A Makem and a Clancy … ‘DNA Day’ … Honor Music on Sept
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Thomas Moore, Whose Patri- Manuscript Facsimiles and Musical Files, Otic-Imbued Writings Earned Him the with Commentary,” He Said
cc Page 24 Echo Lifestyle Ireland’s Minstrel Boy gets his encore By Michael P. Quinlin [email protected] William Blake. Phase one of the Moore project is slat- BOSTON — Ireland’s first mega star ed to go live this November, when the wrote poetry, history tomes and political Hypermedia Archive will be launched polemics that made him the talk of the at a conference in Galway, according to town in his native Dublin as well as in Ryder. London, Boston and New York. “By next year, we should have all the We’re not talking about Bono here, ‘Irish Melodies’ available online as texts, but rather Thomas Moore, whose patri- manuscript facsimiles and musical files, otic-imbued writings earned him the with commentary,” he said. The interest in Moore is enhanced by www.irishecho.com / Irish Echo May 21-27, 2008 titles Bard of Erin and Ireland’s National Poet. two new biographies, including one It was Moore’s lyrics to ancient Irish published last month by Ronan Kelly airs that brought him fame and notoriety entitled, “The Bard of Erin: the Life of during his lifetime and beyond. His Thomas Moore,” which Ryder says is famous collection, “Moore’s Melodies,” superb. was admired by the likes of Beethoven Like Ryder, Professor Flannery in and Lord Byron, and translated into six Atlanta never lost faith in Moore’s languages. importance in Irish history as a song- “Moore’s Melodies” was a ten-vol- writer, a literary influence and a nation- ume set of 124 songs published between alist figure. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Remembering Larry Reynolds, Fiddler: US Rep
November 2012 Boston’s hometown VOL. 23 #11 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2012 Boston Neighborhood News, Inc. bostonirish.com BIR cites Rep. Neal, Muses, and Feeneys The Boston Irish Reporter hosted its third annual Boston Irish Honors on Fri., Oct. 19, at the Seaport Hotel on the South Boston waterfront. The event, which marked the 22nd anni- versary of the BIR, drew more than 350 persons to the mid-day luncheon. In his prepared remarks, publisher Ed Forry said, “In hon- oring these exemplary families and individu- als who em- body the fin- est qualities of our people, we seek to h o n o r t h e memories of our ancestors who came here in bygone days when it was far from clear that we could make this place our home. How proud those early immigrants would be of their descendants, who have made Boston a welcoming place— Larry Reynolds leading a session at the Green Briar Irish Pub in Brighton. not only for new waves of Irish Photo courtesy of Bill Brett, from “Boston: An Extended Family” © 2007 entrepreneurs and workers, but for people from around the globe. “Today’s honorees — the Muse family, the Feeney brothers and Remembering Larry Reynolds, fiddler: US Rep. Richard Neal—are agents of idealism and ingenu- ity who represent the best of the ‘He never, ever got tired of the music’ Boston Irish experience. They no room for all of them to come simply passed along by word of are devoted to a level of profes- By Sean Smith Ui Cheide, a sean-nos singer sionalism in their chosen fields and say goodbye to him. -
Millenniumforum @Millenniumforum Download Our App 2 Box Office +44 (0) 28 7126 4455 Through Arts Council Northern Ireland
www.millenniumforum.co.uk BOX OFFICE: 028 7126 4455 JANUARY - APRIL 2017 PROGRAMME /MillenniumForum @MillenniumForum Download Our App 2 Box Office +44 (0) 28 7126 4455 www.millenniumforum.co.uk through Arts Council Northern Ireland WELCOME TO ANOTHER GREAT SEASON OF SHOWS TO TAKE US THROUGH TO THE FIRST BUDS OF SPRING. This season we have superb headlining with its breathtaking sets and vibrant musicals beginning with the West End tour choreography. of DIRTY DANCING in February bringing the story of Johnny and Baby from screen We have drama with Shakespeare’s to stage in this dynamic production which HAMLET, brought to us by Icarus Theatre is garnering rave reviews on tour. in January. There is comedy drama by popular local playwright, Irene Melaugh, A brand new stage show makes its Irish with THE DERRY DUMPED DIVORCEES’ debut on our stage when WONDERLAND SUPPORT GROUP in March. The LMS arrives in February as part of its UK tour. joins us with SEVEN BRIDES FOR SEVEN This enchanting musical adaptation of the BROTHERS later in the season. Lewis Carroll classic stars Wendi Peters (Coronation Street) and acclaimed musical We have a fabulous show for children when theatre favourite, Dave Willets. Olivier nominated ROOM ON THE BROOM makes its debut in this magical, musical We have a wide range of Irish music artists adaptation of the classic picture book by this season with THE HIGH KINGS, DEREK Julia Donaldson and Axel Scheffler. RYAN and CHARLIE LANDSBOROUGH in January. HOMEGROWN returns in the I hope you can join us in our busy season! same month featuring a number of up- You can view our full programme at and-coming local musicians including millenniumforum.co.uk PAUL CASEY and THE HENRY GIRLS. -
(Tom) of Granada Hills, CA Passed Away on December 15, 2009 from Complications of Ovarian Cancer Surgery
Home About Calendar/News Gallery Green Pages Contact 2009 OBITUARIES December Joan May Manning, beloved wife of Thomas F Manning (Tom) of Granada Hills, CA passed away on December 15, 2009 from complications of ovarian cancer surgery. Joan was a Londoner by birth, but a Yankee at heart, coming to America in 1956 with her husband Tom. She was an active member of the Burbank clubs (Moose, VFW, American Legion) and a talented singer who entertained many of us over the years with her lovely voice. She is survived by her loving daughters Chris O'Shaunnessy of Sunland CA, Mary Schumacher of Denver, CO and Shelagh Manning of Towanda, PA and by her many beautiful grandchildren and great grandchildren. Patrick J. Kane was born on 21st October 1933 in Bray, Co Wicklow and passed on 16th December 2009 in Loughlinstown Hospital, Co Wicklow. Patrick and his wife Brenda came here in 1963. They joined St Therese Parish in Alhambra. Their six children all graduated from the parish school. The Kane's maintained a home in Co Wicklow. While Pat was in Ireland in December 2009 he became ill. After much persuasion from the family "Poppers" agreed to be checked out at the Loughlinstown Hospital. He was diagnosed --" a severe case of pneumonia". Pat had left it too late. He wanted to see his own doctor here in California. Alas, Pat did not make that scheduled flight on 10th January 2010. Most of the family live in Ireland but Pat waited till son Ed arrived from Kentucky and son Mike from Valencia and Deirdre from Temple City. -
The Nineteenth-Century Russian Gypsy Choir and the Performance of Otherness
The Nineteenth-Century Russian Gypsy Choir and the Performance of Otherness Erik R. Scott Summer 2008 Erik R. Scott is a Ph.D. candidate in the Department of History, at the University of California, Berkeley Acknowledgments I would like to thank Professor Victoria Frede and my fellow graduate students in her seminar on Imperial Russian History. Their careful reading and constructive comments were foremost in my mind as I conceptualized and wrote this paper, first for our seminar in spring 2006, now as a revised work for publication. Abstract: As Russia’s nineteenth-century Gypsy craze swept through Moscow and St. Petersburg, Gypsy musicians entertained, dined with, and in some cases married Russian noblemen, bureaucrats, poets, and artists. Because the Gypsies’ extraordinary musical abilities supposedly stemmed from their unique Gypsy nature, the effectiveness of their performance rested on the definition of their ethnic identity as separate and distinct from that of the Russian audience. Although it drew on themes deeply embedded in Russian— and European—culture, the Orientalist allure of Gypsy performance was in no small part self-created and self-perpetuated by members of Russia’s renowned Gypsy choirs. For it was only by performing their otherness that Gypsies were able to seize upon their specialized role as entertainers, which gave this group of outsiders temporary control over their elite Russian audiences even as the songs, dances, costumes, and gestures of their performance were shaped perhaps more by audience expectations than by Gypsy musical traditions. The very popularity of the Gypsy musical idiom and the way it intimately reflected the Russian host society would later bring about a crisis of authenticity that by the end of the nineteenth century threatened the magical potential of Gypsy song and dance by suggesting it was something less than the genuine article. -
Okeedokeestudyguide2016.Pdf
TABLE OF CONTENTS Who Are The Okee Dokee Brothers?.................................................................................................................................1 What Kind of Music Do They Play?.................................................................................................................................2 Down the Mississippi River...............................................................................................................................................3 On the Appalachian Trail..................................................................................................................................................4 Along the Great Divide.....................................................................................................................................................5 Instruments in the Show: Strings.......................................................................................................................................6 Instruments in the Show: Percussion..................................................................................................................................7 Before the Performance.....................................................................................................................................................8 After the Performance.......................................................................................................................................................9 Okee Dokee Vocab..........................................................................................................................................................10 -
The High Kings Are Finbarr Clancy, Darren Holden and Brian Dunphy
The High Kings are Finbarr Clancy, Darren Holden and Brian Dunphy. The High Kings formed in June 2007 when Brian, Darren, Finbarr and former member Martin Furey were asked to join a brand new Irish ballad group by David Kavanagh after he had noticed a gap in the market for a band specialising in traditional Irish music. It didn’t take long during their first studio rehearsal for them to realise that the way their individual voices blended together, that they were onto something special. The High Kings play 13 instruments between them creating the unique sound and atmosphere that they still showcase to this day. This was confirmed when their self-titled debut album reached number 2 on the world Billboard Music chart. In March 2009 The High Kings played 5 consecutive sold out shows to a packed audience in Dublin’s Olympia Theatre. Towards the end of 2009 The High Kings licensed their second studio album ‘Memory Lane’ to Universal Music Ireland signifying the fast trajectory that the band had taken in their short lifespan. ‘Memory Lane’ was released in February 2010 and after a successful Irish tour the album went platinum in June only 4 months after it’s initial release. They followed ‘Memory Lane’ with a ‘Live In Ireland’ album which received critical acclaim as it showcased the energy that the band brings to the live shows. By 2011 the band had out grown the venues they had been previously playing and had to start playing larger venues not only in Ireland but also in America and across Europe. -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
Christy Moore and the Irish Protest Ballad
“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry. -
Dònal Lunny & Andy Irvine
Dònal Lunny & Andy Irvine Remember Planxty Contact scène Naïade Productions www.naiadeproductions.com 1 [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 Biographie Icônes de la musique irlandaise des années 70, Dònal Lunny et Andy Irvine proposent un hommage au groupe Planxty, véritable référence de la musique folk irlandaise connue du grand public. Producteurs, managers, leaders de groupes d’anthologie de la musique irlandaise comme Sweeney’s Men , Planxty, The Bothy Band, Mozaik, LAPD et récemment Usher’s Island, Dònal Lunny et Andy Irvine ont développé à travers les années un style musical unique qui a rendue populaire la musique irlandaise traditionnelle. Andy Irvine est un musicien traditionnel irlandais chanteur et multi-instrumentiste (mandoline, bouzouki, mandole, harmonica et vielle à roue). Il est également l’un des fondateurs de Planxty. Après un voyage dans les Balkans, dans les années 70 il assemble différentes influences musicales qui auront un impact majeur sur la musique irlandaise contemporaine. Dònal Lunny est un musicien traditionnel irlandais, guitariste, bouzoukiste et joueur de bodhrán. Depuis plus de quarante ans, il est à l’avant-garde de la renaissance de la musique traditionnelle irlandaise. Depuis les années 80, il diversifie sa palette d’instruments en apprenant le clavier, la mandoline et devient producteur de musique, l’amenant à travailler avec entre autres Paul Brady, Rod Stewart, Indigo Girls, Sinéad O’Connor, Clannad et Baaba Maal. Contact scène Naïade Productions www.naiadeproductions.com [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 2 Line Up Andy Irvine : voix, mandoline, harmonica Dònal Lunny : voix, bouzouki, bodhran Paddy Glackin : fiddle Discographie Andy Irvine - 70th Birthday Planxty - A retrospective Concert at Vicar St. -
National Library of Ireland
ABOUT TOWN (DUNGANNON) AISÉIRGHE (DUBLIN) No. 1, May - Dec. 1986 Feb. 1950- April 1951 Jan. - June; Aug - Dec. 1987 Continued as Jan.. - Sept; Nov. - Dec. 1988 AISÉIRÍ (DUBLIN) Jan. - Aug; Oct. 1989 May 1951 - Dec. 1971 Jan, Apr. 1990 April 1972 - April 1975 All Hardcopy All Hardcopy Misc. Newspapers 1982 - 1991 A - B IL B 94109 ADVERTISER (WATERFORD) AISÉIRÍ (DUBLIN) Mar. 11 - Sept. 16, 1848 - Microfilm See AISÉIRGHE (DUBLIN) ADVERTISER & WATERFORD MARKET NOTE ALLNUTT'S IRISH LAND SCHEDULE (WATERFORD) (DUBLIN) March 4 - April 15, 1843 - Microfilm No. 9 Jan. 1, 1851 Bound with NATIONAL ADVERTISER Hardcopy ADVERTISER FOR THE COUNTIES OF LOUTH, MEATH, DUBLIN, MONAGHAN, CAVAN (DROGHEDA) AMÁRACH (DUBLIN) Mar. 1896 - 1908 1956 – 1961; - Microfilm Continued as 1962 – 1966 Hardcopy O.S.S. DROGHEDA ADVERTISER (DROGHEDA) 1967 - May 13, 1977 - Microfilm 1909 - 1926 - Microfilm Sept. 1980 – 1981 - Microfilm Aug. 1927 – 1928 Hardcopy O.S.S. 1982 Hardcopy O.S.S. 1929 - Microfilm 1983 - Microfilm Incorporated with DROGHEDA ARGUS (21 Dec 1929) which See. - Microfilm ANDERSONSTOWN NEWS (ANDERSONSTOWN) Nov. 22, 1972 – 1993 Hardcopy O.S.S. ADVOCATE (DUBLIN) 1994 – to date - Microfilm April 14, 1940 - March 22, 1970 (Misc. Issues) Hardcopy O.S.S. ANGLO CELT (CAVAN) Feb. 6, 1846 - April 29, 1858 ADVOCATE (NEW YORK) Dec. 10, 1864 - Nov. 8, 1873 Sept. 23, 1939 - Dec. 25th, 1954 Jan. 10, 1885 - Dec. 25, 1886 Aug. 17, 1957 - Jan. 11, 1958 Jan. 7, 1887 - to date Hardcopy O.S.S. (Number 5) All Microfilm ADVOCATE OR INDUSTRIAL JOURNAL ANOIS (DUBLIN) (DUBLIN) Sept. 2, 1984 - June 22, 1996 - Microfilm Oct. 28, 1848 - Jan 1860 - Microfilm ANTI-IMPERIALIST (DUBLIN) AEGIS (CASTLEBAR) Samhain 1926 June 23, 1841 - Nov.