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Appendix File Anes 1988‐1992 Merged Senate File
Version 03 Codebook ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ CODEBOOK APPENDIX FILE ANES 1988‐1992 MERGED SENATE FILE USER NOTE: Much of his file has been converted to electronic format via OCR scanning. As a result, the user is advised that some errors in character recognition may have resulted within the text. MASTER CODES: The following master codes follow in this order: PARTY‐CANDIDATE MASTER CODE CAMPAIGN ISSUES MASTER CODES CONGRESSIONAL LEADERSHIP CODE ELECTIVE OFFICE CODE RELIGIOUS PREFERENCE MASTER CODE SENATOR NAMES CODES CAMPAIGN MANAGERS AND POLLSTERS CAMPAIGN CONTENT CODES HOUSE CANDIDATES CANDIDATE CODES >> VII. MASTER CODES ‐ Survey Variables >> VII.A. Party/Candidate ('Likes/Dislikes') ? PARTY‐CANDIDATE MASTER CODE PARTY ONLY ‐‐ PEOPLE WITHIN PARTY 0001 Johnson 0002 Kennedy, John; JFK 0003 Kennedy, Robert; RFK 0004 Kennedy, Edward; "Ted" 0005 Kennedy, NA which 0006 Truman 0007 Roosevelt; "FDR" 0008 McGovern 0009 Carter 0010 Mondale 0011 McCarthy, Eugene 0012 Humphrey 0013 Muskie 0014 Dukakis, Michael 0015 Wallace 0016 Jackson, Jesse 0017 Clinton, Bill 0031 Eisenhower; Ike 0032 Nixon 0034 Rockefeller 0035 Reagan 0036 Ford 0037 Bush 0038 Connally 0039 Kissinger 0040 McCarthy, Joseph 0041 Buchanan, Pat 0051 Other national party figures (Senators, Congressman, etc.) 0052 Local party figures (city, state, etc.) 0053 Good/Young/Experienced leaders; like whole ticket 0054 Bad/Old/Inexperienced leaders; dislike whole ticket 0055 Reference to vice‐presidential candidate ? Make 0097 Other people within party reasons Card PARTY ONLY ‐‐ PARTY CHARACTERISTICS 0101 Traditional Democratic voter: always been a Democrat; just a Democrat; never been a Republican; just couldn't vote Republican 0102 Traditional Republican voter: always been a Republican; just a Republican; never been a Democrat; just couldn't vote Democratic 0111 Positive, personal, affective terms applied to party‐‐good/nice people; patriotic; etc. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Copyright by Leah Michelle Ross 2012
Copyright by Leah Michelle Ross 2012 The Dissertation Committee for Leah Michelle Ross Certifies that this is the approved version of the following dissertation: A Rhetoric of Instrumentality: Documentary Film in the Landscape of Public Memory Committee: Katherine Arens, Supervisor Barry Brummett, Co-Supervisor Richard Cherwitz Dana Cloud Andrew Garrison A Rhetoric of Instrumentality: Documentary Film in the Landscape of Public Memory by Leah Michelle Ross, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2012 Dedication For Chaim Silberstrom, who taught me to choose life. Acknowledgements This dissertation was conceived with insurmountable help from Dr. Katherine Arens, who has been my champion in both my academic work as well as in my personal growth and development for the last ten years. This kind of support and mentorship is rare and I can only hope to embody the same generosity when I am in the position to do so. I am forever indebted. Also to William Russell Hart, who taught me about strength in the process of recovery. I would also like to thank my dissertation committee members: Dr Barry Brummett for his patience through the years and maintaining a discipline of cool; Dr Dana Cloud for her inspiring and invaluable and tireless work on social justice issues, as well as her invaluable academic support in the early years of my graduate studies; Dr. Rick Cherwitz whose mentorship program provides practical skills and support to otherwise marginalized students is an invaluable contribution to the life of our university and world as a whole; Andrew Garrison for teaching me the craft I continue to practice and continuing to support me when I reach out with questions of my professional and creative goals; an inspiration in his ability to juggle filmmaking, teaching, and family and continued dedication to community based filmmaking programs. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
'The Immensity of Confrontable Selves': the 'Split Subject'and Multiple Identities in the Experimental Novels of Christine Brooke-Rose Stephanie Jones
‘THE IMMENSITY OF CONFRONTABLE SELVES’: THE ‘SPLIT SUBJECT’ AND MULTIPLE IDENTITIES IN THE EXPERIMENTAL NOVELS OF CHRISTINE BROOKE-ROSE STEPHANIE JONES ABERYSTWYTH UNIVERSITY 01/03/2016 ACKNOWLEDGEMENTS I would like to extend my deepest thanks to my supervisor Professor Tim Woods, who has shown constant, unwavering support for the project, and read it multiple times with uncommon care. I would also like to thank Professor Peter Barry whose comments on my written work and presentations have always inspired much considered thought. I am extremely grateful to Dr. Luke Thurston for his translation of the letters between Hélène Cixous and Christine Brooke-Rose from the French. I am also greatly indebted to Dr. Will Slocombe whose bravery in teaching Brooke-Rose’s fiction should be held directly responsible for the inspiration for this project. I should also like to extend my thanks to my fellow colleagues in the English and Creative Writing department at Aberystwyth University. I am also deeply indebted to the Harry Ransom Centre of Research, the location of the Christine Brooke-Rose archive, and the John Rylands Library that holds the Carcanet archive, and all the staff that work in both institutions. Their guidance in the archives and support for the project has been deeply valued. Special thanks go to Michael Schmidt OBE for allowing me to access the Carcanet archive and Jean Michel Rabaté and Ali Smith for their encouragement throughout my studies of Christine Brooke-Rose, and their contributions to the project. For my family LIST OF ABBREVIATIONS These abbreviations will appear embedded within the text in parentheses, with page numbers. -
Campaign Documentaries: Behind-The-Scenes Perspectives Make Useful Teaching Tools
Social Education 76(4), pp 182–186 ©2012 National Council for the Social Studies Campaign Documentaries: Behind-the-Scenes Perspectives Make Useful Teaching Tools David Wolfford Over the last 20 years, independent filmmakers have produced insightful alcohol, while riding emotional ups and documentaries of high profile political campaigns with behind-the-scenes footage. downs into a slap-happiness that enter- These documentaries offer inside looks and unique perspectives on electoral politics. tains the viewer. This campaign season, consider The War Room; A Perfect Candidate; Journeys With All films follow a similar chronolo- George; Chisholm ’72; Street Fight; and By the People as effective teaching tools for gy—from the candidate’s announcement conveying the complex issues and events related to political campaigns and elections. through the election—with a competi- tive narrative. A Perfect Candidate and Each of the above mentioned films are and TV advertising, while containing Street Fight, which covers a Newark artifacts of modern American political conflict, suspense, and emotional twists. mayoral race, sum up and analyze less- history. They reveal the intricacies of The films illustrate the rigors of cam- er-known elections, drawing students our electoral institutions, are worthy paigning, the irregular lifestyle, and the in as they look toward the resolution. of review and discussion in political personalities who take up the cause. If you find suspense a useful hook in science or other social studies classes, In both The War Room, which cap- your class, ask students to refrain from and can also help teachers cover state tures Bill Clinton’s 1992 run, and A Googling the election’s outcome until and national standards. -
The Unexpected Feminist
& THE UNEXPECTED FEMINIST by VAN BADHAM A response to: The Removalists by David Williamson Copyright Details First published in 2014 by Currency Press Pty Ltd, PO Box 2287, Strawberry Hills, NSW, 2012, Australia [email protected] www.currency.com.au ‘The Unexpected Feminist’ © Van Badham, 2014 Copying for EduCational purposEs The Australian Copyright Act 1968 (Act) allows a maximum of one chapter or 10% of this book, whichever is the greater, to be copied by any educational institution for its educational purposes provided that that educational institution (or the body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. For details of the CAL licence for educational institutions contact CAL, Level 15, 233 Castlereagh Street, Sydney, NSW, 2000; tel: within Australia 1800 066 844 toll free; outside Australia +61 2 9394 7600; fax: +61 2 9394 7601; email: [email protected] Copying for othEr purposEs Except as permitted under the Act, for example a fair dealing for the purposes of study, research, criticism or review, no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior written permission. All enquiries should be made to the publisher at the address above. ePub ISBN: 9781921429002 mobi ISBN: 9781921429019 Series Editor: Toby Leon Cover design: Miranda Costa Publication of this title was assisted by the Copyright Agency Limited’s Cultural Fund. Author’s Biography VAN BADHAM is an internationally acclaimed, award-winning playwright, critic, novelist and screenwriter. Her plays have been performed across Australia, the UK, the USA, Germany, Austria, Switzerland, Slovenia and Iceland. -
Exploring the Impact of Legislation on the Development of Craft Beer
beverages Article Exploring the Impact of Legislation on the Development of Craft Beer Alistair Williams School of Hospitality, The College of Management, Johnson & Wales University, Charlotte Campus, Charlotte, NC 28202, USA; [email protected]; Tel.: +1-980-598-1531 Academic Editor: James M. Seff Received: 4 December 2016; Accepted: 20 March 2017; Published: 28 March 2017 Abstract: The purpose of this paper is to discuss the ways in which federal and state legislation has impacted the growth of the US craft beer industry. In order to achieve this purpose, the city of Charlotte in North Carolina (N.C.) will be used as a case study. The research is conceptual in nature, a preferred choice as it allows a researcher to break down the issue into its constituent parts in order to gain a broader understanding. The research demonstrates that the legal framework in place for the production and distribution of alcoholic beverages in the U.S.A., which is a legacy of the Prohibition movement of the last century, continues to have a significant impact on the development of the craft beer industry. The growth in the number of breweries across the U.S.A. has been driven by the craft brewing industry and has provided consumers with a vastly increased array of choices (Burgdorf, 2016). The growth in the craft beer industry has not been proportional across all states, however. While many factors influence the growth of craft breweries (Carroll and Swaminathan, 2000), regulations such as those that restrict how brewers can distribute and retail beer have inhibited growth in many states, limiting consumer choice. -
CJ-September-2020-Reduced.Pdf
ELECTIONS HEALTH CARE Filing challenged Fighting unionization Democrat candidate J.D. Wooten faces Hospital consolidation complicates issues challenges over loan, residency in his run of who’s at fault in Mission Health union for Senate District 24 debate PAGE 6 PAGE 5 FOR DAILY UPDATES VISIT CAROLINAJOURNAL.COM AN AWARD-WINNING JOURNAL OF NEWS, ANALYSIS, AND OPINION FROM THE JOHN LOCKE FOUNDATION CAROLINAJOURNAL.COM VOL. 29 • NO. 9 • SEPTEMBER 2020 • STATEWIDE EDITION LOST GOVERNMENT ORDERS, EDICTS IN RESPONSE TO PANDEMIC BREAK BUSINESSES, LEAVING TRADITION, CULTURE IN TATTERS MUSIC VENUES, CLOSED SINCE YEAR WITHOUT A STATE FAIR MARCH, STRUGGLE TO SURVIVE. LEAVES NORTH CAROLINIANS SOME HAVE CLOSED FOR GOOD SAD, NOSTALGIC PAGE 8 PAGE 12 Interview: CAROLINA JOURNAL 4800 SIX FORKS ROAD, #220 Mike Long RALEIGH, NC 27609 President of Parents for CJ ONLINE PERMIT NO. 302 NO. PERMIT Educational Freedom in DURHAM, NC DURHAM, North Carolina discusses jlf.carolina.journal PAID the impact of Espinoza v. @carolinajournal U.S. POSTAGE U.S. Montana Dept. of Revenue. NONPROFIT ORG. NONPROFIT www.carolinajournal.com PAGE 15 [email protected] GET MORE CAROLINA JOURNAL 2 CAROLINA JOURNAL // SEPTEMBER 2020 CAROLINA JOURNAL FROM THE PUBLISHER Public Opinion: Black men speak out, Slogan Favorability demonstrate difference between blm and BLM Do you have a favorable or unfavorable view PUBLISHER Amy O. Cooke of the following slogans? @therightaoc EDITOR-IN-CHIEF f you haven’t experienced a Rick Henderson Mark Robinson speech, you’re Law and Order @deregulator missing a gifted orator. Watch- ing the Republican lieutenant ◼ VERY FAVORABLE 46% MANAGING EDITOR Igovernor candidate is like being ◼ SOMEWHAT FAVORABLE 19% John Trump transported back to an old-time ◼ SOMEWHAT UNFAVORABLE 12% @stillnbarrel revival. -
DAVID WILLIAMSON Study Guide
What I Wrote David Williamson Teacher’s Notes Introduction This study guide to accompany What I Wrote: David Williamson has been written for senior secondary students. It provides information and suggestions for learning activities in English, Literature, Theatre Studies and Drama. What I Wrote: David Williamson is a DVD on Australian playwright David Williamson. Dr Tess Brady interviews Williamson and provides a critical introduction to The Removalists (1972), Don’s Party (1973), The Club (1978), Travelling North (1980), Gallipoli (1981) Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), The Great Man (2000), The Jack Manning Trilogy (2002), Soulmates (2003), and Influence (2005). The DVD also in� cludes an investigation of Williamson’s approach to writing for the stage. What I Wrote: David Williamson is one title from a series of DVDs spotlighting Australian playwrights. The series offers students information about the ideas and processes of the playwrights, as well as the opportunity to hear what the writers have to say about their work. Other titles available in the What I Wrote series include: Series 1: • What I Wrote: Matt Cameron • What I Wrote: Louis Nowra • What I Wrote: Hannie Rayson • What I Wrote: Katherine Thomson Series 2: • What I Wrote: Debra Oswald • What I Wrote: Andrew Bovell How to Buy the DVDs • What I Wrote: �������������oanna Murray������Smith The DVDs are available from Ronin Films at: http://www.roninfilms.com.au Find Out More Info Further information about the series and film trailers How to Buy the Play Scripts can be found at: http://www.whatiwrote.com.au or on The play scripts are available from Currency Press at: YouTube http://www.youtube.com/pinkcat1 http://www.currency.com.au/ About the Filmmakers Dr Tess Brady interactive websites and advertising. -
Uncle Tom's Uncle
Uncle Tom’s Uncle Uncle Tom’s Uncle The Case for Reparations (And why I don’t want them) Ronald Dennis Chism Values Press All Rights Reserved Copyright © 2021 by Ron Chism First Edition Published in the United States by Values Press Created in the United States of America Acknowledgements edicated to my father, Nathaniel Spain Chism, who, by his example, taught me the power of steadiness, dignity, hard work, D and non-judgmental acceptance of others. To my mother, Azelma Dolores Chism, who, by her example, taught me to not wait until “didn’t.” (Don’t worry, you’ll read about “didn’t”), and not to ever, ever give up until you’ve won, or died trying. To my big brother-brother, Marcus Burnell Chism, aka, Yeshiah Ben Shaleak, who, by concrete example, taught me that nobody defines me, and nobody corrals me, because I’m “a man on the planet, unbound.” To my wife of 31 years, Morna, whose external life, every single nano- second, reflects her inner spiritual belief in, reliance upon, and love of The Divine and gives me a daily example to continue trying to emulate. Without her, I could do nothing. To Carl Ferrel, who taught me how “to chess.” To Leroy Hardy, aka, Chaka Ra, who, for many of us young “Black-consciousness” men of Chicago, back in the late 1960s, greatly extended my big brother’s man- on-the-planet perspective of self, and who refused to serve as an ear for excuses. To the awesome, tough-love, no-excuses-accepted, progressive Black community of pre-1960s America, which produced, all over the United States, strong independent Black institutions and economies, regardless of segregation. -
Former Raleigh Mayor Sues for Defamation
Former Raleigh Mayor Sues for Defamation Digital Media and Data Privacy Law Blog on 06.07.2009 Posted in Defamation According to a recent story in the Raleigh News & Observer, a former Republican mayor of Raleigh, and current candidate for chairman of the North Carolina Republican Party, Tom Fetzer, has sued a Wilmington radio station and disc jockey for defamation because the disc jockey forwarded an email to others that "insinuat[ed] that Fetzer is gay." Fetzer's civil complaint can be read here. As has been widely reported, there is a North Carolina Court of Appeals decision that would appear to make Fetzer's claim a legal long shot. In Donovan v. Fiumara, 442 S.E.2d 524 (N.C. Ct. App. 1994), the plaintiffs brought a sander claim against the defendant for stating to others that the plaintiffs were "gay and bisexual." The trial court had granted the defendant's motion to dismiss, and the Court of Appeals agreed that the purported comments did not fit into any of the three categories of slander per se. It did not impeach the plaintiffs in their trade or business, it did not allege they had a "loathsome disease," and it did not impute to them the commission of a crime. Much of the court's opinion was spent analyzing the final category, since, as plaintiffs asserted, North Carolina has an anti-sodomy law. The court held, however, that the law banned all kinds of activity not particular to gay people, and so calling someone "gay" "is not tantamount to charging that individual with the commission of a crime." Thus, as a matter of law, implying someone is "gay," as the News & Observer says Fetzer is claiming here, does not support a claim of slander per se.