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EVENTEENTH- ENTURY EWS SPRING - SUMMER 2005 Vol. 63 Nos. 1&2 Including THE NEO-LATIN NEWS Vol. 53, Nos. 1&2 SEVENTEENTH-CENTURY NEWS VOLUME 63, Nos. 1&2 SPRING-SUMMER, 2005 SCN, an official organ of the Milton Society of America and of the Milton Section of the Modern Language Association, is published as a double issue two times each year with the support of the English Departments of: University of Akron Oklahoma State University Texas A&M University SUBMISSIONS: Though primarily a review journal, SCN publishes shorter articles and scholarly notes (3000 words). Manuscripts should be submitted in duplicate (with the author’s name and institutional affiliation on the cover page only), accompanied by a stamped, self-addressed envelope. As a service to the scholarly community, SCN also publishes news items. SUBSCRIPTIONS, Domestic and International. $20.00 ($25.00) for one year; $35.00 ($45.00) for two years; $50.00 ($65.00) for three years. Checks or money orders are payable to Seventeenth-Century News. A current style sheet, announce- ments, previous volumes’ Tables of Contents, advertising rates, and other infor- mation all may be obtained via our home page on the World Wide Web. Books for review and queries should be sent to: Prof. Donald R. Dickson English Department 4227 Texas A&M University College Station, Texas 77843-4227 E-Mail: [email protected] WWW: http://www-english.tamu.edu/pubs/scn/ ISSN 0037-3028 SEVENTEENTH-CENTURY NEWS EDITOR DONALD R. DICKSON Texas A&M University EDITOR EMERITUS Harrison T. Meserole Texas A&M University ASSOCIATE EDITORS James Egan, University of Akron Jeffrey Walker, Oklahoma State University Michele Marrapodi, University of Palermo Patricia Garcia Ocañas, Our Lady of the Lake University EDITORIAL ASSISTANTS Christopher E. Garrett, Texas A&M University Michael Mattair, Texas A&M University CONTENTS VOLUME 63, NOS. 1&2 SPRING-SUMMER, 2005 REVIEWS William A. Dyrness, Reformed Theology and Visual Culture: the Protestant Imagination from Calvin to Edwards. Review by GRAHAM PARRY ............................. 1 Gerald Curzon, Wotton and His Worlds: Spying, Science and Venetian Intrigues Review by DENNIS FLYNN ................................................................... 4 Robert Whalen, The Poetry of Immanence: Sacrament in Donne and Herbert. Re- view by JONATHAN NAUMAN ............................................................... 7 Jessica Wolfe, Humanism, Machinery, and Renaissance Literature. Review by IRA CLARK .................................................................................................. 14 Adam Smyth, “Profit and Delight”: Printed Miscellanies in England, 1640-1682. Review by A.H. DE QUEHEN .............................................................. 17 Katherine Gillespie, Domesticity and Dissent in the Seventeenth Century: English Women’s Writing and the Public Sphere. Review by JEROME S. DEES .................... 20 Deborah G. Burks, Horrid Spectacle: Violation in the Theater of Early Modern England. Review by CHRISTOPHER J. WHEATLEY .............................. 24 Susan Green and Steven N. Zwicker, eds. John Dryden: A Miscellany. And Claude Rawson and Aaron Santesso, eds. John Dryden (1631-1700): His Politics, His Plays, and His Poets. Reviews by JEROME DONNELLY ........ 27 Gillian Wagner, Thomas Coram, Gent. 1668-1751. Review by GILLIAN HENDERSHOT ..................................................................................... 31 Andrew McRae, Literature, Satire and the Early Stuart State. Review by MEL- ISSA MOHR ........................................................................................... 34 James Fitzmaurice, ed., Sociable Letters: Margaret Cavendish. Review by SARAH R. MOREMAN ....................................................................................... 37 Earl Miner, senior ed., Paradise Lost, 1668-1968: Three Centuries of Commentary. Review by JOHN MULRYAN ............................................................... 41 Mark R. Kelley, Michael Lieb, and John T. Shawcross, eds., Milton and the Grounds of Contention. Review by W. SCOTT HOWARD .......................... 43 Jonathan Gil Harris, Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England. Review by BYRON NELSON ................................................. 47 Julia Crick and Alexandra Walsham, eds., The Uses of Script and Print, 1300- 1700. Review by WILLIAM E. ENGEL ................................................ 50 Nancy E. Wright, Margaret Ferguson, A. R. Buck, eds., Women, Property, and the Letters of the Law in Early Modern England. Review by NANCY M. BUNKER ............................................................................ 53 Stefano Villani, ed., A True Account of the Great Tryals and Cruel Sufferings Under- gone by those Two Faithful Servants of God, Katherine Evans and Sarah Cheevers: La vicenda di due quacchere prigioniere dell’inquisizione di Malta. Review by JULIE D. CAMPBELL ...................................................................................... 57 Laurel Amtower and Dorothea Kehler, eds.,The Single Woman in Medieval and Early Modern England: Her Life and Representation. Review by LISSA BEAUCHAMP ....................................................................................... 60 Mary S. Hartman, The Household and the Making of History: A Subversive View of the Western Past. Review by R. BURR LITCHFIELD .............................. 64 Jesús Escobar, The Plaza Mayor and the Shaping of Baroque Madrid. Review by ELIZABETH R. WRIGHT ...................................................................... 66 Vanessa Harding, The Dead and the Living in Paris and London, 1500-1600. Review by EDNA RUTH YAHIL .......................................................... 69 Brian Mann, ed., The Madrigals of Michelangelo Rossi. Review by ANDREW H. WEAVER ............................................................................................. 71 John Broad, Transforming English Rural Society: The Verneys and the Claydons, 1600- 1820. Review by CATHERINE PATTERSON ....................................... 75 Guy Rowlands, The Dynastic State and the Army under Louis XIV: Royal Service and Private Interest, 1661-1701. Review by WENDY F. KASINEC .......... 77 Alan James, The Navy and Government in Early Modern France 1572-1661. Re- view by EDWARD M. FURGOL ........................................................... 79 Richard Butterwick, ed., The Polish-Lithuanian Monarchy in European Context, c.1500-1795. Review by JAKUB BASISTA ............................................ 82 Emmanuelle Hénin, Ut Pictura Theatrum: Théâtre et peinture de la Renaissance italienne au classicisme français. Review by KIKI GOUNARIDOU AND JESSICA RUSSELL ............................................................................................. 84 T. R. Langley, Image Government: Monarchical Metamorphoses in English Literature and Art. Review by STEPHEN GLEISSNER ........................................ 89 Anat Gilboa, Images of the Feminine in Rembrandt’s Work. Review by LISA ROSENTHAL ....................................................................................... 92 Alice Jarrard, Architecture as Performance in Seventeenth-Century Europe: Court Ritual in Modena, Rome, and Paris. Review by ALLISON LEE PALMER ............ 95 Maryvelma Smith O’Neil, Giovanni Baglione: Artistic Reputation in Baroque Rome. Review by JEFFREY FONTANA .......................................................... 98 NEO-LATIN NEWS ........................................................................ 102 NEWS .................................................................................................. 132 REVIEWS 1 William A. Dyrness. Reformed Theology and Visual Culture: the Protestant Imagination from Calvin to Edwards. Cambridge: Cambridge University Press, 2004. xv + 339 pp. + 43 illus. $85.00. Review by GRAHAM PARRY, UNIVERSITY OF YORK. William Dyrness writes as an American professor of theology enquiring into the causes of the bleakness of the Reformed churches he frequents. These interiors were intended as containers for congregations who came in order to hear the word of God. Is their plainness simply a denial of tradi- tional religious aesthetics, or was their doctrinaire rejection of imagery and colour a way of intensifying the inward workings of the spiritual imagination that had no need of external supports? In his introductory remarks Dyrness confesses to a certain sense of deprivation in his settings of worship, and even suggests that Reformed Protestants generally have a diminished response to the visual arts and to the beauty of the world around them. Taking as a starting point the belief that most American Protestants have lost touch with the historical reasons for their plain church settings, he explores the arguments for and against imagery in churches from the beginnings of the Reformation in Germany to eighteenth-century New England. The question that Dyrness raises is: Was there in any positive sense a Puritan aesthetic? We are accustomed to characterising Puritan responses to the material world as wary, suspicious, or hostile, yet their preachers did on occasion evoke the complex harmony of the creation as evidence of God’s goodness towards mankind, and some of them were prepared to admit that natural beauty revealed something of divinity. In attempting to identify an aesthetic sense that is demonstrably Puritan, Dyrness gets drawn into an am- bitious yet not always rewarding survey of the artistic activities of the
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