longnight Rory O’Malley Sabrina Sloan Wallace Smith Jamael Westman AND Sam Aberman Gerald Avery Remmie Bourgeois Amanda Braun Cameron Burke Yossi Chaikin Trey Curtis Karlee Ferreira John Michael Fiumara Tré Frazier Aaron Alexander Gordon Vincent Jamal Hooper Jared Howelton Sabrina Imamura Carina-Kay Louchiey Yvette Lu Taeko McCarroll Mallory Michaellann Candace Quarrels Antuan Magic Raimone Julian Ramos Jen Sese Willie Smith III Terrance Spencer Tommar Wilson Morgan Anita Wood SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Korins Paul Tazewell Howell Binkley Nevin Steinberg HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS ASSOCIATE MUSIC SUPERVISOR Charles G. LaPointe Alex Lacamoire Michael Keller Matt Gallagher Lin-Manuel Miranda Michael Aarons EXECUTIVE PRODUCER PRODUCTION SUPERVISORS PRODUCTION STAGE MANAGER MUSIC DIRECTOR Maggie Brohn J. Philip Bassett Scott Rowen Andre Cerullo Amber White MARKETING & COMMUNICATIONS TECHNICAL SUPERVISION CASTING Laura Matalon Hudson Theatrical Associates The Telsey Office John Gilmour Bethany Knox, CSA ASSOCIATE & SUPERVISING DIRECTOR ASSOCIATE & SUPERVISING
    [Show full text]
  • The Theatrical Comfort Factor
    The theatrical comfort factor By Mark Shenton on July 12, 2011 6:40 AM | Permalink | Comments (17) What’s the single thing that would improve my professional life more than anything else, but also (since I don’t want to be entirely selfish about things here!) the theatregoing experience more generally? No, not more nights in the week, before you suggest it; to be honest, I go to the theatre far too much as it is, and even though there’s always one more request from one more PR or theatre director to see their show, I really don’t need to see more than I already do, and probably need to see a whole lot less. (I’ve been chasing my tail playing catch up for the last fortnight since returning from the US, and I finally officially see the last two of the shows I missed while I was away - and still want to see — today, with the National’s Emperor and Galilean this afternoon and Rosencrantz and Guildenstern Are Dead tonight). But since I do spend so many of my waking hours in theatres, what I crave more than anything are comfortable theatre seats. While you can make sure that you have the right mattress at home and the right office chair to work from for yourself, it’s one thing you have absolutely no control over. But visiting theatres as regularly as I do, it does mean that I look forward to going to some venues and dread others: the National’s Olivier and Lyttelton, for instance, are in the former category, while the Cottesloe is often in the latter, especially when it is reconfigured and their fixed seating is replaced by moveable chairs that are fixed together.
    [Show full text]
  • Download András Jacobs' CV
    András Jacobs Costume and Wardrobe Email: [email protected] Based in London, SE EDUCATION Currently: Technical Theatre Arts: Costume Supervision – Sept 2017 – July 2020 (3rd year) BA(HONS) Guildhall School of Music & Drama PRODUCTION PROFILE (Highlights productions are ones produced by the Guildhall School) ROLE PRODUCTION DESIGNER VENUE/COMPANY Costume Supervisor Grease: The Musical Stewart - Charlesworth Set and Costume The Kettling Brighton Fringe, Edinburgh Designer - Fringe, Camden Fringe. Hungry Wolf VYT Costume Assistant Dance Journeys 2020 Louie Whitemore English National Ballet Costume Supervisor Antigone Kai Fischer Silk Street Theatre, Guildhall School of Music & Drama Costume Supervisor The Royale Louie Whitemore Milton Court Studio, Guildhall School of Music & Drama Costume Supervisor GUT Louie Whitemore Milton Court Studio, Guildhall School of Music & Drama Costume Designer and Autumn Opera Scenes Milton Court Studio, Guildhall - Supervisor School of Music & Drama Costume Assistant [BLANK] Rosie Elnile Donmar Warehouse Costume Designer and RENT Stockwell Playhouse, RicNic - Dresser Theatre Set and Costume Sane and Sound Arcola Theatre - Designer Costume Designer All the Little Lights Tristan Bates Theatre, Camden - Fringe (Offie Winning) Costume Stylist and Iolanta Madeleine Boyd Villa Ephrussi de Rothschild, Les Buyer Azuriales Opera 1st Costume Assistant Merrily We Roll Along Adam Wiltshire Silk Street Theatre, Guildhall and Head Dresser School of Music & Drama Costume Assistant and Opera Double Bill – Aminta E Madeleine
    [Show full text]